Discovering Sicily: Island Capers

Posted on July 22, 2013 by Tracy

The next day, fighting off jetlag and a general lack of sleep, I struggled out of bed early (5:30 AM) to meet Laura Ellwanger from Donnafugata’s Public Relations department. That morning, Laura and I flew further afield (closer to Africa than to Italy) to another Sicilian island – Pantelleria, joined on our early morning flight by the daily newspapers. But, while the news may arrive a bit late, this sybaritic slice of paradise has long attracted the well-heeled with their well-endowed pocketbooks – including Armani who arrives each summer via private yacht – in stark contrast to Favignana’s laid-back tourists.

Also unlike Favignana, Pantelleria has a more continuous vinous history. Here, vines commonly average 40-50 years old, with a few remaining ungrafted vines thought to be over 100 years old as I saw at Donnafugata’s vineyards. Initially arriving on Pantelleria in 1989, Donnafugata now owns vineyards in 12 districts on the island, totaling close to 70 hectares (170 acres).

In addition to vines, the island is also known for its capers and, since I had never seen a caper bush, Laura made sure to take me to a caper garden, which was a treat to see. Interestingly, in terms of cuisine, this is not an island of fisherman, as Pantelleria’s rocky coastline makes it challenging to easily put boats in and out of the water. Consequently, fresh fish is less abundant here. However, rabbits are quite plentiful and often find their way onto the menu.

Home to even fiercer winds, Pantelleria’s Arabic -derived name means “Daughter of the Wind,” and its vines are also alberello trained. This practice has been adapted to olive and citrus trees on the island, with dwarf-like orchards dotting the landscape.

Another feature of the landscape are walls made from dark, volcanic stones that line the narrow roadways, define property borders and undoubtedly gave rise to the island’s nickname as the Black Pearl of the Mediterranean. The stacked stones revealed a patchwork of plots, stemming from very fragmented land ownership, and some seemed to have been abandoned given the overgrown vegetation, possibly due to their exceedingly small size.

But beyond their proprietary function, these walls protect the grapes from the whipping winds and reduce erosion while their composition of pumice and lava release much-needed humidity during the heat of the day. These same stones were used to build a Pantellerian Garden, the oldest evidence of which date to 3000 B.C.E. As they do in the vineyard, the stones of these circular enclosures give off sufficient moisture to sustain a centrally-planted orange tree despite the limited rainfall and lack of irrigation. Such gardens are a mark of wealth and prestige, but also hold the promise as to how such technology might be adapted in other rain-starved climates, which is why the winery has donated its garden to the National Trust for Italy (F.A.I.) and collaborated on a study with the University of Milan.

The garden is situated in Khamma where Donnafugata maintains a winery, necessary since production of its Ben Ryé, with its prestigious Passito di Pantelleria DOP, must be completed entirely on the island. The labor-intensive harvest is quite protracted spanning six weeks from beginning to end as different plots become ripe and ready for harvest in turn. Selected grapes are dried on mats in the sun and wind for three to four weeks, during which time they lose moisture and increase intensity and sugar levels. Others are picked a month later and pressed immediately, with the dried grapes destemmed by hand and then added to the this fermenting must in batches, resulting in a luscious dessert wine with sufficient freshness. Yields are extremely low at 1.6-2.4 tons per acre (4.0-6.0 tons per hectare).

The winery’s other prized Zibibbo grapes are vinified on the island to produce Kabir, a Moscato di Pantelleria DOP, while the younger grapes are sent to Marsala to make Lighea, a dry and refreshing wine that carries the IGP Terre Siciliane designation.

Tasting this latter wine at Khamma, I fantasized about enjoying it on the deck of a dammuso, a Pantellerian traditional white-domed house, while on holiday, but alas, it was once again time to return to the mainland.

But, the Rallo family, which owns Donnafugata, is known for much more than its award winning Ben Ryé Passito di Pantelleria and has been in the wine industry for much longer than their time on Pantelleria. As early as 1851, the family first produced the Italian fortified wine, Marsala, where their winery is located. But, as the reputation of Marsala waned (as did much of its quality), Giacomo and Gabriella Rallo looked for other ways to better show off the potential of the Sicilian island. Taking a new approach, they chose to plant international grape varieties on the family’s estate in Contessa Entellina and launched the Donnafugata wine brand, borrowing the name from Giuseppe Tomasi di Lampedusa’s book, Il Gattopardo (The Leopard), which takes place on Sicily.

During my visit, I had the pleasure of dining with both of Giacomo and Gabriella’s children — Josè and Antonio. One night, Antonio shared some of the family history with me, noting that one of the initial challenges was to teach the vineyard workers how to grow vines for the production of quality wine when they had been conditioned to grow solely for quantity. To solve this problem, the workers were given an opportunity to taste the wines side by side so that they would see what the impact of quality vineyard practices would have on the finished wine.

Once Donnafugata’s reputation with international varieties was established, the family turned its attention to local grapes. Today, the company grows 49 different varieties and is working on another project with the University of Milan to identify the best clones among the indigenous Sicilian varieties such as Cataratto.

The concerted effort and continued emphasis on quality is significant in its impact. In 1994, only 20% of all wine produced in Sicily was bottled in the region – the rest left in bulk. Today, 70% of wine produced within the region is bottled as Sicilian wine. But, Antonio was quick to point out that such progress is the result of many small families working together. Recognizing their shared interest and common goals, a formal group was created in 1998 with an eye toward crafting quality and changing the image of Sicilian wine.

Discovering Sicily: True Cooperation

Posted on July 22, 2013 by Tracy

If Sicilian wines are still being incorrectly identified as emphasizing quantity over quality, another anachronism is that production by cooperatives automatically means poorly made wines. But, with MandraRossa’s intensive adaptation of technology and careful attention to every last detail, it’s clear that striving for quality isn’t restricted to family-owned wineries.

When I arrived at MadraRossa’s Casa Natoli, it was bustling with activity and after the relative quiet of being on my own since Monday morning, I was a bit flustered. But, after introductions were made by MandraRossa’s Brand Ambassador, Maria Isolina Catanese, I soon discovered how much I had actually been craving a full conversation in English. And, as my fellow guests were a group of restaurant managers from London, it wasn’t just English, it was English-English.

Built in 1830, Casa Natoli features the architecture of a typical country house and serves as home to MandraRossa’s cooking school. Ensconced in the Slow Food movement, the Kitchen Brigade at Casa Natoli prepared a multi-course meal featuring not just one, but several dishes comprising different varieties of artichokes (there’s more than one type of artichoke, who knew?), an especially bold move given that artichokes are often considered to be among the most challenging to pair with wine. Fortunately, the Fiano poured with lunch was indeed an excellent match.

After lunch, I was treated to a more formal presentation of the MandraRossa wines with a tasting out in the garden with the winemaker. The wines were quite lovely and the setting was simply heavenly. Then, the agronomist showed me their territory and provided additional details about their operations. Suddenly, we were back to speaking Italian, with the occasional translation from his more English-savvy colleague, when my requests for slower speech or repeated sentences proved insufficient to follow his meaning.

Named for the local district, MandraRossa was founded in 1958 and is part of Cantine Settesoli, which manages the largest single vineyard area in the whole of Europe. However, only the top 10% of Settesoli’s production goes into MandraRossa wines. Today, the cooperative has 88 members, who farm a total of 7,000 hectares. Among the most planted varieties are Chardonnay and Syrah, followed by Nero d’Avola.

The agronomist was keen to let me know how important it was to understand one’s terroir, explaining that they have spent significant time and effort to determine which varieties grows best where and then planting accordingly. In a further focus on quality, growers are advised by the agronomist when to harvest their vines and with which parameters to select their grapes. Moreover, harvesters are monitored by GPS, keeping careful tabs on what is going on within the region. Upon arrival at the winery (the cooperative maintains three), grapes are classified as A, B or C, depending on the quality of the crop, which consequently impacts the price paid to the grower.

Once the tour was over and I checked into the hotel, it was time for dinner. The Brits and I all climbed into a van and were taken to a seaside restaurant where we kicked off the evening with an aperitif on the beach, just as the sun began to set. We were joined by a local dog (who likely belonged to the restaurant) and I somehow managed to step (barefoot) on a bumblebee (yes, ouch!), but the view was too stunning to worry about the pain for long.

Dinner itself was an exquisite array of fresh seafood, including raw gamberi (shrimp) that were so sweet, it was like eating candy. The Brits were a rowdy bunch to put it mildly, freely admitting to having been literally under the table the night before at Planeta’s La Foresteria. Thankfully, they were more subdued that night (perhaps too tired out from the night before?), although one woman proceeded to regale us with stories of her battle with Nutella addiction (she was joking, at least I hoped she was joking). And, when sorbet was served at the end of the meal, they were all anxious to convert them to sgroppinos (a slushy cocktail). The waiter was only too happy to oblige, bringing the entire bottle of vodka to the table and letting us pour at will. I declined the first round, but gave in on the second (if you can’t beat ‘em…and all that).

A Tale of Two Vintages

Posted on June 24, 2013 by Tracy

New York wine producer, Macari Vineyards, recently released the newest vintage of its Katherine’s Field Sauvignon Blanc – 2012. Produced from 100% Sauvignon Blanc fruit sourced from the winery’s estate in Mattituck on the North Fork of Long Island, the wine is made entirely in stainless steel tanks to preserve the fresh fruit character of this grape.

Since I had a bottle of the 2011 remaining in our cellar, I decided to taste the two wines (2012 and 2011) side by side to see how vintage variation and extra aging (for the older wine) might impact what I tasted in the glass.

Not surprisingly, the 2012 had a more pronounced nose given its (relative) youth, but the 2011 was still quite fresh despite its additional year in bottle. Instead, I attributed most of the difference between the two wines to their respective vintage conditions.

The 2011 growing year was among the wettest and rainiest in Long Island’s history, making it challenging to combat mold and mildew in the vineyard as well as to coax the grapes to full ripeness. Likely given these conditions, the citrus and herbaceous aromas, which are typically inherent in cool climate Sauvignon Blanc, were more prevalent in the 2011 vintage wine. With its slight age, the acidity in this wine seemed to have rounded out and a hint of earthiness was evident on the palate.

Conversely, during the 2012 season, Long Island was blessed with warm, dry days, which meant that grape maturity was achieved more easily. Thus, while the 2012 wine displayed notes of white grapefruit, it also offered some floral aromas and tropical fruit on the nose and palate. In spite of the warmer weather, this wine appeared to be more tart, likely due to its more recent bottling, and also offered some minerality.

I enjoyed the opportunity to evaluate these two wines together, closely comparing and contrasting their individual characteristics. And, although I slightly preferred the 2012 to the 2011, I certainly did not feel that the 2011 was over the hill, and, in fact, might have preferred the 2011 instead, if I had tasted the wines with food.

While it is more difficult to find previous vintages in the market, Union Square Wines & Spirits does appear to have the 2011 in stock. The newest release should be more readily available at retail (SRP $23.00) and is also available for purchase at the winery.

The Hills Are Alive with the Sound of Schiava: Grand Cru Grapevine (May 2013)

Posted on May 2, 2013 by Tracy

My colleague and friend, Tim Gaiser, was in New York in late April to sing the praises of Alto Adige, accompanied by several of the region’s winemakers. And, singing its praises is quite apropos. At a previous seminar on the region, Cornerstone Communication’s CEO Marsha Palanci explained that, “This is the only part of Italy where you can hear yodeling in one window and arias in another.” Not surprisingly, in looking at regional photos, you would half expect Julie Andrews to suddenly appear and belt out songs from the Sound of Music.

Nestled between Italy to the south and Switzerland and Austria to the north, Alto Adige is the northernmost region of Italy. The region was under Austrian rule from the defeat of Napolean until 1919, hence the yodeling. And, to this day, both German and Italian are the official languages. With the Dolomites to the East and the Alps to the north, Alto Adige is sheltered from the cold forces of the North. These mountain ranges also form a rain shadow, which limits the area’s overall rainfall, the result of which is 300 sunny days per year.

The vast valley floors are littered with apple orchard after apple orchard, which accounts for the region’s claim as the largest European producer of apples. Meanwhile, the area’s steep slopes (with an average slope of 50 to 60 degrees, similar to that found in the Mosel or Wachau) are given over to white grapes while the lower, rolling hills are planted to reds. The high elevation of these vineyards provides good sunlight, which promotes ripening, and a significant diurnal shift (temperature variation from day to night can fluctuate as much as 40 degrees F), which retains high acid levels in the grapes.

Within the region, grape production spreads out from central Bolzano in a Y-shaped configuration, bearing a striking resemblance (in Tim’s eyes) to the flux capacitor from Back to the Future. The yin-yang of past and present spills over to the grapes themselves. At nearly 20% of all plantings, Schiava is the most grown variety in the region, with its first documented mention dating to the 1600s. However, this ancient grape has been associated with Italy since the 1300s. Big berried, with thin skins, Sciava is known for producing wines with low tannins, low alcohol and cherry aromas and flavors and an almond aftertaste. These are elegant wines for everyday drinking.

Other key varieties include Pinot Grigio, Pinot Bianco (aka Pinot Blanc), Gewürztraminer, Chardonnay and Sauvignon Blanc, Pinot Nero (aka Pinot Noir) and Lagrein, the diversity of which highlight the region’s Germanic and French influences. White plantings account for 58% and have been on the rise.

Regardless of the specific variety used, Alto Adige wines are known for their high quality. In fact, when considered separate from Trentino, Alto Adige is the smallest of Italy’s 20 regions; yet, despite its limited size, 98% of its production is at the Protected Designation of Origin level – the most of any Italian region. And that’s something to sing about.

TASTING NOTES

Kaltern Caldaro Pinot Grigio Söll 2011, Alto Adige DOC, Austria, $16.00
This is a classic Pinot Grigio with smoke, floral and citrus aromas and flavors. Twenty percent of the wine was aged in used barrels, which gives it some more depth on the palate. It is bone dry with high acidity and distinctly mineral in the long finish.

Cantina Terlano Sauvignon Blanc Quarz 2010, Alto Adige Terlano DOC, Austria, $53.00
We tasted two Sauvignon Blancs during Tim’s seminar with this being the softer style of the two. Stone and mineral characteristics co-mingled with citrus, peach and slightly herbal notes with medium+ acidity and medium to full body.

Tramin Gewürztraminer Nussbaumer 2011, Alto Adige DOC, Austria, $47.00
I really enjoyed this wine with its distinct floral and tropical fruit notes, so indicative of the Gewürztraminer grape. What I also liked was its lack of lavender/soap characteristics that some of these wines tend to have (for me). Exotic and spicy on the palate, this dry wine has beautiful acidity and long length.

Castelfeder Schiava Breitbacher 2011, Alto Adige DOC, Austria, $14.00
Pale ruby in color, this dry wine is very refreshing with high acidity and light body along with aromas and flavors of cherries, floral, earth and wet leaves. It is very easy to drink and would be a perfect accompaniment for a wide range of cuisine.

Tiefenbrunner Lagrein Riserva Linticlarus 2009, Alto Adige DOC, Austria, $26.00
Described by my friend Tony as being reminiscent of beets, this wine displays rich red and black cherry aromas joined by floral, mineral and granite notes. It has medium+ acidity and is nicely structured with full body and firm tannins and could age for up to ten years.

All photos courtesy of Alto Adige Wines.

All Dried Up: The Wines of Mister Amarone

Posted on April 4, 2013 by Tracy

Image courtesy of Masi Agricola.

Some people might address Masi Agricola’s president as Signor Boscaini, but a recent book profiling the well-known Venetian wine producer refers to him as “Mister Amarone.” A leader in the Amarone denomination, it is likely that Sandro appreciates the moniker, having tirelessly worked to improve the quality of this wine since the 1950s.

Of course, some might even say that the man is all dried up. Well, not him exactly, but most of his grapes. While the process of drying grapes is de rigor for Amarone della Valpolicella DOCG, this practice is found in few other places, but Masi’s president has exported the technique both far and near. In fact, many of his wines feature a special logo, Appaxximento, Masi Expertise® coupled with Sandro’s signature, further emphasizing the winery’s commitment to this wine production style.

Boscaini’s initial efforts focused on maintaining the concentration for which Amarone has always been known, while losing the oxidized character. In this regard, he aimed to preserve Venetian tradition, while improving the wine’s quality, introducing new yeast strains that could work at higher alcohol levels and adjusting the fermentation period from 60 days to 45 days. In the 1950s, fermentations often took as long as 18 months. As a result, today’s wines are much fresher than their predecessors.

But despite technological embraces, other aspects of production remain quite traditional such as the use of wood mats on which to dry the Amarone-bound grapes. For this purpose, Masi prefers bamboo, the spherical surface of which reduces the contact between the mats and the grape skins and ensures good air flow. Whereas some producers have shifted away from this traditional approach

This delicate balance between tradition and modern practices further comes into play when controlling the environment in the drying facilities. When possible, the room’s temperature and humidity are regulated naturally, with vents opened and closed to create the ideal conditions for drying. However, when necessary, a computer takes over to provide the ideal climatic parameters. Designed by the Masi Technical Group in the 1990s, this complex system is referred to as NASA (Natural Appassimento Super Assisted).

In neighboring Friuli, Boscaini has brought the appassimento procedure to bear on the Verduzzo grape. Harvested rather late to achieve full ripeness, the grapes are then dried on racks for three weeks to concentrate the fruit and permit evaporation of the water content. These raisined grapes are fermented on their own before being briefly aged in barriques. They are then blended with Pinot Grigio, which has been picked much earlier to retain its acidity and fermented in stainless steel. When brought together, the result is Masianco, a complex wine with full body, depth and richness.

Conversely, the appassimento process is eschewed when producing Bonacosta, a Valpolicella Classico DOC made from Corvina, Rondinella and Molinara. Intended to be a fruity, young red wine, the simple production process, using non-dried grapes, retains this freshness.

Building in complexity among their Venetian reds, is Masi’s Campofiorin. Initially created in 1964, this wine had previously been called a ripasso, but Boscaini feels that this term has become corrupted and opts instead to label it as a Rosso del Veronese IGT and refers to it instead as a Supervenetian. Instead of conducting a more common technique of using the wine equivalent of an old tea bag, Masi dries grapes specifically for inclusion in the Campfiorin. Regardless of its name or label, the wine falls somewhere in between the fruity character of the Bonacosta and the big, Baroque style of an Amarone.

Masi also produces several different Amarone wines, including its entry-level, Costasera and Costaserva Riserva, as well as several different single-vineyard wines. However, the single-vineyard wines are only produced in excellent vintages, when conditions are right not only during harvest, but also once the grapes have been picked.

Farther afield, Boscaini’s imprint can be found in Argentina, where Masi launched a partnership with Norton in 1995. Here, Corvina grapes receive the same royal, dried-grape treatment and are then blended with Malbec. Appropriately named Passo Doble, this is a decidedly unusual and modern wine. All dried up? Maybe. But, all washed up? Never! Mister Amarone strikes again!

Felice: Happiness in a bottle

Posted on December 20, 2012 by Tracy

When I was first invited to taste the new wines from Fattoria Sardi Giustiniani with co-owner Jacopo Giustiniani at his wine bar, Felice 83, I politely declined. I had no time or interest to schlep all the way across town. Plus, private label wines? Who cared? I buy Stop & Shop’s private label groceries all the time, but certainly don’t need to taste test them. Thanks, but no thanks!

However, when the press agent invited me to meet with Jacopo privately during a much quieter week, I decided she’d earned points for persistence and said yes. Additionally, having just enrolled in Italian classes, I had the misguided notion that I could practice my limited language skills with him.

Arriving at Felice 64, Jacopo’s other Upper East Side location (a third location opened in the Financial District in September), my first thought was that the wine bar itself was really nice. Jacopo later pointed out design details – such as demijohns used as lighting fixtures and the marble-topped bar –that had been inspired by his native Tuscany, further adding to the charm and overall ambiance. My second thought was that I had been crazy to think that I could conduct the meeting in anything other than English.

Getting down to the business at hand, the handsome and charming Jacopo proceeded to share his story with me (perhaps if the initial invitation had included his photo I may not have been so quick to turn it down?). Ten years ago, Jacopo’s grandfather, Sebastiano, passed away, leaving the family vineyards located in Lucca to Jacopo’s father. While the land has been in his family for 200 years, it had never been a true business…until now. Jacopo’s father, an engineer like Sebastiano, didn’t have the time or interest to do much with the vineyards, but, at age 22, just starting out in his career, Jacopo knew he wanted to be an entrepreneur. Fondly remembering visits to his grandfather and seeing him having fun on the tractor and in the cellar, Jacopo saw the vineyards as an exciting challenge. After earning his master’s degree, Jacopo completed an internship at Antinori . His younger brother, Matteo, only 18 at the time of Sebastiano’s death, eventually pursued formal training in oenology, studying first in Florence and then in Bordeaux, serves as the winemaker.

This joint focus on Italy and France carries through to the vineyard. Conquered by Napolean in 1805, Lucca was given to his sister, Elisa Bonaparte Baciocchi, to administer. As a principality of France, Syrah, Sauvignon Blanc and others were planted in Lucca back in the 1800s. Thus, while the Super Tuscan movement adopted many of the French varieties back in the 1960s and 1970s, the Lucca area (and its Colline Lucchesi DOC) has long embraced red and white French grapes.

Today, in this same tradition, the Giustiniani lands are planted to both French and Italian grapes, with the latter varieties including Vermentino and Sangiovese. Jacopo was quick to point out that the local Vermentino differs from the clone found in Sardegna and produces wines with much more minerality. Situated in northwest Tuscany, the vineyards are only a few kilometers from the sea and thus benefit from its cooling influence. This, coupled with a good shift in day to night temperatures, keeps the wines fresh.

The family’s philosophy, as espoused by Jacopo, is that wine is meant to go with food and in this regard, their wines have good acidity, concentrated fruit flavors and some complexity, but do not overpower the palate (or the plate). In addition, both grape and oak tannins are carefully controlled. As Jacopo joked, “I want to drink, not chew, my wine.”

In total, there are seven wines currently available in the Fattoria Sardi Giustininiani portfolio, along with three Felice-labeled wines (bianco, rosato and rosso ). (NB: Both rosés are out of stock until the next vintage.)

Tasting through the portfolio, I was extremely impressed with the wines. Along with the aforementioned minerality, the Vermentino 2011 had nice citrus notes along with an almost briny character and bracing acidity; a perfect foil for shellfish. The Sauvignon Blanc 2011 (the first vintage of this wine) is more Bordeaux than Marlborough, with citrus, herbal, slight oak and good structure due to the six months it spent in used barrels. While showing nicely now, Jacopo and I agreed that the wine will continue to develop in bottle over the next several months. Meanwhile, the Felice Bianco 2011, a blend of Chardonnay and Grechetto, offered rich tropical fruit and vanilla. Yet, despite its ripeness and full body, the wine was still fresh and well balanced.

Reds include the Villa Sardi Rosso 2010, which brings together Sangiovese, Merlot and Moscato Nero. This refreshing red is deceptive in that it has a certain earthy depth to it in spite of its lighter body and dominant cherry, strawberry and floral notes. The Fattoria Sardi Rosso 2010 is a blend of Syrah and Colorino, with a drop of Sangiovese. With firm tannins, earth, meat and black cherry flavors, this is a decidedly savory styled wine. Like its counterpart, the Felice Rosso 2009 is a bit fruitier than the others, with ripe cherry and plum notes taking precedence over the secondary notes. But, again, this wine has an approachable style without being dumbed down or losing its elegance. Finally, the Fattoria Sardi “Sebastiano” 2008, named in honor of grandpa, is primarily Merlot (80%) and was aged in oak barrels for 18 months, followed by 12 months in bottle, prior to its release. It is showing some development with well-integrated oak characteristics, coupled with plum, black cherry, cedar and spice. It is richly layered with silky tannins and long length and could certainly be laid down for a few years.

Beyond their availability at the Felice franchise, given Jacopo’s ties to Sant Ambroeus (he is the Wine Director and his uncle is the owner) as well as to Casa Lever (another family project), these wines are also on these restaurants’ lists. A handful of other restaurants (Marea, Locanda Verde, Felidia, Maialino and Otto) carry them, too. On the retail front, look for the wines at De-Vino Wine Boutique (although its website doesn’t currently have any available) and Italian Wine Merchants (which has the Sebastiano Merlot for $36.99).

Domaines Paul Mas: Frogs, ponds and wines that overdeliver

Posted on November 21, 2012 by Tracy

Having visited the southwest of France, I can attest that living in the Languedoc is lovely, but it’s certainly not London or Paris. Thus, it’s not surprising that members of the younger generation would want to leave the family farm and head to the big city. You might say that such folks are looking to swim in a bigger (read urban) pond.

In this tradition, Jean-Claude Mas pursued a career in the motor industry, living first in the United States and then in Paris, before entering the wine industry. But, Jean-Claude realized the potential of the Languedoc and the native son returned home to breathe new life into this bulk wine region. As the proprietor of Domaines Paul Mas, which includes the Arrogant Frog label, you might say that Jean-Claude is now the big frog swimming in this smaller (more rural) pond.

Although Jean-Claude never studied formally studied agriculture, he recognizes that there are five separate spheres of expertise required to craft world class wine – viticulture, winemaking, blending and aging, bottling and marketing –and makes sure to find the best people in each sphere and then hire them. What seems most interesting is the nearly equal value he places on all five spheres.

A true pioneer in an area where 70% of production is in the hands of co-ops, Jean-Claude shifted the focus away from quantity and instead turned his attention to quality. Moreover, he paid particular attention to what the market wanted. Arriving back in Languedoc in 1996, he saw tremendous worldwide interest in Australia and Chile and emulated, but didn’t imitate, those wines. In 2000, he took over the helm of Domaines Paul Mas, bringing his vision of producing premium wines to the family business.

Part of Jean-Claude’s pursuit led him to developing new ways of growing grapes in the area. He spent considerable time identifying the right terroir and now has eight different estates and produces four different levels of wine from his entry-level to his single estate wines. Beyond his own land, he contracts with 2,000 growers to source the fruit he needs. While he admits that there is a heavily reliance on old practices, Jean-Claude explains that “The growers will change when they know they’ll make money.”

And, while some frogs have noted that “it’s not easy being green,” Jean-Claude has been at the forefront of eco-friendly farming in the area. In this regard, Domaines Paul Mas has restricted its use to certified organic fertilizers and one of the estates, Les Tannes, is solely focused on the production of organically grown grapes. This same passion and commitment to the environment is brought to his contract growers, who are not only encouraged to adopt such practices, but are also provided with full technical advice.

Jean-Claude also places significant emphasis on creating balanced vines. He doesn’t use just one specific density in planting; rather, he is careful to match vine density with the fertility of the soil. Further, he looks to rootstocks and clones to achieve full ripeness.

For example, the ubiquitous Picpoul has not been highly regarded, but Jean-Claude didn’t fault the variety for its short-comings. Rather, he recognized that the grape is prone to chlorosis and countered this deficiency with better rootstocks and selected better clones. Once harvested, these grapes are fermented at temperatures similar to those used for Sauvignon Blanc and lees contact is included in the winemaking regimen. Consequently, in his words, his Picpoul is not a conventional one – combining the minerality of a Muscadet with tropical notes.

Likening wine style to food style, Jean-Claude acknowledges that a steak cooked rare can be the same quality as one cooked well done, but that it is a simply matter of style. Similarly, he believes that one needs to shape a wine based on one’s preferred style. He extends this analogy into the realm of fashion, speaking of blending and aging in the way that a fashion designer might choose to use silk or wool in his or her designs.

While Jean-Claude joked that, “The style of Languedoc is chaos,” his wines, particularly those from the Paul Mas Estate, were of a singular style – displaying complexity, balance and length. At suggested retail prices ranging from $14.00 to $25.00 (and likely available less expensively), these are wines that significantly over-deliver at this price point. Additionally, the attractive labels give them the appearance of more expensive brands, making them great for hostess gifts or hosting your own party.

Côté Mas St. Hilaire Crémant de Limoux Brut NV, SRP: $16.0
A blend of 60% Chardonnay, 20% Chenin Blanc, 10% Pinot Noir and 10% Mauzac, this sparkling wine offered some slight yeast, along with apple peel and citrus, on the nose and palate. It had a creamy mousse with high acidity and a long, but clean finish. Complex and elegant; stock up for holiday toasts and parties.

Paul Mas Estate Picpoul de Pinet 2011, SRP: $14.00
Wax, white flowers, honey and melon greet the nose. The dry palate has low to medium acidity and is relatively light-bodied, but the wine is rich in flavor – nectarine, honey, minerality, floral and melon persist throughout the long finish. Nicely balanced and a beautiful partner for grilled octopus (among many other dishes, of course).

Paul Mas Estate Carignan Vieilles Vignes 2010, SRP: $14.00
Black fruit dominates the nose and palate, accompanied by a meatiness and earthiness. With rich and concentrated fruit, a slate/mineral character is also present on the dry palate. Fresh fruit and minerality are the hallmarks of this complex wine.

Paul Mas Estate GSM 2010, SRP: $15.00
As its name implies, the GSM is a blend of 35% Grenache, 35% Syrah and 30% Mourvedre, all of which are typical grapes of the region as well as of nearby the Southern Rhone. Showing blueberry and blackberry aromas and flavors, this wine was fruitier than the others, but still decidedly dry. Ripe, silky tannins co-mingled with black and red fruit, and a hint of earth in the long length.

Chateau Paul Mas Clos de Savignanc 2010, SRP: $25.00
A blend of 30% Mourvedre, 40% Syrah and 30% Grenache, the make-up of this wine changes based upon the vintage. Black cherry, smoke, earth, herbal and mint, this wine displayed more secondary characteristics than primary ones. Full-bodied with good acidity, this wine will improve with some bottle age.

Wine with the Vanderbilts (Grand Cru Grapevine: May 2012)

Posted on April 20, 2012 by Tracy

America’s most visited winery isn’t in Napa. It isn’t even in California. Rather, with 600,000 guests annually, the imposing Biltmore Estate can be found in the Blue Ridge Mountains of Asheville, NC. With its driveway measured not in feet, but in miles (glad I don’t have to shovel it), the 1895 mansion was ahead of its time with electric lighting and an elevator and continues to be forward-thinking in its emphasis on being a self-sustaining estate. As part of these efforts, the on-premise dairy was replaced with a winery in 1985.

In 1997, a belated honeymoon included a visit to the Biltmore, along with a tour and tasting at the winery (in fact, our first winery visit as a couple). By design, our arrival coincided with the Flower Festival, which spanned the full weekend and entailed a myriad of events held at the immense estate. Our attendance at such events meant that our rental car became well acquainted with the lengthy driveway, but each time that the “house” came into view, it took our breath away. Coupled with the lush landscape and numerous gardens designed by Frederick Law Olmstead (of Central Park fame), we departed Asheville with fond memories.

Thus, it was with some delight that I accepted an invitation to meet with Biltmore Estate’s winemaker at a recent lunch in New York City. As you might imagine, growing grapes in North Carolina is not an easy task. The humid climate wreaks havoc in the vineyard, encouraging the growth of mildew and healthy grapes at harvest are not a given. Yet, despite these less than favorable conditions, Bernard DeLille has made wine at the Biltmore Estate for over 25 years.

The Burgundy-trained winemaker responded to an advertisement in 1986, intrigued by the opportunity to make wine in the U.S. Although he was working in Madiran and Jurançon (both in southwest France) at the time, DeLille welcomed the opportunity to produce wines without the rigid constraints of France’s appellation system. Accordingly, he packed up his wife, two children and their belongings and headed to North Carolina to begin his new position. Joining the staff under the direction of Philippe Jourdain, by 1991, he was promoted to the position of winemaker.

Given the challenges that North Carolinian viticulture presents, Biltmore Estate now sources grapes from California for many of its wines. In order to comply with U.S. regulations, wine production takes place in California as well. However, the estate vineyards have not been abandoned; DeLille will continue to make wines at home as well. In this regard, consumers can choose from two Blanc de blanc sparklers – one from North Carolina and the other from Sonoma County’s Russian River Valley. Two still Chardonnays are also similarly produced (Sonoma County and North Carolina). Not surprisingly, their red wine production centers on California.

This new approach to winemaking has provided DeLille with many rewards. Yet, he admits that it can be complicated to keep up with the need to make wine in two different facilities, separated by an entire continent. But, on the whole, DeLille seems to have taken well to the balancing act required. I wish I could say the same of the restaurant’s servers. In clearing the flutes and white wine stemware, both DeLille and I were the recipients of a Chardonnay shower. Luckily, as a veteran journalist, I was wearing black and was consequently, soggy, but not visably stained.

All in all, it was a nice reintroduction to these wines and I appreciated the changes being made in expanding the Biltmore Estate’s range of wines. The new wines should be available in the New York market soon and I would encourage you to seek them out. Or, even better, go join the other 600,000 guests and taste the wines at the estate. It’s truly a great way to spend the weekend!

Biltmore Estate Château Reserve Blanc de Blancs Brut 2008, North Carolina, $30.00
Produced from 100% Chardonnay grapes, this sparkling wine is made in the Traditional Method and receives 12-16 months of lees aging, yielding yeasty, toasty, apple and floral notes on the nose and palate.

Biltmore Estate Blanc de Blancs Brut 2007, California, $25.00
While produced similarly to its North Carolina sister, this sparkler’s grapes are sourced from the Russian River Valley and it spends 18-24 months on the lees. A more pronounced nose offers up riper fruit with apple and pear aromas. On the palate, some yeasty character is evident, but this wine is less toasty and more fruit forward than the other.

Biltmore Reserve Chardonnay 2010, Sonoma County (CA), $20.00
As an unoaked Chardonnay, this wine is all about pure fruit, showing aromas and flavors of pear, apple and citus. Bone dry on the palate with vibrant acidity and a full body, it is an excellent dining partner.

Biltmore Reserve Chardonnay 2010, North Carolina, $15.00
In contrast, this wine is fermented in French and American barrels and approximately 50% of the wine undergoes malolactic fermentation (sharper malic acid is converted to the softer and creamier lactic acid). The nose is rich and buttery with apple notes, while the palate offers apple and a hint of oak.

Biltmore Reserve Cabernet Sauvignon 2010, Alexander Valley (CA), $20.00
A varietally-correct, California Cab, this wine shows lots of black fruit and slight herbal notes, with moderate tannins, balanced acidity and good length.

Tavel, the Original Rosé (Grand Cru Grapevine: February 2012)

Posted on February 3, 2012 by Tracy

If you only drink rosé in the summer – challenge that! Sure, rosé wines are perfect summer sipping wines with their lighter body, refreshing acidity and affinity for being served at cooler temperatures. However, meatier rosés can make a wonderful addition to the dinner table year-round and will provide a rosy hue for your Valentine. And, France’s Tavel is a perfect example.

Produced from vines originally brought to the Rhône Valley by the Romans, Tavel was first made for the popes at Avignon as early as the 1300s. With its lighter body, low tannins and fruit driven character, the Popes enjoyed these wines, which became famous as the most red of all pink wines. After finding favor with the clergy, Tavel continued its long history, receiving official recognition as a controlled appellation in 1936, becoming the first AOC rosé wine in France.

With the iron-rich, clay and sandstone soils on the Rhône’s Left Bank more suitable for red wines, Tavel vines are grown on the Rhône’s Right Bank. Known for the wind-blown silts and sand that were deposited by the mistral after the ice age, these vineyards offer ideal conditions for fruit-forward, less-structured wines. Here, the soils are composed primarily of limestone, which formed millions of years ago when the area was initially under the sea. The land was eventually pushed to the surface where its mineral content provides acidity, minerality and aroma to today’s wines. Referred to as garrigue, which is also the name for the scrub vegetation that grows on it, these scents include lavender, thyme, rosemary.

Theoretically, Tavel may be made from a blend of up to 15 different grapes, most of which are red. Yet, in practice, the wines are limited to nine varieties and no grape can constitute more than 60% of the blend. These authorized grapes span from Roman (Bourboulenc) and Spanish (Grenache, Carignan and Mourvèdre) origin to French (Syrah, Cinsault, Calitor, Clairette, Picpoul) varieties, all of which thrive in the sun-drenched climate.

Crafted using the saignée method, the wines undergo an average of 12-48 hours during which the fresh grape juice is in contact with the red skins before being bled off. However, the soak may last up to 72 hours to pull significant tannins and color from the grape skins. Regardless of the time period, the wines are fermented at cool temperatures to preserve the intense aromatics.

The range of colors is determined by the combination of grape varieties, ripeness of the vintage (pH), temperature of the grapes at harvest, length of maceration and oxygen exposure. Moreover, the quickly oxidizing Grenache imbues the wines with more orange hues while high acid grapes add pinker tones. Finally, while Tavel has historically been known for its salmon hue, with the advent of modern technology, the wines are now more pink. And with the legal revisions made in 1997 that mandate the use of clear bottles, you’ll be able to admire the wine’s beautiful shade well before you pour it in your glass.

TASTING NOTES

Château d’Aqueria 2010, Tavel, Rhône Valley, France, $18.00
(52% Grenache, 12% Syrah, 11% Mourvèdre, 9% Clairette, 9% Cinsault, 6% Bourboulenc, 2% Picpoul)
This deep pink wine offers up aromas of cherries and berries. Its medium acidity and medium tannins provide nice structure for the darker red fruits, which pervade the palate.

Domaine de la Mordorée La Dame Rousse 2010, Tavel, Rhône Valley, France, $15.00
(56% Grenache, 20% Cinsault, 10% Clairette, 4% Syrah, 3% each – Mourvèdre, Bourboulenc and Grenache Blanc)
Medium pink in hue, this wine has aromas of berries, with some slight citrus pith and minerality, all of which persist on the palate. Vibrant acidity and light tannins result in a refreshing wine.

Domaine Maby la Forcadière 2010, Tavel, Rhône Valley, France, $20.00
(70% Grenache, 10% Cinsault, 10% Grenache Blanc, 10% Other)
Decidedly salmon in color, this wine shows floral and berry notes. The palate has medium acidity, low tannins and is dominated by fresh berry fruit flavors.

Prieuré de Montézargues 2010, Tavel, Rhône Valley, France, $19.00
(55% Grenache, 30% Cinsault, 13% Clairette, 2% Other)
Pale pink, with salmon highlights, berries and herbs greet the nose on this wine. Flavors of citrus and berries linger on the lively palate.

Château de Trinquevedel 2010, Tavel, Rhône Valley, France, $17.00
(60% Grenache, 15% Clairette, 10% Cinsault, 10% Syrah, 5% Bourboulenc)
With its medium pink appearance, this wine offers a range of floral, berry and herbal notes. Red berries and cherries are joined by a chalky/mineral character on the palate.

Chianti Colli Senesi: Siena’s Hill

Posted on November 23, 2011 by Tracy

There is Chianti; there is Chianti Classico (the area restricted to the historic or heartland of the region); and then there are Chianti’s seven subzones – Montalbano, Colli Fiorentini, Rufina, Colli Aretini, Colline Pisane, Montespertoli and Colli Senesi. A slice of the more general Chianti appellation, Chianti Colli Senesi has its own DOCG and adheres to stricter regulations that require lower yields (8,000 vs. 9,000). Within Colli Senesi there are three main areas, making up an 80 km stretch of land, located in the hills above the town of Siena.

Although Colli Senesi is the largest Chianti sub-appellation, compared to Chianti and Chianti Classico which produce 80 million and 23-28 million bottles annually, respectively, Colli Senesi is responsible for only 8 million bottles and is home to 500 producers. Since the subzone’s territory is also part of the larger Chianti area, producers within the delimited area can choose whether they will produce Chianti or Chianti Colli Senesi at the time of harvest.

The region has a long history of winemaking dating to the Etruscans who settled in Siena 2,500 years ago and began making wine. In 1716, Duke Cosimo I established the area, with the local wines further defined in 1841, when Ricasoli created the Chianti recipe. The original formula included, and in fact, required, a blend of both white and red grapes. While the white varieties are no longer part of the Chianti Classico regulations, they are still permitted in Colli Senesi and, if included, are used to mellow the tannins and set the color. Regardless of the producer’s choice of grapes, the wine must be comprised of at least 75% Sangiovese. Canaiolo, Colorino, Malvasia and Trebbiano, along with up to 10% Merlot and/or Cabernet Sauvignon, may supplement the blend, depending upon the winemaker’s philosophy.

While there is no specific taste profile to these wines that set them apart from other Chianti wines, the head of the Chianti Colli Senesi Consortio was adamant about stressing the reduced yields as a point of differentiation, higher quality, and clearly, pride. Accordingly, at least in theory, these wines should be of a higher quality than basic Chianti.

As elsewhere, each vintage brings its own set of challenges and harvest 2011 did not disappoint in that regard. Typically, the Chianti Colli Senesi area experiences a decrease in heat on or around August 15, but, this year, Mother Nature had other plans. Instead of cooler temperatures, the remainder of August and into September was quite hot.

Consequently, grapes raisined on the vine in the intensity providing good conditions for vin santo, but requiring a quick response to harvest grapes for the dry whites. It also meant that everything was in full swing when we visited in the last week of September.

Our arrival in the midst of harvest activities gave us the opportunity to catch mechanical harvesters, sorting tables and crusher/destemmers in action. We watched as grapes were loaded into the machines which quickly spit out stems, getting the grapes ready for the next stage in the process toward becoming wine. The heavenly scent of fermenting grapes followed us everywhere, but kept us out of a few cellars for safety.

Moreover, we were invited to participate in a traditional dinner, which celebrates the harvest and brings all of the field workers together, at Fattoria Campopalazzi. The working farm property at Fattoria Campopalazzi is presided over by Anna Maria Di Rienzo, a PhD-trained scientist, who has harnessed her scientific knowledge and put it to work at the winery. Anna Maria and her husband graciously received our group on our third evening, providing us with a brief tour of the winery and the rooms she rents out as a bed and breakfast.

We were then led to an arbored patio where we toasted the harvest with her employees and feasted on bread, salami, cheeses, olives and other assorted fare. Little did we know that this was only the aperitif. Moving to a room upstairs in the farm house, we somehow found room to consume a full dinner and taste through several wines.

At dinner, we were joined by Anna Maria’s consulting winemaker from Fattoria Montepescini, which we had visited earlier in the day. This winery is located in the village of Montepescini, which is home to less than 30 inhabitants.

Another stop took us to Castel di Pugna, named for a nearby battle in which Siena triumphed over the Florentines back in the 1200s. Today, the property is owned by Count Carlo Alberto Fumi Cambi Gado and his son, Luigi Alberto. The castle itself dates to 1259 and their historic cellar is carved out underground from the tufa soil. Production for their four wines is limited to 14ha of estate grown fruit, all of which is hand-harvested. We were provided with a beautiful luncheon at which we tasted their basic Chianti Colli Senesi, the Riserva and a Supertuscan called Castelpugna.

At Campriano, we were greeted by owner, Ranuccio Neri, who explained that his newer plantings focus on higher densities and lower yields. Ranuccio’s chef, Roberta, gave us a lesson on the art of making gnocchi, while he gave us a primer on recent vintages, noting that 2007 was a hot year, while 2006 and 2008 were more moderate, with 2006 being better than 2008.

Our host further acknowledged that 2001 had been a particularly good year, providing excellent growing conditions. Not surprisingly, he produced a Riserva wine that year, which was showing beautifully that afternoon. To qualify as Riserva, the wine must possess a full degree higher of alcohol (11.5% vs. 12.5% abv for Riserva) and be aged in a combination of wood and bottle for a minimum of one year.

Ranuccio invited us for lunch at his property, at which we enjoyed the fruits (or, perhaps, more correctly the pasta) of our labor and tasted through several different vintages of Campriano wine. We concluded the meal with a chocolate tart and a glass of Ranuccio’s vin santo, which was, hands-down, the group’s favorite vin santo of the entire trip. It was truly a perfect ending to the meal.

TASTING NOTES

Montepescini, Chianti Colli Senesi 2010, Tuscany, Italy
Tasted from a barrel sample, this wine displayed black cherry and floral notes on both the nose and palate. The firm tannins need some time to soften.

Bindi Sergardi, Chianti Colli Senesi 2009, Tuscany, Italy
This wine has aromas of floral, dried herbs and cherry. The richly layered palate offered vibrant acidity, ripe cherry and dried herb flavors and beautiful balance.

Campopalazzi, Chianti Colli Senesi 2008, Tuscany, Italy
This wine showed Sangiovese’s savory character with notes of tomato leaf as well as black cherry. On the palate, it had bright acidity, with cherry, tomato and dried herb flavors, along with dusty tannins.

Montalpruno, Chianti Colli Senesi Riserva 2007, Tuscany, Italy
Notes of sweet, red fruit and candy greeted the nose. On the palate, this wine showed vibrant acidity, with firm tannins (it needs some time) along with strawberry and cherry jam and an undercurrent of tropical fruit.

Castel di Pugna Ellera, Chianti Colli Senesi Riserva 2005, Tuscany, Italy
A blend of 95% Sangiovese and 5% Canaiolo Nero, this wine was aged for 24 months in oak barrels, with an additional six months of bottle aging before release. Herbal and red fruits dominated the nose and palate.

Campriano, Chianti Colli Senesi Riserva 2001, Tuscany, Italy
Despite its age, the wine’s color showed only a slight shift toward garnet. Vegetal and cherry notes greeted the nose and were joined by spice and herbs on the lively palate, culminating in long length.

Campriano, Vin Santo 2006, Tuscany, Italy
With its pronounced aromas of coffee, nuts, honey and caramel that persisted on the palate, this medium sweet wine had balanced acidity and long length.