Category Archives: Viticulture

Bodega Norton and the Love of a Good Woman

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It’s Valentine’s Day week, with the addition of the newly created Galentine’s Day and the usual backlash against this “Hallmark Holiday.” But, whether you are reaching for all things red and romantic or boycotting it altogether, there’s no denying the love that exudes from wine brand Bodega Norton, which celebrates its 125th anniversary this year.  Sharing lots of love with the New York wine press, the brand’s Chief Winemaker (David Bonomi) and Sales & Marketing Director (Santiago Galli) visited New York earlier this month as the third visit of a total of 125 to mark this momentous occasion.

Founded in 1895, Bodega Norton got its start when a British engineer, Edmund James Palmer Norton, was stationed in South America to build a rail line connecting Chile and Argentina and fell in love with an Argentine woman. Completely smitten and unwilling to leave her, he gave up his engineering career and established the winery in Mendoza, Argentina.

The winery continued to grow and flourish under the Norton family until it was purchased in 1989 by Gernot Langes-Swarovski of the Austrian crystal company. Drawn by his passion for wine, Gernot recognized the beauty and quality of Bodega Norton. To protect his investment, he sent his son, Michael Halstrick, to Argentina to lead the winery as CEO. Equally charmed as the original founder, Michael, too, met and fell in love with an Argentine woman, married her and now lives full-time in Argentina with his family, shepherding the winery towards ever-continuing excellence.

Joining Michael in his pursuit of excellence, David Bonomi has held the post as Chief Winemaker since 2014, and is only the 3rd winemaker at the winery in the past 50 years, maintaining its heritage and legacy. He had been with the company previously and his deep affection for Bodega Norton was evident as he spoke about the vineyards and wines.

Named a Top 10 South American winemaker by Decanter magazine, David was born into an Italian winemaking family (originally from Piedmont) and fell in love with wine at an early age. His first passion was viticulture, and, while he eventually studied enology as well, it is clear that he comes alive in the vineyard. With 33 years as a professional winemaker and viticulturist, David loves discovering the capabilities of new (to Argentina) varieties, such as Gruner Veltliner as well as new vineyards (in Uco Valley and Patagonia). He then crafts his interpretation of a place into wine.

Speaking about the Swarovski family, David described their arrival as a merger between Latin passion and European vision. He further noted the influence that the family’s attention to detail in the crystal business was infused into the existing culture at Bodega Norton, along with a strong emphasis on sustainability and best practices. Moreover, their commitment to quality production extends to their growers; the minimum contract is 10 years with shared investment in netting and other necessary equipment.

The winery’s five estate vineyards are all found in the foothills of the Andes Mountains, comprising a total of 1,750 planted acres that range in age from 30 to 80 years old. They are situated within Mendoza’s Lujan de Cuyo district and further delineated in a special area known as primera zona (first zone) for the quality of the grapes.

This is truly the desert, with limited water (they are limited to irrigating with snow melt from the mountains) and challenging conditions to create wine. As David explained, there are two climates here: hot and dry and, in more difficult vintages, cool and rain. But, their long-term vision keeps them going. And, that is a true labor of love!


TASTING NOTES

During the lunch celebration, we had the great fortune to taste through a selection of current wines as well as a vertical of the winery’s top wine, Gernot Langes. The Gernot Langes was first produced in 2003 and honors Bodega Norton’s current owner, Gernot Langes Swarovski. Assessing seven vintages ranging from 2006 to 2016, it was apparent that the wine is not a photocopy, but rather, it is a wine that differs from vintage to vintage. Moreover, while only the 2016 vintage is available, the exercise demonstrated the wine’s ability to age and develop with time.

Bodega Norton: 1010 Bubbles NV, Mendoza, Argentina, $13.00
Produced via a special Charmat Method to create fine bubbles and retain the fresh fruit aromas of Gruner Veltliner, the wine is bright with slight floral and citrus and pear notes, delicate mousse, long length.

Bodega Norton Reserva Malbec 2018, Luyan de Cuyo, Argentina, $19.00
Made with 100% Malbec, David now adds a small mount of fruit from the Uco Valley to the wine to give it additional complexity. It offered up notes of plums, figs, black current with a savory and leafy undercurrent. The palate displayed good acidity, with medium-firm tannins, medium+ body and long length.

Bodega Norton Privada Family Blend 2016, Luyan de Cuyo, Argentina, $22.00
Bringing together 40% Malbec (for structure) , 30% Cabernet Sauvignon (for body) and 30% Merlot (for acidity), this wine was originally kept just for the family to enjoy with friends, but has since been produced as a commercial wine.  The use of oak is very limited, so it is not overt on the palate. Notes of spice, black cherry and blackberry greet the nose. On the palate, it is more structured than Reserva Malbec, as well as richer and rounder with a smoky note in the very long finish.

Bodega Norton Gernot Langes 2016, Mendoza, Argentina, $105.00
A blend of 30% Malbec, 40% Cabernet Franc and 10% Cabernet Sauvignon, this wine was aged in oak for 16 months, with an additional 14 months in bottle before release. Of the vintages we tasted, it was the freshest with an expressive, concentrated nose of black fruit, dried herbs, smoke, with good acidity, firm tannins, medium+ body, culminating in long length.

Looking for Affordable Burgundy Bottles? Look to Elden Selections for holiday pours and gifts.

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I recently taught a wine class for the IWAGY wine club in Poughkeepsie, NY titled, “Affordable Southern Burgundy: Great Wines that Won’t Break the Bank.” While the presentation was primarily designed to introduce the audience to the lesser-known Burgundian districts of the Macon and the Cote Chalonnaise, they were eager to know about affordability.

Why? Well, it should come as no surprise to ardent wine lovers that Burgundy is often price prohibitive. As Ethan Fixell wrote in “The Hidden (Affordable) Gems of Burgundy” (1/2/2018), “There’s no gentle way to put this: Burgundy has become stupidly expensive.” And, in his NY Times article, “The Value of Burgundy, Regardless of the Price,” (May 9, 2019), Eric Asimov reinforced this sentiment, saying, “Speaking generally, Burgundy is nowadays the most coveted wine on the planet.[,]” citing the small production capacity and further noting, “The prices of Burgundy have shot upward in the last 20 years, to the point where the best wines are far beyond the means of most people.”

Asimov’s claims are backed by numbers: a Grand Cru Vineyard in the Cote d’Or that was valued at 7 million Euros in 2008 had jumped to 14 million Euros in 2018. And regional vineyards, though much cheaper (70,500 Euros/ha in 2017) are still not a bargain.

These exorbitant real estate prices, coupled with scant quantities – Burgundy production accounts for only 8.6% of all French AOP (quality) wine, 4.1% of all French production overall and only 0.6% of world production – means that it is challenging to find reasonably priced wines from the region. (Source: Vins de Bourgogne)

Burgundy has been producing wine for centuries, with its vignerons honing their craft and truly understanding the nuances of the region’s soils, climate and vineyards. Principally planted to Chardonnay (51%) and Pinot Noir (41%), these wines have become the benchmark for all others of these varieties and, not surprisingly, are highly regarded and sought after.

Yet, despite the dire outlook on overall affordability, it is possible to find more reasonably priced Burgundian wines if you know where to look. One place to check out is online e-tailer, Elden Selections. Founded in 1992 by Eleanor Garvin and Dennis Sherman, expats who have lived and worked in Burgundy for over 30 years, Elden Selections is a direct-to-consumer wine store focused almost exclusively on Burgundy. As such, it is unique in the U.S. and, equally important, they provide a wide range of Burgundian bottles from various appellations and price points within the region.

Elden offers a large selection of “everyday Burgundy” under $40.00 featuring regional and village level wines as well as those from smaller, hard to find appellations such as Irancy. And, in keeping with their desire to satisfy wine-drinking consumers, not wine collectors, the top priced wine is $300; not cheap by any means, but definitely more palatable than the staggering $1,500 or more per bottle that some rare wines can fetch.

Moreover, the wines are sourced from small quantity, minimal-intervention, farmer-made producers, rather than stocking wines from the large negociants. Having lived in the region for years, Eleanor and Dennis have strong relationships with the producers, tasting the wines multiple times to ensure quality.

Further, their site is easy to navigate, packed with educational information about the wines and their producers and permits consumers to purchase as few as one or as many wines as they wish. Case orders are shipped free of charge. Plus, they tout a no-questions-asked return policy (though, to date, no one has exercised this option).

Now is a great time to pick up a mixed case of Burgundy wines to serve with holiday dinners or to give as gifts.

Tenuta di Lilliano: Noble Wines Approved by Wild Boars

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Situated in Castellina in Chianti, Tenuta di Lilliano has developed a well-earned reputation for crafting high-end, Chianti Classico wines. Its wines have been lavished with praise and high scores by Gambero Rosso, Wine Enthusiast, Doctor Wine and James Suckling, among others, but, most recently, its grapes received a resounding seal of approval when a 150kg cingale (wild boar) stormed through a stainless steel fence guarding the vineyards, just around harvest time!

The joint human and wildlife admiration for this 460-hectare, family estate is well placed. Purchased in 1920, it wasn’t until 1958, when then owner, Princess Eleonora Ruspoli Berlingieri, began to focus the estate’s production on quality. Interestingly, she hired a winemaker who did not drink wine, but who had an amazing palate and was able to create the best wines.

At the time, the Tenuta was unique in aging its wines in Bordeaux barrels and was one of the first producers to emphasize aging of their wines. Since then, the winery has continued to pursue its quality mission, building a new cellar in 1976, refining its agricultural approach (such as not mowing in between rows of vines) and reviewing its mix of varieties to hit upon the best expression of the grapes in their blends. In the winery, they take a light hand with oak, seeking elegance with only a little bit of wood, preferring larger, older vessels and firmly placing the focus on Sangiovese, the key variety of the region.

Sadly, the Princess passed away in the early- to mid-2000s, but Tenuta di Lilliano is still under the ownership of Princess Eleonora’s descendants, namely Giulio Ruspoli and Pietro Ruspoli, the former of whom runs the estate. With a vaunted heritage, the Ruspoli family traces its lineage to both Renaissance Tuscany and 17th century Rome, where the family continues to occupy the Ruspoli Palace. Recalling this esteemed background, the wines bear the joint coats of arms from the Ruspoli and Berlingieri families.

Yet despite these noble connections, the family is decidedly down to earth as evidenced by the warm welcome received by several wine writers who recently met with Alessandro Ruspoli at Marea Restaurant. Alessandro, son of Pietro, represents the estate internationally and was in New York to share his wines with the press and trade.

While Teunta di Lilliano produces a full complement of Tuscan wines and grappa, our agenda for lunch was squarely on Chianti Classico. Accordingly, we tasted the three levels of this wine: Chianti Classico, Chianti Classico Riserva and the newer, Chianti Classico Gran Selezione. Each wine was beautifully paired with its own course, thanks to Brand Ambassador, Tony DiDio (of TD Selections)’s practiced palate.

A blend of 90% Sangiovese, 5% Colorino and 5% Merlot, the Chianti Classico 2016 (SRP $20) was fermented in concrete and then aged for 12 to 14 months in large, French casks. It was paired with Fusilli served alongside a rich and decadent, red wine-braised octopus with bone marrow. The wine offered up clean and classic aromas of cherry, black cherry, leafy/herbal notes, giving way to lovely tannins and acidity on the fresh, elegant palate, culminating in long length.

Served with Polletto pan roasted chicken breast, fennel, artichoke and snap pea, the Chianti Classico Riserva 2015 (SRP $32) was produced with 100% Sangiovese and aged for 15 months in large French casks. Traditional in style, the wine is very elegant and long lasting, with red fruit, dried herbs, and noticeable, but well-integrated, wood/oak that lingers in the long finish. In the future, it is anticipated that the Riserva will become a blend instead of a mono-varietal going forward as they determine the direction of the Gran Selezione.

In keeping with the family’s forward thinking, Tenuta di Lilliano was one of the first properties to have a Chianti Classico Gran Selezione. Launched in 2010, this new, higher quality tier, requires longer aging and better quality grapes to qualify for the category. Alessandro acknowledges that it was created to shed light on Tuscany during a low time, but feels that they have wisely used the opportunity to develop a new, high quality wine, crafted from a particularly prized vineyard. In this regard, they have made a single vineyard Cru with 100% Sangiovese, with the intention of showcasing the the best expression of the variety, making a wine that is even better than their Riserva.

Presented with a trio of cheeses, the Chianti Classico Gran Selezione 2015 (SRP $36) displayed deep dark red and black fruit, with a beautiful hint of spice. Its palate offered up bright acidity, medium+ body, fine grained tannins and very long length.

It is clear that these wines honor Princess Eleonora’s lasting legacy and will continue to garner attention; they just need to figure out a better way to keep out the wild boars!


From Régis to the Sublime: Piper-Heidsieck’s Changing of the Guard

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For over two decades, Régis Camus has been at the helm of Piper-Heidsieck’s winemaking, garnering admiration, accolades and awards (as Piper’s Chef de Caves, he has been named Sparkling Winemaker of the Year eight times by the International Wine Challenge jury). But, after 24 vintages devoted to the Cuvée Brut NV, it was time for a change.

Since 2000, Camus has included the company’s prestige cuvée, Rare, under his purview and was responsible for the creation of its rosé counterpart, Rare Rosé, first released in 2016. While Rare was initially the tete du cuvée, the wine has now become its own brand with increasing substance and status. Accordingly, as Camus turns his attention to all things Rare, Piper-Heidsieck has brought in new talent to take over its Cellar Master spot: Émilien Boutillat.

Admittedly, given Camus’ experience and expertise, these are not easy shoes to fill. However, the youthful Boutillat is no stranger to Champagne, having grown up in the region to a Champagne-producing family. In fact, his father worked with Piper-Heidsieck as a grower and Boutillat fondly remembers visiting the Champagne house as a child to ride the train that used to be on the property.

Following in his family’s footsteps, he studied enology and agricultural engineering, and went on to work harvests both at home and abroad. After building up a solid portfolio of experience with stints in Bordeaux, the Rhône Valley, Southern France, Chile, New Zealand, California and South Africa, he returned to Champagne as Cellar Master for Champagnes Cattier and Armand de Brignac.

In late 2018, Boutillat joined Piper-Heidsieck, working closely with Camus to better understand the style of the brand and learn how to make the blend. He is committed to maintaining the same style and excellence of the Piper brand, but is also looking forward to making his mark. In this regard, he anticipates making subtle changes as he adds his own personal touch, all while respecting the DNA of the brand.

More specifically, Boutillat notes that details are very important, and plans to focus on the vineyards more so than on changes in winemaking, looking at factors such as harvest dates. He is also dedicated to sustainable agriculture, with the intention of adding to the efforts already underway at Piper-Heidsieck. In particular, he will encourage sustainable viticulture practices among Piper’s partners and will raise standards in the vineyards.

When not at work, he performs with a local Improv theater group and is an avid hiker. Closer to home, he grows his own vegetables and enjoys cooking, always seeking to find a balance between the wine and food. Thus, it was a perfect introduction to him and the art of pairing wine and food, when he made his New York debut after nine months of “study.” At lunch at Hudson Yards’ Wild Ink, the current crop of Piper-Heidsieck’s Champagnes showed beautifully with the Asian-inspired cuisine and we had fun trying out different wines with each course. Although none of these wines were made by Boutillat, it was clear that he is up to the challenge and that the future of Piper-Heidsieck is in good hands.

TASTING NOTES

Piper-Heidsieck Cuvée Brut NV, $45.00
Based on the 2015 vintage, the Cuvée is made up of 50% Pinot Noir 30% Pinot Meunier and 20% Chardonnay. It is toasty and fruity with citrus and pear notes. The palate is rich and complex yet not complicated, with long length.

Piper-Heidsieck Rosé Sauvage NV, $60.00
The Rosé Sauvage uniquely drinks more like a still wine than a Champagne and is one of the darkest rosé’s on the market. It offers up dark red fruit and berries, along with smoke and sweet spices, with intense richness on the palate, along with great acidity and long length.

Piper-Heidsieck Brut 2012, $80.00
The 2012 is the most recent vintage; the last one was 2008. A 50-50 blend of Chardonnay and Pinot Noir, sourced among the best grapes from Grand and Premier Crus vineyards, this is an age-worthy wine that can keep in the cellar for up to 15 years. Aromas of yeast, tree fruit, toastiness and cherry greet the nose, while the palate is very complex, seductive, generous and creamy, with the added flavors of honey and spice, culminating in long length.

Piper-Heidsieck Sublime (Demi-Sec), $55.00
This demi-sec dessert wine has 35 g/l of residual sugar, but is very balanced and elegant, with bright acidity and a citrus note lingering in the fresh finish. Aromas and flavors of tropical fruit, vanilla, mango, gingerbread and coconut made it a perfect pairing partner to dessert as well as spicy foods.





The next wave of Vinho Verde makes its way from Monção e Melgaço

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While Americans heralded their historic founding on July 4th, the Portuguese celebrated similarly on June 10th — Portugal Day, which commemorates Portugal’s history and culture. The country’s poet, Luís de Camões, who died on June 10, 1580, was highly regarded for his epic poem praising and recording the accomplishments of the Portuguese Empire, and is now forever linked to this holiday.

Although Portugal Day is generally only observed in Portugal, this year, two wonderful wine events provided a great way to hail Portugal’s vinous culture: Esporão Day and a luncheon featuring wines from Vinho Verde’s Monção e Melgaço subregion. And, after tasting through glass after glass, it is evident that Portugal has reason to rejoice these days!

Situated in Portugal’s northwest corner, abutting Spain, the Vinho Verde region is one of the oldest in the country. This wine growing area was demarcated in 1908 and is dominated by a maritime climate thanks to its proximity to the Atlantic Ocean. While many people are more familiar with Vinho Verde as a whole, the recent lunch provided a more in-depth look at one of Vinho Verde’s subregions: Monção e Melgaço.

Of the nine subregions, Monção e Melgaço has garnered one of the top reputations for its wine and features a unique microclimate due to its location at the northernmost point of the Vinho Verde region. Here, because the mountain chain cuts off access to the ocean, there is less marine influence, resulting in hotter and drier summers than in the other subregions. Monção e Melgaço also boasts granitic soils that further influence the wines.

Although several grape varieties are grown in Monção e Melgaço, it is most prized for its Alvarinho (grown and known in Spain as Albarino). The variety was thought to have been introduced to Vinho Verde by the Cluny monks in the 12th century and has become one of Portugal’s highly respected white grapes.

There were three producers represented at the lunch: the family-owned winery, Soalheiro; Provam, which was established in 1992 by 10 winegrowers; and Adega Cooperativa e Regional de Moncao, which is 60 years old. As we tasted through a selection of their wines, we had the opportunity to explore their quality and caliber.

Overall, they possess more structure and complexity compared with more generic Vinho Verde wines. And, in fact, the consortium and producers confirmed that the trend has been to craft wines with more body, structure and complexity. To this end, some of the producers are utilizing barrel fermentation, oak aging and/or batonnage (lees stirring) in pursuit of adding depth and structure.

TASTING NOTES
The Adega Cooperativa Alvarinho Deu La Deu 2018 is a fresh and fruit-forward wine with vibrant acidity and lots of citrus notes. It was a great aperitif to accompany the passed appetizers: shrimp ceviche and cucumber and lettuce cups and poached salmon and capers.

Once seated, we were served a beautiful dish of scallops and spring greens garnished with beet and pomegranate. This was paired with the Adega Cooperativa Alvarinho Deu La Deu Reserva 2015, which offered up lovely freshness, aromas of apricot and pear, with a rich and round, medium+-bodied palate, culminating in long length. In addition, the Soalheiro Alvarinho 2018 provided a classic style with tropical fruit, nice depth and concentration, with flavors of pear, spice and apricot.

The main course of grilled octopus, marinated tomatoes, pickled onions and herbs was outstanding and a terrific match for the two wines. First up was the Soalheiro Primeiras Vinhas 2018, which was one of the first wines produced by this company. They age 15% of the wine in oak for added roundness. It displayed bright acidity, with slight tropical fruit and tangerine notes, along with medium body and long length. It was rounder and more food friendly than the other Soalheiro wine.

Next, we tasted the Provam Portal do Fidalgo 25 Anos Reserva 2015, which is made from old vines and had been fermented and aged in oak. The resulting wine showed lovely oak and honey on the nose, with medium+ acidity, a fuller body, very integrated oak and slight citrus notes on the dry palate, along with long length.

Finally, a dessert of pound cake, strawberries and a yuzu-lemon jam delighted the palate, served alongside the Provam Vinha Antiga Reserva 2017, with its fresh, bright acidity, citrus, apricot and minerality, with medium body and long length. It was an unexpected, yet perfect, pairing.

Getting schooled on L’Ecole 41’s top terroirs and the Walla Walla Valley

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Ensconced in an old schoolhouse from which it takes its name, L’Ecole 41 was Walla Walla’s third winery and is at the epicenter of Washington wine. The family-owned winery was established in 1983 by Jean and Baker Ferguson, two Walla Walla natives who started growing grapes and making wine as a retirement project. Five years later, their daughter, Megan, and son-in-law, Marty Club, came back to the valley to take over what had become a fledgling business. Today, the pioneering winery has become widely recognized for producing beautiful wines.

L’Ecole 41’s makes wines from the larger Columbia Valley, but its higher end wines, crafted from top vineyards in the triangular-shaped Walla Walla Valley, truly speak to the terroir of this region. Situated in the southeastern corner of Washington State, Walla Walla provides a high desert climate, with rainfall limited to the winter months. Thanks to the hot, dry conditions, red wines account for 95% of the local production. Yet, in spite of the daily heat, the elevation and large diurnal shift result in a bright, natural acidity that has become a hallmark of all Washington wines. And, the sandy soils mean that the vines don’t need to be grafted onto American rootstocks.

I first became aware of the wines of L’Ecole 41 when I tasted their Semillon at the Society of Wine Educators’ conference back in 2005. But, given the time that had passed and my lack of knowledge of their highly regarded reds, I was intrigued when I received an invitation to taste through several terroir-focused flights.

With 36 years of winemaking experience, L’Ecole 41 now takes a uniform approach to each vintage. Accordingly, they follow the same vineyard and winemaking practices from year to year, which permits the terroir to show through even more than if they were to adapt to each growing season.

Our first flight focused on the Seven Hills Vineyard, one of L’Ecole 41’s estate vineyards situated in the southern perimeter of the valley. The 128-acre vineyard is comprised of wind blown loess (talc) soils, with vines grown on the North-facing slope due to the high heat. Jointly owned with several other wineries, it is planted to Bordeaux varieties and Syrah. This initial introduction featured Merlot, Cabernet Franc and Cabernet Sauvignon, all from the cool, 2008 vintage.

We next turned our attention to Perigee, a Cab-driven, Bordeaux blend, also sourced from the Seven Hills Vineyard. We tasted through three different vintages varying from the cool 2006 and the even cooler 2011 to the warm 2016. Despite vintage variation, all of these wines displayed a meatiness, along with dried herbs and robust concentration. Not surprisingly, 2006 showed some development with more tertiary aromas and flavors while the 2011 was the most tart and the 2016 offered up riper fruit notes.

The third flight featured Apogee, a single vineyard, Bordeax-blend wine, produced from grapes from the Pepper Bridge Vineyard. L’Ecole 41 was the first winery to make wine from this vineyard, which is on the floor of the valley, on the alluvial flood silts from the previous ice age. Since the 2011 vintage was too cool to produce this wine, we tasted the 2006, 2010 and 2016 vintages.

Last, but not least, we tasted through wines from the Estate-based Ferguson Vineyard. Found at the top of the crest, at 1400 feet in elevation, Ferguson is home to one of the most volcanic soils in Washington. The vineyard’s 18 inches of wind-blown loess sit on top of a two-mile- deep layer of fractured basalt, remaining from ancient lava flows. With its super windy and super sunny conditions, the 42-acre vineyard was planted in 2008-09 to Bordeaux varieties. In addition to producing Ferguson, the vineyard is also occasionally used to make a pure varietal wine.

We tasted Ferguson 2011 (its first vintage) as well as the Ferguson 2016, as well as a very powerful Cabernet Sauvignon 2014 from this vineyard. The latter was very structured, with firm tannins, dark, black fruit and bright acidity, while the more youthful Ferguson was even fresher, with more red notes; neither was overly dense or extracted, nor was the limited production (300 cases) Cabernet Sauvignon.

At price points ranging from $37 for the Estate Merlot wines to $65 for the Estate Ferguson, these are definitely premium wines. However, they over-deliver in terms of their quality and provide excellent value for such age-worthy, well-made wines that will delight your palate.

Zinfandel, of thee I sing

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As we mark the Fourth of July this year, celebrations abound from barbecues and pool parties to fireworks that proudly proclaim our freedom. In this celebratory spirit, we can look to the Zinfandel grape as the quintessential grape variety with which to fill our glasses and raise a toast this holiday.

Descended from a Croatian grape, Zinfandel first arrived on America’s shores in 1829, eventually making its way to California by 1852 and becoming the most popular variety by 1878 during the state’s first wine boom. [For the full history, see the Zinfandel Advocates and Producers’ website.] Accordingly, Zinfandel holds dual personae. As David Amadia, president of Ridge Vineyards recently noted, it is considered to be California’s native grape, but given its European heritage, it is actually an immigrant story and an illustration of the American Dream. Surviving both phylloxera and Prohibition, Zinfandel continues to be widely grown and known throughout California.

While for some, Zinfandel is an also-ran variety, to many, it is under-appreciated high performer that deserves more recognition than it gets. In this regard, Master Sommelier, Laura Maniac Fiorvanti, proprietor of Corkbuzz Wine Studio, recently moderated a panel of Zin producers, which provided a perfect opportunity to showcase the caliber of these wines and their diversity. She kicked off the discussion wearing her heart on her sleeve, admitting that Zinfandel is her favorite grape due to its versatility. In particular, Fiorvanti spoke about the food friendly nature of Zinfandel to pair with braises, tomato-based dishes and stews, thanks to its sweet and sour tastes and elegance.

Despite her fervor, Amadia acknowledged that Zinfandel is a prince, not a king, among wines, in terms of its international reputation, but underscored the beauty of this grape to deliver delicious, age-worthy wines. He added that the trick to producing such high quality wines is determining where it performs the best. Previously at Ridge, they used to make Zinfandel wine from 100 different sites, but the winery has now whittled it down to the best vineyards, with an emphasis on old vines.

Highlighting the flexibility mentioned by Fiorvanti, Berryessa Gap Vineyards’ winemaker, Nicole Salengo, discussed the elegant and restrained side of Zinfandel. Given her pursuit of lively acidity levels, her Zinfandel grapes are the first to be harvested and she is not adverse to including under-ripe grapes in the fermentation, but she does remove the raisined ones. Her two vintages (2016 and 2017) of Zins from The Coble Ranch displayed light body, light color and bright acidity, resulting in an almost Pinot Noir-style wine.

As with Pinot Noir, Zinfandel varies widely based on the site it is grown on. Moreover, Zinfandel changes as you get closer to (or further from) the ocean. In this way, it speaks to the terroir with varying notes of spice, earthiness and acidity. In general, it is a grape (and ultimately a wine) with moderate tannins, that provides a smooth, seamless texture for the fruit and spice to show through. However, it was admitted that the grape is notorious for creeping up in sugar during the fermentation process, if alcohol levels aren’t carefully managed.

Hailing from two, old vineyards only two miles apart, Ridge’s contribution to the tasting offered up fuller-bodied wines, with darker fruit. These pre-prohibition vineyards (Geyserville from 1885 and Lytton Springs from 1901 and 1910) displayed two distinct wines; the former was more herbaceous with notes of cherry, while the latter showed spice, earth and blackberry. Amadia attributes their unique characteristics to the different soil types within each vineyard. Additionally, these vineyards also include Petit Sirah, Carignan and up to 18 other varieties planted alongside the Zinfandel vines, which he believes is the key to the quality of these resulting, magical wines.

Similarly, Kim Stare Wallace, president and owner of Dry Creek Vineyard, reiterated the need for balance in these wines as well as the need to preserve old vine Zinfandel. To this end, they have implemented a Heritage Clone Propagation technique, permitting the winery to continue to grow older clones of the grape in newer vineyards. Their Beeson Ranch Vineyard was planted in the 1890s. Her Wallace Ranch and Beeson Ranch Zinfandels were dense, rich and well structured, yet still elegant and refined.

Closing out the conversation, it was mentioned that, as a mid-season ripener, Zinfandel is less impacted by vintage variation. Rather, as Aaron Piotter, winemaker for Gallo Wines, explained, stylistically, it often depends on when you pick within a given growing season. Gallo’s two entries were the Louis Martini Gnarly Old Vines Monte Rosso 2016 from Sonoma and the recently launched Bear Flag Sonoma County Vineyard 2016. The Monte Rosso, grown on high elevation, volcanic red soil, was quite floral on the nose, with power, concentration and velvet texture on the palate and flavors of blueberry, spice, fig and date. Meanwhile, the Bear Flag was less stylized, but no less rich, with generous fruit, berries, oak, cocoa and good tannins.

By the end of the tasting and discussion, it was evident that Zinfandel delivers a wonderful range of styles, providing a wealth of options for any wine lover. Further, as “America’s Heritage Grape,” it is important to preserve this important viticultural legacy for the future.

[NB: Participants also had the opportunity to taste wines from Seghesio Family Vineyards, Leonard Wine Company, Peachy Canyon Winery and Cline Cellars.]

Ferzo sets sail with new wines in the U.S. market

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Co-ops often get a bad rap, but good producers are good producers whether they are a private company or a group of local growers banding together. In this case, Codice Citra wines are made from the estate-grown fruit from a collaboration of family-owned vineyards within the Chieti province of Italy’s Abruzzo region. With some families owning just two acres, it makes more sense to pool resources for costly expenses such as fermentation tanks and other winery equipment.

The cooperative was founded in 1973 and focuses on local grapes such as the well-known Montepulciano d’Abruzzo and Trebbiano d’Abruzzo to more esoteric varieties. The Codice Citra portfolio includes four ranges of wines (Citra, Caroso, Las Vitae and Ferzo), the latter of which is now making its debut into the U.S. market.

Specifically, the Ferzo name refers to “patches of fabric stitched together to create a sail,” and symbolizes the piecing together of numerous plots of vineyards, within the southern part of the Abruzzo region.

Among the Ferzo line, there are three whites produced from indigenous varieties, namely: Pecorino, Cococcioloa and Passerina. These three wines are all fermented in stainless steel, ensuring that the wines are fresh and fruit forward without any oak influence. A rosato (aka rose) and a Montepulciano d’Abuzzo round out the range.

Most recently, with its emphasis on Abruzzo’s viticultural history and a strong commitment to high quality wine, Codice Citra has brought on winemaker, Ricardo Cotarella as executive enologist and partnered with Leonardo LoCascio Selections, as its exclusive U.S. importer.

Ferzo Passerina 2017, Terre di Chieti IGT, Abruzzo, Italy, $26.00
The ancient variety of Passerina is not well known, but is on the path to rediscovery, given recent interest in the grape in Abuzzo, Umbria and Le Marche (where it is produced within the Offida DOCG). This wine has a beautiful floral and fruity nose, with flavors of white flowers, juicy pineapple, pear and tropical fruit. On the palate, it offers up bright acidity, medium body and long length.

Ferzo Pecorino 2017, Terre di Chieti IGT, Abruzzo, Italy, $26.00
Almonds, minerality and hint of pear greet the nose. On the palate, this wine is dry, with medium+ acidity, medium+ body and is quite angular. Flavors of nuts and minerals dominate, giving the wine weight and depth, before culminating in long length.

Ferzo Cococciola 2017, Terre di Chieti IGT, Abruzzo, Italy, $26.00
The Cococciola grape is cultivated in both Abruzzo and Puglia and is frequently compared to Sauvignon Blanc. This wine offered up more fruit character than the Pecorino, with more pronounced pear and citrus, a hint of waxiness on the palate and just a slight note of nuttiness. It displays nice body, good depth and long length.

Ramon Bilbao reinvents Rioja, yet stays true to tradition

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The familiar adage is “If it ain’t broke, don’t fix it,” but when the Zamora family purchased the Ramon Bilbao company in 1999, they had other plans. Admittedly, they didn’t break what was working, but they did choose to expand the way that the company thought about its Riojas.

Originally founded by the Bilbao family, the Ramon Bilbao winery has been making wine in the heart of Rioja, since 1924. Situated in Haro, within the Rioja Alta subzone, the estate’s 180 hectares of vineyards are influenced by both the Cantabrian Mountains and an Atlantic Ocean climate influence, bringing fresh, dry winds and keeping humidity at bay. Here, sandy, yellow-colored soils are favored for their high calcareous content, which is good for retaining acidity in Tempranillo, the key variety in Rioja. And, thanks to careful manual harvesting, vines are able to live a long time, with 50-90-year-old Tempranillo vines being a common occurrence.

Upon making its purchase, Zamora brought in a new winemaker, Rodolfo Bastida, a locally born and bred Spaniard who had been making wine elsewhere before landing at Ramon Bilbao. Among his first tasks in his new role was to make a Rioja that was a radical departure from tradition. Specifically, Bastida crafted a Rioja that was aged, not in traditional American oak, but rather, in French oak.

The thought process was to create a more modern, yet still true to its heritage, wine. Thus, Mirto was born! Named for a local bush that grows wild in the area, when the Mirto bush looks healthy, it indicates that the vintage will be a good one. Not surprisingly, Mirto (the wine) is only made in great vintages (in other words, when its namesake looks especially healthy!). Produced since 1999, the Mirto style has been a more structured wine, which is both fresh and elegant, driven more by fruit than oak influence.

Of course, as noted, there was no reason to completely abandon the tried and true traditional Rioja, so Bastida continues to produce a Gran Reserva Rioja under the Ramon Bilbao brand name, which follows a more traditional production. In this regard, the Ramon Bilbao wine is aged for a longer period of time (36 months) in American oak. Meanwhile, the Mirto generally spends only 24 months in French oak, utilizing a combination of barrels from different coopers. Bastida admits that it is a fun process to create two separate styles of Rioja.

Among the other changes that Zamora has made has been a new-found focus on altitude and one on terroir. Specifically, in 2012 they turned their attention to exploring altitude and new vineyard areas to combat climate change. In this regard, their vineyards are located at 600 to 700 meters above sea level, which might not be excessively high, but compared to other areas in Spain, it is. Then, in 2014, the winery became more terroir driven as they sought out better parcels, which is a departure for a wine that is traditionally a blend of areas.

During a special tasting for press and trade, participants had the opportunity to compare and contrast the traditional Ramon Bilbao Gran Reserva with the more modern Mirto. It was an exciting and illuminating experience to explore these two different styles of wine, both of which reflect the true nature of Rioja wine.


TASTING NOTES
Vina Turzaballa* Gran Reserva 1999
Produced from 100% Tempranillo and aged for 40 months in American oak, this is a typically classic, aged Rioja. It showed some bricking in the glass and some development on the nose, with notes of dried floral and dried fruit. On the palate, it was dry, with high acidity, nice evolution, faded fruit on palate, culminating in long length. It was my favorite wine of the tasting.
*This wine is no longer produced and has been replaced with the Ramon Bilbao Gran Reserva

Mirto 1999
Also made from 100% Tempranillo, but aged for only 24 months in French oak, in comparison, this wine was almost youthful. There was much less evidence of age in both its color and on the nose. Aromas and flavors of strawberry and plum dominated the nicely structured palate, which offered up good acidity and long length.

Ramon Bilbao Gran Reserva 2004
A blend of 90% Tempranillo, 7% Mazuelo and 3% Graciano, this wine was aged for 36 months in American oak. It displayed aromas of strawberry, vanilla, oak, slight floral, which persisted on the dry palate. Medium+ acidity, medium body, flavors of spice and leather, with long length.

Mirto 2004
This 100% Tempranillo wine spent 24 months in French oak. It was brighter with fresher, yet darker (more black than red) fruit, showing some complexity and, in general, a more structured palate. It was my favorite of the Mirtos.

Ramon Bilbao Gran Reserva 2011
Bringing together 90% Tempranillo, 65 Graciano and 4% Mazuelo, this wine spent 26 months in American oak. It had a pronounced nose of strawberry and cherry aromas. The dry palate was dominated by nice spice notes and firm tannins, and long length.

Mirto 2014
Made from 100% Tempranillo and aged for 19 months in French oak, this wine offered up very firm tannins and needs time to age. Dry, with bright acidity, angular, cherry, black cherry, long length.

These latter two wines need time to develop in bottle and soften their tannins.

Oregon’s OG Wines

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Sure, Oregon wines are fashionable now, but back in the 1970s, no one was planting grapes in the Willamette Valley. The area was filled with peach trees, walnuts and blackberries, as many of the vineyard block names at Sokol Blosser can attest. But, in the early part of that decade, three brave families ventured into the region with the deep conviction that this was a very special place in which to make great wine.

These self-dubbed “Oregon Originals” – the Ponzi, Campbell and Sokol Blosser families – arrived relatively concurrently in a variety of vehicles ready to hit the ground running, with their kids: Luisa, Anna Maria, Adam (and his siblings), Alex and Allison in tow.

As pioneers clearing the land and putting their faith in Pinot Noir, the three families would get together on a regular basis, sharing ideas and finding community with one another. Similarly, the children grew up as friends and remain so to this day.

Back then, it was not chichi for your family to own a vineyard and the kids were often ridiculed by their peers and their parents called drunkards. Today, these “kids” are all grown up and have taken over the leadership of their family’s wineries, representing the second generation of Oregon wine producers. Their wineries remain committed to Pinot Noir and are still family owned.

Similarly, they are all equally committed to being stewards of the land and the community and feel that it is important to work together. With this overarching philosophy, the three wineries, led by winemakers Luisa Ponzi (Ponzi VIneyards), Adam Campbell (Elk Cove) and Alex Sokol Blosser (Sokol Blosser), recently came together to collaborate on a special cuvée. Each winery contributed fruit from a single block of Pinot Noir, with each winemaker ultimately making three separate wines from the three different parcels of fruit. These nine wines then served as the components for the final blend.

Members of the press and trade were invited to a special seminar to taste through these components in a true demonstration of “land versus hand.” Interestingly, the overwhelming consensus among the winemakers was that the best wines were those that had been produced using one’s own fruit, underscoring the importance of really understanding the grapes to create great wine. Not surprisingly, the finished wine, 2017 2GV Pinot Noir Cuvée, focused heavily on these three components.

As a limited production wine (350 cases), 2GV was crafted primarily as a charitable effort, but is available online for purchase by the bottle, from the Ponzi Vineyards website.



NB: Purchase does not entail being a member of Ponzi’s wine club, and as I understand it, provided an adult is on hand to sign for and accept receipt, Ponzi can ship direct to consumers anywhere within the U.S.