New Wines from Old Vines – Ravenswood’s Single-vineyard Zins

“There’s a lot of Zin’ because that’s what I do.” So began Joel Peterson, founder and winemaker of Ravenswood, as he welcomed us to dinner at Blue Hill in mid-June. Concerned that one might jump to the conclusion that these are monster wines, Peterson was quick to describe his Zins as being “in proportion” with “lovely character”. He further advised that he grew up drinking European wines, which informs his winemaking to this day. The winemaker also insists that Zinfandel is expressive with regard to terroir. And, in that vein, he proceeded to show us his single-vineyard Zinfandels from low yielding, old vines as proof.

A founding member of ZAP (Zinfandel Advocates and Producers), Peterson is intimately familiar with Zinfandel’s history. As modern DNA analysis has shown, the variety dates back to Croatia as a descendent of Crljenak Kaštelanski (I don’t know how to pronounce it either). However, Zinfandel arrived on America’s shores in 1824, landing first in the Ravenswood section of Queens then making its way to California in the 1850s. By 1884, there were 30,000 acres planted there.

Yet despite this heritage, Peterson’s choice of company name is unrelated and simply coincidence. Rather, in 1976, when Peterson harvested his first crop of grapes, it began to rain. He hastened to pick all the grapes before the precipitation could ruin them and noticed during his work that two, large ravens watched him throughout the entire day. These black birds became his totem and, along with an operatic connection to Lucia di Lammermoor, an opera he favors, cemented the moniker. With its purported hypnotic design, the three entwined birds of his logo have become a much-requested tattoo.

Although he initially began his career in clinical research, Peterson was drawn to winemaking, serving first as an apprentice and then obtaining money to go out on his own. And, while many adults might credit their parents for sparking their curiosity in wine, few children can say that their arrival was the catalyst for a similar pursuit by their parents. Peterson can say both – that his parents influenced his interest in wine and that he is partly responsible for them ever getting involved in wine in the first place.

When Joel was born in 1947, his mother, a nuclear chemist, chose to leave the workforce and become a stay-at-home mom. Spending time in the kitchen instead of the laboratory, she taught herself to cook. Among her food-related reading, she noted that the French drank wine with their meals, a novel concept in U.S. culture at the time. Intrigued, she set out to buy a bottle of French wine for Thanksgiving; it took two weeks to find one in California, but her search was rewarded with a bottle of 1945 Châteauneuf-du-Pape. The next purchase was a mixed case, which cost $15.00 and included Haut Brion and Château d’Yquem.

From this simple introduction, Joel’s dad went on to found the San Francisco Wine Sampling Club (now known as the San Francisco Vintners Club) and called upon his 10-year old son to smell, taste (and spit) the wines in order to identify simpler terms for describing the wines in his newsletter. To this day, Peterson says, “You can tell everything about a wine just by smelling.” Joel’s more formal education includes a degree in microbiology from Oregon State University.

Given his exposure to French wines, Peterson selected Zinfandel as his grape of choice because, to him, it was the most European variety in California at the time. While the Ravenswood Vintner’s Blend is much better known, Peterson actually began crafting single-vineyard designated wines from Sonoma County with that first, rainy vintage. His current range includes six, single-vineyard designated wines.

Having commented that he, “…like[d] acid and tannin; these are my friends,” during dinner, it was not surprising that both were evident as we tasted through the wines.

The Dickerson Vineyard, in Napa Valley, dates to 1920. Infected with the leaf-roll virus, the vines do not photosynthesize well, which leads to higher acidity in the grapes and the resulting wines. The 2008 is angular with bright red fruit.

Situated at the south end of the Alexander Valley, Big River Vineyard is comprised of volcanic soil. The wines it produces are “perfume-y and pretty” and the 2008 was no different with its elegance and long length.

Owned by the Belloni family, Ricardo (now deceased) used to make wine from his own grapes as well as sell them until he tasted Joel’s Belloni Zinfandel, feeling that the grapes were better in Joel’s hands than his own. Referred to as a “big bruiser” by Peterson, this Zinfandel is co-fermented as a field blend with Alicante Bouschet, Carignane and Petite Sirah. The 2008 showed rich, jammy fruit with soft tannins.

Named for BARbara and PatRICA, the Barrica Vineyard is located in the Sonoma Valley appellation. Originally established in 1860, this historic vineyard was owned by George Hearst, father of William Randolph Hearst, and, in 1885, was the first vineyard in California to be planted on American rootstock. The 2008 displays distinct structure and weight with blueberry, vanilla and floral aromas.

The certified organic, Old Hill Ranch was the first non-Mission vineyard and contains roughly half Zinfandel and half “mixed blacks,” some of which that have yet to be identified. The wine itself is composed of 75% Zinfandel and 25% mixed blacks and is the spiciest of the 2008 line up.

From Sonoma’s Dry Creek Valley, Teldeschi’s vines include Zinfandel, Carignane and Petite Sirah, which are fermented separately. Peterson described this wine as “big,” “beautiful” and with “rich cherry and vanilla.” In addition to the usual bramble fruit, the 2008 had smoky aromas along with dried herbs.

Shifting attention somewhat away from Zinfandel toward the end of the night, Peterson presented us with two more wines –the ICON Mixed Blacks, a field blend of Zinfandel, Petite Sirah, Carignane and Alicante Bouschet and his proprietary red blend, Pickberry Red.

The former is the “once and future wine of California” representing grape varieties that were planted prior to 1920, while the latter, from Sonoma Mountain, is a Bordeaux-style wine. The 2007 Pickberry is a blend of 58% Merlot and 42% Cabernet Sauvignon, without the usual Cabernet Franc he usually adds, due to vintage conditions.

Regardless of which vineyard’s grapes were in the glass, none of the wines had what Peterson refers to as the “three sins of Zin – too much sugar, alcohol and/or oak.” They were all beautifully balanced and did, indeed express the individual terroirs.

Grand Cru Grapevine: Everything Old is New Again – South African Wines (August 2011)

With its 350 years of winemaking history, South Africa should qualify as an “old” wine region. However, after years of decline and isolation during apartheid, the country is relatively new to the modern wine world having only been on the world stage for two decades.

Initially set up as a way-station for Dutch East India ships bound for Asia in search of spices and other exotic goods, the Cape Colony was established in 1652, with vineyards planted in Cape Town as early as 1655. By the mid-1700s, South Africa’s wines, particularly the famed Constantia, were the toast of Europe fetching high prices at auction and sought after by emperors and kings. But, the triple threat of oidium (vine disease), phylloxera (vine louse) and the Suez canal decimated the industry. While the KWV, established in 1918, helped to stabilize grape prices, the emphasis was on quantity, not quality. Moreover, despite the development of its Wine of Origin scheme, which shifted attention toward integrity in 1973, the boycott of South African products during the period of apartheid severely limited the market for their wines.

Then, beginning in 1990 with the release of Nelson Mandela, the repeal of apartheid lifted the ban and South African wine producers found themselves in the world market once again. Beyond providing new places to sell their wines, exposure to other wine regions presented the opportunity to learn new winemaking techniques, which they readily did. Today, South African wines garner international acclaim, taking home gold medals in competitions and even landing on Wine Spectator’s Top 100 Wines List.

South Africa’s emblematic grapes are Chenin Blanc and Pinotage. The former has lived a bit of a Cinderella story, beginning life as a workhorse grape and then becoming recognized for the high quality it can produce when treated properly. Ken Forrester has been a champion of the grape and produces four different Chenin Blanc wines. Pinotage is uniquely South African having been developed there in 1925 as the offspring of Pinot Noir and Cinsaut (then called Hermitage). This grape has a notorious reputation, with most winemakers stating a distinct love or hate for it. Depending upon with whom you speak, it is either capable of great depth and concentration when planted in the right places (Anthony Hamilton Russell of Hamilton Russell Vineyards) or should be dismissed altogether (Gyles Webb of Thelema).

Moving outside the established wine regions of Constantia, Stellenbosch and Paarl, winemakers are searching out new areas for planting vines. Charles Back of Fairview is the revolutionary credited with the colonization of Swartland. This rugged region located only one hour north of Cape Town offers up a diversity of soils, but regardless of the type, all of them permit dry farming (non-irrigated). Further, several older vineyards of Chenin Blanc and Pinotage have shown great potential here, as have warm climate grapes such as Spain’s Tempranillo and France’s Grenache and Mourvèdre.

Winemakers looking for cooler climates have traveled south to the coast. Hamilton Russell’s father, Tim, gravitated to the clay-rich soils of Hemel-en-Aarde near Walker Bay for Pinot Noir and Chardonnay. Similarly, Gyles Webb found Elgin, previously known for its apple orchards, to be a suitable area for Sauvignon Blanc, Chardonnay (and his pocket-book due its lower real estate prices).

Among other new initiatives, South Africa has been on the forefront of land preservation and biodiversity promotion. To that end, it instituted a new seal with the 2010 vintage that merges its Integrity with its Sustainability programs. Additionally, South Africa has more fair trade wines than any other country.

As abandoned estates are purchased, vineyards renewed and cellars rebuilt, South Africa is poised for continued success as it re-establishes its reputation as a fine wine producer. And, with Klein Constantia’s Vin de Constance – a re-introduction of the famed Constantia wines, truly everything old is new again.

TASTING NOTES

Sutherland, Sauvignon Blanc 2008, Elgin, South Africa, $15.00
From an up-and-coming cool climate region and Gyles Webb’s new label, this wine is dry, with bright grapefruit, slight grass and a hint of minerality. Lacking the pungency of a New Zealand Sauvignon Blanc, it is more fruit focused with racy acidity.

Ken Forrester Chenin Blanc 2010, Stellenbosch, South Africa, $14.00
The Reserve range of Ken’s three tiers of Chenin Blanc, this wine is produced from hand-harvested fruit picked from 37 year-old vines. Baked apple, honey and citrus aromas persist on the rich, round palate and throughout the wine’s long length.

Russell Hamilton Vineyards, Pinot Noir 2007, Hemel-en-Aarde, South Africa, $40.00
Acknowledged as the pioneer of South Africa’s Pinot Noir, Russell Hamilton is producing worldclass wines as evidenced by this wine’s appearance on Wine Spectator’s list of the top 100 wines for 2009. The nose greets with savory, dried herb notes, which give way to earth and herbal flavors on the complex palate, culminating in long length.

Nederberg, Ingenuity Red 2008, Western Cape, South Africa, $NA
Produced from a blend of Sangiovese, Barbera and Nebbiolo, Nederberg planted these Italian red varieties to see how they would do and then aged the wine in older Romanian oak. The result is a wine with aromas and flavors of spice, wood and berry/cherry. Medium tannins provide some structure, but don’t overwhelm the palate.

Xavier Flouret, uQamata 2007, Polkadraai Hills, South Africa, $20.00
A collaboration between Xavier Flouret and Amani winery, which boasts the first female black winemaker in South Africa, this Bordeaux-style blend includes Cabernet Franc, Merlot, Malbec, Petit Verdot and Cabernet Savignon. Aromas of berries, smoke and spice dominate the nose while the palate shows blackberry, slight herbaceousness and spices that linger throughout the long length.

The Torrontés Project

Argentina has distinguished itself with not just one, but two signature grape varieties – Malbec and Torrontés. The latter is primarily grown in northern Argentina, with the Cafayate appellation, within the province of Salta, being among the most highly regarded area for production. Generally planted at high altitudes in the Andes Mountains, the grapes receive full sun during the day, while the cooler nights permit the grapes to retain vibrant acidity. Highly aromatic, these fresh, unoaked whites offer floral and fruit aromas that pair well with lightly-spiced Asian cuisine, summer salads and fish.

A blind tasting, affectionately referred to as the Torrontés Project, placed the Terrazas de los Andes Reserva Torrontés 2010 (SRP $15.00) in the company of Xavier Flouret Flaca 2009 (SRP $16.00). Despite being from the same appellation and having been produced in a similar method (stainless steel fermentation), the two wines displayed marked differences.

The Flaca had pronounced floral, spice and tropical fruit notes on the nose, which persisted on the palate. With its medium+ acidity and medium+ body, the wine was bold, but balanced.

The Terrazas wine was paler in color, with less overt aromas consisting of floral and peach, coupled with candied citrus on the palate. Higher in acidity and slightly lighter in body, this wine was more restrained.

Aromatically Yours

Viognier – pronounced Vee-own-yay – is primarily associated with France’s northern Rhône Valley and to a lesser extent with Rhône-style wines of Australia. However, this grape is starting to get around.

Case in point, the Galil Mountain Winery Viognier 2009 (SRP: $15.00) from Israel’s Upper Galilee, situated at one of the country’s highest elevations – 3,280 feet above sea level. Located in northern Israel, near the borders of Lebanon and Syria, the Gaililee area, which also includes the Golan Heights, is generally regarded as Israel’s best wine producing region. Galil Mountain Winery was established in 2000 and is the sister winery to Golan Heights Winery, which was named best wine producer of the year at VinItaly in 2011.

Galil Mountain’s Viognier was classic in nature, showing floral, apricot and tangerine. While dry on the palate, it had rich fruit flavors of apricot, peach pit and spice. Not surprisingly, it was fuller-bodied than the Sauvignon Blanc. Although 40% of the wine had been barrel fermented in new French oak, the oak was not prominent on the nose or palate.

The Viognier was tasted with another equally aromatic grape, Sauvignon Blanc, from the North Fork of Long Island, representing interests closer to home. Sauvignon Blanc is probably most closely associated with New Zealand, but it is actually from France’s Bordeaux and Loire Valley regions, the former of which has a climate very similar to Long Island.

Produced from fruit from Long Island’s vaunted 2010 vintage, the Katherine’s Field Sauvignon Blanc from Macari Vineyards (SRP $23.00) possessed citrus, pith and mineral notes on the nose. The ripe vintage displayed itself on the palate with pineapple and continued minerality, along with vibrant acidity. The wine was released in early May with only 883 cases produced.

Both were welcome guests at the table when brought to a friend’s Hampton’s house in early July.

A Fresh Look at Frascati

Fontana Candida's winemaker, Mauro Merz

Long the ambassador for Italian wines, Frascati adopted a low profile as a light-bodied quaffer – easy to drink, but just as easily dismissed. However, when the focus shifts to providing a product that is, above and beyond, authentic and of the highest quality, this is a wine that can also offer a refreshing surprise.

Named for the town of Frascati within Lazio and proximate to Rome, the Frascati DOC was the first one established back in 1966. This traditional wine is a white blend comprised primarily of Malvasia de Lazio and/or Malvasia di Candia, along with Trebbiano Toscano, Trebbiano Gialla, Greco, Bombino (and somewhat more controversial, up to 10% of aromatic, international varieties, ie. Riesling, Sauvignon Blanc).

The leader in this region, Fontana Candida, believes that wine must bring joy; be made naturally; and be an expression of its place. With this philosophy in mind, the company continues to work on improving brand Frascati for both itself and the region at large. To that end, they hired an agronomist and offered his services free of charge to the local growers – small, family farms.

While the motive was admittedly selfish — they wanted to source better fruit — growers who bought into these changes have reaped the rewards of Fontana Candida’s largesse. Not only did they receive the free consultation, but now also earn significantly more for their grapes when selling to Fontana Candida. Moreover, at a time when the delimited area is shrinking due to Rome’s urbanization projects and an overall decline in grape prices, Fontana Candida has committed to maintaining its higher prices, paying up to 40% over the base in incentives.

The resulting wines show off the quality of vineyard work coupled with the true expression of tradition and terroir. The flagship Fontana Candida Frascati Superiore DOC (SRP $10.00) is fresh and fruity, but with the weight to stand up to food. And, of particular interest, they are capable of aging.

No really. A mini-vertical of their Vigneto Santa Teresa Frascati Superiore 1997, 2001 and 2004 wines proved the point in spades. Winemaker Mauro Merz stresses that the wines will not necessarily improve with time, they will evolve and last. With a certain gravitas, these wines displayed both elegance and depth. Whereas the young wine displayed fresher notes of green apple and a slightly savory aspect, the older wines showed honey, bruised fruit (pear and apple) and dried herbs. The most mature (1997) showed signs of age with a slightly oxidative character on the nose, but was still enjoyable with its palate cleaner than its nose.

Equally delightful were the producer’s Luna Mater wines (SRP $23.00). First produced in 2008 in celebration of Fontana Candida’s 50th anniversary, the wine is made with select lots from older vines averaging 50 years and aged in large Acacia wood casks (which was selected for its ability to bring out the best characteristics of Malvasia grape). However, the intention is not to dominate the wine with wood. Rather, the aging extracts the wood tannins, lending structure and longevity to the finished wines, the former of which was evident upon tasting these wines as were aromas and flavors of pear and almond.

With its motto “Quality above all,” it is clear that Fontana Candida is producing wines of depth, elegance and richness that can be enjoyed in their youth as well as their more golden years. Either way, the wines offered a fresh look at old faithful Frascati.

Navarra: Ancient Kingdom of Modern Wines

Our mother made the pimentos, she tells us. Seemingly in the middle of nowhere, we sit outside under the shade of an arbor on a sun-filled summer’s day. An enormous feast is suddenly set before us – salad, sausages, tortillas, jamon, pimentos, cheese, while bottles of wine, tasted earlier at the Ochoa winery, stand at attention, ready to poured. We are joined by Adrianna, Beatriz and Pablo and are treated like dear old friends of the family.

A few days later, a modern box suspended high above the vineyards serves as the site for lunch. Javier points out the Otazu winery and other buildings on the estate from this vantage point. Juxtaposed, the two scenes seem unlinked, but, in fact, they are indicative of Navarra’s dichotomy of old and new co-existing throughout the region.

Two wolves adorn the Ochoa crest, the Basque word for which is ochoa. The family can trace its winemaking roots to a document dated 1370 in which Queen Juana (Carlos II’s wife) orders payment to wine merchant, Ochoa de Ayanz. Several towns away, in Ujué, a mural in a Romanesque church features a similar crest, almost as further evidence of the Ochoa heritage. Stretching back farther to the Romans, Navarra has been at the crossroads of many cultures for centuries. At Villa Romana de Arellano, the dolias unearthed by a farmer show that wine was an important product from the very beginning.

More currently, Ochoa has played a pivotal role in Navarra’s wine industry with Javier Ochoa’s role in establishing EVENA (Navarra Viticulture and Oenology Station). Continuing the family’s winemaking legacy, daughter Adriana recently took over as head winemaker and sister, Beatriz, handles marketing and sales. Reflective of Navarra’s international outlook, Adriana studied viticulture and enology in Bordeaux, France and worked the harvest in Australia before taking the reins from dad.

This duality of tradition and modernity can be seen over and over again in different forms. When we arrive, the town of Puente la Reina is bustling with activity – people sit outside in cafes and bars enjoying tapas and other treats in the summer’s afternoon. A veritable tower of Babel, a mix of languages and accents are heard as we catch snippets of conversations when we pass by. The year is 2011, but we would have found a nearly identical scene had it been 1211. Situated along the Camino de Santiago, Puente la Reina, in the heart of Navarra, is just one of the many towns that were built to provide the pilgrims with food and shelter as they made their way to Santiago de Campostela, bringing their customs and cultures as they passed through.

Further down the road, the well-worn and well-signed path snakes its way past a medieval castle at Castillo Monjardin. The castle and its eponymous winery are presided over by Sonia and her husband, Victor. While not part of Spain’s monarchy, there is a royal air about the place, which recalls Navarra’s history as a separate kingdom (maintaining its independence until it succumbed to the Castilian empire in 1512).  Planted to Chardonnay, Tempranillo, Cabernet Sauvignon and Merlot, their vineyards underscore Navarra’s link to France. In fact, the Compte de Champagne, Theobald, also held the title of King of Navarra.

Similarly, at Otazu, Javier leads us through the ancient cellars, stopping to point out an alter that dates to the 14th century. After walking the long corridor, we turn to our right and are confronted by a set of glass doors that serve as the entrance to the new barrel room. Though just steps away, we are suddenly transported seven centuries to what is best described as a modern temple truly dedicated to Bacchus, with 1,000+ French oak barrels resting under the vaulted ceiling.

Nearby, St. Martin de Unx’s winemaker proudly professes the winery’s commitment to Spanish varieties: Garnacha, Tempranillo and Viura. While the co-op sticks to traditional grapes, it is experimenting with Navarran oak, grown in local forests, and, as he is quick to point out, are the only ones to be conducting such trials, another point of pride. In a nod to the future, the winery also created a semi-sweet rosé to appeal to the younger generation of Spaniards who crave Coke® instead of wine.

Testing is also alive and well at Inurrieta, which planted Sauvignon Blanc before it became an authorized grape for the DO. Now, its two Sauvignon Blancs garner critical acclaim.

Produced from both native and international grape varieties, Navarra’s wines speak to the history and tradition of the region, while making room for what is to come. However, what is most striking about these wines is their quality. In tasting one after another, there was concentration, complexity and beautiful balance. Even more amazing, when inquiring about retail prices, most wines fall under $20.00, with quite a few under $15.00.

With its long tenure of winemaking, international influences and openness to trying new things, Navarra’s wineries remain true to this heritage. What the future holds for Navarra is anyone’s guess, but it is sure to be focused on innovation, while being strongly anchored in the region’s culturally diverse past.

 

Tasting Notes

Inurrieta Orchidea Sauvignon Blanc 2010, Navarra, Spain, $10.00
While Sauvignon Blanc is newly authorized for the region, Inurrieta produces two, with the Orchidea its unwooded venture with this grape. Aromas of citrus and tropical fruit give way to high acidity, citrus, especially grapefruit, with a slight floral note. The sur lie treatment adds some roundness to the palate, which culminates in medium+ length.

Castillo de Monjardin Chardonnay Reserva 2007, Navarra, Spain, $19.00
Castillo de Monjardin is the only one producing a Reserva-level Chardonnay. Having been barrel fermented and aged in French oak, this wine provides notes of apple, spice, butterscotch and vanilla on the nose. Its palate is full-bodied with apple, lime, spice and slight oak flavors. Overall, this wine is complex, bright and creamy, with long length.

Ochoa Rosado Lágrima 2010, Navarra, Spain, $11.00
Navarra is well-known for its rosés (aka rosados) and with good reason. The more “serious” of Ochoa’s rosés, the Lágrima is comprised of 50% each of Garnacha and Cabernet Sauvignon, with deep pink hue. Floral and berry aromas persist on the palate, along with depth and structure due to the wine’s slight tannic grip, herbal character and long length.

Senorio de Unx Reserva 2004, Navarra, Spain, $20.00
Produced from 90% Tempranillo and 10% Garnarcha, the Reserva spent 15 months in a combination of French and American oak. The nose offers dried herbs, floral, spice and raisin, while the palate emphasizes dried figs, red fruit and sweet spice. With its medium+ tannins, full body and long length, this wine could continue to age and develop with time.

Otazu Pago de Otazu 2006, Navarra, Spain, $32.00
The Pago designation, which supersedes the DOCa level, was added to Spain’s wine laws in 2006 and is only awarded to very best estates (to date, there are only 10 Vinos de Pago throughout all of Spain). A blend of 90% Cabernet Sauvignon and 10% Tempranillo, this wine displays wet earth, dried herbs, red fruit and cinnamon on the nose. The full-bodied palate has medium+ acidity, medium tannins with notes of red fruit and earth, which linger in the long length.

Grand Cru Grapevine: Navarra – Ancient Kingdom of Modern Wines (July 2011)

With summer in full swing, we hope you are taking advantage of the great weather and having fun!

While there are many fun activities taking place on the East End this season, consider attending the James Beard Foundation’s annual Chefs and Champagne. This star-studded event raises money for the foundation’s scholarships and will honor Emeril Lagasse. Featuring food from top toques (the chefs) and Nicolas Feuillatte Champagne, this gala celebration takes place at Wölffer Estate on Saturday, July 23, 2011. For more information, see the James Beard website.

Also, mark your calendar for the second annual HARVEST: Wine Auction and Celebration of Long Island’s East End, which will take place on September 17, 2011. Leading up to the big event, wine salons will be offered on September 3, 10 and 17, with Grand Cru Classes presenting a special Mad about Merlot session on September 10 at 11:00 AM.

Do chocolate and wine pair well together? Some say yes, some say no way! Settle the debate with our wine and chocolate tasting event on August 14. Roxanne Browning of Exotic Chocolate Tasting will share the world of artisanal chocolate from bean to bar, while Tracy will focus on the world of wine, with a delicious line-up of wines carefully selected to pair with Roxanne’s chocolates. Visit our website to sign up for this and all other classes.

Finally, we are also pleased to announce the Grand Cru Classes was featured in the first edition of CRAVE New York City – The Urban Girl’s Manifesto, which profiles local, women-owned businesses.

Drink wisely and well,

Tracy Ellen Kamens, Ed.D., DWS, CWE
CEO: Chief Education Officer

and

Jared Michael Skolnick
COO: Cork Opening Officer

Navarra: Ancient Kingdom of Modern Wines

Our mother made the pimentos, she tells us. Seemingly in the middle of nowhere, we sit outside under the shade of an arbor on a sun-filled summer’s day. An enormous feast is suddenly set before us – salad, sausages, tortillas, jamon, pimentos, cheese, while bottles of wine, tasted earlier at the Ochoa winery, stand at attention, ready to poured. We are joined by Adrianna, Beatriz and Pablo and are treated like dear old friends of the family.

A few days later, a modern box suspended high above the vineyards serves as the site for lunch. Javier points out the Otazu winery and other buildings on the estate from this vantage point. Juxtaposed, the two scenes seem unlinked, but, in fact, they are indicative of Navarra’s dichotomy of old and new co-existing throughout the region.

Two wolves adorn the Ochoa crest, the Basque word for which is ochoa. The family can trace its winemaking roots to a document dated 1370 in which Queen Juana (Carlos II’s wife) orders payment to wine merchant, Ochoa de Ayanz. Several towns away, in Ujué, a mural in a Romanesque church features a similar crest, almost as further evidence of the Ochoa heritage. Stretching back farther to the Romans, Navarra has been at the crossroads of many cultures for centuries. At Villa Romana de Arellano, the dolias unearthed by a farmer show that wine was an important product from the very beginning.

More currently, Ochoa has played a pivotal role in Navarra’s wine industry with Javier Ochoa’s role in establishing EVENA (Navarra Viticulture and Oenology Station). Continuing the family’s winemaking legacy, daughter Adriana recently took over as head winemaker and sister, Beatriz, handles marketing and sales. Reflective of Navarra’s international outlook, Adriana studied viticulture and enology in Bordeaux, France and worked the harvest in Australia before taking the reins from dad.

This duality of tradition and modernity can be seen over and over again in different forms. When we arrive, the town of Puente la Reina is bustling with activity – people sit outside in cafes and bars enjoying tapas and other treats in the summer’s afternoon. A veritable tower of Babel, a mix of languages and accents are heard as we catch snippets of conversations when we pass by. The year is 2011, but we would have found a nearly identical scene had it been 1211. Situated along the Camino de Santiago, Puente la Reina, in the heart of Navarra, is just one of the many towns that were built to provide the pilgrims with food and shelter as they made their way to Santiago de Campostela, bringing their customs and cultures as they passed through.

Further down the road, the well-worn and well-signed path snakes its way past a medieval castle at Castillo Monjardin. The castle and its eponymous winery are presided over by Sonia and her husband, Victor. While not part of Spain’s monarchy, there is a royal air about the place, which recalls Navarra’s history as a separate kingdom (maintaining its independence until it succumbed to the Castilian empire in 1512). Planted to Chardonnay, Tempranillo, Cabernet Sauvignon and Merlot, their vineyards underscore Navarra’s link to France. In fact, the Compte de Champagne, Theobald, also held the title of King of Navarra.

Similarly, at Otazu, Javier leads us through the ancient cellars, stopping to point out an alter that dates to the 14th century. After walking the long corridor, we turn to our right and are confronted by a set of glass doors that serve as the entrance to the new barrel room. Though just steps away, we are suddenly transported seven centuries to what is best described as a modern temple truly dedicated to Bacchus, with 1,000+ French oak barrels resting under the vaulted ceiling.

Nearby, St. Martin de Unx’s winemaker proudly professes the winery’s commitment to Spanish varieties: Garnacha, Tempranillo and Viura. While the co-op sticks to traditional grapes, it is experimenting with Navarran oak, grown in local forests, and, as he is quick to point out, are the only ones to be conducting such trials, another point of pride. Testing is also alive and well at Inurrieta, which planted Sauvignon Blanc before it became an authorized grape for the DO. Now, its two Sauvignon Blancs garner critical acclaim.

Produced from both native and international grape varieties, Navarra’s wines speak to the history and tradition of the region, while making room for what is to come. However, what is most striking about these wines is their quality. In tasting one after another, there was concentration, complexity and beautiful balance. Even more amazing, when inquiring about retail prices, most wines fall under $20.00, with quite a few under $15.00.

With its long tenure of winemaking, international influences and openness to trying new things, Navarra’s wineries remain true to this heritage. What the future holds for Navarra is anyone’s guess, but it is sure to be focused on innovation, while being strongly anchored in the region’s culturally diverse past.

 

Tasting Notes

Inurrieta Orchidea Sauvignon Blanc 2010, Navarra, Spain, $10.00
While Sauvignon Blanc is newly authorized for the region, Inurrieta produces two, with the Orchidea its unwooded venture with this grape. Aromas of citrus and tropical fruit give way to high acidity, citrus, especially grapefruit, with a slight floral note. The sur lie treatment adds some roundness to the palate, which culminates in medium+ length.

Castillo de Monjardin Chardonnay Reserva 2007, Navarra, Spain, $19.00
Castillo de Monjardin is the only one producing a Reserva-level Chardonnay. Having been barrel fermented and aged in French oak, this wine provides notes of apple, spice, butterscotch and vanilla on the nose. Its palate is full-bodied with apple, lime, spice and slight oak flavors. Overall, this wine is complex, bright and creamy, with long length.

Ochoa Rosado Lágrima 2010, Navarra, Spain, $11.00
Navarra is well-known for its rosés (aka rosados) and with good reason. The more “serious” of Ochoa’s rosés, the Lágrima is comprised of 50% each of Garnacha and Cabernet Sauvignon, with deep pink hue. Floral and berry aromas persist on the palate, along with depth and structure due to the wine’s slight tannic grip, herbal character and long length.

Senorio de Unx Reserva 2004, Navarra, Spain, $20.00
Produced from 90% Tempranillo and 10% Garnarcha, the Reserva spent 15 months in a combination of French and American oak. The nose offers dried herbs, floral, spice and raisin, while the palate emphasizes dried figs, red fruit and sweet spice. With its medium+ tannins, full body and long length, this wine could continue to age and develop with time.

Otazu Pago de Otazu 2006, Navarra, Spain, $32.00
The Pago designation, which supersedes the DOCa level, was added to Spain’s wine laws in 2006 and is only awarded to very best estates (to date, there are only 10 Vinos de Pago throughout all of Spain). A blend of 90% Cabernet Sauvignon and 10% Tempranillo, this wine displays wet earth, dried herbs, red fruit and cinnamon on the nose. The full-bodied palate has medium+ acidity, medium tannins with notes of red fruit and earth, which linger in the long length.

Everything’s Coming Up (Sparkling) Rosés

In a bold move (and equally bold attire – a pink shirt and gold tie), Hugh Davies, owner of Napa’s Schramsberg Vineyards, challenged some sharp palates to blind taste his J. Schram Rosé 2000 (SRP $130.00) against some of the best rosé Champagnes. The J. Schram Rosé 2000 is a blend of 75% Chardonnay and 25% Pinot Noir, with grapes sourced from Napa, Mendocino, Sonoma, Monterey and Marin Counties and aged on its lees for seven years.

Confident that his wine would show well, tasters were given six flutes filled with varying shades of pink bubbles and asked to rank the wines from 1 to 6 (with 1 being their favorite). None of the tasters knew the identity of the other wines as they set off on their tasting journey.

Once the wines had been tasted and scored, the scores were tallied before the identities were revealed. The verdict? Collectively, the group chose the J. Scram 2000 as their favorite, with the Louis Roederer Cristal 2002 in 2nd place, followed by Perrier-Jouet 2002. My personal picks varied a bit, placing the Cristal first, the Perrier-Jouet second and the J. Schram in third place. I found the former two to be lighter and more delicate, but did still enjoy the J. Schram a lot.

The second flight of wines permitted attendees to taste through the J. Schram in various stages and from different vintages. More specifically, the 2009 pre-bottled, base blend of 85% Chardonnay and 15% Pinot Noir was compared with the post-bottle version. The wine has nicer qualities, but appeared young and disjointed given its incomplete stage. A 2006 J. Schram showed how, in time, the wine would become more integrated, while a comparison of the 2003 J. Schram – a natural sparkling version vs. the finished wine – provided a glimpse into the wine’s further development, with less fruit on the nose and more complexity on the palate. To finish off the flight, the 1993 J. Schram offered a sample of the aging potential of this wine.

The final flight of the day paired several different Schramsberg wines with a delicious lunch, showing the food friendly nature of these wines.

~Blanc de Blancs 2006 – Salmon crepe
~Blanc de Noirs 2006 – Wild mushroom and rice cake
~Reserve 2001 – Lobster Choux
~J. Davies 2006 (a still wine blended from 79% Cabernet Sauvignon, 15% Malbec, 6% Petit Verdot) – Lamb Skewers
~Crémant Demi-Sec 2005 (produced from 88% Flora, a cross between Gewurztraminer and Semillon) – Ham

Two from the Clos

The vineyards of Clos de los Siete in Mendoza, Argentina, are the brainchild of Michel Rolland, flying winemaker, closely associated with Bordeaux. The ambitious project seeks to bring five owners together to create their own wines as well as a collaborative wine.

Although the project was launched in 1998 and the Clos de los Siete by Michel Rolland wine has been available since 2002, a new wine from the property recently made its debut—DiamAndes Gran Reserva. Owned by the Bonnie family of Bordeaux, France (and proprietors of Château Malartic Lagravière), the vineyards for Bodega DiamAndes were planted in 2005.

While the wines are produced from vines grown in close proximity, the foci of the winemakers are different. Whereas the Clos de los Siete by Michel Rolland is produced from a blend of Malbec, Merlot, Cabernet Sauvignon and Syrah, with actual percentages varying from vintage to vintage, the DiamAndes is heavily comprised of Malbec, seasoned with Cabernet Sauvignon.

I tasted these two wines side by side from the same vintage, 2007, as a way to compare and contrast the different blends from the same terroir.

The Clos de los Siete (48% Malbec, 28% Merlot, 12% Cabernet Sauvignon and 12% Syrah) was fruit forward in style with youthful notes of blueberries, vanilla, plum and slight wood. The full-bodied wine had medium+, but ripe, tannins and an overall ripe fruit/jammy appeal.

In comparison, the DiamAndes Gran Reserva, comprised of 70% Malbec, 30% Cabernet Sauvignon and aged in French oak (presumably new since the winery is new itself), was more elegant and austere. This wine showed some slight development on the nose along with more overt oak/wood aromas. Similarly full-bodied, but with dustier tannins, this wine offered flavors of dark plum, oak and vanilla. Despite the more obvious use of oak, this wine was beautifully balanced.

Although one style may appeal to someone’s palate more so than the other, I enjoyed them both for their differences.

In Support of Pinot

Winemaker David Rossi co-founded Fulcrum Wines with Christine Rossi. With a sharp focus on balance, David seeks to create wines that maintain a harmony among acidity, tannin and alcohol levels, use of oak and the expression of the fruit. Working out of a facility in Napa, CA, Pinot Noir grapes are sourced from the cooler climate AVAs of the state. Accordingly, the winery produces a range of Pinots, including several single vineyard wines.

The 2008 vintage offered a diversity of four wines, which were tasted in pairs, providing an opportunity to compare and contrast the different origins.

 

Fulcrum On Point Pinot Noir 2008, Santa Lucia Highlands, CA
Aromas: Blackcherry, cedar, earth/soil and cherry pie
Flavors: Deep blackcherry, earth and cloves
Structure: Medium+ acidity, medium+ body, very long length
An excellent wine, with aging potential.

Fulcrum Pinot Noir 2008, Anderson Valley, CA
Aromas: Plum, cherry, cinnamon, vanilla
Flavors: Cherry, cinnamon
Structure: Medium+ acidity, medium-bodied, long length.

The wines from Santa Lucia Highlands and Anderson Valley were tasted together. While both were very good wines, our preference was for the Santa Lucia Highlands wine (On Point Pinot Noir).

 

Fulcrum Caps Crown Vineyard Pinot Noir 2008, Sonoma Coast, CA
Aromas: Plum, earthy
Flavors: Raspberry and earth, the latter of which persists throughout the finish
Structure: Medium+ acidity, medium body, long length

Fulcrum Tina Marie Vineyard Pinot Noir 2008, Russian River Valley, CA
Aromas: Floral, berry
Flavors: Raspberry and herbal
Structure: Medium acidity, medium+ body, medium+ alcohol, long length

The Caps Crown and Tina Marie single vineyard wines were tasted together. The Caps Crown was more earthy and masculine while the Tina Marie was more floral and herbal and a bit more elegant despite its fuller body. However, both were wonderful wines.