What’s New with Old Rioja

Located in north-central Spain, along the Ebro River, the Rioja region is made up of three subregions – Alta, Alavesa and Baja – and holds Spain’s highest quality wine classification, DOCa.

Within Rioja (as in the rest of Spain), aging requirements for wines and their labels are legally defined. For each term, a minimum aging period in oak and bottle applies, but producers are permitted to and often do exceed these minimum requirements.

• Joven/Cosecha – young wines, no aging requirements

• Crianza – 12-18 months in oak + 1 yr in bottle

• Reserva – 18-24 in oak + 1-2 years in bottle

• Gran Reserva – 24-36 months + 3 yrs in bottle

Although there are similar aging terms applied to whites and rosés, the length of time is reduced, preventing the wines from otherwise being overwhelmed by oak.

At the Vibrant Rioja trade tasting earlier this year, some interesting wines and equally interesting production techniques came across my radar.

In an unusual move, producer Sierra Cantabria employed the use of carbonic maceration as part of its fermentation process for its Cuvée in an attempt to get significant fruit concentration. The wine then spent 14 months aging in French and American oak.

At San Vicente, the observation of vines with hairy leaves in their vineyard, led to the discovery of a clone of Tempranillo now known as Tempranillo Peludo. There are 50ha on the estate, which have been isolated from the rest of the property. Surprisingly, this clone seems to prefer clay soils, as opposed to the sandy and stony soils preferred by other Tempranillo vines.

While Rioja is generally produced from some combination of Tempranillo, Garnacha, Mazuelo and Graciano, winemaker David Sampedro from Bodega Don Sancho de Londono blends in 5% Viura, a white grape variety, in his Phincas 2008.

Cepas Antiguas’ importer asked if the estate would produce an unaged wine from 40 year-old vines, which is unheard of for a Joven wine, with some grapes harvested from vines as old as 80 years. Why? The importer wanted to show the terroir. At $12.00 retail, this is an excellent wine for the price, providing much more complexity than other young wines with a well integrated palate.

Although most wineries produce a range of Rioja wines from Joven through Gran Reserva levels, the Valenciso estate only makes one wine and it is always at the Reserva level.

These wines highlight just some of the diversity and innovation taking place in Rioja today.

 

TASTING NOTES

Sierra Cantabria Cuvee 2007, 100% Tempranillo, $30.00 SRP
Very fruit focused nose of blackcherry and raspberry, but the palate was more oak driven with notes of cedar, spice with a strawberry undercurrent.

R. Lopez de Heredia – Vina Tondonia Reserva White 1993, blend of Viura and Malvasia, $43.00 SRP
Slight oxidative note, showing some development, herbal and citrus notes. Honey, oxidized, and apricot flavors, with medium+ acidity, medium+ body and long length.

Cortijo 2010, 80% Tempranillo, 20% Garnacha; $10.00 SRP
Strawberry and leafy notes on the nose. Very lush fruit on the palate – strawberry and tobacco leaf, medium+ length.

Phincas 2008, 70% Tempranillo, 15% Graciano, 10% Garnacha, 5%; $38.00 SRP
Very modern in style and very tannic – needs time to mellow.

Cepas Antiguas Tempranillo 2009, 100% Tempranillo; $12.00 SRP
Strawberry, herbs, tobacco on the palate and nose. Full body, nice acidity and medium+ length.

Valenciso Reserva 2004, 100% Tempranillo; $40.00 SRP
aged in 100% French barriques. The wine was showing some development on the nose with faint fruit notes, oak, leaf/tobacco. On the  palate, the strawberry and raspberry flavors were more prominent, joined by the leaf/tobacco notes, all of which lingered on the long palate.

Navarra: Ancient Kingdom of Modern Wines

Our mother made the pimentos, she tells us. Seemingly in the middle of nowhere, we sit outside under the shade of an arbor on a sun-filled summer’s day. An enormous feast is suddenly set before us – salad, sausages, tortillas, jamon, pimentos, cheese, while bottles of wine, tasted earlier at the Ochoa winery, stand at attention, ready to poured. We are joined by Adrianna, Beatriz and Pablo and are treated like dear old friends of the family.

A few days later, a modern box suspended high above the vineyards serves as the site for lunch. Javier points out the Otazu winery and other buildings on the estate from this vantage point. Juxtaposed, the two scenes seem unlinked, but, in fact, they are indicative of Navarra’s dichotomy of old and new co-existing throughout the region.

Two wolves adorn the Ochoa crest, the Basque word for which is ochoa. The family can trace its winemaking roots to a document dated 1370 in which Queen Juana (Carlos II’s wife) orders payment to wine merchant, Ochoa de Ayanz. Several towns away, in Ujué, a mural in a Romanesque church features a similar crest, almost as further evidence of the Ochoa heritage. Stretching back farther to the Romans, Navarra has been at the crossroads of many cultures for centuries. At Villa Romana de Arellano, the dolias unearthed by a farmer show that wine was an important product from the very beginning.

More currently, Ochoa has played a pivotal role in Navarra’s wine industry with Javier Ochoa’s role in establishing EVENA (Navarra Viticulture and Oenology Station). Continuing the family’s winemaking legacy, daughter Adriana recently took over as head winemaker and sister, Beatriz, handles marketing and sales. Reflective of Navarra’s international outlook, Adriana studied viticulture and enology in Bordeaux, France and worked the harvest in Australia before taking the reins from dad.

This duality of tradition and modernity can be seen over and over again in different forms. When we arrive, the town of Puente la Reina is bustling with activity – people sit outside in cafes and bars enjoying tapas and other treats in the summer’s afternoon. A veritable tower of Babel, a mix of languages and accents are heard as we catch snippets of conversations when we pass by. The year is 2011, but we would have found a nearly identical scene had it been 1211. Situated along the Camino de Santiago, Puente la Reina, in the heart of Navarra, is just one of the many towns that were built to provide the pilgrims with food and shelter as they made their way to Santiago de Campostela, bringing their customs and cultures as they passed through.

Further down the road, the well-worn and well-signed path snakes its way past a medieval castle at Castillo Monjardin. The castle and its eponymous winery are presided over by Sonia and her husband, Victor. While not part of Spain’s monarchy, there is a royal air about the place, which recalls Navarra’s history as a separate kingdom (maintaining its independence until it succumbed to the Castilian empire in 1512).  Planted to Chardonnay, Tempranillo, Cabernet Sauvignon and Merlot, their vineyards underscore Navarra’s link to France. In fact, the Compte de Champagne, Theobald, also held the title of King of Navarra.

Similarly, at Otazu, Javier leads us through the ancient cellars, stopping to point out an alter that dates to the 14th century. After walking the long corridor, we turn to our right and are confronted by a set of glass doors that serve as the entrance to the new barrel room. Though just steps away, we are suddenly transported seven centuries to what is best described as a modern temple truly dedicated to Bacchus, with 1,000+ French oak barrels resting under the vaulted ceiling.

Nearby, St. Martin de Unx’s winemaker proudly professes the winery’s commitment to Spanish varieties: Garnacha, Tempranillo and Viura. While the co-op sticks to traditional grapes, it is experimenting with Navarran oak, grown in local forests, and, as he is quick to point out, are the only ones to be conducting such trials, another point of pride. In a nod to the future, the winery also created a semi-sweet rosé to appeal to the younger generation of Spaniards who crave Coke® instead of wine.

Testing is also alive and well at Inurrieta, which planted Sauvignon Blanc before it became an authorized grape for the DO. Now, its two Sauvignon Blancs garner critical acclaim.

Produced from both native and international grape varieties, Navarra’s wines speak to the history and tradition of the region, while making room for what is to come. However, what is most striking about these wines is their quality. In tasting one after another, there was concentration, complexity and beautiful balance. Even more amazing, when inquiring about retail prices, most wines fall under $20.00, with quite a few under $15.00.

With its long tenure of winemaking, international influences and openness to trying new things, Navarra’s wineries remain true to this heritage. What the future holds for Navarra is anyone’s guess, but it is sure to be focused on innovation, while being strongly anchored in the region’s culturally diverse past.

 

Tasting Notes

Inurrieta Orchidea Sauvignon Blanc 2010, Navarra, Spain, $10.00
While Sauvignon Blanc is newly authorized for the region, Inurrieta produces two, with the Orchidea its unwooded venture with this grape. Aromas of citrus and tropical fruit give way to high acidity, citrus, especially grapefruit, with a slight floral note. The sur lie treatment adds some roundness to the palate, which culminates in medium+ length.

Castillo de Monjardin Chardonnay Reserva 2007, Navarra, Spain, $19.00
Castillo de Monjardin is the only one producing a Reserva-level Chardonnay. Having been barrel fermented and aged in French oak, this wine provides notes of apple, spice, butterscotch and vanilla on the nose. Its palate is full-bodied with apple, lime, spice and slight oak flavors. Overall, this wine is complex, bright and creamy, with long length.

Ochoa Rosado Lágrima 2010, Navarra, Spain, $11.00
Navarra is well-known for its rosés (aka rosados) and with good reason. The more “serious” of Ochoa’s rosés, the Lágrima is comprised of 50% each of Garnacha and Cabernet Sauvignon, with deep pink hue. Floral and berry aromas persist on the palate, along with depth and structure due to the wine’s slight tannic grip, herbal character and long length.

Senorio de Unx Reserva 2004, Navarra, Spain, $20.00
Produced from 90% Tempranillo and 10% Garnarcha, the Reserva spent 15 months in a combination of French and American oak. The nose offers dried herbs, floral, spice and raisin, while the palate emphasizes dried figs, red fruit and sweet spice. With its medium+ tannins, full body and long length, this wine could continue to age and develop with time.

Otazu Pago de Otazu 2006, Navarra, Spain, $32.00
The Pago designation, which supersedes the DOCa level, was added to Spain’s wine laws in 2006 and is only awarded to very best estates (to date, there are only 10 Vinos de Pago throughout all of Spain). A blend of 90% Cabernet Sauvignon and 10% Tempranillo, this wine displays wet earth, dried herbs, red fruit and cinnamon on the nose. The full-bodied palate has medium+ acidity, medium tannins with notes of red fruit and earth, which linger in the long length.

Grand Cru Grapevine: Navarra – Ancient Kingdom of Modern Wines (July 2011)

With summer in full swing, we hope you are taking advantage of the great weather and having fun!

While there are many fun activities taking place on the East End this season, consider attending the James Beard Foundation’s annual Chefs and Champagne. This star-studded event raises money for the foundation’s scholarships and will honor Emeril Lagasse. Featuring food from top toques (the chefs) and Nicolas Feuillatte Champagne, this gala celebration takes place at Wölffer Estate on Saturday, July 23, 2011. For more information, see the James Beard website.

Also, mark your calendar for the second annual HARVEST: Wine Auction and Celebration of Long Island’s East End, which will take place on September 17, 2011. Leading up to the big event, wine salons will be offered on September 3, 10 and 17, with Grand Cru Classes presenting a special Mad about Merlot session on September 10 at 11:00 AM.

Do chocolate and wine pair well together? Some say yes, some say no way! Settle the debate with our wine and chocolate tasting event on August 14. Roxanne Browning of Exotic Chocolate Tasting will share the world of artisanal chocolate from bean to bar, while Tracy will focus on the world of wine, with a delicious line-up of wines carefully selected to pair with Roxanne’s chocolates. Visit our website to sign up for this and all other classes.

Finally, we are also pleased to announce the Grand Cru Classes was featured in the first edition of CRAVE New York City – The Urban Girl’s Manifesto, which profiles local, women-owned businesses.

Drink wisely and well,

Tracy Ellen Kamens, Ed.D., DWS, CWE
CEO: Chief Education Officer

and

Jared Michael Skolnick
COO: Cork Opening Officer

Navarra: Ancient Kingdom of Modern Wines

Our mother made the pimentos, she tells us. Seemingly in the middle of nowhere, we sit outside under the shade of an arbor on a sun-filled summer’s day. An enormous feast is suddenly set before us – salad, sausages, tortillas, jamon, pimentos, cheese, while bottles of wine, tasted earlier at the Ochoa winery, stand at attention, ready to poured. We are joined by Adrianna, Beatriz and Pablo and are treated like dear old friends of the family.

A few days later, a modern box suspended high above the vineyards serves as the site for lunch. Javier points out the Otazu winery and other buildings on the estate from this vantage point. Juxtaposed, the two scenes seem unlinked, but, in fact, they are indicative of Navarra’s dichotomy of old and new co-existing throughout the region.

Two wolves adorn the Ochoa crest, the Basque word for which is ochoa. The family can trace its winemaking roots to a document dated 1370 in which Queen Juana (Carlos II’s wife) orders payment to wine merchant, Ochoa de Ayanz. Several towns away, in Ujué, a mural in a Romanesque church features a similar crest, almost as further evidence of the Ochoa heritage. Stretching back farther to the Romans, Navarra has been at the crossroads of many cultures for centuries. At Villa Romana de Arellano, the dolias unearthed by a farmer show that wine was an important product from the very beginning.

More currently, Ochoa has played a pivotal role in Navarra’s wine industry with Javier Ochoa’s role in establishing EVENA (Navarra Viticulture and Oenology Station). Continuing the family’s winemaking legacy, daughter Adriana recently took over as head winemaker and sister, Beatriz, handles marketing and sales. Reflective of Navarra’s international outlook, Adriana studied viticulture and enology in Bordeaux, France and worked the harvest in Australia before taking the reins from dad.

This duality of tradition and modernity can be seen over and over again in different forms. When we arrive, the town of Puente la Reina is bustling with activity – people sit outside in cafes and bars enjoying tapas and other treats in the summer’s afternoon. A veritable tower of Babel, a mix of languages and accents are heard as we catch snippets of conversations when we pass by. The year is 2011, but we would have found a nearly identical scene had it been 1211. Situated along the Camino de Santiago, Puente la Reina, in the heart of Navarra, is just one of the many towns that were built to provide the pilgrims with food and shelter as they made their way to Santiago de Campostela, bringing their customs and cultures as they passed through.

Further down the road, the well-worn and well-signed path snakes its way past a medieval castle at Castillo Monjardin. The castle and its eponymous winery are presided over by Sonia and her husband, Victor. While not part of Spain’s monarchy, there is a royal air about the place, which recalls Navarra’s history as a separate kingdom (maintaining its independence until it succumbed to the Castilian empire in 1512). Planted to Chardonnay, Tempranillo, Cabernet Sauvignon and Merlot, their vineyards underscore Navarra’s link to France. In fact, the Compte de Champagne, Theobald, also held the title of King of Navarra.

Similarly, at Otazu, Javier leads us through the ancient cellars, stopping to point out an alter that dates to the 14th century. After walking the long corridor, we turn to our right and are confronted by a set of glass doors that serve as the entrance to the new barrel room. Though just steps away, we are suddenly transported seven centuries to what is best described as a modern temple truly dedicated to Bacchus, with 1,000+ French oak barrels resting under the vaulted ceiling.

Nearby, St. Martin de Unx’s winemaker proudly professes the winery’s commitment to Spanish varieties: Garnacha, Tempranillo and Viura. While the co-op sticks to traditional grapes, it is experimenting with Navarran oak, grown in local forests, and, as he is quick to point out, are the only ones to be conducting such trials, another point of pride. Testing is also alive and well at Inurrieta, which planted Sauvignon Blanc before it became an authorized grape for the DO. Now, its two Sauvignon Blancs garner critical acclaim.

Produced from both native and international grape varieties, Navarra’s wines speak to the history and tradition of the region, while making room for what is to come. However, what is most striking about these wines is their quality. In tasting one after another, there was concentration, complexity and beautiful balance. Even more amazing, when inquiring about retail prices, most wines fall under $20.00, with quite a few under $15.00.

With its long tenure of winemaking, international influences and openness to trying new things, Navarra’s wineries remain true to this heritage. What the future holds for Navarra is anyone’s guess, but it is sure to be focused on innovation, while being strongly anchored in the region’s culturally diverse past.

 

Tasting Notes

Inurrieta Orchidea Sauvignon Blanc 2010, Navarra, Spain, $10.00
While Sauvignon Blanc is newly authorized for the region, Inurrieta produces two, with the Orchidea its unwooded venture with this grape. Aromas of citrus and tropical fruit give way to high acidity, citrus, especially grapefruit, with a slight floral note. The sur lie treatment adds some roundness to the palate, which culminates in medium+ length.

Castillo de Monjardin Chardonnay Reserva 2007, Navarra, Spain, $19.00
Castillo de Monjardin is the only one producing a Reserva-level Chardonnay. Having been barrel fermented and aged in French oak, this wine provides notes of apple, spice, butterscotch and vanilla on the nose. Its palate is full-bodied with apple, lime, spice and slight oak flavors. Overall, this wine is complex, bright and creamy, with long length.

Ochoa Rosado Lágrima 2010, Navarra, Spain, $11.00
Navarra is well-known for its rosés (aka rosados) and with good reason. The more “serious” of Ochoa’s rosés, the Lágrima is comprised of 50% each of Garnacha and Cabernet Sauvignon, with deep pink hue. Floral and berry aromas persist on the palate, along with depth and structure due to the wine’s slight tannic grip, herbal character and long length.

Senorio de Unx Reserva 2004, Navarra, Spain, $20.00
Produced from 90% Tempranillo and 10% Garnarcha, the Reserva spent 15 months in a combination of French and American oak. The nose offers dried herbs, floral, spice and raisin, while the palate emphasizes dried figs, red fruit and sweet spice. With its medium+ tannins, full body and long length, this wine could continue to age and develop with time.

Otazu Pago de Otazu 2006, Navarra, Spain, $32.00
The Pago designation, which supersedes the DOCa level, was added to Spain’s wine laws in 2006 and is only awarded to very best estates (to date, there are only 10 Vinos de Pago throughout all of Spain). A blend of 90% Cabernet Sauvignon and 10% Tempranillo, this wine displays wet earth, dried herbs, red fruit and cinnamon on the nose. The full-bodied palate has medium+ acidity, medium tannins with notes of red fruit and earth, which linger in the long length.

Flights of whites

In preparation for my AWS Wine Judging Training Program exam, which was held in early November 2010, I spent the summer blind tasting through different flights of wine. It was both a challenge to see which wines I could identify by either the grape variety or the appellation as well as to determine how several wines tasted in comparison to one another. NB: Tasting notes appear below the description of the two blind tasting exercises.

Flight 1: June 5, 2010
This flight included four white wines (all samples).
While I knew the identity of the four wines, I did not know which wine was in which glass. I sat down, began to taste and take notes and made some initial observations. The first glass showed notes of citrus, stone and a hint of butter, which repeated on the palate. The aromas in the second glass were quite pronounced and I detected citrus (specifically, pink grapefruit) and minerality on the nose and the palate. I suspected that this might be the New Zealand Sauvignon Blanc, but as I hadn’t tasted through all four wines yet, I wanted to reserve final judgement until the end. I was glad that I did because the very next glass made it evident that I would have been wrong. Yes, glass # 2 was very concentrated with its citrus notes, but glass #3 had unmistakable herbaceous notes of green pepper. The fourth glass exhibited notes of oak and other barrel-derived aromas and flavors (cinnamon and toasted nuts). Knowing that there was a California Chardonnay in the mix, I attributed this wine, with its oak influence, to be the Chardonnay. Wrong again! Unbeknownst to me, one of the Rueda wines had been produced in a wooded style. The wine was not a Chardonnay, but rather a Verdejo. All in all, it was a very educational experience, helping me to see how my methology was working even if I sometimes arrived at the wrong conclusion. In any case, the wines were all quite enjoyable.

Flight 2: July 24, 2010
This flight included four white wines (all samples).
Again, the identity of the four white wines (all samples) were known to me, but the order in which I tasted them was a mystery. We had another houseful of guests, so they were also invited to participate. They declined the rigor of blind tasting, but enjoyed tasting a few different wines separately. With a pair of Rueda wines and a pair of Gruner Veltliners, I was curious as to whether I would be able to determine which two wines were produced from the same grape variety, even if I wasn’t sure which grape variety that was. The first glass had melon and citrus notes, while the second glass was more complex with earth and herbal aromas and flavors. Glass #3 was again aromatically citrus with lemon and lime, but also showing some minerality. It seemed more similar to glass #1 than to glass #2. The fourth glass offered earth and citrus on the nose and palate and appeared to be showing some development, while the other three glasses were all youthful. While I wasn’t sure if glass #4 was a Verdejo or Gruner Veltliner, I was fairly certain it was the same as glass #2. Upon revealing the wines’ identities, I had correctly identified the pairs, even though I had been unsure as to the actual grape variety.

TASTING NOTES

Flight 1
-Bodega Matarromera Emina Verdejo 2009, Rueda, Spain, $9.00
100% Verdejo; Stainless steel fermentation.
Medium+ aromas of pink grapefruit. Dry, medium acidity, medium body, grapefruit, mineral, pith; good concentration, long length.

-Bodega Matarromera Seleccion Personal Carlos Moro Emina Verdejo 2008, Rueda, Spain, $36.00
100% Verdejo; Fermented and aged for four months in French oak barrels.
Medium notes of toasted nuts, green apple, cinnamon. Dry, medium acidity, full body, apple, pear and an undercurrent of wood/toothpick, nuts; long length.

-Bouchaine Estate Chardonnay 2008, Napa Valley and Carneros (CA), USA, $25.00
100% Chardonnay; 70% barrel-fermented and aged (1-4 year old wood); 30% fermented and aged in stainless steel.
Medium aromas of citrus, stone and a hint of butter. Dry, medium acidity, medium+ body, citrus, stone, pith and medium+ alcohol; long length.

-90+ Cellars Lot 2 Sauvignon Blanc 2009, Marlborough, NZ, $12.00
100% Sauvignon Blanc; Stainless steel fermented.
Medium+ herbal and citrus notes. Dry, medium+ acidity, medium body, citrus, pepper, green pepper; long length.

Flight 2
-Javier Sanz Villa Narcisa, Rueda, Spain, $16.50
100% Verdejo; Stainless steel fermentation.
Medium aromas of melon and grapefruit. Dry, medium+ acidity, melon, citrus, pith; medium length.

-Laurent V SINGING Gruner Veltliner 2009, Niederösterreich, Austria, $15.00
100% Gruner Veltliner; Stainless steel fermentation.
Earth and citrus aromas. Dry, medium+ acidity, lime, pith, herbal flavors; medium+ length.

-Laurenz V CHARMING Gruner Veltliner 2006, Kamptal, Austria, $27.00
100% Gruner Veltliner; Stainless steel fermentation.
Aromas of grapefruit and showing some development with notes of damp earth. Dry, medium acidity, earth, melon and grapefruit; medium+ length.
This was our favorite Gruner Veltliner of the flight.

-Pagos del Rey Analivia Verdejo, $11.00
100% Verdejo; Stainless steel fermentation.
Medium notes of lemon, lime, minerality. Dry, medium+/high acidity, lime, minerality; long length.
This was our favorite Verdejo of the flight.