Category Archives: New York City

Bodega Norton and the Love of a Good Woman

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It’s Valentine’s Day week, with the addition of the newly created Galentine’s Day and the usual backlash against this “Hallmark Holiday.” But, whether you are reaching for all things red and romantic or boycotting it altogether, there’s no denying the love that exudes from wine brand Bodega Norton, which celebrates its 125th anniversary this year.  Sharing lots of love with the New York wine press, the brand’s Chief Winemaker (David Bonomi) and Sales & Marketing Director (Santiago Galli) visited New York earlier this month as the third visit of a total of 125 to mark this momentous occasion.

Founded in 1895, Bodega Norton got its start when a British engineer, Edmund James Palmer Norton, was stationed in South America to build a rail line connecting Chile and Argentina and fell in love with an Argentine woman. Completely smitten and unwilling to leave her, he gave up his engineering career and established the winery in Mendoza, Argentina.

The winery continued to grow and flourish under the Norton family until it was purchased in 1989 by Gernot Langes-Swarovski of the Austrian crystal company. Drawn by his passion for wine, Gernot recognized the beauty and quality of Bodega Norton. To protect his investment, he sent his son, Michael Halstrick, to Argentina to lead the winery as CEO. Equally charmed as the original founder, Michael, too, met and fell in love with an Argentine woman, married her and now lives full-time in Argentina with his family, shepherding the winery towards ever-continuing excellence.

Joining Michael in his pursuit of excellence, David Bonomi has held the post as Chief Winemaker since 2014, and is only the 3rd winemaker at the winery in the past 50 years, maintaining its heritage and legacy. He had been with the company previously and his deep affection for Bodega Norton was evident as he spoke about the vineyards and wines.

Named a Top 10 South American winemaker by Decanter magazine, David was born into an Italian winemaking family (originally from Piedmont) and fell in love with wine at an early age. His first passion was viticulture, and, while he eventually studied enology as well, it is clear that he comes alive in the vineyard. With 33 years as a professional winemaker and viticulturist, David loves discovering the capabilities of new (to Argentina) varieties, such as Gruner Veltliner as well as new vineyards (in Uco Valley and Patagonia). He then crafts his interpretation of a place into wine.

Speaking about the Swarovski family, David described their arrival as a merger between Latin passion and European vision. He further noted the influence that the family’s attention to detail in the crystal business was infused into the existing culture at Bodega Norton, along with a strong emphasis on sustainability and best practices. Moreover, their commitment to quality production extends to their growers; the minimum contract is 10 years with shared investment in netting and other necessary equipment.

The winery’s five estate vineyards are all found in the foothills of the Andes Mountains, comprising a total of 1,750 planted acres that range in age from 30 to 80 years old. They are situated within Mendoza’s Lujan de Cuyo district and further delineated in a special area known as primera zona (first zone) for the quality of the grapes.

This is truly the desert, with limited water (they are limited to irrigating with snow melt from the mountains) and challenging conditions to create wine. As David explained, there are two climates here: hot and dry and, in more difficult vintages, cool and rain. But, their long-term vision keeps them going. And, that is a true labor of love!


TASTING NOTES

During the lunch celebration, we had the great fortune to taste through a selection of current wines as well as a vertical of the winery’s top wine, Gernot Langes. The Gernot Langes was first produced in 2003 and honors Bodega Norton’s current owner, Gernot Langes Swarovski. Assessing seven vintages ranging from 2006 to 2016, it was apparent that the wine is not a photocopy, but rather, it is a wine that differs from vintage to vintage. Moreover, while only the 2016 vintage is available, the exercise demonstrated the wine’s ability to age and develop with time.

Bodega Norton: 1010 Bubbles NV, Mendoza, Argentina, $13.00
Produced via a special Charmat Method to create fine bubbles and retain the fresh fruit aromas of Gruner Veltliner, the wine is bright with slight floral and citrus and pear notes, delicate mousse, long length.

Bodega Norton Reserva Malbec 2018, Luyan de Cuyo, Argentina, $19.00
Made with 100% Malbec, David now adds a small mount of fruit from the Uco Valley to the wine to give it additional complexity. It offered up notes of plums, figs, black current with a savory and leafy undercurrent. The palate displayed good acidity, with medium-firm tannins, medium+ body and long length.

Bodega Norton Privada Family Blend 2016, Luyan de Cuyo, Argentina, $22.00
Bringing together 40% Malbec (for structure) , 30% Cabernet Sauvignon (for body) and 30% Merlot (for acidity), this wine was originally kept just for the family to enjoy with friends, but has since been produced as a commercial wine.  The use of oak is very limited, so it is not overt on the palate. Notes of spice, black cherry and blackberry greet the nose. On the palate, it is more structured than Reserva Malbec, as well as richer and rounder with a smoky note in the very long finish.

Bodega Norton Gernot Langes 2016, Mendoza, Argentina, $105.00
A blend of 30% Malbec, 40% Cabernet Franc and 10% Cabernet Sauvignon, this wine was aged in oak for 16 months, with an additional 14 months in bottle before release. Of the vintages we tasted, it was the freshest with an expressive, concentrated nose of black fruit, dried herbs, smoke, with good acidity, firm tannins, medium+ body, culminating in long length.

A Discovery of Riches: The Perfect Pairing of Piave DOP and Garda DOC

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This month, we heard reports of a NASA summer intern, Wolf Cukier, who discovered a new planet. Pretty heady stuff! These days, it is challenging to discover anything new under the sun. We live in a world where we’ve been there, done that and, with globalization, there is a homogenization of culture that pervades. Yet, we still treasure unique products and delight in the discovery of new finds.

Twenty years ago, in search of novel and noteworthy products to sell, Lou Di Palo, head of his family’s business, was fortunate to come across a then-unheard of Italian cheese: Piave. Bringing his new-found discovery to America (or at least to the Italian cheese and specialty shop established in 1903 by his great-grandfather, Savino Di Palo), Lou introduced New Yorkers to this wonderful artisan cheese.

Lou Di Palo

Today, Piave DOP Cheese has become a beloved staple of the American market, finding shelf space in major supermarkets as well as in specialty stores. This traditional cheese hails from the Belluno province near the northern tip of the Veneto region, amidst the Dolomite Mountains.

Historically, the area has been known for its dairy cattle since the 1700s, but as the rural economy declined in the wake of industrialization, it was the cooperative dairies that saved the industry during the 1800s. Yet, despite this lengthy history, the Piave cheese as we know it, named for the local Piave River, dates from 1960. And, more recently, the Piave Consorzio was established in 2010 to protect the brand and quality of the cheese, with an average of 300,000 wheels produced annually.

A hard, cooked, cow’s milk cheese, these cylindrical cheeses are made from fresh milk sourced solely from within the mountain province and limited to three types of cow: Italian Brown, Italian Spotted Red and Italian Friesian (aka Holstein). A special culture from the area accounts for the cheese’s characteristic taste, which is further influenced by its aging process, with flavor intensifying over time. As the cheese ages, the curd becomes darker and harder and the rind increases in thickness and color. Due to the fermentation process involved in its production, it has a low lactose content compared to some other cheeses.

With its fresh, medium, aged and extra old age designations, there are several different options available:
–Piave Fresco (20-60 days)
-Piave Mezzano (61-180 days)
-Piave Vecchio (>180 days)
-Piave Vecchio Selezione Oro (more than 12 months)
-Piave Vecchio Riserva (more than 18 months)

Regardless of your preference, the rich, nutty flavors of the cheese pair well with wine. In this regard, a recent press event hosted at Di Palo’s newest venture: C. Di Palo wine bar, showcased the pairing ability of the cheeses with the wines of
Garda Spumante DOC. These wines, named for Lake Garda and produced just 100 miles away from the Piave DOP area, offered up a fresh and effervescent option to cleanse one’s palate in between bites of cheese. Guests at the happy hour were invited to sample the Piave Mezzano and Piave Vecchio Selezione Oro in their unadulterated, delicious form, as well as a range of dishes prepared by Di Palo’s chef, utilizing both the cheeses and the wines in his recipes.

As Italy’s largest lake, Lake Garda splits its regional allegiance down the middle, with Lombardy to the west and the Veneto to the east. Here, drying breezes and the moderating influence of the lake permit the grapes to ripen sufficiently, while maintaining their bright acidity.

Established in 1996, the corresponding Garda DOC wine area encompasses the cities of Brescia, Mantua, Verona and is home to 10 appellations situated at the southern curve of the lake. It overlaps with other appellations, including the more well-known appellations (aka denominations) of Lugana, Custoza, Valpolicella, Bardolino, Soave and Valdadige.

Although the denomination permits the production of whites, rosés and reds, the core production centers on sparkling wines with 7 million bottles produced annually, with an estimated production increase to 20 million bottles in the next few years. These sparkling (aka spumante) wines may be made using either the Traditional (that used in Champagne) or Charmat (used in Prosecco production) Methods, depending upon the individual producer’s personal preferences. The white Garda DOC Spumante may use Garganega, Pinot Grigio, Trebbiano or Chardonnay, while the Rosé Garda DOC Spumante is produced from Corvina, Rondinella, Pinot Nero or Merlot. The wines range from Brut Nature (no sweetness) to Demi-Sec (dessert style) wines.

With the luscious cheese dishes served alongside the fragrant sparkling wines, it was a perfect evening of food and wine pairings. All in all, a delicious discovery and an embarrassment of riches!

C. Di Palo wine bar with its meticulous finishes. The beautifully restored sequoia wood on the bar and walls comes from a reclaimed water tower.

Rediscovering the Many Faces of Valpolicella

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With its long history of wine production dating to the 6th century, Valpolicella is well known. Moreover, it has grown significantly in production over the past 30 years, from 1 million bottles annually to more than 40 million bottles (60 million if you include the full complement of wines). However, as sommelier, Filippo Bartolotta noted, it has been slow to catch up with its reputation, calling it an underdog in the wine world.

At a recent Valpolicella Master Class held in New York City at Café DiPalo, Bartolotta spent time providing a wealth of information to the assembled wine press and trade. In the end, there is a lot to know if one wishes to truly understand this wine, but it is certainly accessible and enjoyable without knowing all of the nuances that make up this family of wines.

Wherefore Art Thou Valpolicella?
Situated north of (the fair city of) Verona in Italy’s Veneto region, the Valpolicella production area comprises three zones: Valpolicella, Valpolicella Classico and Valpantena. Here, east of Lake Garda and protected by the Lessini Mountains, the area is favorably impacted by cool winds and cool nights that fix the color and aroma in the grapes.

Geologically, the area was formed 120 million years ago when two plates collided creating the Alps. The soils are calcareous, with the obvious presence of fossils and dinosaur footprints, imparting minerality to the wines. Volcanic soils are also present underneath the balsamic strata. More recently, major studies on how the varied soils impact on different varieties have been undertaken.

With regard to varieties, Valpolicella is produced from a combination of Corvina, Corvinone, Rondinella, Molinara and other local grapes. As the starring players, Corvina and/or Corvinone can account for 45-95% of the blend, which is a recent change to the requirements. Corvina is known for providing backbone, structure and perfume, similar to Pinot Noir, while the thicker- and darker-skinned Corvinone lends power, color and structure to the wines. Rondinella, which is the other mandatory variety and permitted from 5 to 30%, adds both minerality and acidity. Up to 15% of other indigenous varieties can round out the blend.

What’s in a Name?
But, as Bartolotta emphasized, the story is much more complicated than climate and soil because Valpolicella is a wine about process rather than about a single variety or even several varieties. In particular, there are four separate wines produced under the Valpolicella umbrella: Valpolicella DOC, Valpolicella Ripasso DOC, Amarone della Valpolicella DOCG and Recioto della Valpolicella DOCG. These differing wines are the result of the historical development of wine in the region. In addition, Valpolicella Superiore DOC are those Valpolicella wines that have been produced from riper grapes, along with one year of aging, which are fuller-bodied in character.

Perhaps the most recognizable of the four, Amarone is produced from the best batches of fruit, which are left to dry in in specialized rooms for a minimum of 100 days. This extended drying period concentrates the sugars and reduces the weight of the grapes by 40%. It is during this process that Corvina truly shines as it undergoes various enzymatic reactions that alters its DNA and ultimately changes its flavor. Further, the grape will defend itself against noble rot, releasing balsamic vinegar aromas. Regardless of the varieties, all of the shriveled grapes are then fermented to dryness, yielding a concentrated, full-bodied wine, which must be aged for at least two years. Amarone Riserva has spent an additional two years of aging.

But, before there was Amarone, there was Recioto, with 2500 years of history! Stemming from the word rece – local lingo for ears – it was the lobes of the berries which garnered more sun exposure and thus higher quantities of sugar. These sugar-laden sections of the grape bunches were dried for lengthy periods of time. Taking advantage of the cold temperatures, the free run juice would be put outside to stop fermentation, the process would then be repeated and eventually the yeast stopped working. Interestingly, the Romans would add sulfur dioxide to kill off the yeast, a practice still used to this day. With high residual sugar levels, these are a rich and decadent dessert wines, which are produced in minute quantities.

Under the less modern and, consequently, less controlled, winemaking conditions of the past, occasionally the result would be Recioto Scapa. If the wine didn’t stop fermenting, it became dry instead of sweet since all of the sugar had been converted into alcohol. Thus, Amarone was originally called Recioto Secco (dry). Taking its name from the word for bitter  – amar – Amarone became the official term for this style of wine as of 1936.

And, sitting somewhere in between Valpolicella and Amarone is Ripasso – translating as one more pass. In this process, Valpolicella wine is added to the leftover Amarone pomace, prompting fermentation to start again, creating wines with higher alcohol, more extraction, fuller body and greater concentrations of  phenolics and sweetness.

Please come and drink a cup of wine
With this wide range of wines under the Valpolicella name, there is a lot of diversity and opportunity to find the perfect wine for the right occasion. During the Master Class, we tasted the full complement of these wines, which provided a wonderful introduction to each wine/style. Some are more suited to casual cuisine, while the beautifully balanced sweetness of Recioto is great with (or instead of) dessert.

TASTING NOTES

Sartori Di Verona Valpolicella DOC Classico Superiore 2015
Sartori di Verona is situated in the Negar area, with 50 hectares of vineyards. This wine sees no oak and is more about simple fruit flavors than complexity. It is dry with high acidity, medium tannins and flavors of cherries and a slight herbal note, culminating in long length. With its lively acidity, this is a great match for calamari or pasta pomodoro.

Novaia, Valpolicella DOC Classico Superiore 2016 I Cantoni
This tiny producer has 7 hectares and its vineyards are certified organic. There is some volcanic presence in the soils and a small percentage of dried grapes are incorporated into the wine. Compared to the Sartori di Verona Valpolicella (above), this wine is more concentrated, with riper cherry fruit and more noticeable herbal character. It also displayed greater minerality, a fuller body, slightly lower acidity, lovely tannins and longer length.

Villa Mattielli, Amarone Della Valpolicella DOCG 2015
Villa Mattielli is owned by Roberta Roncolato and her husband, Giacomo, a former F1 pilot. Roberta takes a modern approach to her winemaking, crafting robust wines, which are aged in French oak. This dry, full-bodied wine offered up lots of ripe black fruit, blueberries, dried fruit, a hint of oak and long length.  

Secondo Marco, Amarone Della Valpolicella DOCG Classico 2011
This winery’s name literally translates to according to Marco – in this case the wine is made according to owner Marco Speri.  The grapes spent 150 days of drying and then went through 45 days of fermentation and maceration, followed by 48 months aging in big Slavonian oak. It is very floral with aromas of rose and violets, as well as gunflint. On the full-bodied palate, it shows flavors of blueberry, blackberry, citrus, and an undercurrent of menthol. Overall, it is hedonistic, sensual, with a ripe sweetness, balanced with good acidity, culminating in very long length.

Villa San Carlo, Valpolicella Ripasso DOC Superiore 2013
Home to a beautiful Venetian villa, Villa San Carlo was purchased by the Pavesi family in 1958. While they planted vineyards early on, they only chose to begin making their own wine in 2009. The oak aged wine offers up smokey, barbecue, earthy, mushroom and black fruit aromas, which persist on the dry, medium+-bodied palate. It has high acidity, good tannins and lush fruit and spice flavors. While not as complex as the Amarone, it provides good value for the money and is lower in alcohol.

Degani, Recioto Della Valpolicella DOCG Classico 2016
Located in the Classico valley, the three Degani brothers took over after their uncle’s death, maintaining the vineyards and winery as a family business.  This wine offers up a complex and intense nose of dried fruit, prunes, raisins, burnt sugar, smoke and spice. It is medium sweet with high acidity, full body, yet is elegant, balanced, and beautiful with a fruit-driven palate along with hints of cocoa in the finish and long length. Filippo suggested pairing it with brownies with cranberries.

Michelin Guide Takes on Full Ownership of Parker’s Wine Advocate

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At a press conference for Robert Parker’s Wine Advocate, wherein they announced that Michelin Guide had upped its stake in the wine publication to full ownership, we were introduced to ten discoveries of the year from each of the magazine’s wine reviewers.

A South African Chardonnay had been chosen by Anthony Mueller (who focuses on South Africa and Washington State) for its precision and focus as well as the maverick behind the wine ‘s Lismore label, Samantha O’Keefe. He noted that the wine’s characteristics harken back to the grape’s Burgundian roots.

California and Oregon Editor, Erin Brooks, offered up a California Chardonnay from Mikey Giugni, owner and winemaker of Scar of the Sea. I was impressed by the youthful exuberance of Mikey as well as the depth of his wine. The 32-year old engineer turned winemaker uses old, neutral oak for his wines, resulting in an integrated wine, with a richness and roundness on the palate.

Editor-in-Chief, Lisa Perrotti-Brown, wanted remind readers that St. Emilion is capable of delivering elegance and finesse with her choice of Poesia coming into its own after having been purchased in 2013 by Helene Garcin-Leveque and her husband, Patrice. The wine is a blend of 70% Merlot and 30% Cabernet Franc and provides floral, earth and mineral character on the nose and palate.

It was lovely to taste the Domaines Lupier La Dama, the discovery from reviewer Luis Gutierrez. And, interesting and fun to meet the winery’s owner, Elisa Ucar, who seemed familiar (and which I later confirmed), I had met when I visited Navarra back in 2011. A beautiful Austrian Riesling and elegant Champagne rounded out the tasting discoveries for me.

Established in 1978 by Robert Parker as a bi-monthly newsletter, with only himself as the wine reviewer, the Wine Advocate has grown significantly in the past 41 years, with 10 reviewers, 400,000 wine reviews and generating 30,000 new reviews annually. This recent acquisition by Michelin brings together enology and gastronomy and seeks to raise the global presence of the Robert Parker’s Wine Advocate brand, with an emphasis on emerging wine markets and an enlarged digital presence. It will be interesting to see what happens with this next chapter of this storied wine review publication.

LIST of WINES
Lismore Estate Reserve Chardonnay 2017, Western Cape, South Africa, $45.00
94 points

Scar of the Sea Chardonnay Seven Leagues 2017, Santa Maria Valley (CA), USA, $37.00
93 points

Chateau Poesia 2016, Saint Emilion, Bordeaux, France, $39.00
94 points

Domaines Lupier La Dama 2015, Navarra, Spain, $43.00
96 points

Martin Muthenthaler Riesling Viesslinger Stern 2017, Wachau, Austria, $48.00
Score not yet published

Ulysse Collin Extra Brut Blanc de Blancs Les Roises NV, Champagne, France, $146.00
98 points

NB: Wines are listed in the order mentioned in the article; scores are from the respective editor.

Cultural Connections and the Art of Wine and Food

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I was first introduced to the new line of Ferzo wines from Codice Citra back in May. Produced from the estate-grown fruit from a collaboration of family-owned vineyards within the Chieti province of Italy’s Abruzzo region, these wines offer up great taste and value.

Specifically, the Ferzo name refers to “patches of fabric stitched together to create a sail,” and symbolizes the piecing together of numerous plots of vineyards, within the southern part of the Abruzzo region. 

The Codice Citra cooperative was founded in 1973 and focuses on local grapes such as the well-known Montepulciano d’Abruzzo and Trebbiano d’Abruzzo to more esoteric varieties. In addition to the Ferzo line, which made its debut into the U.S. market earlier this year, the coop’s portfolio includes three other ranges of wines (Citra, Caroso and Las Vitae.

In an effort to introduce more members of the press to this new set of wines, the winery’s importer, Winebow, hosted an unusual event at the Metropolitan Museum of Art. Event guests were shepherded around the museum by Angelis Nannos of In Food We Trust, stopping at various works of art around the historic and vast buildings of the esteemed institution, all of which harkened back to humankind’s connection to food and beverages.

First on the “menu” was pickling during which Angelis regaled us of the story of St. Nicholas of Myra who saved three boys from being drowned in a pickling vat, one of the most ancient ways of preserving food that spans numerous cultures  such as Korean kimchee and Jewish pickles.

From there, we headed to the alabaster reliefs of the Assyrian Royal Court, which recount a dinner party held for 69,000+ guests! Meanwhile, the Tomb of Mektre showcased the everyday activities of ancient Egypt including baking.

We learned about New York City’s long association with oysters as illustrated by a stunning Oyster Plate from the Union Porcelain Works and then completed our tour in front of Edward Hopper’s Tables for Ladies. This painting recalls the period of history when nice women were not permitted to dine alone until some entrepreneurial restaurateurs created women-only dining establishments, which offered “Tables for Ladies.” Here, unaccompanied women could safely enjoy a meal without tarnishing their reputations. Painted during the Depression, the painting also tells the story of shows of abundance contrasted with the stark reality of the scarcity of food during this time period.

At the conclusion of our jaunt through the museum, we headed upstairs to the dining room to enjoy some actual food and wine. Among the Ferzo line, there are three whites produced from  20 year old vines  hand picked  indigenous varieties, namely: Pecorino, Cococcioloa and Passerina. These three wines are all fermented in stainless steel, ensuring that the wines are fresh and fruit forward without any oak influence. A rosato (aka rose) and a Montepulciano d’Abuzzo round out the range.

Most recently, with its emphasis on Abruzzo’s viticultural history and a strong commitment to high quality wine, Codice Citra has brought on winemaker, Ricardo Cotarella as executive enologist and partnered with Leonardo LoCascio Selections, as its exclusive U.S. importer.

TASTING NOTES
Ferzo Passerina 2017, Terre di Chieti IGT, Abruzzo, Italy, $26.00
The ancient variety of Passerina is not well known, but is on the path to rediscovery, given recent interest in the grape in Abuzzo, Umbria and Le Marche (where it is produced within the Offida DOCG). This wine has a beautiful floral and fruity nose, with flavors of white flowers, juicy pineapple, pear and tropical fruit. On the palate, it offers up bright acidity, medium body and long length.

Ferzo Pecorino 2017, Terre di Chieti IGT, Abruzzo, Italy, $26.00
With the same name as the Italian word for sheep, it is now thought that this grape gets its name from the shepherds, not the sheep, who were eating these grapes when out in the mountains. Almonds, minerality and hint of pear greet the nose. On the palate, this wine is dry, with medium+ acidity, medium+ body and is quite angular. Flavors of nuts and minerals dominate, giving the wine weight and depth, before culminating in long length.

Ferzo Cococciola 2017, Terre di Chieti IGT, Abruzzo, Italy, $26.00
The Cococciola grape is cultivated in both Abruzzo and Puglia and is frequently compared to Sauvignon Blanc. This wine offered up more fruit character than the Pecorino, with more pronounced melon, pear and citrus, a hint of waxiness on the palate and just a slight note of nuttiness. It displays nice body, good depth and long length.

Caroso Montepulciano d’Abruzzo Riserva 2015 , Abruzzo, Italy, $30.00
Not to be confused with Vino Nobile di Montepulciano, this wine is produced from the Montepulciano grape, grown in the Abruzzo region. The wine was beautiful, with a rich and  fragrant nose of plums, with good acidity, integrated oak, soft tannins and long length.

Campania’s Sannio Wines Delight at Del Posto

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Although I am generally familiar with the wines of Italy’s Campania region, namely through visits to Feudi di San Gregorio and Mastroberadino, I had never heard of Sannio. Or, admittedly, if I had, it was likely memorized for a wine exam and then promptly forgotten. My mistake…and my misfortune for overlooking these wines.

Thankfully the error of my ways has been rectified, thanks to a beautiful introduction to these wines back in October. We were welcomed to a sumptuous lunch at Del Posto restaurant by Consorzio President, Dr. Libero Rillo, who provided some background on this tiny territory in the province of Benevento. But, despite its small size (~10,000 hectares), it is important to the Campania region. Here, the emphasis is on the indigenous grape varieties of Aglianico, Falanghina and others.

The Consorzio itself dates in 1999 and comprises 400 members. It overseas several denominations including Aglianico del Taburno DOCG, which produces red or rose wines, Falanghina del Sannio DOP, which is restricted to white and sparkling as well as the Sannio DOP which offers a full range of styles. An IGP Benevento or Beneventano also exists. 

The 10,000 hectares are allocated among nearly 10,000 wineries, including two cooperatives. Most are small and medium in size, producing a total of 25 million bottles annually among the IGT, DOC and DOCG designations. However, the consorzio is eager to increase its production, especially at the quality levels.

Attendees at the aforementioned press luncheon has the opportunity to explore the two vaunted denominations: Falanghina Sannio DOC and Aglianico del Tabruno DOCG, under the tutelage of Somm In the City, Sara Lehman. While the Falanghina grape has ancient roots, its name has much more modern origins thanks to the trellis poles aka “falanga” that were used to support the vines. The wine received its DOP status in 2013, and is known for its minerality, good acidity, and ability to age for 10-15 years, during which time it develops complexity. These grapes must be sourced from the hillsides where there is some elevation, which helps to avoid the humidity found on the valley floor.

The Aglianico del Tabruno DOCG harkens back to the Greeks who came to the area centuries ago, settling near Mt. Taburno. The wine’s DOCG status was bestowed in 2011 and comprises both red and rose wines. The rose, which doesn’t require any aging, is currently the only Italian rose to hold this designation level. The reds must be aged for a minimum of two years in wood and bottle, with the Riservas aged for three years in wood and another 12 months in bottle. These are powerful, tannic wines with complexity and good aging potential, known for aromas of blackberry, plum, violet and black pepper.

WHITE WINE TASTING NOTES
I deliberately limited my consumption of the Falanghinas knowing that we were going to taste a lot of reds with the seated lunch (we tasted 13 and I’ve included my notes on my 8 favorites). Accordingly, I limited my tasting to the sparkling Falanghina del Sannio DOP – V.S.Q. Brut from Cantina di Solopaca, which is one of the oldest co-ops in the area, with grapes sourced from the slopes of Mt. Taburno. It was refreshing, with good acidity and nice fruit aromas and flavors.

I also tasted the Mustilli Vigna Segreta Falanghina 2016, a wine produced from a cru vineyard known for its volcanic and limestone soils. It was rich and concentrated with good minerality and long length.

RED WINE TASTING NOTES
2018 Elena Catalano Sannio Aglianico 2018, Italy
This wine, produced solely in stainless steel, was youthful, with robust red and black fruit, firm tannins and good length.

Fattoria la Rivolta Pediarosso Taburno Sannio DOP 2018, Italy
Made from hand-harvested grapes grown on clay and volcanic soil, this wine offered up bright red fruit, lovely freshness and notes of pepper that lingered in the finish.

Cantina di Solopaca Barbera 2017, Italy
This wine is produced from 20 year old vines grown on clay and limestone soils on the slopes of Mt. Taberno, It offers up a very earthy nose, with a clay undercurrent and red fruit aromas and flavors.
  
Cautiero Sannio DOC Aglianico 2016, Italy
After moving to the city as adults, the winery’s owners returned to the countryside to pursue their love of wine and the land, choosing to focus on organic farming. The wine is tight and needs time, but displays nice black fruit and long length.

Terre Stregate Manent Sannio Aglianico 2016, Italy
This is a beautiful and balanced wine with lovely aromas and flavors of red fruit, earth and herbs, along with good structure. It spent 6-8 months aging in barriques.

Azienda Agricola Scompiglio Barbera del Sannio 2016, Italy
Lush and gorgeous on the nose and palate, this Barbera was floral in character with blueberry and blackcherry notes, lingering in the long length.

Azienda Agricola Castelle Aglianico Riserva 2015, Italy
As a Riserva-level wine, it spent the minimum three years aging in oak. It was lovely, yet tannic and will be better in time.
 
Torre del Pagus Aglianico Taburno DOCG 2013, Italy
This wine spent 12 months in oak, with another year aging in bottle before release. It was  elegant, with good structure and lots of red fruit notes.


A Sunday Fun Day with Bodega Eduardo Garrido Wines

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Compared to many other industries, working in wine often does not feel like work. Such was the case on a recent Sunday afternoon when I had the pleasure of meeting Amelia Garrido and her husband, John. Amelia is the winemaker for Bodega Eduardo Garrido, a small, 4-hectare family estate in Spain’s Rioja region.

The winery was initially founded by 1923 by Vincente Garrido, Amelia’s grandfather. While Amelia’s father, Eduardo, now 86 years old, is still actively involved, Amelia is now at the helm of the operation, expanding the range of wines they produce. In this regard, she recently crafted a beautiful, unoaked white from Viura grapes, Blanco 2018. It was a vibrant, fresh wine which paired especially well with olive tapenade, but easily married with the wide range of tapas on the table.

Hosted at the home of Amelia’s importer, Sunday brunch was infused with typical Spanish cuisine and warm camaraderie. We ate, we drank and we laughed. New acquaintances quickly became fast friends as we broke bread and shared a wonderful meal with one another. Amelia regaled us with wonderful stories about her grandfather who knew not to accept the offer of cheese when tasting wines since the cheese would mask any potential faults in the wine as well as that of her husband, joking that he proposed to her at the top of a hill when she showed him her family’s estate and he mistakenly thought that it was a much larger estate.

Admittedly, I didn’t take proper tasting notes because I was too busy having a great time, but I assure you that all of the wines were lovely! In addition to the Blanco 2018, we tasted the Joven 2018 (100%Tempranillo, 20% of which was aged in oak for 3 months), Crianza 2015, Reserva 2014, and Gran Reserva 2007.

In general, Amelia prefers to use older oak, eliminating extremes in her wines. She says that the most important thing is good grapes; everything else comes from that.

Tenuta di Lilliano: Noble Wines Approved by Wild Boars

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Situated in Castellina in Chianti, Tenuta di Lilliano has developed a well-earned reputation for crafting high-end, Chianti Classico wines. Its wines have been lavished with praise and high scores by Gambero Rosso, Wine Enthusiast, Doctor Wine and James Suckling, among others, but, most recently, its grapes received a resounding seal of approval when a 150kg cingale (wild boar) stormed through a stainless steel fence guarding the vineyards, just around harvest time!

The joint human and wildlife admiration for this 460-hectare, family estate is well placed. Purchased in 1920, it wasn’t until 1958, when then owner, Princess Eleonora Ruspoli Berlingieri, began to focus the estate’s production on quality. Interestingly, she hired a winemaker who did not drink wine, but who had an amazing palate and was able to create the best wines.

At the time, the Tenuta was unique in aging its wines in Bordeaux barrels and was one of the first producers to emphasize aging of their wines. Since then, the winery has continued to pursue its quality mission, building a new cellar in 1976, refining its agricultural approach (such as not mowing in between rows of vines) and reviewing its mix of varieties to hit upon the best expression of the grapes in their blends. In the winery, they take a light hand with oak, seeking elegance with only a little bit of wood, preferring larger, older vessels and firmly placing the focus on Sangiovese, the key variety of the region.

Sadly, the Princess passed away in the early- to mid-2000s, but Tenuta di Lilliano is still under the ownership of Princess Eleonora’s descendants, namely Giulio Ruspoli and Pietro Ruspoli, the former of whom runs the estate. With a vaunted heritage, the Ruspoli family traces its lineage to both Renaissance Tuscany and 17th century Rome, where the family continues to occupy the Ruspoli Palace. Recalling this esteemed background, the wines bear the joint coats of arms from the Ruspoli and Berlingieri families.

Yet despite these noble connections, the family is decidedly down to earth as evidenced by the warm welcome received by several wine writers who recently met with Alessandro Ruspoli at Marea Restaurant. Alessandro, son of Pietro, represents the estate internationally and was in New York to share his wines with the press and trade.

While Teunta di Lilliano produces a full complement of Tuscan wines and grappa, our agenda for lunch was squarely on Chianti Classico. Accordingly, we tasted the three levels of this wine: Chianti Classico, Chianti Classico Riserva and the newer, Chianti Classico Gran Selezione. Each wine was beautifully paired with its own course, thanks to Brand Ambassador, Tony DiDio (of TD Selections)’s practiced palate.

A blend of 90% Sangiovese, 5% Colorino and 5% Merlot, the Chianti Classico 2016 (SRP $20) was fermented in concrete and then aged for 12 to 14 months in large, French casks. It was paired with Fusilli served alongside a rich and decadent, red wine-braised octopus with bone marrow. The wine offered up clean and classic aromas of cherry, black cherry, leafy/herbal notes, giving way to lovely tannins and acidity on the fresh, elegant palate, culminating in long length.

Served with Polletto pan roasted chicken breast, fennel, artichoke and snap pea, the Chianti Classico Riserva 2015 (SRP $32) was produced with 100% Sangiovese and aged for 15 months in large French casks. Traditional in style, the wine is very elegant and long lasting, with red fruit, dried herbs, and noticeable, but well-integrated, wood/oak that lingers in the long finish. In the future, it is anticipated that the Riserva will become a blend instead of a mono-varietal going forward as they determine the direction of the Gran Selezione.

In keeping with the family’s forward thinking, Tenuta di Lilliano was one of the first properties to have a Chianti Classico Gran Selezione. Launched in 2010, this new, higher quality tier, requires longer aging and better quality grapes to qualify for the category. Alessandro acknowledges that it was created to shed light on Tuscany during a low time, but feels that they have wisely used the opportunity to develop a new, high quality wine, crafted from a particularly prized vineyard. In this regard, they have made a single vineyard Cru with 100% Sangiovese, with the intention of showcasing the the best expression of the variety, making a wine that is even better than their Riserva.

Presented with a trio of cheeses, the Chianti Classico Gran Selezione 2015 (SRP $36) displayed deep dark red and black fruit, with a beautiful hint of spice. Its palate offered up bright acidity, medium+ body, fine grained tannins and very long length.

It is clear that these wines honor Princess Eleonora’s lasting legacy and will continue to garner attention; they just need to figure out a better way to keep out the wild boars!


The Wonderful Wines of Domane Wachau

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On what was a long overdue visit to the U.S. (and only his first time in New York), Domane Wachau’s winemaker Heinz Frischengruber poured a collection of his wines for the media at Aureole restaurant. Owned by 250 families, the Domane Wachau estate is located in Austria’s highly esteemed Wachau wine region, which is an UNESCO heritage site for both its natural beauty and its culture. Viticulturally, the region is known for its cool climate, diverse soils, river influence and abundant sunshine.

Originally born and raised in the region, Heinz has been at Domane Wachau for fifteen years and has become an integral part of the team, focusing his quality efforts on viticulture and traditional winemaking techniques. Heinz’ family is also in the wine industry (his brother currently runs the family business), so he grew up with wine in his blood (or at least in his backyard).

Before arriving at Domane Wachau, Heinz previously worked in Germany, gaining experience at Geisenheim and also studied overseas as well to build his knowledge base. But, he had always wanted to work at Domane Wachau, which is very well known and respected in the area. Its 1,000 hectares are considered to be the best terroir in the region, many of which are situated directly on the Danube.  Here, the steeply terraced vineyards must be worked by hand; in fact, one-fifth of the vineyards are not accessible by tractor due to the vertical nature of the terrain. In recognition for the challenges inherent in maintaining such vineyards, an association has been created to save the terraced vineyards for the next generation.

With the region’s mosaic of different soil types, microclimates, higher and lower altitudes, Heinz loves to play with single vineyards. In this regard, he noted, “You have to know your soils,” in determining which style of wine to make. Further, he understands his grape varieties, explaining that Riesling can adapt even better than Gruner Veltliner, calling Gruner a luxury variety due to its heightened need for water. Yet, it, too, can be grown on a variety of different soils, producing a versatility in wine styles, attributing marked spiciness in the variety when grown on terraced vineyards and stone fruit with a rounder, fatty profile when grown on loess soils.

In the vineyards, there is a strong commitment to sustainable agriculture and biodiversity. When asked about climate change, Heinz reported that there has been significantly less rainfall and the occasional crazy high temperatures (greater than 35o C) in recent years. Accordingly, canopy management is more important than ever to shade the grapes, retain acidity and avoid burning.

Once the grapes are in the winery, Heinz declares, “I’m a caretaker, not a winemaker.” A big fan of traditional winemaking, he prefers to utilize skin contact to produce fresh, elegant and spicy (read a peppery note – similar to the pyrazines found in Sauvignon Blanc) in his Gruner Veltliners. This skin contact also gives some tannic grip that adds to the complexity of the wines.

As we tasted through a collection of wines at lunch, it was clear that these were well-made, elegant and concentrated wines that provided beauty, balance and bang for your buck. In other words, they were simply wonderful!

TASTING NOTES

Domane Wachau Gruner Veltliner Federspiel Terrassen 2018 – $18.00
Grown on steep terraced vineyards, this entry-level Gruner Veltliner offers up citrus and minerality on the nose. On the dry, medium-to-full bodied palate, it is rich and mineral on the palate with good acidity, stone fruit, peach pit and very long length.

Domane Wachau Riesling Federspiel Terrassen 2018 – $20.00
From the same entry-level line, the Riesling was more aromatic, with pronounced aromas of peaches, apricot, exotic fruit, pineapple, spiciness, flinty, and a hint of black pepper, which Heinz attributed to the soil. It was more concentrated, fuller-bodied and richer than a German Riesling, with medium acidity and long length.
Domane Wachau Gruner Veltliner Federspiel Ried Liebenberg 2018 – $25.00
Produced from the Ried Liebenberg single vineyard, which consists of very steep terraces and poor sandy soils, this wine offers up concentrated stone and mineral aromas. It was dry, but with riper fruit than the Terrassen GV, with apricot, stone, slight spice, displaying a structured, more terroir driven wine, with medium acidity, medium body and culminating in long length.

Domane Wachau Riesling Federspiel Ried Bruck 2018 – $25.00
Sourced from the winery’s coolest area, with grapes grown on south facing slopes, the Ried Bruck single vineyard Riesling greets the nose with white peaches, mandarin oranges, and marzipan. It had higher acidity than the Gruner Veltliner, with notes of smoke, petrol and wet stone on the long finish.

Domane Wachau Gruner Veltliner Smaragd Achleiten 2016 – $46.00
We finished the meal with the outstanding Achleiten, a very steep single vineyard made up of dark stones and flinty soils that fades right into the Danube. The resulting wine was well structured with good aging potential, dominated by peach and mineral aromas and flavors. The fresh palate was concentrated with long length and sufficient body and complexity to pair with heavier dishes such as duck or beef.

NB: Established in 1983, Vinea Wachau celebrates wines of provenance made only from Wachau grapes. There are three different (and hierarchal) style categories ranging from lightest to the most concentrated, each represented visually by an Austrian symbol to reflect the unique style and heritage of each wine.

Steinfeder: Feather
Lightest in style, with a maximum alcohol by volume (abv) of 11.5%.

Federspiel: Falcon
Medium bodied, with an abv of 12-12.5% abv, always fermented dry, elegant

Smaragd: Lizard
This highest category is reserved for dry, concentrated and complex wines, made from very ripe/late harvest grapes sourced from the best vineyards and fermented dry.

Who Runs the (Wine) World: Susana Balbo, Wines of Sicily and the Women in Australian Wine Awards makes the answer abundantly clear

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A flurry of events featuring the women of wine kicked off the season’s return after the summer hiatus. Admittedly, women in wine is both new and nothing new. As they say, behind every great man is a great woman. But, perhaps the more novel news is that women are now standing (in) front and center of (or at least next to) many men in the vineyards and wineries the world over.

While I missed it due to ill health, the Women in Australian Wine Awards honored the women who have made their mark in Australian wine. The world’s “first and only awards platform for women in wine,” was held on September 17 in New York.

Similarly, an event earlier in the month presented a wide range of Wines of Sicily, recognizing the women in this region. I had the opportunity to meet Lilly Ferro Fazio, Export Manager of Casa Vinicola Fazio, who shared her experiences in bringing together the women of her region and noting the challenges they faced amidst a very traditional/male-dominated society. She addressed the need to find support and resources to successfully manage both her job and the family household because her husband still expects her to fulfill a traditional spousal role in addition to her career.

Another wine woman bucking the trend of being a simple, stay-at-home mom, is Argentine winemaker, Susana Balbo who initially applied to study nuclear physics in Bariloche. Her parents would not permit her to leave Mendoza, but, not one to be deterred, she eventually became the first woman in Argentina to earn a degree in enology. By 2012 she had been named as one of the “Most influential women wine-makers” by The Drink Business magazine, and, six years later, was listed among “The 10 most influential women in the wine world” in the same publication.

Today, Susana Balbo produces wines in both Mendoza and Salta regions. Her wines are well respected and can be found in the market under two labels: her namesake Susana Balbo and her Crios line. The Crios portfolio recently underwent a makeover, sporting new packaging that emphasizes the wines’ elegance and classic nature. Available in four different varietal options, the wines were recently released in the New York market.

Crios Torrontes 2018, Cafayate (Salta) and Valle de Uco (Mendoza), Argentina, $15.00
Pronounced nose with floral, tropical fruit, hint of cotton candy and a dry, yet ripe, palate with medium-to-full body, medium acidity and long length.

Crios Rose 2018 of Malbec, Vallee de Uco (Mendoza), Argentina, $15.00
Notes of strawberry, cherry and watermelon greet the nose. The palate is dry, with medium+ acidity, medium body, culminating in long length.

Crios Malbec 2018 Vallee de Uco (Mendoza), Argentina, $15.00
Deep in color, this wine displays fresh and dried herbs and blackberry aromas, which are joined by spice and red fruit flavors on the dry, full-bodied palate, with good length.

Crios Cabernet Sauvignon 2018 Vallee de Uco (Mendoza), Argentina, $15.00
The nose offers up lovely red and black fruit, which persist on the dry, full-bodied palate, with textural tannins, blackberry, black cherry, oak, with good acidity and long length.