Category Archives: Wine

Notes from Napa

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A venture from the folks at Folie à Deux, Napa Cellars produces a full range of the usual suspects and prides itself on producing consistent wines from vintage to vintage, by sourcing fruit from quality vineyards throughout the Napa Valley. The winemaker is Joe Shirley.

Napa Cellars, Cabernet Sauvignon 2007, $26.00
Winemaking: 18 months of aging, predominantly in French oak, 55% of which was new.
Aromas: Red and black fruit, pepper, oak and mint
Flavors: Juicy fruit notes of blackberry, oak and eucalyptus
Structure: Medium acidity; medium, ripe tannins; medium+ length

Napa Cellars Sauvignon Blanc 2009, Napa Valley, CA, $18.00
Aromas: Pronounced herbal and citrus
Flavors: Lemon, lemon meringue, slight herbal
Structure: High acidity, medium+ length
A very nice wine.

Napa Cellars Chardonnay 2009, Napa Valley, CA, $22.00
Aromas: Apple, toast, smoke, slight melon
Flavors: Toast, apple, melon, smoke, caramel in finish
Structure: Medium+ acidity, medium+ body, medium+ alchohol, medium length

Napa Cellars Mount Veeder Chardonnay 2009, Napa Valley, CA, $32.00
Aromas: Oak, nuts, bruised apple
Flavors: Oak, apple, nuts
Structure: Medium+ acidity, full-bodied, medium- alcohol, long length

The Mt. Veeder wine was tasted with the regular Chardonnay. It was deeper in color and I found it to be more balanced in its use of oak. It also had a longer length.

Napa Cellars Dyer Vineyard Syrah 2007, Napa Valley, CA, $28.00
Aromas: Smokey, blackcherry, vanilla, hint of leather
Flavors: Blackcherry, vanilla, smoke and leather
Structure: Medium+ acidity, full-bodied, high alcohol, medium length
Powerful wine with concentrated fruit and nice acidity, but a bit hot.

Napa Cellars Zinfandel 2007, Napa Valley, CA, $22.00
Winemaking: 88% Zinfandel, 12% Petite Sirah; Aged 18 months in French & American oak (40% new)
Formal notes not taken, but the wine was very balanced and concentrated with bramble fruit and spice. It paired well with an Ecuadorian chocolate with banana and cayenne pepper.

Que Syrah, Shiraz and Shiraz

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A trio of Syrahs crossed by table this fall (9/22/2010), providing me with the opportunity to explore the similarities and differences among wines from Australia and South Africa.

90+ Cellars Lot 4: Shiraz Viognier 2007, McLaren Vale, Australia, $17.00
92% Shiraz, 8% Viogner; Co-fermented and aged for 14 months in new French oak.
Co-fermented as is done with Côte-Rôtie, this wine displayed aromas of medium+ intensity that included blueberry black cherry, oak, earth and dried herbs. Of the three wines, it had the deepest nose. On the palate, it was full-bodied with medium+/high tannins, medium acidity and flavors of blackberry, cherry, oak, earth and spice, culminating in medium+ length. Overall, the wine showed good fruit concentration along with complexity and elegance.

Rudi Schultz Syrah 2007, Stellenbosch, South Africa, $30.00
100% Syrah; Aged for 20 months in French oak barrels (30% new; 70% second and third fill).
Winemaker and proprietor Rudi Schultz was prompted to go into winemaking after tasting great Northern Rhone wines. Thus, it is no surprise that his wines are crafted in a similar style. Notes of blackberry, earth, rubber, leafyness and meatiness were present on the nose, which was the most savory of the three wines. Another full-bodied wine with medium+ tannins, the palate showed blackberry, blueberry, leather, rubber and meatiness, all of which lingered in the wine’s long length. Overall, the wine was both powerful and aromatic.

Xavier Flouret Waroo Shiraz 2009. Pemberton – Western Australia, $18.00
100% Shiraz; Aged for 8 months in oak barrels (75% French, 25% American oak).
From the cooler area of Western Australia, this wine had blackcherry, vanilla, floral and dried/jammy fruit aromas. Similarly full-bodied to the others, this wine provided medium+ acidity and medium tannins on the palate. Its flavors included blackcherry, herbaceousness, leather, and a tart cherry note in the undercurrent. An earthiness remained throughout the wine’s long length. This wine  had the brightest acidity of the three, most likely due to its origins in a cooler climate.

This was an interesting exercise, showing the influence (and confluence) of grape variety, climate and production on the finished wine.

Flights of whites

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In preparation for my AWS Wine Judging Training Program exam, which was held in early November 2010, I spent the summer blind tasting through different flights of wine. It was both a challenge to see which wines I could identify by either the grape variety or the appellation as well as to determine how several wines tasted in comparison to one another. NB: Tasting notes appear below the description of the two blind tasting exercises.

Flight 1: June 5, 2010
This flight included four white wines (all samples).
While I knew the identity of the four wines, I did not know which wine was in which glass. I sat down, began to taste and take notes and made some initial observations. The first glass showed notes of citrus, stone and a hint of butter, which repeated on the palate. The aromas in the second glass were quite pronounced and I detected citrus (specifically, pink grapefruit) and minerality on the nose and the palate. I suspected that this might be the New Zealand Sauvignon Blanc, but as I hadn’t tasted through all four wines yet, I wanted to reserve final judgement until the end. I was glad that I did because the very next glass made it evident that I would have been wrong. Yes, glass # 2 was very concentrated with its citrus notes, but glass #3 had unmistakable herbaceous notes of green pepper. The fourth glass exhibited notes of oak and other barrel-derived aromas and flavors (cinnamon and toasted nuts). Knowing that there was a California Chardonnay in the mix, I attributed this wine, with its oak influence, to be the Chardonnay. Wrong again! Unbeknownst to me, one of the Rueda wines had been produced in a wooded style. The wine was not a Chardonnay, but rather a Verdejo. All in all, it was a very educational experience, helping me to see how my methology was working even if I sometimes arrived at the wrong conclusion. In any case, the wines were all quite enjoyable.

Flight 2: July 24, 2010
This flight included four white wines (all samples).
Again, the identity of the four white wines (all samples) were known to me, but the order in which I tasted them was a mystery. We had another houseful of guests, so they were also invited to participate. They declined the rigor of blind tasting, but enjoyed tasting a few different wines separately. With a pair of Rueda wines and a pair of Gruner Veltliners, I was curious as to whether I would be able to determine which two wines were produced from the same grape variety, even if I wasn’t sure which grape variety that was. The first glass had melon and citrus notes, while the second glass was more complex with earth and herbal aromas and flavors. Glass #3 was again aromatically citrus with lemon and lime, but also showing some minerality. It seemed more similar to glass #1 than to glass #2. The fourth glass offered earth and citrus on the nose and palate and appeared to be showing some development, while the other three glasses were all youthful. While I wasn’t sure if glass #4 was a Verdejo or Gruner Veltliner, I was fairly certain it was the same as glass #2. Upon revealing the wines’ identities, I had correctly identified the pairs, even though I had been unsure as to the actual grape variety.

TASTING NOTES

Flight 1
-Bodega Matarromera Emina Verdejo 2009, Rueda, Spain, $9.00
100% Verdejo; Stainless steel fermentation.
Medium+ aromas of pink grapefruit. Dry, medium acidity, medium body, grapefruit, mineral, pith; good concentration, long length.

-Bodega Matarromera Seleccion Personal Carlos Moro Emina Verdejo 2008, Rueda, Spain, $36.00
100% Verdejo; Fermented and aged for four months in French oak barrels.
Medium notes of toasted nuts, green apple, cinnamon. Dry, medium acidity, full body, apple, pear and an undercurrent of wood/toothpick, nuts; long length.

-Bouchaine Estate Chardonnay 2008, Napa Valley and Carneros (CA), USA, $25.00
100% Chardonnay; 70% barrel-fermented and aged (1-4 year old wood); 30% fermented and aged in stainless steel.
Medium aromas of citrus, stone and a hint of butter. Dry, medium acidity, medium+ body, citrus, stone, pith and medium+ alcohol; long length.

-90+ Cellars Lot 2 Sauvignon Blanc 2009, Marlborough, NZ, $12.00
100% Sauvignon Blanc; Stainless steel fermented.
Medium+ herbal and citrus notes. Dry, medium+ acidity, medium body, citrus, pepper, green pepper; long length.

Flight 2
-Javier Sanz Villa Narcisa, Rueda, Spain, $16.50
100% Verdejo; Stainless steel fermentation.
Medium aromas of melon and grapefruit. Dry, medium+ acidity, melon, citrus, pith; medium length.

-Laurent V SINGING Gruner Veltliner 2009, Niederösterreich, Austria, $15.00
100% Gruner Veltliner; Stainless steel fermentation.
Earth and citrus aromas. Dry, medium+ acidity, lime, pith, herbal flavors; medium+ length.

-Laurenz V CHARMING Gruner Veltliner 2006, Kamptal, Austria, $27.00
100% Gruner Veltliner; Stainless steel fermentation.
Aromas of grapefruit and showing some development with notes of damp earth. Dry, medium acidity, earth, melon and grapefruit; medium+ length.
This was our favorite Gruner Veltliner of the flight.

-Pagos del Rey Analivia Verdejo, $11.00
100% Verdejo; Stainless steel fermentation.
Medium notes of lemon, lime, minerality. Dry, medium+/high acidity, lime, minerality; long length.
This was our favorite Verdejo of the flight.

Grand Cru Grapevine: Talking Turkey (November 2010)

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We don’t know about you, but we find it hard to believe that November has arrived with Thanksgiving just around the corner (wasn’t it just July?).

Fortunately, we had a wonderful October, which included a fabulous trip to Italy’s Campania region, with visits to Mastroberardino and Feudi di San Gregorio. We’ll share additional details in a future newsletter.

This month finds Tracy presenting two sessions (Italian Sparklers and South African Wines) at the American Wine Society’s annual conference, while Jared finished up our public North Fork schedule this weekend with our From Mystery to Mastery class. But don’t despair; you can contact us for private classes and events year round at your place or ours.

As you prepare for the holiday, we hope you have a lot to be thankful for and wish you a very Happy and healthy Thanksgiving!

Drink wisely and well,

Tracy Ellen Kamens, Ed.D., DWS, CWE
CEO: Chief Education Officer 

       and 

Jared Michael Skolnick
COO: Cork Opening Officer 

 

Talking Turkey

While turkey (the poultry) may grace your table soon enough, you may not have thought about setting your table with wines from Turkey (the country). Yet, there are some wonderful wines being produced there that are worth checking out.

Kavaklidere was Turkey’s first privately-owned, wine producer when it was established in 1929 in Ankara. Today, Kavaklidere is Turkey’s largest producer and the only one to import its wines to the U.S. (at least for now). Despite its size, Kavaklidere is considered to be the best producer in Turkey. Some of this can be attributed to a decision that the company made in 1993, a watershed moment that winemaker, Ali Basman, points to when Kavaklidere “decided to increase the quality” of its wines through improved technology and viticulture. As a result, the company has made significant investments to plant new vineyards and build new winery facilities, planting 170 ha at their Côtes d’Avanos Vineyard in central Anatoila that year. In 2005, an additional 200 ha site was identified in Pendore due to its tufa and volcanic soil, good diurnal variation and 3,000′ plateau.

Since 2008, Kavaklidere has partnered with famed enologist Stéphane Derenoncourt to focus on creating quality wines with Turkish grape varieties. Current plantings include 550 ha, which consist of indigenous varieties along with international varieties such as Sauvignon Blanc, Chardonnay, Cabernet Sauvignon, Merlot, Syrah and Carignan. The company also maintains three winery facilities located throughout the country. Kavaklidere produces two grape juices as well as 43 wines, which range from still to sparkling and fortified and dry to sweet, with 20% of its products exported to foreign markets. With such a diversity of wines (although admittedly not all are imported to the U.S.), you are sure to find one that you’d happily serve with this year’s turkey. 

Wine Tasting Notes


Egeo Rose 2009, Aegean/Denizli and Pendore, Turkey
A blend of Cal Karasi (60%), Syrah (25%) and Grenache (15%), this wine was macerated for a brief period, producing a bright, pink hue and aromas of strawberry and floral notes. It is dry on the palate with vibrant acidity, showing strawberry with an herbal undercurrent.Cote d’Avanos Sauvignon Blanc 2006, Cappodocia, Turkey
This wine has a pronounced nose of lemon, lemon pepper and minerality. On the palate, it is dry with medium+ acidity and notes of lemon, stone and slight yeastiness, the latter a result of the15 months the wine spent aging on the lees (spent yeast cells). 

Pendore Okuzgozu 2008, Elazig, Turkey
Produced from 100% of the indigenous Okozgoku, this wine spends 12 months in French oak barrels. It is floral with red fruits such as raspberry, with moderate tannins, medium body and an undercurrent of bitter chocolate. 

Prestige Kalecik Karasi 2005, Ankara, Turkey
With its herbaceous and vegetal aromas, medium+ acidity and notes of bright red fruit, this wine, produced from 100% Kalecki Karasi, seemed to be most similar to Pinot Noir, but its full body pointed to its true identity. 

Beaujolais Nouveau 2010 arrives with Molly Sims, Franck Duboeuf and Peter Deutsch

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Molly Sims, Franck Duboeuf and Peter Deutsch welcome the Georges Duboeuf Beaujolais Nouveau 2010...cirque style.

Like clockwork, the Beuajolais Nouveau arrived on the third Thursday of November, attended by a circus-style celebration for the 2010 harvest. Actress, model and jewelry designer, Molly Sims, was on hand to toast the first glass from Georges Duboeuf, with George’s son, Franck, serving as Master of Ceremonies under the big top at District 36. The luncheon, prepared by chef Marc Murphy (of Landmarc and now also Benchmarc catering), was accompanied by the Beaujolais Nouveau 2010 and the Morgon Jean Descombes 2009. Other Beaujolais crus were available at the self-pour bar during the initial reception. Overhead, attendees were treated to aerialists dangling from silks, while jugglers, magicians and contortionists dazzled at eye-level.

Beaujolais, whether Nouveau or not, is a wine made in the southernmost part of Burgundy from the Gamay grape. While Gamay is not most people’s favorite grape variety — often associated with prejorative aromas of bubble gum and banana, this year’s wine showed none of these characteristics and was simply pleasing with its ripe cherry fruit and soft tannins. And, it went nicely with the meal.

As a wine, Beaujolais Nouveau has both its share of proponents and detractors, but for me, it is more about the symbolism than the wine itself. Here we are in November, only a few weeks after the harvest and we have much to be thankful for and much to celebrate. Along comes Beaujolais Nouveau, ready to honor the year’s work. Most wines are still preparing for the party (and may take years to do so as they dress in layers of oak, vanilla and toast), but Beaujolais Nouveau and other wines produced in a nouveau-style are not only fully dressed, they are prepared to dance until dawn.

No, it is not a wine on which to meditate, but sometimes all you need is a simple glass of wine, good food and good friends in order to sit back and enjoy the good life. Salut!

Juggler at Beaujolais Nouveau celebration.

Grand Cru Grapevine: Bubbles Born in the USA: American Sparklers (October 2010)

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We have had a busy, but productive, fall season thus far. Our wine salon, From Mystery to Mastery, conducted as part of the East End’s first HARVEST Wine Auction & Celebration was met with great success as was Tracy’s Sex, Wine & Chocolate event with certified sexuality educator, Amy Levine, held at the beautiful Coco de Mer erotica and lingerie store.

Tracy will be teaching at the International Wine Center later this month and at NYU for three classes in November. Her session on Italian Sparkling wines, to be presented at the American Wine Society’s (AWS) annual conference is sold out with 90 registrants and only a few seats remain for her session on South African Wines.

In honor of the AWS’ conference location in Cincinnati, OH – what we’ve dubbed, “the other Cin city” and birthplace of America’s first sparkling wine – we bring you the history of Nicholas Longworth this month.

Drink wisely and well,

Tracy Ellen Kamens, Ed.D., DWS, CWE
CEO: Chief Education Officer 

       and 

Jared Michael Skolnick
COO: Cork Opening Officer 

Bubbles Born in the USA: America Sparkles

America has long had a love affair with sparkling wine, yet, while many Americans would be quick to identify Dom Perignon as an iconic figure of the Champagne region, few would know that they owe a debt of sparkling gratitude to Nicholas Longworth who created the first American sparkling wine – a Sparkling Catawba, in 1842.

Born in Newark, New Jersey, in 1783, this “crazy Jerseyman” stood somewhere between 5′-1″ and 5′-3″ and arrived in Cincinnati in 1804 (one year after Ohio had attained statehood), at the age of 21. After studying law for six months (there were apparently a lot fewer laws back then), he established a law practice.
 

Concurrent with his legal work, Longworth made shrewd investments in land, beginning in 1820. These real estate investments permitted Longworth to indulge in a new passion for horticulture and viticulture, pursuing the latter as a hobby as he began to plant vines along the Ohio River. 

His first attempts were with vitis vinifera, which, having been planted prior to the discovery of phylloxera, not surprisingly died shortly thereafter. Longworth then tried his hand at the American species, vitis labrusca. Specifically, he became interested in the Catawba grape (native to North Carolina), which was hearty enough to withstand the harsh winters of Ohio, planting these vines in 1825. He produced his first wine three years later, declared himself satisfied and subsequently quit his law practice, eventually crafting a sparkling version of his beloved Catawba.

But fortunately, Nicholas wasn’t the only one who admired his slightly sweet, sparkling wines. His wine was enjoyed not only throughout the United States, but also abroad in England and France. It was further lauded by poet Henry Wadsworth Longfellow who immortalized Longworth’s wine in his, “Ode to Catawba” published during the 1850s.

Longworth’s success eventually established him as the “wealthiest man in Ohio.” In fact, “…in 1850 his taxes rated higher than any other man in the United States except William B. Astor…” at an annual bill of $17,000 and, at his death, his wealth was estimated to be $15 million. (Harper’s Weekly)

In addition to being an accomplished wine producer, Longworth was a generous person and used his wealth to help others in his community. He provided work for those in need; built housing above his wine cellars for indigent laborers; and distributed bread to the hungry from his home every Monday morning.

Longworth’s efforts also helped to cement Ohio as a key winegrowing area in the United States. By 1860, Longworth had 3,000 acres of vines and was producing 570,000 gallons of wine, annually bottling 150,000 bottles. During this period, Ohio led the nation in the production of wine, supplying one-third of the nation’s wine and out-producing California by two to one. However, this boom was short-lived as Ohio wine production declined in both the wake of viticultural disease and a loss of labor as Ohioans left to fight in the Civil War.

Yet Ohio was not alone in its pursuit of bubbles. In 1855, Benjamin Davis Wilson, who was to become the first mayor of Los Angeles, was the first to produce a sparkling wine in California. And, across the country, a “champagne” industry was started in Hammondsport in New York’s Finger Lakes region in 1860. Crafting sparklers from Delaware, Iona, Elvira and Catawba grapes, the Pleasant Valley and Taylor Wine Companies set about to establish “American champagne [as] the leading wine of the region.” (Reichl, 14) 

While most of this early success with sparkling wine was brought to an end in the 1920s as America pursued Prohibition, by 1933, “[t]he few surviving Eastern wineries, principally sparkling-wine producers of New York State [namely Great Western and Gold Seal], soon found their bearings again.” (Wagner, 61)

And, only a few decades later, a renaissance would take place, with Jack and Jamie Davies re-establishing a winery at the old Schramsburg estate in Napa Valley, CA. With a focus on quality, not quantity, the Davies’ produced a Blanc de Blancs, which they released in 1967, becoming “America’s first commercially produced Chardonnay-based brut sparkling wine.” (Sawyer) Schramsburg’s reputation was assured when, in 1972, their sparkling wine was poured at the “Toast to Peace” dinner with President Nixon and Premier Chou En-lai in Bejing, China. Their wines have been poured in the White House ever since.

Today, sparkling wine is produced in all fifty states, and, while many of these producers are local in scope, leading American sparklers are found in California, Oregon, New York, Virginia, New Mexico, Pennsylvania, Delaware and Massachusetts, and are often national and even international in their reach. Here, many serious winemakers are crafting world-class wines utilizing the Traditional Method of production, with ultra-premium producers focused on estate-grown grapes and the production of vintage-dated wines.

Harper’s Weekly Journal of Civilization, Nicholas Longworth Obituary, published 3/7/1863.

Reichel, Ruth ed., History in a Glass: Sixty Years of Wine Writing from Gourmet. Random House: New York, 2006 [Frank Schoonmaker, Return to the Native, p. 14]

Sawyer, Christopher. “The Best of Both Worlds.” The tasting panel, December 2009.

Wagner, Philip M.  Grapes Into Wine, Knopf Press, 1976

  
  

Producer Profiles

Biltmore Estate
Biltmore Estate in Asheville, North Carolina is “the most visited winery in the United States,” seeing one million visitors annually. The 125,000 acre estate is the site of George Vanderbilt (grandson of Cornelius)’s dream home designed by noted architect Richard Morris Hunt. The Château Reserve Blanc de Blancs is 100% Chardonnay from fruit sourced throughout North Carolina and is aged 24-30 months before disgorging.

Chateau Frank
In 1962, Dr. Konstantin Frank established Vinifera Wine Cellars in Hammondsport, New York and earned a reputation for his Rieslings and “champagnes.” The 1999 Prestige Cuvee is made with 100% estate-grown fruit, a blend of 50% Chardonnay, 45% Pinot Noir and 5% Pinot Meunier and then aged for more than five years. 

Gruet Winery
The Gruet family of Champagne, France established their Albuquerque, NM winery in 1984. The 2004 Blanc de Blancs remained en tirage for a minimum of four years with the last bottles reaching anywhere up to five years.

Iron Horse Vineyards
When Iron Horse’s founding partners, Audrey and Barry Sterling, first saw the 300 acre property in 1976, it was the most westerly vineyard in Sonoma, but the Sterlings knew they wanted to grow Chardonnay and Pinot Noir and that this was the perfect climate in which to do so. The 2005 Classic Vintage Brut is among the most traditional of their sparklers, made from 25% Chardonnay and 75% Pinot Noir and aged for three years. 

Kluge Estate
Kluge Estate was established in 1999 in Carter’s Mountain on the edge of Blue Ridge Mountains in Charlottesville, VA by Patricia Kluge whose dream was to build a wine region. The 2007 SP Rosé, made from 95% Chardonnay and 5% Pinot Noir, was aged for 21-24 months and won at the Monticello Cup in 2010 and took home Silver medals at both the San Diego Wine & Spirits National Women’s Wine Competitions.
 

L. Mawby
Larry Mawby planted vines on Michigan’s Leelanau Peninsula in 1973, with his first harvest in 1978. His Talismon is made from estate grown fruit picked as a field blend of Vignoles, Pinot Noir, Pinot Gris, and Chardonnay.

Soter Vineyards
Although he is more known for his Pinot Noirs, Tony Soter chose to make a sparkler because he is a “sucker for a winegrowing challenge.” Produced from 100% estate grown fruit, the Soter Rosé is a 50-50% blend of Chardonnay and Pinot Noir and spent at least three years on the lees.
 


Troutman Vineyards
Building on Ohio’s wine legacy, Deanna and Andy Troutman established Troutman Vineyards in 1997. Their Cuveé D, a brut style sparkler made from hybrid variety, Vidal Blanc, won a Bronze Medal at the 2009 Ohio Wine Competition in the Hybrid Sparkling Wine category. 

Chablis 2008 shines at Drouhin’s Domaine de Vaudon

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Laurent Drouhin, of Maison Joseph Drouhin, wants consumers  to know a few things about Burgundy. The first is that they don’t make Chardonnay or Pinot Noir. Rather, they make Chassagne-Montrachet, Chambolle-Musigny, Pommard, etc. In his view, the grapes, which are in fact Chardonnay for the whites and Pinot Noir for the reds, are merely a conduit through which the terroir can speak.

Another thing that Laurent would like folks to know is that Chablis, a very special terroir for white wines, is also in Burgundy.

And, finally, while he is proud of his family’s heritage as a negociant (a firm which purchases grapes from multiple growers to make wine), they are equally proud of their status as a land owner and producer, particularly in Chablis.

A recent tasting of the 2008 vintage from Drouhin’s Domaine de Vaudon proves that his pride is justly deserved.

The district level Chablis ($24.50) showed some complexity on the nose with  minerality and citrus fruit, both of which persisted on the palate along with the addition of green apple. The Reserve wine ($29.00), while similar in aromas and flavors, had a more pronounced nose and longer length on the palate.

Moving up in quality, the three Premier Cru wines (from grapes grown on highly rated vineyard land) all presented vibrant acidity, full body and citrus notes. The Premier Cru Montmains ($38.25) seemed to be the most complex of the three, with notes of apple, lime, earth and minerality.

However, it was the jump to the Grand Cru wines (those hailing from one of the seven best vineyards in Chablis) that really showed what world class Chablis is all about. The Grand Cru Bougros ($72.00) – incidently, Laurent pronounces the final “s” – had pronounced minerality, damp earth, bruised apple and a slight woody note on the nose, all of which re-appeared on the palate and remained throughout the exceedingly long finish. Slightly richer, with the perception of riper fruit on the nose and palate, the Grand Cru Vaudesir ($72.00) was slightly fuller and seemed to show a little more of the oak influence on the palate, although the use of oak was still restrained and elegant.

These latter wines were showing beautifully now, but indicated the ability to evolve and gain further complexity with age.

So, whether you drink them young or in time, enjoy these wines to the fullest. Just don’t call them Chardonnay.

Rom: A high point in the Golan Heights

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Courtesy Yarden Rom

A graduate of UC Davis, Victor Schoenfeld has been the winemaker for Golan Heights Winery in Israel since 1992. Zelma Long, who needs no introduction in certain circles, began her career at Robert Mondavi Winery and later moved to Simi Winery before pursuing her own interests. In 2002, the two well-regarded winemakers first came together with the goal of better understanding what limited and promoted quality among nine high quality blocks of vines at Golan Heights.

Describing the Golan Heights as a Mediterranean climate in an historical landscape, for Long, her visit “…felt like [she] was in this mythical land.” She saw its unique personality – wines that reflect the area with an extremely unusual diversity of climates within a small area (50 miles x 40 miles). Calling the wines fruit expressive with soft tannins, Zelma likens the wines to a cross between California fruitiness and Bordeaux restraint. She added that they are wines of complex character and concentration.

After working on the initial project together for several years, the two decided that a natural progression was to collaborate on the creation of a new wine. They recognized that blending wine was a very personal and intimate process, one that is not always easy to share with someone, but, their experience has been positive. Their vision for the wine, ROM, was power/intensity, which comes from the grapes and gives the wine potential for longevity; finesse/balance, which reflects winemaking and is also important for ageing; and flavor/complexity, which is enhanced in the winery through blending and ageing. Overall, they sought a wine of both access and ageing.

Ultimately, they sought out a blend of Cabernet Sauvignon, Merlot and Syrah, with each variety bringing a distinctive set of aromas and flavor profiles to the final blend. The Cabernet Sauvignon from cooler vineyards brings black cherry and ripe plum, while grapes from the warmer vineyards result in olive and dried herb aromas. Together, these grapes provide solid, consistent foundation to the wine, which is enhanced by Syrah’s darker fruit, savory qualities and roundness, depth and richness. The Merlot adds fresher notes of raspberry, fresh herbs and orange zest and is responsible for lift and fleshing out the mid-palate. From the Hebrew word for a high place, the name Rom symbolizes Victor and Zelma’s pursuit in creating a wine of the highest quality.  [See the graphs below.]

Members of the press had the opportunity to taste through barrel samples of the component wines from the 2008 vintage: Merlot from Odem, Syrah from Tel Phares and Cabernet Sauvignon from El Rom. This exercise provided a glimpse of how the individual grapes came together to create a gestalt, especially when compared with the Rom 2008 barrel sample.

The first wine to be launched, the Yarden Rom 2006, showed beautifully with aromas of plum, blueberry and blackberry. The well-balanced palate offered very concentrated, rich fruit flavors with a hint of herbal notes and firm tannins. The 2007 had brighter red fruit on the nose and was a bit more structured, while the 2008 (barrel sample) was not as integrated, with the wood notes more obvious on the palate, indicating that this is a wine that will improve with time. A limited edition of 6,000 bottles was produced for the 2006 vintage, with an SRP of $160.00.

Courtesy - Yarden Rom

Courtesy - Yarden Rom

Grand Cru Grapevine: From Potatoes to Parker Points (July 2010)

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 We hope you enjoyed the holiday weekend and are having a great summer!

We continue to be busy, but have no complaints. In late June, Tracy participated in a video shoot for a segment of Wine Portfolio, an online television show that airs on CNBC. The segment focused on Wine Shopping in New York City, with stops at Sherry-Lehmann, Bottle Rocket and Chelsea Wine Vault. Host Jody Ness and the entire crew were a pleasure to work with. The episode won’t air for several months, but we’ll keep you posted when we have more details.

This month, Tracy was asked to serve as the judge for a special event celebrating Caymus’ Conundrum, which was paired with a range of take-out cuisine in search of the best match. This wine is a “proprietarily secretive blend of California white grapes”, drawing from Sauvignon Blanc, Muscat Canelli, Chardonnay and Viognier, and a combination of stainless steel and barrel fermentation that results in an unusual, but wonderful wine. 

Later this month, Tracy will present “Born in the USA: American Sparklers” at the Society of Wine Educators’ annual conference in Washington, D.C.

And, back at home, we invite you to save the date for the first HARVEST Wine Auction & Celebration of Long Island’s East End, September 24-25, 2010. Grand Cru Classes will offer its “From Mystery to Mastery” class (Saturday, September 25, 11:00 AM -1:00 PM) through the event’s Wine Salon, as part of this two-day extravaganza, which culminates in a Grand Tasting and Gala Dinner at Wolffer Vineyards.

Many of our readers are familiar with the East End and understand what there is to celebrate, but for those that are less familiar, we share some of the history and current state of affairs of the East End with you this month.  Drink wisely and well,
Tracy Ellen Kamens, Ed.D., DWS, CWE
CEO: Chief Education Officer
       and
Jared Michael Skolnick
COO: Cork Opening Officer  

 

  

From Potatoes to Parker Points
Agriculture has long been a feature of the North Fork, with the potato industry achieving prominence, along with cauliflower and other crops. But, times have changed. Today, the potato fields have given way to vineyards and vacationers. 

With the first vineyard planted in 1973 by a young, starry-eyed couple fresh out of Harvard, the first seeds (or rather vines) of the Long Island wine region were sown. That couple, Louisa and Alex Hargrave, were true pioneers, bringing vision and bravado to their newly purchased farm. Much like the early English settlers that preceded them, Alex and Louisa came to the task with limited knowledge, but unlimited passion and drive, pushing them to succeed where others were sure they would fail. Before long, they were joined in their efforts by other adventurous souls, all of whom were in love with wine. As time flew by, a fledgling wine region was born, eventually becoming an internationally recognized producer of quality wine.

The region now garners consistent coverage in the New York Times with Howard Goldberg’s bi-weekly column. Howard’s colleague, Eric Asimov, has lauded Long Island’s efforts in his own columns with increasing frequency, for both current and vintage wines. Additional publicity has been accomplished with big spreads in Wine Spectator and other glossy magazines, giving greater credibility to the region. Building on their accomplishments, the return visit of Robert Parker’s Wine Advocate, long considered to be among the most influential (albeit controversial) wine publications, proved to be a boon with all wines scoring a minimum of 84 and 23 wines earning scores of 90 or above (the highest score was 92). Across the pond, Decanter magazine has recognized the region with profiles of wineries and medals awarded to Long Island wines.Today, the Long Island wine region is home to 60 vineyards and 51 wine producers (35 of which are open to the public) and has garnered repeated praise in both consumer and trade publications. Moreover, the bucolic region has retained much of its rural charm, making it a true escape from the hustle and bustle of New York City, located only two hours away.

The wineries welcome visitors to their tasting rooms, each of which has its own special atmosphere. Guests can generally taste through a flight of wines for a small fee or can often choose to buy wine by the glass to enjoy in the wonderful surroundings. Of course, wine by the bottle and case is available for sale as well. Nearly year-round, but particularly during season (Memorial Day through Thanksgiving), the wineries play host to a wide variety of activities from jazz musicians and blue grass bands to dog shows, comedy festivals and other special events.

>Learn more about the region’s wineries through the Long Island Wine Council’s website.

Tasting Notes

Brooklyn Oenology Viognier 2007, North Fork of Long Island (NY), USA, $18.00
Owner and winemaker Allie Shaper is also the new face behind the wines at Comtesse Therese. Aromas of melon and spice give way to a dry palate with ripe tropical fruit and melon notes.

Shinn Estate, Estate Coalescence 2009, North Fork of Long Island (NY), USA, $14.00
Restaurateurs turned wine producers, David Page and Barbara Shinn produce elegant wines that are extremely food-friendly. A blend of Chardonnay, Sauvignon Blanc, Merlot Blanc and Riesling, this wine has a pronounced nose with a dry palate, showing grassy notes with citrus and a hint of floral and spice.

Corey Creek Vineyards Domaines CC Rosé 2007, North Fork of Long Island (NY), USA, $18.00
Corey Creek, a sister property to Bedell Cellars, has always been known for its rosé. Bright berry aromas greet the nose;in the mouth, it is dry with fruity, fresh berries that persist on the palate.

Jason’s Vineyard Merlot 2000, North Fork of Long Island (NY), USA, $14.95
A second generation winemaker on the North Fork, Jason is the son of Dr. Damianos, owner of Pindar and Duck Walk Vineyards. At 10 years old, this wine has an aged bouquet of dried fruit and flowers. It is dry, with medium+ acidity, dried berries and cherries, spice and oak. 

Castello di Borghese, Merlot 2005, North Fork of Long Island (NY), USA, $20.00
The original Hargrave vineyard and winery was sold to Prince Marco and Princess Ann Marie Borghese in 1999 where they continue the legacy started in 1973. This wine shows notes of meat and fruit on the nose with black cherry, plum, oak and meat flavors that linger throughout the long length.

Madeira: Perhaps a true desert island wine

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Courtesy Vinho Madeira - IVBAM

 

OK, yes, I wrote about desert island wines previously, but what if you were truly stranded on a desert island? You certainly wouldn’t have temperature-controlled wine storage available to you and eventually your wines would spoil in the heat. But what about a wine that was designed to withstand the heat and would even continue to improve on the voyage to said desert island? Madeira — a wine created to survive the long sea voyage from Europe to the New World– would be the perfect wine for such circumstances. 

Madeira is a volcanic island off the coast of Portugal and is the home of Madeira wine. Here, Tinta Negra Mole, Sercial, Verdelho, Bual and Malmsey (aka Malvasia) are grown on the steep slopes of the island. All, but the Tinta Negra, are white grape varieties.  The wine itself owes its taste and character to its fortification (through the addition of a neutral grape-based spirit similar to Port or Sherry) and its prolonged exposure to the heat. The fortification interrupts the fermentation process and, depending upon when it occurs, generally prevents some of the sugar from being converted into alcohol, thereby creating a wine with some sweetness. 

Four styles of wine — dry, semi-dry, semi-sweet and sweet — are produced, corresponding to the grape variety used. Sercial is the driest style, followed by Verdelho and Bual, with Malmsey being the sweetest. However, despite being labeled as “sweet”, these wines are drier than you might think and can actually pair nicely with savory foods, such as cheeses, wild game and nuts, as well as, if not better than, desserts. 

After the fortification, the wine is subjected to high temperatures in either a heated, concrete vat (an estufa) for several months or through prolonged storage in oak casks in naturally warm rooms (canteiros) over several years, recreating the conditions found when the wine was shipped over lengthy distances. Given the slow and steady process, the Canteiro method is considered to be of higher quality and thus generally reserved for the Sercial, Verdelho, Bual and Malmsey grapes, while Tinta Negra Mole are most often heated in Estufagem. A minimum of 85% of the grapes must be from the named grape variety if it is stated on the label. 

With its ability to withstand the heat, Madeira would do well in the sans-refrigerator environment of the desert island. For those of us on Manhattan island (hot right now, but fortunately, not under desert conditions) as well as elsewhere in the United States, Madeira is a perfect wine to enjoy now. And, as some of my colleague, Rebecca Chapa, has pointed out, it is timely too, as George Washington toasted the first Independence Day back in 1776 with a glass of Madeira. 

A June tasting, sponsored by the Madeira Wine, Embroidery and Handcraft Institute (IVBAM), showcased some of the top Madeira producers, including Blandy’s, Broadbent, Henriques & Henriques, Justino’s, Pereira d’Oliveira and Vinhos Barbeito. Here are a few tasting notes from that event: 

Henriques & Henriques 10 Years Old Verdelho, Portugal
Dating back to 1850, Henriques & Henriques is the largest independent producer and shipper of Madeira. Medium mahoghany in color with aromas of honey, burnt orange and oxidation, this wine is off-dry with rich flavors of orange peel, honey and raisin that linger in its long length.  

Vinhos Berbeito Historic Series Malmsey New York Special Reserve, Portugal
Established in 1946 by Mario Barbeito, this Madeira producer has a shorter history than many other firms, but has created an historic series based on the styles of wine preferred by various colonial cities. Colonial New Yorkers preferred a richer style of wine compared to their colleagues in Charleston and Savannah, with coffee, toffee and raisin notes on the nose and medium-sweet palate, culminating in long length. 

Broadbent Madeira Malmsey 10 Years Old, Portugal
Bartholemew Broadbent imports Madeira wines under his own label. This sweet wine has aromas of burnt sugar, oxidation and dried oranges, with flavors of spice, dried fruits and dried herbs on the palate. 

D’Oliveira Reserve Sercial 1969, Portugal
A small producer, Pereira d’Oliveira is known for its large stocks of old and rare wines. This older vintage is still showing some color with notes of burnt sugar and honey. It is dry with oxidized notes, honey and spice on the palate. 

Blandy’s Madeira Vintage Bual 1968, Portugal
Blandy’s was named for a soldier who landed on Madeira in 1808 and eventually settled on the island as a general trader in 1811.  This vintage wine is pale in color, but still shows hues of mahoghany. The nose is rich and deep with notes of caramel and burnt sugar. On the palate, it is medium-sweet, with a hint of oxidation, caramel, burnt orange and treacle flavors that persist.