You say Garnacha, I say Grenache

Whether you call it Garnacha or Grenache, this great grape is finally getting the recognition it deserves! Last week, in a very special campaign – the first time that two countries are collaborating in the promotion of wine – a unique dinner featuring the wines of Grenache & Garnacha was held at La Nacional Restaurant. The restaurant is operated under the auspices of the Spanish Benevolent Society, first established in 1868 to “promote, encourage and spread the spirit of fraternity and solidarity among Spanish and Hispanic-American residents of this country.”

Although the society’s role has morphed over the years as the Spanish immigrant population has declined, it still exists in the promotion of Spanish culture. To this end, most recently, they have taken back its space to launch a public restaurant, bringing top chefs from Spain to create authentic Spanish meals. And, it was the perfect setting in which to enjoy these wonderful wines.

Among the oldest grape varieties in the world, Grenache (aka Garnacha) is the second most planted red variety in the world. Within the Garnacha grape family, there are actually four different grapes: red, grey, white and velvet. First grown in the Spanish Kingdom of Aragon, Garnacha thrives in the hot and dry climate, suitable for dry farming. Given its ability to do so well in harsh conditions – it is wind resistant, drought resistant, disease resistent and does well in acidic soils – Garnacha has been hailed as one of the most eco-friendly grapes in the world. Interestingly, with the grape’s sensitivity to soil types, it is often referred to as the Pinot Noir of Spain.

Today, 97% of Garnacha vines are found in just two countries: France and Spain. Between the two countries, the majority of the vineyards are located within the adjacent areas of Calatyud, Campo de Borja, Carinena, Somontano, Terra Alta and Roussillon. Yet despite the relatively compact area, the grapes produce a wide range of styles, showcasing the diversity of the variety. In this regard, Grenache produces: sparkling and still wines; light-bodied and full-bodied whites; roses; light-bodied and full-bodied reds; and fortified sweet wines. Additionally, today, many old vines still exist, creating rich, concentrated wines. Moreover, the focus has shifted away from the use of small, new oak barrels to older and larger oak vessels that impart less overt oak flavor and aromas to the resulting wines.

Over the course of our dinner, we had the great opportunity to sample delicious food paired with five beautifully made Garnacha and Grenache wines, illustrating their pleasure-inducing and food-friendly nature.

TASTING NOTES

Las Moradas de San Martin, Senda 2014, Vinos de Madrid, Spain, $14.00
Under the direction of a female winemaker, Las Moradas de San Martin is working toward receiving organic viticulture status and is home to 190 year old vines. This wine is 100% red Garnacha, with notes of cherry, plum, spice, a slight tannic grip, long length and a slight oxidative note.
Paired with a selection of Spanish cheeses.

Domaine Gardies, Clos des Vignes 2015, Cotes du Roussillon, France, $33.00
This 5th generation family estate boasts old vines, including the 75 year old vines grown on chalky soils that produced this wine. It is a blend of 60% white Grenache, 35% grey Grenache and 5% Macabeu and Roussanne, vinified in and then aged in large, old, wood vessels for one year before release. Beautifully complex with aromas of floral, acacia, anisette, fennel, wood and a hint of oxidation, along with medium+ acidity, medium+ body, flavors of citrus, stone in finish, culminating in long length. Ageworthy.
Paired with Octopus.

Bodegas San Valero Particular Old Vine 2015 Carinena, Spain, $15.00
Bodeas San Valero is a co-op, which is starting to do some single vineyard wines. The grapes for this wine were grown at 650 meters in altitude, in limestone and chalky soils, that are very stony. These rocks hold heat at night, helping to aid in the vine’s ripening.
An intense nose of red fruit, on the palate the wine offers up spice, slight tannic grip, ripe red fruit, wild berries, with long length. 100% Garnacha; aged three months in oak.
Paired with Grilled Lamb Chops – a very traditional pairing.

Bodegas Paniza (highest village in the appellation) Vinas Viejas de Paniza Garnarcha 2016, Carinena, Spain, $12.00
Produced from 100% Garnacha, on slate soils and grey schist at a high altitude, this wine spends six months in oak. It is very fresh, with herbal aromas and flavors, dark red and black fruit, good acidity, medium tannins and long length.
Paired with Chorizo and Bechamel Croquettes.

Les Vignerons de Constance & Terrassous Hors d’Age 12 Ans, Rivesaltes Ambre, Roussillon, France, $30.00
A fortified dessert wine produced from 40-year-old, white Grenache vines, this wine has a slight oxidative note, with rich and complex flavors of apricot, caramel and spice, joined with good acidity, structure and long length.
Paired with Chocolate Mousse and Blood Orange Gelato.

Terlato’s CRU Collection: A Circle of Burgundian Friends

Like many people in the wine industry, John Terlato, Vice Chairman of Terlato Wines, is passionate about Burgundy. When Terlato Wines initially purchased Sanford Winery and its vineyards in Santa Barbara, California in 2002, John was strongly advised to look to Burgundy for information and inspiration as they embarked on this new Chardonnay and Pinot Noir venture.

He took the advice to heart and traveled to Burgundy in search of great wine. Of course, he was not disappointed, but, equally important, he discovered great people. He returned to the U.S. not only with new knowledge that he was able to impart at Sanford, but also with a circle of new friends.

Over time, these friendships have continued to grow and blossom and it is from this collection of great people that John has now assembled a collection of world-class Burgundy wines, which he is importing under Terlato Wines’ CRU Selections division. The portfolio includes an impressive array of Who’s Who in Burgundy, but John stresses that he wants to work with friends, not all Burgundy producers.

And, such friendships have also resulted in joint projects such as the wine he recently made with Chateau de la Tour at Sanford Winery, bringing together California Pinot Noir, with Burgundian expertise. He enjoyed the project very much and admits that the experience will influence the way he does things going forward, since it is difficult to ignore what you have learned.

Among other things that John has gleaned from his Burgundian friends is the concept that vines can be classified as either introverts or extroverts and, by understanding which vines are which, one can best manage the vines to produce their highest quality. Accordingly, extroverted vines need more attention, while introverted vines should be left alone. He has since adopted this philosophy to other vines, which compliments his focus on making wines of place instead of wines of taste.

John himself is an extrovert, which comes across in his warm, generous approach to life and to people. But, he doesn’t want to interact just for the sake of interacting; in his words, “the ideal dinner party is made up of more than the [three] Graces and less than the [nine] Muses,” giving him the opportunity to have meaningful conversations with a variety of people over the course of a delicious meal and a glass of wine.

Terlato recently hosted a tasting of a subset of the Cru Selections portfolio, including: Domaine Michel Niellon, Chateau de la Tour, Domaine Pierre Label and Domaine Ramonet. It was truly an impressive tasting and an absolute treat to taste some of these very limited wines. And a welcome reminder as to why people are so passionate about Burgundy!

NB: If you would like to get to know John Terlato even better, why not join him on a cruise this December?

TASTING NOTES

Domaine Michel Niellon
This fourth-generation family affair is located in Chassagne-Montrachet and produces the full range of wines from the basic Bourgogne appellation to Grand Crus, including Chevalier-Montrachet. The vineyards are managed using sustainable agriculture.

*Chassagne-Montrachet Premier Cru “Les Champgains” 2016
Rich, lovely, apple, woody, full bodied, long length.

*Chassagne-Montrachet Premier Cru “Clos de la Maltroie” 2016
Mineral, wet stone, fresh, mineral, apple, toothpick, very long length.

*Chassagne-Montrachet Premier Cru “Les Vergers” 2006
Developing, rich, full body, mineral, caramel, waxy, peach, long length.

Chateau de la Tour
Established in 1889 and situated in Vougeot, Chateau de la Tour is presently the largest landowner of the Clos-Vougeot Grand Cru, with a holding of 15 acres. The vines are farmed organically and the wines are aged in custom barrels. The estate’s Clos-Vougeot wines are typically produced from vineyards that average 65 years old, while those under the Clos-Vougeot Vieilles Vignes (old vines) label are made from vines of a minimum of 100 years old.

*Chateau de la Tour Clos-Vougeot Vieilles Vignes 2015
Intense and concentrated fruit, cherry, herbs, earth, very long length.

*Chateau de la Tour Clos-Vougeot Vieilles Vignes 2007
Floral, red fruit, earthy and herbal, long length.

Domaine Pierre Labet
This domaine dates back to the 15th century with its headquarters built on the battlements surrounding the city of Beaune. The Labet family itself also has a long history in the region, having been in Beaune for 500 years. The family’s holdings include 25 acres spread throughout different appellations, with all of the vineyards farmed organically since 1992.

*Beaune “Clos du Dessus des Marconnets” 2015
Lovely nose, spice, apple, full body, medium acidity, good length.

*Meursault “Les Tillets” 2015
Mineral, green apple, toothpick, nuts, rich and round, long length.

*Beaune “Clos du Dessus des Marconnets” 2015
Ripe, rich, fresh, herbal, cherry, wood, long length.

*Gevry-Chambertin Vieilles Vignes 2015
Ripe berry, cherry, herbal, earthy, fruit on palate, bright acidity, woody finish, long length.

Domaine Ramonet
The Ramonet family settled in Burgundy in the 19th century and it was Pierre Ramonet, grandfather to the current owner, Jean-Claude, who established the (now vaunted) domaine in 1935. While Domaine Ramonet produces both red and white wines, it is most known for its top Chadonnays. Today, Jean-Claud is joined in the business by his daughters Anne-France and Clarisse.

*Bougogne Aligote 2016
Beautifully fresh, round, soft ripe pear/peach, pith, slight tropical, long length.

*Puligny-Montrachet 2016
Slight nuttiness, apple, wood, nuts, rich and round, slight buttery note, long length.

*Chassagne-Montrachet Premier Cru “Boudriotte” 2016
Woody and apple on the nose, fresh, elegant and rich on the palate with apple, woodiness lingers in finish, long length.

*Chassagne-Montrachet “Les Ruchottes” 2014
Green apple, hint of oak, fresh acidity, full body, VERY long length.

*Bienvenue Batard-Montrachet 2001
Caramel, apple custard, good acidity, full body, caramel, butter, very long length.
Wow!

Cantina Tramin’s Epokale, where past and present meet at the peak of perfection

The region of Alto Adige, in northeast Italy, greets visitors with its snow-topped peaks, verdant mountains and Swiss chalet-style architecture. These hills are alive with the sound of viticulture, having produced highly regarded, quality wines as far back as 500 BCE, thanks to the ingenuity of the indigenous Rhaetian people.

The region was further influenced by the Romans who arrived on the scene in 15 BCE. As a result, the local village of Tramin took its name from the Latin word for border and later gave its name to an indigenous variety grown in the area for centuries. With the German “er” suffix indicating origin from Tramin) the grape was first called Traminer, and later earned the prefix of gewürz, which is German for spice.

Among the many producers in the region, the small cooperative of Cantina Tramin is deeply rooted in the community. Founded in 1898, it was during the early 1990s that the members of the cooperative made the conscious decision to pursue a quality agenda, making changes in the vineyards, the winery and staff, namely bringing on Willi Stürz as both winemaker and Technical Director. In the wake of this commitment, his efforts were rewarded with the title of “Winemaker of the Year” in 2004 by Italian wine guide, Gambero Rosso.

Since then, Cantina Tramin continues to be well regarded for its wines and, in particular, for its Gewürztraminer.  As the area’s most historic and important variety, Cantina Tramin is keen to preserve and promote Gewürztraminer and presently manages 57 hectares of Gewürztraminer vines, representing 22% of the coop’s plantings, as compared to just under 11% for the region as a whole.

In pursuit of this passion for Gewürztraminer, Cantina Tramin expanded its Gewürztraminer range with the recent launch of Epokale. With its name taken from the root of epoch – a period – the intent was to create a wine similar in style to those produced in the past, but that have been lost with time. This traditional, semi-sweet wine was made from grapes from two of the oldest vineyards and is a late harvest, Spatlese-level wine, deliberately harvested with only limited botrytis (about 10% were affected by noble rot).

First produced in 2009, this wine made its debut last year, after having spent seven years aging in an abandoned silver mine in Val Ridanna, situated at 2,000 meters above sea level. The mine provided perfect conditions: correct and consistent temperature and humidity, along with constant pressure, which ensured that no tartrates were formed. The wine was initially crafted and then bottled at the winery, with the individual bottles brought up to the mine’s caves for its period of aging. Only 1200 bottles of the maiden vintage were produced.

In recognition of its sheer perfection, this wine was recently awarded 100 points by Robert Parker’s Wine Advocate. This is a tremendous honor that goes beyond simply receiving a perfect score in that it is the first time at all that the publication has awarded such a score to an Italian white wine. And, also marks the first time this score has been awarded to a wine from outside Piedmont and Tuscany. In fact, of the over 35.000 Italian wines tasted by Wine Advocate, only 14 have received the top score and most of these are Barolo and Brunello wines.

Not surprisingly, this exciting and well-deserved news has been happily received by the winery’s personnel. Wolfgang Klotz, Marketing and Sales Director at Cantina Tramin, called it “A historic touchdown,” noting that, “We are very proud to have brought this recognition to Alto Adige Region.” Similarly, Willi Stürz acknowledged that, “We are honored of receiving such a score. A great satisfaction that I want to share with our 150 associated families and all the team at the winery,” further adding that, “Many might have considered Epokale project a hazard. We are very happy our efforts have been understood and fully rewarded.”

Terlato launches next chapter in Pinot Grigio story with Italy’s Simonit & Sirch

They wear plaid and are forced to check their pint-sized chainsaws in their luggage when they travel. They are the SVU – Special Vine Unit – not the investigators of crimes, but rather the investigators and proponents of healthy grapevines.

The Friuli-born Marco Simonit and Pierpaolo Sirch met in high school, having spent their childhoods running around their respective village farms, both clearly at home in the outdoors. After attending viticultural school, they worked at the Istituto Agrario, went on to other posts and then renewed their acquaintance several years later when they noted that what they had been taught in school wasn’t actually working in the vineyard.

The duo spent considerable time researching and observing what was going on and ultimately developed their trademarked Simonit & Sirch pruning strategies, which seek to promote sap flow and reduce pruning wounds (which are susceptible to disease).

Interestingly, in an age when the words “natural” and “organic” are bandied about as being superior, we tend to forget about the importance of the role of humans in the vineyard. Vineyard pruning practices have not been a major focus; however, as Simonit and Sirch discovered, these practices can limit the health and life expectancy of a vine.

Accordingly, their intervention techniques improve the overall health of the vine, eliminate potential weakness and, when necessary, they eradicate disease with the aforementioned mini-chainsaws. Further, their approach concentrates on saving prized, older vines, which have the capacity to extract the characteristics of the soil, as opposed to the more common alternative of grubbing up diseased vines and replacing them with new plants that will take years to develop quality grapes.

Now they have become celebrity pruners, traveling the globe to save the world’s greatest vineyards and preserve their longevity. As a result, they have a robust client roster that reads like a wine list at a Michelin-starred restaurant. Sometimes they can’t believe it themselves. When famed Sauternes producer, Chateau d’Yquem, came calling, they initially thought it was a prank call!

Several years ago, the pair were introduced to Bill Terlato through a mutual friend, kicking off what was to become a fruitful partnership. At the time, Terlato was ready to write the next chapter of his company’s Pinot Grigio story and was looking for great grapes.

Terlato’s father, Anthony Terlato, was responsible for launching the Santa Margherita brand in the U.S. back in the 1970s, but, despite the profitability of the lengthy Terlato-Santa Margherita partnership (now dissolved), Terlato had become disillusioned with the product. A victim of its own success, Terlato felt that the wine’s quality had diminished over time as quantity was increased to accommodate growing demand. He believes that a product becomes commercial, rather than artisanal, when you make hundreds of thousands of cases.

While the original intent was for Simonit & Sirch to simply supply the contacts for Terlato’s project, they saw the opportunity for their hometown region – Friuli’s Colli Orientali – to gain the global exposure they felt it deserved. Colli Orientali is known for crafting some of the best Pinot Grigio in the world, but, since the region is made up of many, small growers who produce many wines with limited production, it is very difficult for them to get traction in the market.

Thus, the viticulturists decided to participate as full collaborators with Terlato. They underscore that what makes this particular wine project different from others is that not only is the quality of the wine evident, but it is scalable. a situation which Terlato describes as “1 + 1 = 3; We [Terlato] bring the marketability on a global basis.”

Overall, the goal is to produce “Grand Cru quality” Pinot Grigio that is evocative of its place, with both character and ageability. Speaking highly of this much-maligned grape – thanks to the glut of insipid Pinot Grigio on lists and shelves – Simonit stresses that, as a relative of Pinot Noir, Pinot Grigio has good genetics and has the capacity to produce excellent wines.

In general, the fruit is sourced and hand harvested at low yields from 20-to-40-year-old vines grown on marl and schist soils on hillside plots. Recognizing the subtle differences among various soil types and microclimates, grapes from different plots are vinified separately and then blended together to produce a balanced and complex wine. As Terlato explains, “We want something distinctive, with complexity, salinity, minerality and length.”

Vintage variation is evident and, while they hope Mother Nature will be kind to them each year, such variation is not discouraged or covered up. The first vintage of the project was 2014 (although they produced Friulano in 2013), which proved to be a challenging harvest. The 2015 vintage was more bountiful, permitting them to expand their reach, which they are growing cautiously, primarily targeting on-premise accounts.

Present production stands at 40,000 cases and Terlato believes that a maximum output of 150,000 cases is feasible before the quality is compromised – a far cry from the current Santa Margherita case production of 700,000 annually.

Time will tell how this newest Pinot Grigio chapter will end, but so far the wine has been well received in the market.

Channeling Jimmy Buffet with Montes and Kaiken Wines

As Jimmy Buffet crooned, “It’s those changes in latitudes, changes in attitudes [when] nothing remains quite the same.” While he was singing about life in general, Buffet might have been speaking about the differences between Chilean and Argentine wine. OK, not really, but the emphases on latitude and altitude were apparent at a recent tasting of Montes and Kaiken wines. Presided over by Aurelio Montes, Sr. and Aurelio, Montes, Jr., the father and son team shared the fruits of their respective labors as we tasted a collection of their wines from these two countries.

A pioneer in wine, Aurelio Montes, Sr. earned his degree in agronomy and went on to co-found Viña Montes in 1988. This Chilean winery set the bar for Chilean wines and helped introduce them to the world at time when people had never heard of Chile, let alone knew the country produced wine.

This father of five was eager to have his son, Aurelio, Jr., follow in his footsteps and was loathe to leave it to chance. Thus, the two traveled to the Napa Valley when Jr. was only 15 years old. During the trip, he visited UC Davis and met Robert Mondavi and other key figures in the Napa industry, which cemented his interest in wine. Moreover, he encouraged his father to focus exclusively on top quality wines.

Upon their return, Sr. looked to new territories in Chile, finding land in Apalta on which to plant his vineyards and launch the Alpha line of high end wines. Here, he embraced the maritime climate, planting Bordeaux varieties, and concentrating on growing premium grapes and crafting premium wines. This shift proved to be quite successful and the Montes name became well respected in the industry.

However, not content to rest on his laurels, Aurelio, Sr. was lured by the stark contrast of Argentina’s vineyards beckoning just over the steep Andes peaks. Its continental climate, unique soils and elevations were equally well suited to grape growing, but with distinctly different challenges than those he faced at home in Chile. Thus, he eventually established Kaiken in 2001, giving him two wonderful worlds in which to produce wine.

Meanwhile, thanks to the success of that first Napa trip, Aurelio, Jr. completed his agronomy studies in 1999 and began building his resumé with stints at Rosemount, Cape Mentelle and Franciscan Estate, before returning to Chile. But, he had to earn his place in the family business, honing his skills at Viña Ventisquero before joining Montes in 2007. He first worked in Apalta and then led the winemaking team at Kaiken from 2011 to 2015. Not surprisingly, Jr. acknowledges that, “Making wine is hard work; we are not magicians.”

More simply, he suggested that, “The job of a winemaker is twofold: half of the job is to make wine and the other half is to understand what the consumer wants.” In this regard, he has worked in five different countries, understanding what is good, learning from other areas and taking that experience and expertise home with him to make better wine.

In illustration of their combined knowledge and expertise, we tasted two Chardonnays from the two different “neighborhoods.” Introducing his cool climate wine, Aurelio, Sr. spoke about playing with proximity to the Pacific Ocean, thereby moving along the same latitude to change the character of the resulting grapes. His Chardonnay was very fresh with bright acidity and predominantly citrus notes.

Similarly, Aurelio, Jr. described his manipulation with the height of his vineyards above sea level to slow down ripening and retain acidity, ultimately producing high altitude Chardonnay. While still quite balanced, his Chardonnay was lower in acidity and displayed riper fruit and slightly more oak.

We then focused our attention on Cabernet Sauvignon with the Chilean version being leaner and more elegant whereas the Argentine Cab was fruitier with a richer, rounder style that was more muscular with riper tannins. While Cabernet Sauvignon is not usually associated with Argentina, Aurelio, Jr. argues that the grape can do well there; it simply hasn’t been planted in the right places. He suggested that as an industry, Argentine producers need to do a better job of identifying the best terroirs and planting vines, but also acknowledged that Argentina’s emphasis on quality wine only came about in the past 15 years.

Turning the tables, we next tasted Malbec, which is much more linked to Argentina than to Chile. Aurelio, Sr. jokingly explained that he was jealous of the success that Argentina has had with this grape and decided to produce his own version at home. His Malbec was fresh and lean, with less spice and intensity than the Argentine version. Yet, the Kaiken Ultra Malbec was still an elegant wine with ripe black and blue fruit and herbal notes, thanks to the extreme terroir of his 1500 m vineyard that Jr. calls “wild black horse of the mountain.”

With their long tenure in wine, the two winemakers are not without their desire to experiment. For Sr., it was a Rhone-style blend of Carignan, Grenache and Mourvèdre (Outer Limits CGM); for Jr., a varietal Cabernet Franc, which he described as being more feminine compared to the “macho wines” Argentina is known for.

Their aspirational wines include the Montes Alpha M, which was Sr.’s attempt to craft a Bordeaux blend as good as one from Bordeaux. By the accolades given in the room, it was clear that he has succeeded with this sophisticated and complex blend. Likewise, the Kaiken Mai is a beautiful Malbec sourced from a heritage vineyard planted in 1910 that has been saved from the encroaching condo development in the Mendoza area. Although 97% of this vineyard is planted to Malbec, a handful of other grapes such as Semillon, Criolla, Cabernet Sauvignon and Cabernet Franc are still mixed in among the vines.

Finally, we closed with a mini-vertical of Taita, a visionary wine named for a term of endearment used for a beloved father, denoting respect and devotion. Dry-farmed on a vineyard with calcium-rich soil (thanks to the detritus from a previous glacier), the wine is primarily made up of Cabernet Sauvignon and is aged for a long period of time before release. My favorite was the 2007, which was still quite structured, but displaying some development on its tenth anniversary.

But, in the end, despite discussions of latitude and altitude, it is all about the wines you like. A common note made during the tasting was how each wine was beautifully made in its own right, but would have greater or lesser appeal depending upon one’s palate preferences. Such thoughts underscore Sr.’s statement that, “You get more human than technical about wine as you get older.”

Plus, as Jimmy Buffet also reminded us in his tune, “With all of our running and all of our cunning, If we couldn’t laugh, we would all go insane.”

Thankfully, both gentlemen readily laugh. Aurelio, Sr. shared an anecdote about that fateful trip to Napa during which Aurelio, Jr. proudly purchased an inexpensive pair of shorts that he proceeded to wear throughout the week, only to discover at the end that they were actually a pair of underwear. Apparently, Chileans only wear briefs; it must be a longitudinal thing.

List of Wines Tasted

  • Montes Alpha Chardonnay 2014, Aconcagua Costa, Chile, $20.00
  • Kaiken Ultra Chardonnay 2014, Mendoza, Argentina, $20.00
  • Montes Alpha Cabernet Sauvignon 2014, Colchagua Valley, Chile, $20.00
  • Kaiken Ultra Cabernet Sauvignon 2014, Mendoza, Argentina, $20.00
  • Montes Alpha Malbec 2014, Colchagua Valley, Chile, $20.00
  • Kaiken Ultra Malbec 2014, Mendoza, Argentina, $20.00
  • Montes Outer Limits CGM 2015, Colchagua Valley, Chile, $25.00
  • Kaiken Obertura Cabernet Franc 2014, Mendoza, Argentina, $35.00
  • Montes Alpha M 2012, Colchagua Valley, Chile, $98.00
  • Kaiken Mai Malbec 2013, Mendoza, Argentina, $70.00
  • Montes Taita Cabernet Sauvignon 2007, Colchagua Valley, Chile, $249.00
  • Montes Taita Cabernet Sauvignon 2009, Colchagua Valley, Chile, $249.00
  • Montes Taita Cabernet Sauvignon 2010, Colchagua Valley, Chile, $249.00

 

Miner Family Winery: The Cool Miners’ Water

Miner
With their name proudly displayed on every bottle of wine they produce, the Miner family has made a name for themselves in Napa Valley wine. Founder Dave Miner initially launched his career in the software industry, following in the footsteps of his uncle, Robert Miner, who was among the co-founders of Oracle Corporation.

Dave continued to pursue his uncle’s passions when he took over as President of Oakville Ranch Vineyards, which Robert had established in 1989. While Oakville Ranch continues to remain in the hands of Robert’s widow, Mary Miner, Dave went on to found his own winery, Miner Family Winery in 1996, after meeting his future wife, Emily, who served as Tasting Room Manager at Oakville.

Ten years later, Dave and Emily’s efforts were duly rewarded when Miner Family Winery was honored as a Top 100 “Winery of the Year” by Wine & Spirits Magazine.

The Miner Family wines were initially crafted at a custom crush facility, but, by 1997, the pair had hired Gary Brookman on as winemaker and spent the following two years buying a building, excavating caves and releasing their first wine. In 2008, the winery was able to become energy-independent, running exclusively on self-generated solar power.

Interestingly, while they have spent considerable time and effort focused on their facility, the fruit for their wines is generally sourced from other people’s vineyards, some of which, like Hyde, Stagecoach and Garys’ Vineyard, have become extremely well known.

A wide range of wines are produced, including those from Bordeaux, Burgundy and Rhone varieties. In a fitting tribute to uncle Robert, the winery’s flagship Bordeaux-style blend, Oracle, was launched in 2004. Today, Miner Family Winery wines continue to earn critical acclaim and have been served at several White House dinners. Yet, the wines remain reasonably priced and accessible.

Miner Family Winery Chardonnay 2013, Napa Valley (CA), US, $30.00
As a high quality, well-made wine, this is an oaked Chardonnay for the haters out there. Aromas of apples, spice and pear greet the nose and persist on the dry palate; overall, it is really enjoyable with complexity and elegance.

Miner Family Winery Wild Yeast Chardonnay 2011, Napa Valley (CA), US, $50.00 Produced with only indigenous yeast cultures, this wine offers up yeasty, nutty characteristics on both the nose and palate. Despite spending 16 months in 70% new French barrels, it is well balanced with integrated oak, showing slight development and culminating in long length.

Miner Family Winery Garys’ Vineyard Pinot Noir 2012, Santa Lucia Highlands (CA), US, $60.00
Beautiful aromas of floral, cherries and a hint of herbs are displayed on the nose while rich, concentrated, ripe cherry flavors are joined by wet leaves and a kiss of oak on the palate.

Miner Family Winery Stagecoach Vineyard Cabernet Sauvignon 2012, Napa Valley (CA), US, $75.00
From the Krupp Family’s famed Stagecoach Vineyard, this wine is redolent of red and black fruits, coupled with spice notes.  The full-bodied palate delivers firm tannins, with rich blackberry and spice along with long length.

It’s Complicated… but does it have to be?

Each year, dozens of high school and college teams gather together to compete in building complex machinery to complete simple tasks. This national competition, held in celebration of cartoonist Rube Goldberg, encourages the creation of far-fetched contraptions to accomplish straight-forward tasks such as hammering a nail or turning a page.

See the Rube Goldberg website for this and other images.

These machines take a circuitous route to getting things done, instead of simply moving from Point A to Point B, there are quite a few stops along the way.

In the context of the Rube Goldberg Machine Contest, such round-about, comical approaches can be a lot of fun, but why do we seem to take a similar tack when explaining simple concepts about wine to our students?

As a refreshing antidote to encyclopedic tomes, Tom Stevenson has written “a [wine] book for people who don’t want to read about wine.” Stevenson’s newest book, Buy the Right Wine Every Time, The No-Fuss, No-Vintage Wine Guide, offers a simple, straightforward approach and focuses on wines that are generally inexpensive, widely available and consistent from year to year.

This is a distinct departure for Stevenson, who is well known for writing the (encyclopedia tome and) go-to-guide, World Encyclopedia of Champagne & Sparking Wine. Presumably much more at home drinking the likes of Bollinger and Taittenger, for this project, Stevenson found himself tasting Barefoot and Turning Leaf and seems to be impressed with these and several other big brands.

The first part of the book emphasizes wine by style, while in the latter section (referred to as the “A-Z of wines”), individual wines are listed alphabetically (naturally) with a few key elements included:

  • What is it?
  • What does it taste like?
  • If you like this, then try with confidence…

The very first entry in this section is the Adami Prosecco Bosco del Gica, which Stevenson rates as Recommended. (His other ratings are To Die For and Highly Recommended). As a consumer-oriented wine book, I would say it is Highly Recommended.

Interestingly, or at least of interest to me as a wine educator, while the label clearly indicates that the wine is Prosecco Superiore DOCG (and not just Prosecco DOC), Stevenson makes absolutely no mention of this fact in his text.

And, in the wine style section, none of the wines listed include the appellation or even country of origin. Truly a case of less is more.

Truthfully, having worked with the Prosecco Superiore consortium, I feel a duty to explain and clarify the differences between the two, but in all honestly, does the average consumer really care as long as the wine tastes good (to them) and fits within their budget? As much as I hate to admit it, the answer is no.

Yet, I do not advocate for a full abdication of complex principles; merely, for the use of clear explanations when they are necessary and appropriate. In this regard, detailed dissertations on appellation laws might be best left for trade training, but significant concepts that link wine and place should be explored, keeping context and audience in mind when guiding such conversations.

Similarly, at a recent seminar on “Why Terroir Matters,” author and educator Marnie Old questioned whether we should be using the term terroir with consumers, noting that discussions of “dirt” tend to turn people off.

In response, Bordeaux merchant and estate owner, Edouard Moueix suggested that, “[Terroir] is a term that was invented to describe something that can’t be easily defined,” but was adamant that terroir is indeed vital to the dialogue on wine. Instead, he proposed that we need to do a better job illuminating this term for consumers to help them understand how terroir distinguishes one wine from another in its identity as well as to clarify that it does not, in fact, mean “dirt.”

Admittedly, a tall order, but as a wine educator I am up for the challenge. What do you think?

Discovering Sicily: A Mediterranean Jewel in Italy’s Crown

2013-05-11 08.39.15In May 2013, I had the precious opportunity to spend a week visiting the beautiful island of Sicily, exploring its land, meeting its people and tasting its wonderful wines. This is my story.

I  stood in line at the Palermo airport, crying. Not loud wails, just silent tears rolling down my face. But, as it was my seventh visit to Italy, the intense emotion was as surprising to me as it was to anyone else who might have noticed. I felt a deep loss as I prepared to leave Sicily. In less than a week this region had somehow wrapped itself around my heart and refused to let go. I wanted to attribute this visit’s difference to my slightly improved Italian language skills, but I knew that this didn’t do it justice. There was something else – something that permitted conversations to by-pass small talk and dive right in to what really mattered; getting to know one another and feeling safe to share. I had become attached to the spirit of the island, with its fusion of Arabic, Spanish, Norse and Italian heritage, and to the spirit of the people who inhabit it.  I took a deep breath, blinked back the tears and boarded my plane knowing that I had been given a wonderful gift…

[Read the full story as a PDF: Discovering Sicily]

Sicily – a part of Italy and yet it stands apart both literally and figuratively. As an island situated off the coast of Italy’s toe (Calabria), the region is physically separate, requiring a flight or ferry to get to or from there. But, beyond geography, Sicily remains steadfast to its traditions and culture. My new friend, Federico Mammoli, of Firriato winery’s export department and originally from Rome, told me that when he first arrived on the island, he only understood about thirty percent of what people said to him, despite the fact that, of course, they all speak the same language.

As far as wine is concerned, agriculture is a big component of the economy and grapes have been cultivated here for centuries. Nearly everywhere one looks, there are vines and Sicily is responsible for an immense amount of Italian wines. Like the rest of southern Italy, the key word here was quantity, with quality a mere afterthought for many producers.

But that, to a large extent, is ancient history. Sure, Sicily still produces cheap and cheerful wines, most regions these days do, but while my formal exploration of Sicilian wine was admittedly confined to a handful of wineries, I was extremely impressed with what I found. There was complexity, depth and structure that I didn’t expect, revealing the significant quality and continued potential of Sicilian wines. And, throughout each winery visit, I was enamored not only by the wines, but also by the people and their passion and warmth. I felt so welcomed in a way that felt much differently than any other press trip that I didn’t want to leave… Hence, the tears at the airport.

One Fish, Two Fish, Red Fish…

Island Capers

Reserve in a reserve

True Cooperation

Valley of the Temples and Nectar of the Gods

Crazy with a fox (and Germans)

Recommended Wines

Discovering Sicily: One Fish, Two Fish, Red Fish…

Kamens Favignana Tufa Quarry BeachesEarlier in the week, it was a beach scene like any other as the smell of fresh fish and salt water permeated. The sky had clouded over, the not-quite-summer air had turned cool and towel-wrapped children waited with their parents for the ferry back to the mainland. Only, this wasn’t Sag Harbor or Block Island; instead, we were on Favignana in the Egadi Islands, 45 minutes from Trapani, Sicily – an island off the coast of an island.

The island’s history dates to prehistoric times, but the only visible historic remnants date to medieval times when Swabians constructed the Castle of Santa Caterina at the top of the island’s only hill, from a pre-existing tower originally built by the Saracens.

Alternately called La Farfalla (the butterfly) due its shape, Favignana is named for the Favonio, a local westerly wind, which made its presence known, as I was shown around Firriato’s latest project. The Trapani-based winery was first established in the 1980s by Salvatore Di Gaetano, who is now joined by his wife, Vinzia, in running the family business, but while Firriato’s 320 hectares of vineyards are spread out over six Sicilian estates, it was the five hectares planted six years ago on Favignana that they were most excited about sharing with me. This selection of vines is the first and only vineyard to be planted on the island in 50 years.

Although Favignana is known for its twin industries of tuna and tufa, today’s islanders rely on tourism to make their livelihood. Yet, while the island is hospitable to tourists, it is less so to vines. The tufa-sand soils provide their own challenges, while the namesake wind necessitates that vines are bush trained using the alberello (little tree) method. At only several inches off the ground, the obvious need for hand-harvesting prompted me to commiserate with the vineyard crew, sensing the back-breaking work required (I certainly wasn’t inspired to volunteer).

Similarly, bamboo fencing tempers the wind and reduces the effect of salt water, which would otherwise burn the vines’ tender leaves. Their agronomist, Giovanni Manzo, advised that Zibibbo – a local clone of Moscato d’Alessandria (Muscat d’Alexandria) – is among the more resistant plants, which explains why these were planted closest to the sea.

But, despite these obstacles, the island’s climate also has a favorable impact. A high diurnal shift helps grapes develop good acidity and perfume. Meanwhile, the wind minimizes humidity, and subsequently, mildew, so much so that the operation is almost entirely organic.

Focused on indigenous varieties, the vineyard is planted to Cataratto, Grillo, Zibibbo, Perricone, and Nero d’Avola, with grapes shipped back to Trapani for production since its size doesn’t warrant the construction of a winery on Favignana. But, while these wines are currently labeled as IGP Sicilia, Firriato hopes to create a new Favignana-based DOC for them and will submit an application after the third vintage (2013) in keeping with legal restrictions.Kamens Favignana Alberello

After my vineyard orientation, Federico and Giovanni took me to lunch. But, before I had my fill of locally-caught, tonno rosso (blue fin tuna), swordfish and other wonderful seafood, all of which was simply prepared and delicious, we tasted through the Firriato wines, including two produced from the vines I had just seen.

In typical Sicilian style, we capped off the meal with a cannoli dessert and then indulged in some coffee to keep us awake. Post-lunch, the taxi driver did double duty as both driver and tour guide, having lived on the island his entire life. He showed us around, noting various points of interest and historical buildings. We stopped at an abandoned quarry that now functions as makeshift seaside cabanas and plays host to beach bathers. I was struck at the brilliance and clarity of the blue water below. Then, we climbed back in the car and headed to the port, the bright sun fading just as we arrived and joined the families as we all waited in earnest for the next boat.