My philosophy has always been that everything is better that sparkles: wine, water, diamonds and personalities. And, while I happily drink sparkling wines all year round regardless of the occasion, I am especially fixated on fizz for New Year’s Eve.
This year, I had the pleasure of tasting through an assortment of Italian sparklers from wine importer Winebow ranging from Prosecco to Franciacorta. But, it was the duo of Lambrusco wines –a rosé and a vintage-dated rosso — that commanded my attention. These two wines were produced by Lini 910, a family-owned and operated winery, which was founded in 1910 and is presently run by Fabio Lini, a member of the fourth generation.
Hailing from Central Italy’s Emilia-Romagna region, Lambrusco has been made as early as the middle of the 10th century. While there are stylistic differences among the various DOCs, in general, Lambrusco is produced via the Charmat Method and the resulting wines typically display high acidity, at least some effervescence, low alcohol and fruity and floral aromas. In addition, some producers do make Traditional Method wines, which are more similar to Champagne in their production.
Overall, these wonderful wines are extremely food friendly (which makes a lot of sense given that they come from a very gastronomic-focused area – the land of Parmigiana-Reggiano, Parma ham and Balsamic vinegar. Moreover, they pair equally well with cheeses and charcuterie as well as with heartier fare.
With their festive bubbles and bold red hues, they easily transform any day into a celebration, making them an excellent alternative to Champagne and other sparklers especially as we countdown to the new decade!
TASTING NOTES
Lini 910, Lambrusco Rosé NV, Emilia-Romagna, Italy, $25.00 Typical of the region, this wine is produced by the Charmat Method, the same method used in the production of Prosecco. This process retains the fresh fruit flavors of the grapes, which are present on the nose and palate of this lovely wine. Floral, fresh herbs and ripe cherries greet the nose and persist on the palate, with medium+ body, freshness and long length.
Lini 910, Lambrusco Metodo Classico Rosso Millesimato 2006, Emilia-Romagna, Italy, $40.00 As a Metodo Classico wine, this Lambrusco was crafted using the Traditional Method, the same production technique used in Champagne, whereby the wine spends a significant amount of time in contact with the spent yeast (aka lees). Given its more complex production, this wine offered up beautiful notes of yeast, cherries and berries. The rich blackberry flavors were balanced with lively acidity and very long length.
With its long history of wine production dating to the 6th century, Valpolicella is well known. Moreover, it has grown significantly in production over the past 30 years, from 1 million bottles annually to more than 40 million bottles (60 million if you include the full complement of wines). However, as sommelier, Filippo Bartolotta noted, it has been slow to catch up with its reputation, calling it an underdog in the wine world.
At a recent Valpolicella Master Class held in New York City at Café DiPalo, Bartolotta spent time providing a wealth of information to the assembled wine press and trade. In the end, there is a lot to know if one wishes to truly understand this wine, but it is certainly accessible and enjoyable without knowing all of the nuances that make up this family of wines.
Wherefore Art Thou Valpolicella? Situated north of (the fair city of) Verona in Italy’s Veneto region, the Valpolicella production area comprises three zones: Valpolicella, Valpolicella Classico and Valpantena. Here, east of Lake Garda and protected by the Lessini Mountains, the area is favorably impacted by cool winds and cool nights that fix the color and aroma in the grapes.
Geologically, the area was formed 120 million years ago when two plates collided creating the Alps. The soils are calcareous, with the obvious presence of fossils and dinosaur footprints, imparting minerality to the wines. Volcanic soils are also present underneath the balsamic strata. More recently, major studies on how the varied soils impact on different varieties have been undertaken.
With regard to varieties, Valpolicella is produced from a combination of Corvina, Corvinone, Rondinella, Molinara and other local grapes. As the starring players, Corvina and/or Corvinone can account for 45-95% of the blend, which is a recent change to the requirements. Corvina is known for providing backbone, structure and perfume, similar to Pinot Noir, while the thicker- and darker-skinned Corvinone lends power, color and structure to the wines. Rondinella, which is the other mandatory variety and permitted from 5 to 30%, adds both minerality and acidity. Up to 15% of other indigenous varieties can round out the blend.
What’s in a Name? But, as Bartolotta emphasized, the story is much more complicated than climate and soil because Valpolicella is a wine about process rather than about a single variety or even several varieties. In particular, there are four separate wines produced under the Valpolicella umbrella: Valpolicella DOC, Valpolicella Ripasso DOC, Amarone della Valpolicella DOCG and Recioto della Valpolicella DOCG. These differing wines are the result of the historical development of wine in the region. In addition, Valpolicella Superiore DOC are those Valpolicella wines that have been produced from riper grapes, along with one year of aging, which are fuller-bodied in character.
Perhaps the most recognizable of the four, Amarone is produced from the best batches of fruit, which are left to dry in in specialized rooms for a minimum of 100 days. This extended drying period concentrates the sugars and reduces the weight of the grapes by 40%. It is during this process that Corvina truly shines as it undergoes various enzymatic reactions that alters its DNA and ultimately changes its flavor. Further, the grape will defend itself against noble rot, releasing balsamic vinegar aromas. Regardless of the varieties, all of the shriveled grapes are then fermented to dryness, yielding a concentrated, full-bodied wine, which must be aged for at least two years. Amarone Riserva has spent an additional two years of aging.
But, before there was Amarone, there was Recioto, with 2500 years of history! Stemming from the word rece – local lingo for ears – it was the lobes of the berries which garnered more sun exposure and thus higher quantities of sugar. These sugar-laden sections of the grape bunches were dried for lengthy periods of time. Taking advantage of the cold temperatures, the free run juice would be put outside to stop fermentation, the process would then be repeated and eventually the yeast stopped working. Interestingly, the Romans would add sulfur dioxide to kill off the yeast, a practice still used to this day. With high residual sugar levels, these are a rich and decadent dessert wines, which are produced in minute quantities.
Under the less modern and, consequently, less controlled, winemaking conditions of the past, occasionally the result would be Recioto Scapa. If the wine didn’t stop fermenting, it became dry instead of sweet since all of the sugar had been converted into alcohol. Thus, Amarone was originally called Recioto Secco (dry). Taking its name from the word for bitter – amar – Amarone became the official term for this style of wine as of 1936.
And, sitting somewhere in between Valpolicella and Amarone is Ripasso – translating as one more pass. In this process, Valpolicella wine is added to the leftover Amarone pomace, prompting fermentation to start again, creating wines with higher alcohol, more extraction, fuller body and greater concentrations of phenolics and sweetness.
Please come and drink a cup of wine With this wide range of wines under the Valpolicella name, there is a lot of diversity and opportunity to find the perfect wine for the right occasion. During the Master Class, we tasted the full complement of these wines, which provided a wonderful introduction to each wine/style. Some are more suited to casual cuisine, while the beautifully balanced sweetness of Recioto is great with (or instead of) dessert.
TASTING NOTES
Sartori Di Verona Valpolicella DOC Classico Superiore 2015 Sartori di Verona is situated in the Negar area, with 50 hectares of vineyards. This wine sees no oak and is more about simple fruit flavors than complexity. It is dry with high acidity, medium tannins and flavors of cherries and a slight herbal note, culminating in long length. With its lively acidity, this is a great match for calamari or pasta pomodoro.
Novaia, Valpolicella DOC Classico Superiore 2016 I Cantoni This tiny producer has 7 hectares and its vineyards are certified organic. There is some volcanic presence in the soils and a small percentage of dried grapes are incorporated into the wine. Compared to the Sartori di Verona Valpolicella (above), this wine is more concentrated, with riper cherry fruit and more noticeable herbal character. It also displayed greater minerality, a fuller body, slightly lower acidity, lovely tannins and longer length.
Villa Mattielli, Amarone Della Valpolicella DOCG 2015 Villa Mattielli is owned by Roberta Roncolato and her husband, Giacomo, a former F1 pilot. Roberta takes a modern approach to her winemaking, crafting robust wines, which are aged in French oak. This dry, full-bodied wine offered up lots of ripe black fruit, blueberries, dried fruit, a hint of oak and long length.
Secondo Marco, Amarone Della Valpolicella DOCG Classico 2011 This winery’s name literally translates to according to Marco – in this case the wine is made according to owner Marco Speri. The grapes spent 150 days of drying and then went through 45 days of fermentation and maceration, followed by 48 months aging in big Slavonian oak. It is very floral with aromas of rose and violets, as well as gunflint. On the full-bodied palate, it shows flavors of blueberry, blackberry, citrus, and an undercurrent of menthol. Overall, it is hedonistic, sensual, with a ripe sweetness, balanced with good acidity, culminating in very long length.
Villa San Carlo, Valpolicella Ripasso DOC Superiore 2013 Home to a beautiful Venetian villa, Villa San Carlo was purchased by the Pavesi family in 1958. While they planted vineyards early on, they only chose to begin making their own wine in 2009. The oak aged wine offers up smokey, barbecue, earthy, mushroom and black fruit aromas, which persist on the dry, medium+-bodied palate. It has high acidity, good tannins and lush fruit and spice flavors. While not as complex as the Amarone, it provides good value for the money and is lower in alcohol.
Degani, Recioto Della Valpolicella DOCG Classico 2016 Located in the Classico valley, the three Degani brothers took over after their uncle’s death, maintaining the vineyards and winery as a family business. This wine offers up a complex and intense nose of dried fruit, prunes, raisins, burnt sugar, smoke and spice. It is medium sweet with high acidity, full body, yet is elegant, balanced, and beautiful with a fruit-driven palate along with hints of cocoa in the finish and long length. Filippo suggested pairing it with brownies with cranberries.
I was first introduced to the new line of Ferzo wines from Codice Citra back in May. Produced from the estate-grown fruit from a collaboration of family-owned vineyards within the Chieti province of Italy’s Abruzzo region, these wines offer up great taste and value.
Specifically, the Ferzo name refers to “patches of fabric stitched together to create a sail,” and symbolizes the piecing together of numerous plots of vineyards, within the southern part of the Abruzzo region.
The Codice Citra cooperative was founded in 1973 and focuses on local grapes such as the well-known Montepulciano d’Abruzzo and Trebbiano d’Abruzzo to more esoteric varieties. In addition to the Ferzo line, which made its debut into the U.S. market earlier this year, the coop’s portfolio includes three other ranges of wines (Citra, Caroso and Las Vitae.
In an effort to introduce more members of the press to this new set of wines, the winery’s importer, Winebow, hosted an unusual event at the Metropolitan Museum of Art. Event guests were shepherded around the museum by Angelis Nannos of In Food We Trust, stopping at various works of art around the historic and vast buildings of the esteemed institution, all of which harkened back to humankind’s connection to food and beverages.
First on the “menu” was pickling during which Angelis regaled us of the story of St. Nicholas of Myra who saved three boys from being drowned in a pickling vat, one of the most ancient ways of preserving food that spans numerous cultures such as Korean kimchee and Jewish pickles.
From there, we headed to the alabaster reliefs of the Assyrian Royal Court, which recount a dinner party held for 69,000+ guests! Meanwhile, the Tomb of Mektre showcased the everyday activities of ancient Egypt including baking.
We learned about New York City’s long association with oysters as illustrated by a stunning Oyster Plate from the Union Porcelain Works and then completed our tour in front of Edward Hopper’s Tables for Ladies. This painting recalls the period of history when nice women were not permitted to dine alone until some entrepreneurial restaurateurs created women-only dining establishments, which offered “Tables for Ladies.” Here, unaccompanied women could safely enjoy a meal without tarnishing their reputations. Painted during the Depression, the painting also tells the story of shows of abundance contrasted with the stark reality of the scarcity of food during this time period.
At the conclusion of our jaunt through the museum, we headed upstairs to the dining room to enjoy some actual food and wine. Among the Ferzo line, there are three whites produced from 20 year old vines hand picked indigenous varieties, namely: Pecorino, Cococcioloa and Passerina. These three wines are all fermented in stainless steel, ensuring that the wines are fresh and fruit forward without any oak influence. A rosato (aka rose) and a Montepulciano d’Abuzzo round out the range.
Most recently, with its emphasis on Abruzzo’s viticultural history and a strong commitment to high quality wine, Codice Citra has brought on winemaker, Ricardo Cotarella as executive enologist and partnered with Leonardo LoCascio Selections, as its exclusive U.S. importer.
TASTING NOTES Ferzo Passerina 2017, Terre di Chieti IGT, Abruzzo, Italy, $26.00 The ancient variety of Passerina is not well known, but is on the path to rediscovery, given recent interest in the grape in Abuzzo, Umbria and Le Marche (where it is produced within the Offida DOCG). This wine has a beautiful floral and fruity nose, with flavors of white flowers, juicy pineapple, pear and tropical fruit. On the palate, it offers up bright acidity, medium body and long length.
Ferzo Pecorino 2017, Terre di Chieti IGT, Abruzzo, Italy, $26.00 With the same name as the Italian word for sheep, it is now thought that this grape gets its name from the shepherds, not the sheep, who were eating these grapes when out in the mountains. Almonds, minerality and hint of pear greet the nose. On the palate, this wine is dry, with medium+ acidity, medium+ body and is quite angular. Flavors of nuts and minerals dominate, giving the wine weight and depth, before culminating in long length.
Ferzo Cococciola 2017, Terre di Chieti IGT, Abruzzo, Italy, $26.00 The Cococciola grape is cultivated in both Abruzzo and Puglia and is frequently compared to Sauvignon Blanc. This wine offered up more fruit character than the Pecorino, with more pronounced melon, pear and citrus, a hint of waxiness on the palate and just a slight note of nuttiness. It displays nice body, good depth and long length.
Caroso Montepulciano d’Abruzzo Riserva 2015 , Abruzzo, Italy, $30.00 Not to be confused with Vino Nobile di Montepulciano, this wine is produced from the Montepulciano grape, grown in the Abruzzo region. The wine was beautiful, with a rich and fragrant nose of plums, with good acidity, integrated oak, soft tannins and long length.
Although I am generally familiar with the wines of Italy’s Campania region, namely through visits to Feudi di San Gregorio and Mastroberadino, I had never heard of Sannio. Or, admittedly, if I had, it was likely memorized for a wine exam and then promptly forgotten. My mistake…and my misfortune for overlooking these wines.
Thankfully the error of my ways has been rectified, thanks to a beautiful introduction to these wines back in October. We were welcomed to a sumptuous lunch at Del Posto restaurant by Consorzio President, Dr. Libero Rillo, who provided some background on this tiny territory in the province of Benevento. But, despite its small size (~10,000 hectares), it is important to the Campania region. Here, the emphasis is on the indigenous grape varieties of Aglianico, Falanghina and others.
The Consorzio itself dates in 1999 and comprises 400 members. It overseas several denominations including Aglianico del Taburno DOCG, which produces red or rose wines, Falanghina del Sannio DOP, which is restricted to white and sparkling as well as the Sannio DOP which offers a full range of styles. An IGP Benevento or Beneventano also exists.
The 10,000 hectares are allocated among nearly 10,000 wineries, including two cooperatives. Most are small and medium in size, producing a total of 25 million bottles annually among the IGT, DOC and DOCG designations. However, the consorzio is eager to increase its production, especially at the quality levels.
Attendees at the aforementioned press luncheon has the opportunity to explore the two vaunted denominations: Falanghina Sannio DOC and Aglianico del Tabruno DOCG, under the tutelage of Somm In the City, Sara Lehman. While the Falanghina grape has ancient roots, its name has much more modern origins thanks to the trellis poles aka “falanga” that were used to support the vines. The wine received its DOP status in 2013, and is known for its minerality, good acidity, and ability to age for 10-15 years, during which time it develops complexity. These grapes must be sourced from the hillsides where there is some elevation, which helps to avoid the humidity found on the valley floor.
The Aglianico del Tabruno DOCG harkens back to the Greeks who came to the area centuries ago, settling near Mt. Taburno. The wine’s DOCG status was bestowed in 2011 and comprises both red and rose wines. The rose, which doesn’t require any aging, is currently the only Italian rose to hold this designation level. The reds must be aged for a minimum of two years in wood and bottle, with the Riservas aged for three years in wood and another 12 months in bottle. These are powerful, tannic wines with complexity and good aging potential, known for aromas of blackberry, plum, violet and black pepper.
WHITE WINE TASTING NOTES I deliberately limited my consumption of the Falanghinas knowing that we were going to taste a lot of reds with the seated lunch (we tasted 13 and I’ve included my notes on my 8 favorites). Accordingly, I limited my tasting to the sparkling Falanghina del Sannio DOP – V.S.Q. Brut fromCantina di Solopaca, which is one of the oldest co-ops in the area, with grapes sourced from the slopes of Mt. Taburno. It was refreshing, with good acidity and nice fruit aromas and flavors.
I also tasted the Mustilli Vigna Segreta Falanghina 2016, a wine produced from a cru vineyard known for its volcanic and limestone soils. It was rich and concentrated with good minerality and long length.
RED WINE TASTING NOTES 2018 Elena Catalano Sannio Aglianico 2018, Italy This wine, produced solely in stainless steel, was youthful, with robust red and black fruit, firm tannins and good length.
Fattoria la Rivolta Pediarosso Taburno Sannio DOP 2018, Italy Made from hand-harvested grapes grown on clay and volcanic soil, this wine offered up bright red fruit, lovely freshness and notes of pepper that lingered in the finish.
Cantina di Solopaca Barbera 2017, Italy This wine is produced from 20 year old vines grown on clay and limestone soils on the slopes of Mt. Taberno, It offers up a very earthy nose, with a clay undercurrent and red fruit aromas and flavors.
Cautiero Sannio DOC Aglianico 2016, Italy After moving to the city as adults, the winery’s owners returned to the countryside to pursue their love of wine and the land, choosing to focus on organic farming. The wine is tight and needs time, but displays nice black fruit and long length.
Terre Stregate Manent Sannio Aglianico 2016, Italy This is a beautiful and balanced wine with lovely aromas and flavors of red fruit, earth and herbs, along with good structure. It spent 6-8 months aging in barriques.
Azienda Agricola Scompiglio Barbera del Sannio 2016, Italy Lush and gorgeous on the nose and palate, this Barbera was floral in character with blueberry and blackcherry notes, lingering in the long length.
Azienda Agricola Castelle Aglianico Riserva 2015, Italy As a Riserva-level wine, it spent the minimum three years aging in oak. It was lovely, yet tannic and will be better in time.
Torre del Pagus Aglianico Taburno DOCG 2013, Italy This wine spent 12 months in oak, with another year aging in bottle before release. It was elegant, with good structure and lots of red fruit notes.
Sicily will always have a cherished place in my heart. I visited the Italian region in 2013 and spent a week crisscrossing the island, learning its history and immersing myself in its wine culture. At the end of my visit, I found myself at Palermo Airport crying…and I wasn’t even heading home; I still had another two weeks in Italy before I returned to the U.S.!
Something about the magical week struck me hard and stuck with me. A Siren song, perhaps? In truth, Sicily is more associated with other mythical creatures than the sirens, but regardless, I was thankfully lulled to its vinous pleasures not to my untimely death.
Since that visit, I have been thrilled to watch Sicily’s dedication to improving excellence in its wine production. Under the leadership of Antonio Rallo president of Wines of Sicilia DOC (and agronomist and winemaker for his family’s Donnafugata winery), the region has seen the creation of the Sicilia DOC category, increasing the quality level and prominence of Sicilian wines.
Accordingly, well-established wineries have risen to the challenge, elevating their wines with an eye toward innovation, yet maintaining tradition. In this regard, they remain true to their culture and heritage with an emphasis on local varieties such as Grillo, Nero d’Avola and Frappato, grapes which have been cultivated in the area for centuries.
More specifically, the modern winery at Stemmari was built to reflect the rural architectural structure known as the baglio. Similarly, Baglio di Pianetto has embraced environmental sustainability and adopted organic farming practices while the ancient feudal domain of Feudo Principi di Butera once belonged to Sicily’s first prince (Ambrogio Branciforte), but has been restored by the well-known Zonin family. And all three producers respect and understand the various terroirs of the island region.
TASTING NOTES Baglio di Pianetto Timeo Grillo 2018, Sicilia DOC, Italy, $13.00 Lovely notes of musk, minerality and wax greet the nose. On the palate, the wine is dry, with fresh acidity and medium body. It is more structured and less fruit focused, showing notes of pear and citrus, with elegance and long length.
Stemmari Cantodoro Rosso Riserva 2014, Sicilia DOC, Italy, $14.00 A blend of 80% Nero dA’Avola and 20% Cabernet Sauvignon, this rich and concentrated red wine features aromas of plums and earth. The dry palate offers up medium+ acidity, medium+ body, light tannins, and shows some development, with long length.
Feudo Principi di Butera Deliella Nero d’Avola 2014, Sicila DOC, Italy, $90.00 This wine is among the three esteemed cru level wines produced by Feudo Principi di Butera. It is a 100% Nero d’Avola from a single vineyard Deliella, named for the local district. The full-bodied wine is elegant with bright acidity, beautiful red fruit aromas and flavors, slight herbal characteristics on the nose and palate, which linger in the very long length.
Situated in Castellina in Chianti, Tenuta di Lilliano has developed a well-earned reputation for crafting high-end, Chianti Classico wines. Its wines have been lavished with praise and high scores by Gambero Rosso, Wine Enthusiast, Doctor Wine and James Suckling, among others, but, most recently, its grapes received a resounding seal of approval when a 150kg cingale (wild boar) stormed through a stainless steel fence guarding the vineyards, just around harvest time!
The joint human and wildlife admiration for this 460-hectare, family estate is well placed. Purchased in 1920, it wasn’t until 1958, when then owner, Princess Eleonora Ruspoli Berlingieri, began to focus the estate’s production on quality. Interestingly, she hired a winemaker who did not drink wine, but who had an amazing palate and was able to create the best wines.
At the time, the Tenuta was unique in aging its wines in Bordeaux barrels and was one of the first producers to emphasize aging of their wines. Since then, the winery has continued to pursue its quality mission, building a new cellar in 1976, refining its agricultural approach (such as not mowing in between rows of vines) and reviewing its mix of varieties to hit upon the best expression of the grapes in their blends. In the winery, they take a light hand with oak, seeking elegance with only a little bit of wood, preferring larger, older vessels and firmly placing the focus on Sangiovese, the key variety of the region.
Sadly, the Princess passed away in the early- to mid-2000s, but Tenuta di Lilliano is still under the ownership of Princess Eleonora’s descendants, namely Giulio Ruspoli and Pietro Ruspoli, the former of whom runs the estate. With a vaunted heritage, the Ruspoli family traces its lineage to both Renaissance Tuscany and 17th century Rome, where the family continues to occupy the Ruspoli Palace. Recalling this esteemed background, the wines bear the joint coats of arms from the Ruspoli and Berlingieri families.
Yet despite these noble connections, the family is decidedly down to earth as evidenced by the warm welcome received by several wine writers who recently met with Alessandro Ruspoli at Marea Restaurant. Alessandro, son of Pietro, represents the estate internationally and was in New York to share his wines with the press and trade.
While Teunta di Lilliano produces a full complement of Tuscan wines and grappa, our agenda for lunch was squarely on Chianti Classico. Accordingly, we tasted the three levels of this wine: Chianti Classico, Chianti Classico Riserva and the newer, Chianti Classico Gran Selezione. Each wine was beautifully paired with its own course, thanks to Brand Ambassador, Tony DiDio (of TD Selections)’s practiced palate.
A blend of 90% Sangiovese, 5% Colorino and 5% Merlot, the Chianti Classico 2016 (SRP $20) was fermented in concrete and then aged for 12 to 14 months in large, French casks. It was paired with Fusilli served alongside a rich and decadent, red wine-braised octopus with bone marrow. The wine offered up clean and classic aromas of cherry, black cherry, leafy/herbal notes, giving way to lovely tannins and acidity on the fresh, elegant palate, culminating in long length.
Served with Polletto pan roasted chicken breast, fennel, artichoke and snap pea, the Chianti Classico Riserva 2015 (SRP $32) was produced with 100% Sangiovese and aged for 15 months in large French casks. Traditional in style, the wine is very elegant and long lasting, with red fruit, dried herbs, and noticeable, but well-integrated, wood/oak that lingers in the long finish. In the future, it is anticipated that the Riserva will become a blend instead of a mono-varietal going forward as they determine the direction of the Gran Selezione.
In keeping with the family’s forward thinking, Tenuta di Lilliano was one of the first properties to have a Chianti Classico Gran Selezione. Launched in 2010, this new, higher quality tier, requires longer aging and better quality grapes to qualify for the category. Alessandro acknowledges that it was created to shed light on Tuscany during a low time, but feels that they have wisely used the opportunity to develop a new, high quality wine, crafted from a particularly prized vineyard. In this regard, they have made a single vineyard Cru with 100% Sangiovese, with the intention of showcasing the the best expression of the variety, making a wine that is even better than their Riserva.
Presented with a trio of cheeses, the Chianti Classico Gran Selezione 2015 (SRP $36) displayed deep dark red and black fruit, with a beautiful hint of spice. Its palate offered up bright acidity, medium+ body, fine grained tannins and very long length.
It is clear that these wines honor Princess Eleonora’s lasting legacy and will continue to garner attention; they just need to figure out a better way to keep out the wild boars!
A flurry of events featuring the women of wine kicked off the season’s return after the summer hiatus. Admittedly, women in wine is both new and nothing new. As they say, behind every great man is a great woman. But, perhaps the more novel news is that women are now standing (in) front and center of (or at least next to) many men in the vineyards and wineries the world over.
While I missed it due to ill health, the Women in Australian Wine Awards honored the women who have made their mark in Australian wine. The world’s “first and only awards platform for women in wine,” was held on September 17 in New York.
Similarly, an event earlier in the month presented a wide range of Wines of Sicily, recognizing the women in this region. I had the opportunity to meet Lilly Ferro Fazio, Export Manager of Casa Vinicola Fazio, who shared her experiences in bringing together the women of her region and noting the challenges they faced amidst a very traditional/male-dominated society. She addressed the need to find support and resources to successfully manage both her job and the family household because her husband still expects her to fulfill a traditional spousal role in addition to her career.
Another wine woman bucking the trend of being a simple, stay-at-home mom, is Argentine winemaker, Susana Balbo who initially applied to study nuclear physics in Bariloche. Her parents would not permit her to leave Mendoza, but, not one to be deterred, she eventually became the first woman in Argentina to earn a degree in enology. By 2012 she had been named as one of the “Most influential women wine-makers” by The Drink Business magazine, and, six years later, was listed among “The 10 most influential women in the wine world” in the same publication.
Today, Susana Balbo produces wines in both Mendoza and Salta regions. Her wines are well respected and can be found in the market under two labels: her namesake Susana Balbo and her Crios line. The Crios portfolio recently underwent a makeover, sporting new packaging that emphasizes the wines’ elegance and classic nature. Available in four different varietal options, the wines were recently released in the New York market.
Crios Torrontes 2018, Cafayate (Salta) and Valle de Uco (Mendoza), Argentina, $15.00 Pronounced nose with floral, tropical fruit, hint of cotton candy and a dry, yet ripe, palate with medium-to-full body, medium acidity and long length.
Crios Rose 2018 of Malbec, Vallee de Uco (Mendoza), Argentina, $15.00 Notes of strawberry, cherry and watermelon greet the nose. The palate is dry, with medium+ acidity, medium body, culminating in long length.
Crios Malbec 2018 Vallee de Uco (Mendoza), Argentina, $15.00 Deep in color, this wine displays fresh and dried herbs and blackberry aromas, which are joined by spice and red fruit flavors on the dry, full-bodied palate, with good length.
Crios Cabernet Sauvignon 2018 Vallee de Uco (Mendoza), Argentina, $15.00 The nose offers up lovely red and black fruit, which persist on the dry, full-bodied palate, with textural tannins, blackberry, black cherry, oak, with good acidity and long length.
Upon arrival in the Italian region of Alto Adige, the scenery and topography make a powerful statement. Greeted by snow-topped peaks, verdant mountains and Swiss chalet-style architecture, you would half expect Julie Andrews to suddenly appear and belt out songs from the Sound of Music. This northern-most province borders both Austria and Switzerland and was under Austrian rule until 1919. And, to this day, both Italian and a dialect of German are the official languages, with over two-thirds of the population speaking German as their native tongue.
Rather, instead of hearing from Julie or the von Trapp family, the hills of South Tyrol (Südtirol) are alive with the sound of viticulture. And, despite its limited size (when considered separate from Trentino, Alto Adige is the smallest of Italy’s 20 regions), 98% of its production is at the Protected Designation of Origin level – the most of any Italian region!
With the Dolomites to the East and the Alps to the north, these mountain ranges shelter the area from the cold forces of the North and trap air from the lakes and limit the annual rainfall, resulting in 300 sunny days per year. Conversely, the strong Ora winds coming off nearby Lake Garda help to temper the summer heat. Given this duality of cooling and warming influences, Alto Adige is home to both Mediterranean and Alpine botany along with vineyards and apple orchards.
Not surprisingly, given these climatic conditions, the region is highly regarded for its white wines, which account for 60% of regional production. However, it also boasts some spectacular reds as well. In general, the steep slopes at the highest elevations (820 to 2800 feet) are given over to white varieties, while the lower, rolling hills are planted to reds. The high-altitude vineyards benefit especially from the area’s wide diurnal shift, permitting the grapes to ripen fully, while retaining high levels of acidity. Moreover, the region’s diverse soils, which include limestone, quartz and volcanic porphyry, further retain acidity and add minerality to the wines.
Wine glasses are given over to over 20 different varieties, with many indigenous grapes taking center stage. In addition to Pinot Grigio and Gewurztraminer, the white Kerner, an aromatic hybrid of Trollinger and Riesling, has been widely grown in the area. Among the reds, Lagrein, a descendant of Teroldego has strong roots in Bolzano and stands out for its tannic structure.
Beyond the glass, the mix of German and Italian cultures extends to the kitchen where speck, knödel dumplings, brown breads and fruit strudels make their way to the plate. But, regardless of what you have on your plate, these two wines should be equally welcome in your home.
Strasserhof Kerner 2017 Valle Isarco Alto Adige, Italy This wine offers up a limited fruit profile on the nose and palate, but makes up for it in fresh acidity, beautiful minerality, lean body and long length.
Castelfeder Burgum Novum Lagrein Riserva 2014, Alto Adige, Italy Inky, deep ruby in color, this wine displayed a brooding, intense nose of wet leaves, plum and dried red fruit, giving way to a dry, full-bodied palate, with bright acidity, medium+ ripe and resolved tannins, and long length with a smoky finish.
Pinot Grigio can be challenging. There is a lot of insipid Pinot Grigio out there. As the grape became very popular, it prompted many producers to make cheap and cheerful wines that really don’t deliver on the quality and caliber that this grape has to offer. This wine is not one of those. Rather, Peter Zemmer’s Pinot Grigio is a delicious iteration of this great grape, that provides beautiful aromas and flavors and is wonderful on its own or with a meal.
Winemaker Peter Zemmer is a member of the third-generation of his family to take over the estate, which his grandfather established in 1928. Since that time, the brand has become widely recognized as a quality producer in Italy’s Alto Adige region. Previously part of Austria, this Italian region is known for its alpine vineyards, which see a significant number of hours of sunshine annually, ensuring that the grapes reach full maturity, but the high elevation means that they also maintain beautifully bracing acidity.
Peter Zemmer Pinot Grigio 2018, Alto Adige, Italy, $18.00 Aromas of tangerine, citrus, mineral and hint of petrol greet the nose. On the palate, the wine offers up a hint of ripeness, but is generally dry, with medium+ luscious body, rich and concentrated, slightly oily texture unctuous, citrus, mineral, long length.
While the adage, “What grows together, goes together,” is a great place to start for food and wine pairing inspiration, if you don’t explore beyond it, you will miss out. As part of her Inaugural Lugana Dinner Series, East Coast Lugana Ambassador, Susannah Gold, proved the point in spades with a recent Chinese banquet accompanied by a variety of wines from the Consorzio Lugana DOC. Held at Jing Fong, Susannah and Pinny Tam, author of Chinese Wine and Food Pairings.com, put together an amazing meal that highlighted the flexibility and diversity of these wines.
Kicking off the event with a warm welcome, Susannah noted that the Lugana DOC had two souls in that it uniquely spans two Italian regions: Lombardy and the Veneto, depending upon which side of Lake Garda the winery is situated. This beautiful area sits essentially at sea level, with elevations of only 50-150 meters, on a glacial moraine with a range of sediment in the soils, including fossils.
This small winemaking region is on the rise, having increased production from 9 million bottles in 2015 to 18.9 million bottles currently. Today, there are 200 producers and, in addition to the increased volume, it is experiencing increased interest, notably by the Germans, who frequent the region as tourists, but also from American consumers.
At the center of its wine production is the Turbiana grape, which is also known as Trebbiano di Lugana. A biotype of Verdicchio, which is most associated with the Marche region, it, too, has the propensity to age. Although the wines are generally dry, the super high acidity is balanced with approximately 7 g/l of residual sugar, which permitted them to pair well with the Asian cuisine.
In business for 78 years, Jing Fong is one of the oldest Catnonese restaurants in the U. S. At the helm is Executive Chef, Kai Fung Lai, also known as Chef Fung who has been with Jing Fong for over 20 years.
The sumptuous banquet featured Catonese cuisine, which Pinny explained was known for a simple approach (not overly covered with sauces) and also a lot of seafood and fish, given the southern province’s proximity to the sea and river. Moreover, she further advised that stir-frying is the most common cooking method, resulting in clean, not overly greasy, food. Additionally, she cited frequent use of garlic, ginger, scallion, cornstarch and sugar, rice wine as the base for seasonings.
Referred to as a Happiness Dinner, our banquet was served family-style, with each course presented in the center of the table before being served on our individual plates. It was an elevated family meal, with flourishes added to celebrate birthdays and other festive occasions. And, boy were we happy! The courses kept coming, spanning from fried rice and fried fish to lobster and a platter of cuttlefish adorned with its own floral arrangement.
Moreover, the wines truly held their own. Although there was certainly a thread that ran through them, each of the wines had a distinctive characteristic that permitted it to match the next course. It was a wonderful evening of great wine, great food and great company… and lots of happiness!
Our full menu:
Baked scallops with crispy seafood rolls
Sautéed cuttlefish with vegetables
Sautéed shrimp and chicken
Assorted seafood in a basket
Oriental steak filet
Crispy whole chicken
Fried filet of fish with minced garlic
Steamed lobster with garlic over E-Fu Noodles
House Fried Rice
Dessert: Coconut Gelatin and Fresh Orange Segments
TASTING NOTES Cantina Bulgarini Lugana DOC 2017 This Lombardy-based, family-run winery is currently in the hands of Fausto Bulgarini, a member of the third generation to manage the winery and a collector of race cars. This wine was fresh, with floral and peach notes, a dry palate, high acidity, minerality and long length.
Le Morette Mandolara Lugana DOC 2017 Named for a popular bird native to the region, which was considered sacred during the Etruscan period, this winery was founded in 1955 and is in the Veneto. It was fuller bodied that the Cantina Bulgarini, with rich and concentrated flavors of peach and almond, culminating in long length.
The vibrant acidity and fresh fruit notes on these first two wines made them an especially excellent accompaniment to the fried and creamy dishes.
Cà Maiol Molin Lugana DOC Molin 2017 This wine takes its name from one of the estate’s old farms. It offered up lively acidity and was slightly frizzante on the palate, along with tropical fruit, citrus, minerality and long length.
Cesari Cento Filari Lugana DOC 2016 With 5% of Chardonnay added to the Turbiana, coupled with a long macertation, this wine had more structure and richness, displaying an almost a creamy note, with less fruit and more structure. As a result, it paired extremely well with the lobster dish. Ca
Dei Frati Brolettino Lugana DOC 2016 This Lombardy winery was founded in 1939. The wine possessed full body, with apple and toothpick aromas and flavors thanks to its oak aging, along with medium acidity and enough body and structure to match with the chicken and steak.
Tenuta Roveglia Lugana DOC Vendage Tardive Filo di Arianna 2014 Tenuta Roveglia was established by a Swiss businessman In 1930. This wine is harvested in late October/ early November, by hand, and then fermented and aged in small oak barrels, yielding a wine with depth, richness and concentration. Notes of honey and citrus dominated the nose and palate, joined with long length. It works well with dessert, unctuous cheeses or rich meats.
