Category Archives: Spain

Vintae, in search of Spain’s greatest hits

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Ricardo Arambarri is a man on a mission: scouring Spain for great grapes and sharing them with the world. Fortunately, he seems to have the energy and stamina to do so. In fact, he admitted that his energy is often too much for his girlfriend, so she is thankful that he “lives on the plane,” she can catch up on sleep while he is traveling.

Energy aside, despite being born and raised in the heart of the Rioja wine region, Ricardo’s vinous destiny was not assured. Yes, his family had been tending to their own vineyards in the region for generations, but, Ricardo’s dad, José Miguel Arambarri, detested working in the field and left Logroño in order to pursue a more satisfying career. However, in the late 1990s, José Miguel decided to invest in the family business and returned home to reinvigorate the vineyards.

As a young man, Ricardo, too, was anxious to leave his small town and see the world, studying first in Barcelona and then settling in Texas after graduation. His plan was to eventually move to New York, but as they say, the best laid plans… Unfortunately, José Miguel suffered a stroke (he has since fully recovered), forcing Ricardo to head back to Spain.

But, the upside of that tragedy was that he was inspired to create a company focused on making quality wine in Spain. Now, ten years on, Vintae produces wines in 15 different regions, expanding the portfolio as they explore up-and-coming areas. The company’s overarching philosophy is to show the diversity of Spain, while providing wines that are accessible to consumers, easy to enjoy and drinkable upon release.

With an MBA under his belt, Ricardo serves as CEO and is responsible for the business-side of Vintae’s operations, while his business partner serves as Technical Director, overseeing decisions in the vineyards. As the company continues to collaborate with its various growers, they are particularly driven by a goal of becoming 100% organic in the near future.

Beyond this specific goal, Ricardo and, by extension, Vintae, is firmly focused on the future of Spain and its wines, looking for opportunities to capitalize on its improved quality. In particular, he sees an upsurge in the prestige with Spanish whites, especially those from the Atlantic coastal areas such as Galicia. Consequently, Vintae launched its Atlantis range in 2015, which features whites from these regions. Its Albarino from Rias Baixas is sourced fruit from the sunnier (hence warmer and drier) sub-region of Condado de Tea. The range also includes a Hondarrabi Zuri from Txakoli, Godello from Valdoeras and Treixadura from Ribeiro.

Given the Arambarri’s Rioja heritage, it is not surprising that Rioja figures prominently in the company’s portfolio, with Hacienda Lopez de Haro added as early as 2003. Ricardo refers to these wines as being of the “contemporary classic style,” marrying the classic style of long aging in American oak, with the more fruit forward styles of the 1990s. He further notes that theirs has finesse, elegance and a good balance between fruit and oak, with a preference for aging the wines in used barrels.

Another lesser-known region where Vintae has been particularly active is Toro. This region is situated in Castilla y Leon and is known for its powerful wines produced from the Tempranillo grape, here called Tinta de Toro. Yet, in keeping with Vintae’s vinous aesthetic, they seek to craft wines that are more approachable than traditional Toro. To do so, they harvest early, shorten maceration times and ferment in concrete tanks, resulting in Toro wines that have been accused of being “too Rioja!”

But, if their production of Toro wines is less than conventional, their appreciation for the terroir, its preponderance of pre-phylloxera vines and its hardworking people is no less intense. In homage to the men and women who toil in Toro – which is known for having nine months of winter and three months of hell – their Matsu range (from the Japanese word for “wait”) fondly features photos of local grape growers on its labels.

Not content to conquer Spain, Vintae has also turned its attention to Chile, launching its Kudaw range also in 2015. But, it is clear that Ricardo continues to set his sights on new and novel areas of Spain, so it is likely that Vintae’s Spanish portfolio will grow further in time, fueled by his incessant energy and lots of time on a plane.

TASTING NOTES
Atlantis Albarino 2017, Rias Baixas, Spain, $14.99
This wines displays lovely minerality and a slightly marine character, along with fresh citrus, ripe apple, an unctuous texture and long length.

Bodega Classica Lopez de Haro Reserva 2013, Rioja, Spain, $17.99
Ricardo explained that 2013 was a cold vintage, resulting in lighter style wines, which I found to be a really elegant expression in the glass with aromas and flavors of spice, oak, and strawberry on the dry, medium-bodied palate.

Bodega Classica Lopez de Haro Gran Reserva 2009, Rioja, Spain, $28.99
Hailing from a warmer vintage and the recipient of longer oak aging, this wine offered up darker red fruit, more overt oak, fuller body and a more structured palate.

Matsu El Recio 2016, Toro, Spain, $24.99
Produced from 90- to 100-year old vines, this wine spent 14 months in used French oak barrels. Aromas of spice, black fruit and floral persisted on the palate, with long length.

Matsu El Viego 2015, Toro, Spain, $59.99
This wine is made from a selection of the best grapes from 100+-year-old vineyards. Powerful and intense with black fruit, spice, firm tannins, fresh acidity and full body, culminating in long length.

CVNE: The Wine Company from the North of Spain

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CVNE is not just any winery from northern Spain. No, really, it is the winery from northern Spain. The name CVNE, pronounced Q-nay, is actually an acronym: Compania Vinicola del Norte de Espana, which literally translates as “Wine Company from the North of Spain.”

Admittedly it might not have been the most original moniker when the company was founded in 1879, but the nondescript name actually suits the winery just fine. As Victor Urrutia Ybarra, its current CEO, asserts, a great winery is much more than a family name or dynasty or as the work of a specific winemaker. Rather, its products continually deliver on quality unrelated to the particular people behind the bottle. That being said, CVNE’s winemakers hang around a long time; there have only been five in its 100-plus year history.

And, while Victor is a part of CVNE’s heritage (he is a member of the fifth generation of the founding family), he took the job practically kicking and screaming all the way. Well, not really, but he was certainly a reluctant bride to the CVNE bridegroom, agreeing first to a single-year contract to see if it would work out. This was followed by a second, and then a third, single-year contract, by which time, he realized that he enjoyed the role after all. And, he has stepped into the position as if born to it (which perhaps he was).

Despite his initial reluctance, his arrival on the CVNE scene was well-timed and well-played. Bringing his expertise and training as a management consultant (he worked in Brazil for a U.S. consulting firm prior to joining CVNE), he has dramatically transformed the brand, raising its prominence both in Spain and globally over the past 15 years.

His marketing and business acumen led him to focus first on building out the export side when he took over. These efforts have been buoyed by the buying up of distribution channels and, more recently, with an expansion of the brand. This latter endeavor has been primarily centered on the purchase of abandoned vineyards and undervalued properties, especially in emerging regions. Consequently, CVNE now produces wine in Galicia, Ribera del Duero and in Catalonia, thanks to the acquisition of a Cava producer.

But, business know-how can only take you so far. It is through these changes, coupled with the company’s continued commitment to quality, that CVNE has garnered significant success. Among its many awards, was the recognition of its Imperial Gran Reserva 2004 as the #1 Wine of the Year (in 2013) by Wine Spectator magazine, the first time that a wine from Spain received this honor, further elevating the brand’s reputation and reach. The winery has also been ranked among the top 100 wineries in the world by Wine & Spirits Magazine.

Such kudos echo the company’s earliest praise, having received Gold Medals at the 1889 International Exhibition in Paris, and at the 1890 International Exhibition in Antwerp as well as taking the Grand Prix at the Paris International Exhibition in 1900. The company’s current connection to its historical roots underscore Victor’s admonition that, “What defines our future is in our past.”

A prime example of this mantra is CVNE’s Monopole Clasico. First produced in 1915, it lays claim to being the oldest white wine brand in Spain. This unusual white was made with a small addition of Sherry to the blend, with the intent to counteract the low potential alcohol levels of the grapes at harvest and give it more backbone, which it did, along with a unique signature thanks to the Sherry’s yeastiness. Unfortunately, the wine fell out of fashion during the 1980s and CVNE stopped making altogether. However, thanks to interest from a visitor to the winery, they were inspired to reintroduce the wine, employing the original winemaker, Ezekiel, to teach them how to make it.

Another element of CVNE that marries its present with its past is its cellar, which has the rare distinction of having been designed by Gustav Eiffel. While previously, the winery wasn’t open to tourists, CVNE has gone all-in regarding wine tourism, welcoming 30,000 visitors annually, with time in the cellar featuring prominently in the visit. And, more recently, Victor purchased a derelict castle nearby, at which he plans to develop a more intimate tourist experience, along with a small winery, further adding to the company’s emphasis on welcoming the world at its door.

With its dedication to high quality wine production, sound and savvy business practices and a desire to grow strategically, CVNE is poised to not only sustain its current level of success, but, perhaps, to surpass it. Yet, as it extends its expansion outside of Rioja (aka the North of Spain), it might have to rethink its name ;-).

TASTING NOTES
Monopole Clasico Blanco Seco 2014, Rioja, Spain, $27.00
Given its inclusion of Sherry wine, this is not a true white Rioja, but that doesn’t make it any less delicious and, in fact, I was extremely impressed with its freshness and complexity. Dry, with bright acidity, apple and a hint of floral, culminating in long length.  It also has the ability to age with time.

Viña Real Crianza 2015, Rioja, Spain, $17.00
Hailing from a more delicate area within the Rioja region, this wine provides a juicy, fresher and younger expression of Rioja. Bright strawberry aromas and flavors with good acidity, slight oak and vanilla, long length.

Imperial Reserva 2012, Rioja, Spain, $45.00
This wine takes its name from its first bottling back in the 1920s when it was made for the English market and placed into Imperial Pint-sized vessels. Since then, Imperial has only been made in excellent vintages, with the intention of making the very best wine they can. Consequently, it is produced from a careful selection of top grapes from the company’s Rioja Alta vineyards. Notes of Spice, wood, strawberry, oak and clove, with medium acidity, medium body and very long length.

Imperial Gran Reserva 2011, Rioja, Spain, $80.00
As per law, the Gran Reserva spends a longer period of time aging in barrel than the Reserva wine, giving it more time to age and develop before being bottled and, ultimately, released. It also reflects the best selection of grapes. Silky smooth on the palate, this wine is still young, with red fruits, slight woodiness, elegance, finesse and a long finish. And, if that’s not enough to win you over, the 1994 vintage of this wine was served at Crown Prince (now King) Felipe’s royal wedding.

NB: If you are looking for a great place in New York City to try these (and many other Spanish wines), along with delicious tapas (such as those pictured), be sure to check out Casa Mono and its hospitable manager, Jahdea Gildin.

 

At Bodegas Beronia, It’s All About that Barrel

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Back in 1973, a group of friends (in Spain) realized that they loved good food and wine and decided to embark on a joint venture in making wine for themselves. Once they got started, they had way too much wine, so they began gifting the wine to business colleagues and selling to local restaurants.

But, their production levels were still too high for personal consumption, prompting them to look for a commercial partner. In 1982, the group crossed paths with Sherry producer (and wine company) Gonzalez Byass and soon entered into a partnership with them, enabling Bodegas Beronia to grow into a successful, international brand.

Concurrent with the partnership, Matias Calleja joined the team as winemaker and has been with Bodegas Beronia ever since. This year, Calleja will celebrate his 37th vintage with the company, having completed only one harvest elsewhere (in Tarragona, his first). Yet, despite his lengthy tenure, he is still enjoying his post and having fun.

Moreover, Calleja has had a lasting influence on Bodegas Beronia in establishing the winery’s distinctive style. In this regard, he has been at the forefront of how best to impart oak into the wine.

As a wine that requires lengthy aging, Rioja has always been about wood and, in particular, about American oak; there was no use of French oak until the 1970s.  Once both types of wood were in play, for many winemakers, it was a matter of determining the best blend of American and French barrels.

American oak imparts cocoa, mocha and a sweeter note to the wine, while French oak gives more spice, clove, vanilla and pepper notes. Calleja initially tried aging some of the wine in American oak and some in French oak and then, ultimately, blending the wine together. But, the results were less than satisfactory. Instead, he had the brainchild to blend the cask itself; all of the barrel staves are made from American oak (representing about 65% of the barrel), while the top and bottom are made from French oak.

Yet, in spite of all this emphasis on oak, he is adamant that the fruit comes first and the oak must be secondary.  So, while it may seem that it is all about that bass (aka the wood influence); it’s actually all about the fruit!

Calleja’s hybrid barrels are primarily used for the Crianza and Reserva levels of his Rioja, while the Gran Reserva spends 26-28 months in French barrels, since French oak is better for longer-aged wines. As Calleja explained, “It respects the fruit better.” Having the opportunity at a recent press lunch to taste through barrel samples of the same wine aged in three different barrel types was extremely instructive in understanding how the oak shows up in the wine.

In addition to its traditional Riojan reds, Bodegas Beronia also produces a Rueda ($13 SRP) and a Rosé (~$13). For the Rueda, the harvest is intentionally staggered and lees contact is undertaken, both of which add fullness to the wine. Plus, the fermentation temperature is carefully controlled. The result is a wine with good aromatics in addition to a rich and round palate, with medium+ body and freshness. The winery’s rosé has recently undergone a makeover due to demand from the market (the U.S. in particular), evolving from a dark-colored Tempranillo to one with a more Provençal style. The new wine brings together Tempranillo and Garnacha, with only three hours of skin contact, producing a more savory, delicate and drier wine than their previous version, with melon, peach and herbal notes.

RIOJA TASTING NOTES

Bodegas Beronia Reserva 2013, Rioja Spain, $20.00
As a Reserva-level Rioja, this wine  was aged for 20 months in hybrid barrels, before spending an additional two years in bottle. The wine offers up strawberry, black cherry, oak, vanilla and spice aromas with juicy fruit, bright acidity and ripe tannins on the medium+-bodied palate.

Bodegas Beronia Gran Reserva 2009, Rioja Spain, $30.00
Aged for  28 months in French oak, this wine displays beautiful fresh and dried floral aromas along with strawberry, clove and oak, which persist on the palate. It has lovely acidity, a full body and long length.

 

 

Navarra Wines, A Confluence of Cultures

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dsc_1696Situated in northern Spain, Navarra’s history stretches back to the Romans and includes close links to France, both in terms of its proximity to the country and the fact that the Count of Champagne, Theobald I, also held the title of King of Navarra. The region maintained its independence as a separate kingdom until it finally succumbed to the Castilian empire in 1512.

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Dolias at Villa Romana de Arellano

Coupled with this lengthy history is evidence (vinous vessels, called dolias, unearthed at Villa Romana de Arellano) that Navarran wine has been an important product from the very beginning.

Moreover, given Navarra’s place along the Camino de Santiago, it has been at the crossroads of many cultures for centuries. From the earliest days, pilgrims came from England, France, Germany and elsewhere throughout Europe, bringing their customs and cuttings as they passed through.

dsc_1487This heritage has infused Navarra and its wines with an international outlook and openness to trying new things, while still retaining its traditions. During a visit to the region in 2011, we saw an innovation with new winemaking techniques and experiments with novel grape varieties joined with an equally strong commitment to indigenous varieties.

Navarra’s also wines speak to the lifestyle of the region. The town of Puente la Reina is bustling with activity as people sit outside at cafes and bars on a hot summer’s afternoon, perfect for ordering pinchos (tapas) and a bottle of rosé, which make up 25% of Navarra’s total production. The fresh and fruity wine is the perfect accompaniment to the heat of the day and the diversity of food on the table. Whites play a smaller role, but Chardonnay, Viura and, as of 2008, Sauvignon Blanc, can be found.

dsc_1553Bridging this duality of old and new, the well-worn and well-signed Pilgrim’s Path snakes its way past the medieval castle at Castillo Monjardin. With its eponymous winery, this family estate dates to the 12th century and is currently presided over by Sonia De La Lama and her husband, Victor. Planted to French as well as Spanish grape varieties, their vineyards underscore Navarra’s historical link to France, even though French varieties have only been permitted since the 1980s. dsc_1550

The region’s primary Spanish grapes include Tempranillo and Garnacha, the latter of which are often old vines, averaging 60 to 70 years old. The resulting wines are typically fresher and lighter than their Rhone Valley counterparts due to the area’s elevation and mountains, yet they have great concentration due to the vines’ age.

Another winery with deep roots in the region is Bodegas Nekeas, which traces its vineyards to the 17th century. However, the current configuration of the company dates to 1989 when the descendants of these original grape growers pooled their lands and replanted them, eventually building a winery in 1993.

With a much shorter tenure, Bodegas Príncipe de Viana was created in 1983, taking its cue from an historic Navarran title of Spanish royal succession dating to 1423. Despite its regal name, the winery was actually developed as a way to provide financial assistance to Navarra’s farming industry.

Overall, Navarran wines are easy to drink, food-friendly varietal wines with an emphasis on fruit character. Yet, what is most striking about these wines is their quality. In tasting one wine after another, there is concentration, complexity and beautiful balance in the glass. Even more amazing, most are priced under $20.00 and quite a few are under $15.00, with aged wines – those labeled as Crianza and Reserva – generally topping out at $30.00.

TASTING NOTES


Principe de Viana Chardonnay 2015, Navarra, Spain, $12.00
Although the label proudly acknowledges that the wine was barrel fermented, it is actually quite clean and fresh with only light oak/toothpick notes. Otherwise, it primarily displays aromas of melon, citrus and tropical fruit.

Principe de Viana Edicion Rosa 2015, Navarra, Spain, $15.00
This 100% Garnacha wine is refreshing with bright melon and peach fruit aromas and flavors, good acidity and long length.

Castillo de Monjardin La Cantera Garnacha 2015, Navarra, Spain, $11.00
A really lovely, light-bodied, fresh red with bright red fruits and long length.

Bodegas Nekeas Vega Sindoa Tempranillo 2015, Navarra, Spain, $10.00
Tart strawberry fruit aromas are joined by a slight woody note on the bright, medium-to-full bodied palate.

A Summer for Sauvignon Blanc

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2016-06-20 19.14.52While Riesling and rosé are highly touted for the summer season, Sauvignon Blanc is equally well-suited for sipping this time of year. This citrus-scented grape variety is cultivated worldwide, resulting in a broad range of wine styles from which to choose.

However, among the most well-known areas associated with this grape is New Zealand and, in particular, the region of Marlborough. New Zealand producer Nobilo brings two Sauvignon Blancs to the table this season: its Regional Collection and Icon. Icon is the company’s flagship wine, having been established by the Nobilo family in 1943.

The grapes for Icon presently come from the Castle Cliffs Vineyard, planted in 2002 in the Awatere Valley. Conversely, while the grapes for the Regional Collection wine are primarily sourced from Awatere, they are supplemented with those from the Wairau, Southern and Waihopai valleys within the region and then blended together to create a more consistent wine each year.

A side by side tasting permitted a comparison of the two:

Nobilo Regional Collection Sauvignon Blanc 2015, Marlborough, NZ, $10.00
This wine is very fruity with bright, tropical fruit predominating the nose and palate. Although it has the same acidity level as the Icon wine, the perception is that it is lower in acidity on the palate due to its higher level of sweetness. Light and refreshing; perfect for an aperitif and light fare.

Nobilo Icon Sauvignon Blanc 2015, Marlborough, NZ, $18.00
The Icon has a leaner profile than the Regional Collection, displaying much more citrus aromas and flavors, along with a slightly grassy note. It is drier with more acidity, permitting it to pair more easily with a wider array of cuisine.

Although Sauvignon Blanc is less closely connected with Spain, this variety is slowly, but surely, finding a home here as well. Pago los Balancines, a winery within the Spanish region of Extramadura, about 200 km north of Seville, produces several wines with this grape. Its wines fall under the Ribera de Guadiana DO.

Pago los Balancines, Balancines Blanco Sobre Lias 2015, Ribera de Guadiana, Spain
This entry-level wine is a blend of Sauvignon Blanc and Viura and offers up a bright and fresh wine with citrus, tropical fruit and melon notes on the round palate.

Pago los Balancines, Alunado Sauvignon Blanc 2013 The Bootleg Wines vol. 0, Ribera de Guadiana, Spain
This full-bodied wine has clearly been oaked, with its citrus and pear aromas and flavors wrapped in oak and vanilla.

2016-06-20 19.15.21Alunado

 

Drinking Wisely and Well: Return to Roussillon

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Drinking Wisely and Well: Sangiovese Spoken Here

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Rose Revolution: Better Dead than Red

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World winemakers unite! Admittedly I have Communism and Leon Trotsky on the brain thanks to having just finished Barbara Kingsolver’s novel, The Lacuna. However, the notion that winemakers are globally uniting to produce rosé wines is not that far-fetched, at least not in terms of the depth and breadth of these wines now being produced.

While drinking pink wine (at least publically) was previously relegated to newbies quaffing White Zinfandel and other sweet blush wines, today’s rosés run the gamut in hue and are primarily dry in style. With a decade of growth in the U.S. market, rosé continues to be one of the U.S.’s fastest growing wine categories in retail sales; the message is clear: Rosé is here to stay. Tweet that!

A recent “Pink Party” hosted by Winebow showcased the importer’s vast portfolio of rosés, which not only ranged in style (from still to sparkling and pale salmons to deep pinks), but also in origin of production.

As the number one producer of rosé worldwide, it is not surprising that the line-up was heavy in French samples, with appellations that specialize in the pink stuff such as Provence and Tavel well represented. Italian specimens were similarly prevalent, most of which hailed from the southern portion of the boot: Sicily, Sardinia, Campania and Calabria.

But, Winebow’s rosé collection is much more widespread than the wine world’s two top producers. In addition to a reasonable showing of wines from the U.S.’ east and west coasts, more unique appearances came from Croatia, Greece, Lebanon and the Republic of Macedonia.

Adding to the diversity, the sparklers were not only comprised of the usual suspects such as Rosé Champagne and a beautiful rose Cava, but also on hand were lovely bubbles from Austria and Tasmania.

And, vying for most unusual wine of the day was a “100% pure rosé sake” produced from heirloom purple rice.

With such a plethora of rosé wines in the market, it can be quite confusing to the consumer to make sense of it all. But, the easiest way to understand rosé is to think about something with which most people are familiar – tie-dyeing. Tweet this!

Such childhood arts-and-crafts projects provide a simple, but effective tool, for learning about rosé production. Armed with white t-shirts, rubber bands and RIT dye, we saw that leaving the t-shirt in the dye bath for just a few minutes resulted in a pale hue, while soaking it for the full hour delivered the deepest color. Moreover, the instructions advised that higher temperatures and agitation further added to the color saturation.

Apply these same principles to winemaking, substituting grape skins for RIT dye and grape juice/must for t-shirts (no rubber bands required) and, by George, you’ve got it. Now you are ready to join the revolution!

Looking for some rosés to sip this summer (yes, I promise it will be summer one of these days)? Here are some of my favorites from the Pink Party tasting:

SPARKLING WINES
Jansz Sparkling Rose NV, Tasmania, Australia
A blend of Pinot Noir, Chardonnay and Pinot Meunier with just a hint of color. Citrus, mineral and peach notes.

Juvé y Camps Rosé Brut Pinot Noir NV, Cava, Spain
100% Pinot Noir and medium-deep pink in color. Floral and fruit on the nose with red fruit and herbs on the palate.

Lanson Brut Rosé Champagne NV, Champagne, France
A blend of Pinot Noir, Chardonnay and Pinot Meunier. Rich and intense with typical yeasty character along with citrus and a hint of red fruit.

STILL WINES
Adelsheim Rosé 2013, Willamette Valley (OR), USA, $25.00
100% Pinot Noir. Herbs with some depth and slight grip on the palate. Fresh strawberries and melon.

Chateau Mercouri Lampadias Rosé 2013, Ilia, Greece
A 50-50 blend of Avgoustiatis and Agiorgitiko. Simply lovely with good fruit and acidity.

Les Vignobles Gueissard Côtes de Provence Rosé “Les Papilles” 2013, Provence, France
Mourvèdre, Syrah, Cinsault, Grenache, Cabernet Sauvignon and Rolle. Berries and cherries with body and good length.

Zenato Bardolino Chiaretto 2013, Veneto, Italy
Corvina, Rondinella and Merlot. Very fruity with strawberry, raspberry and dried herb aromas and flavors.

Drink Wisely and Well – Holiday issue

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Eccoci Wine: Hard to Read, Easy to Enjoy

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Eccoci_rosadoWhen I first received the Eccoci wine samples, I was a bit confused. I couldn’t quite read the script signature written across the label. Fortunately, while the logo is a bit challenging to  decipher, the wines themselves are straightforward and easy to enjoy.

Although the area near Barcelona is well known for its production of Cava and Priorat wines, the Eccoci winery is producing some unusual wines in the province of Girona. Drawing from its close proximity to France (the vineyards are only one hour south of the border), the wines are made with French grape varieties including Viognier, Marsanne, Petit Manseng, Merlot, Cabernet Franc, Marselan and Petit Verdot.

Eccoci practices sustainable farming methods and, while the term leaves a lot of room for interpretation, the winery’s commitment to preserving the environment is clear. In fact, it was the first Spanish winery to be Carbon Zero certified as of 2009, only one year after its first vintage.

Eccoci currently produces four wines: Blanco (white), Rosado (rosé), Tinto Premium and Tinto Super Premium (both red blends). I was immensely impressed with the white and rosé, which displayed lovely fruit and freshness. While I liked the two reds very much, they are still quite tannic and need more time before coming into their own.

Eccoci Blanco 2011, Spain, $15.00
A blend of 50% Roussanne, 30% Viognier and 20% Petit Manseng, this wine offers up floral, musk, tangerine and peach aromas. It is dry on the medium-bodied palate with ripe peach and tangerine fruit, coupled with blossom and crushed stone notes, reminiscent of a southern Rhône white.

Eccoci Rosado 2011, Spain, $18.00
This 100% Petit Verdot rosé displays musk, berry and blossom/floral aromas. The dry palate has high acidity with berry, slight citrus, mineral and herbal characteristics, culminating in long length.

Eccoci Tinto Premium 2008, Spain, $34.00
This wine brings together 34% Marselan, 33% Merlot and 33% Cabernet Franc. It was aged for three months in new Merrain French oak barrels followed by six months in bottle before release. Berries, herbs and dried floral aromas give way to rich and ripe black cherry fruit with spice and mint notes co-mingled.

Eccoci Tinto Super Premium 2009, Spain, $48.00
A blend of 60% Marselan, 20% Merlot, 10% Cabernet Franc and 10% Petit Verdot, this wine was aged for 12 months in new Merrain French oak barrels, with another 12 months spent in bottle before release. Meaty with red fruit, leather and spice, the wine has high acidity, full body, firm tannins and long length.