Category Archives: Wine Industry

Building my strengths in the American Wine Society Wine Judging Training Program

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As an educator, it is important to recognize your strengths and weaknesses. While strong on wine knowledge, my blind tasting skills are my weakest area. Therefore, I enrolled in the American Wine Society (AWS)’s Wine Judging Training Program (WJTP) as a way to discipline myself to keep my skills sharp. Presently, this three- year program is only offered in conjunction with the society’s annual conference, held in various locales. I began the program in November 2009, with the conference held at the Grand Sandestin Resort in Destin, Florida.

In advance of the conference, program participants are provided with a required reading list, syllabus and learning objectives and are instructed to arrive prepared for an exam – written and practical. As to be expected, all instructors in the program are graduates of it themselves.

We spent the morning reviewing important aspects of a wine’s appearance, paying attention to clarity, color and depth, led by Ken Brewer. Ken also spent considerable time discussing wine judging in general and the characteristics of being a good wine judge. Above all is the need to be objective in your evaluation, regardless of whether you absolutely adore a wine or positively hate it. 

Next, Richard Ulsh, a chemistry professor at the University of Pittsburgh, spent considerable time explaining the nuts and bolts of our sense of smell. Given that evaluation of a wine is heavily focused on its nose for both aromas and flavors, understanding this process was especially helpful. Rich then shifted from how to what by explaining all of the various faults one might find in a given wine and the reason for their presence. Participants also had an opportunity to smell through a line up of wine glasses, each of which contained one of the aroma faults we had just reviewed.

For the last presentation of the morning, Betty Nettles led us through an insightful set of tasting exercises where we experienced various components both separate and then in tandem to see how they interacted with one another. More specifically, we tasted through multiple component flights — ethanol on its own in varying proportions; synergy of alcohol and sugar; synergy of alcohol and acidity; synergy of sugar and acidity; and the eynergy of sugar and tannin. The final flight illustrated how alcohol, acid, sugar and tannin can come together to create a balanced wine.

At the conclusion of the day, we were presented with five samples wines for which we were to write an evaluative note and assign a score based on the AWS 20-point scoring system. Our last assignment was to identify which, if any, faults or imbalances were present in 10 samples. After which, we were done with Year 1. The results were posted the next day (5 Passes, 1 Conditional and 6 Fails — this is not an easy program) and I was pleased to find that I had passed, ensuring my promotion to the second year.

I am now preparing for Year 2 of the program, which will be offered in Cincinnati this November. I will also present two sessions at the conference — one on Italian sparkling wines and another on South African wines.

Wine Shopping in NYC: Behind the scenes at Wine Portfolio

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Television show, Wine Portfolio, hosted by Owner/Executive Chef of Wild Fire Steakhouse and wine enthusiast, Jody Ness, takes people around the worlds of wine and food and around the world. As Jody says, “Life is my passion, people my inspiration, and wine my muse…Life is meant to be enjoyed, a great glass of wine is made to be shared, so we created Wine Portfiolio: The world of wine uncorked.”

Among Jody’s travels, an upcoming episode will feature the wide range of wine shopping choices available to shoppers in New York City, along with tips and tricks for all wine lovers on how to shop for wine. I was asked to join Jody and his team (Kevin Fox, Michelle Lin and Norm Ness), with segments filmed at three very different retail stores in Manhattan.

The first stop was Sherry-Lehmann, a 76-year-old store launched in the months just after that experiment gone wrong (aka Prohibition) was lifted. With nearly 7,000 different wines available, the store has both breadth and depth in its selection. Long-time strengths continue to be France, especially Bordeaux, Burgundy and Champagne. Our visit to Sherry-Lehmann was hosted by long-time friend and colleague, Robin Kelley-O’Connor, Sherry-Lehmann’s Director of Sales and Education. Robin shared a bottle of the Lafite Reserve Speciale 2006 (Medoc) from Baron Eric de Rothschild with us while we toured the store, a great bargain at under $20.00/bottle.

Heading downtown and a bit west, we arrived at Tom Geniesse’s Bottle Rocket. Tom was out of town on a much-deserved vacation and he left us in the capable hands of manager, Gary Itkin. Bottle Rocket’s unique approach to wine sales groups their carefully curated collection (365 bottles) by type (whites, reds, dessert), food categories (seafood, meat, take-out) and gifts (boss, friend, date), making it easy for a novice to pick out a wine with confidence. Jody was intrigued by Jam Jar Shiraz with its bottle designed to mimic a jar of jam, and treated us to a taste of this fruity, off-dry red before we departed for our third location.

To beat the heat, we took a taxi the few blocks necessary to get to Chelsea Market where we visited with David Hunter, general manager and wine buyer for Chelsea Wine Vault. A pioneer of the Market, Chelsea Wine Vault has been there since 1997. The store caters to a collection of tourists and locals alike, with wines arranged by country and region. All of the wines are selected by David who tastes hundreds of wines each month, in his search for the best set of wines for the store. Below the retail floor, a temperature-controlled storage facility, run as a separate venture, is available for customers to correctly store their wines.

After filming at all three stores, the team stopped for some lunch and then proceeded to the High Line for some final shots, including an interview with Jody and me.

All photos courtesy of Michelle Lin, Re:Source Media

 

 

Women in Winemaking: Simi & Franciscan

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When you were little, what did you want to be when you grew up? Not surprisingly, winemaker was probably not on your list. Similarly, while Janet Myers and Susan Lueker are now both successful Napa Valley winemakers, they each came to their craft by a circuitous route.

Janet grew up in Southern Illinois with a family fruit orchard and maternal grandparents from Italy, but her interest in grapes didn’t come until later. She studied biology in college and initially pursued anthropology. Janet eventually moved to London and, while waiting tables there, developed a love of wine. As her passion strengthened, she chose to study enology at UC Davis. 

Meanwhile, Susan studied chemistry when she first went away to school, but then changed her mind and majored in child development. After working with hospitalized children, which she found quite depressing, she decided to switch careers. Susan had always liked wine and her parents had met at UC Davis, so it seemed like a natural place to investigate. After a great meeting with one of Davis’ professors, Susan enrolled at the university. 

Arriving at the same decision around the same time, Susan and Janet found themselves as lab partners and became friends. Today, Janet is the head winemaker at Franciscan, a post she has held since 2005, while Susan is at Simi, where she has been for the past 10 years.

A recent “Women in Winemaking” dinner featured both winemakers and their wines at the Crosby Hotel in New York. During the reception, guests had the opportunity to taste Simi’s Sauvignon Blanc and Franciscan’s Napa Valley Chardonnay as well as two red wines. Moving to the dining room, additional wines were paired with dinner.

Simi Chardonnay 2007, Russian River Valley, CA
This wine was made from 20-year old vines planted by Zelma Long. It showed butter, apple and citrus aromas on the nose owing to partial malolactic fermentation and ageing in G. Ferrer barrels. Dry and full-bodied on the palate, its flavors included apple, oak, nuts and vanilla.

Franciscan Cuvée Sauvage Chardonnay 2007, Carneros, CA
Named for the use of ambient/wild yeast used, this wine takes twice as long to ferment and Franciscan was the first producer in Napa to bottle a wild ferment wine. This wine has aromas and flavors of oak, yeast and green apple and spice, which can be attributed to the wild yeast, barrel fermentation and lees stirring.

Simi Landslide Vineyard 2006, Alexander Valley, CA
The 290 acre (180 of which are planted) Landslide Vineyard was planted in the mid1980s by Zelma Long and has three different elevations, each of which delivers a unique quality to the grapes. The lowest elevation results in ripe character and softer tannins, while the highest provides vibrant, vivacious fruit. A blend of 85% Cabernet Sauvignon, the remainder made up of the other four Bordeaux varieties, floral, blackberry smoke and cherry aromas greet the nose. A full-bodied palate shows notes of blackcherry, spice, vanilla, oak and smoke. 

Franciscan Magnificat Red Wine 2006, Napa Valley, CA
One of the first Meritage blends, Magnificat was named for Bach’s piece, which was written for five voices. Franciscan has been making this wine since 1984, varying the blend each vintage. Janet noted that, “By varying the blend, we can be more true to the personality of the blend.” The 2006 is produced from 56% Cabernet Sauvignon, 40% Merlot, 3% Malbec and 1% Petit Verdot, with meat, bacon, cherry and smoke aromas. Medium+ tannins, fruit, spice and vanilla linger in the long length.

What’s your Conundrum?

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I was asked to serve as the judge for a special event celebrating Caymus’ Conundrum, which was paired with a range of take-out cuisine in search of the best match. This wine is a “proprietarily secretive blend of California white grapes”, drawing from Sauvignon Blanc, Muscat Canelli, Chardonnay and Viognier, and a combination of stainless steel and barrel fermentation that results in an unusual, but wonderful wine.

Pamela Wittman, owner of Millissime PR & Marketing Services, graciously opened up her home to a group of wine and food journalists, inviting them to each bring a dish of ethnic food, which they felt would pair well with the Conundrum wine. The stakes? A jeroboam of Conundrum.

Guests arrived, bearing their dishes, which Pamela and her team (Patricia, Erin and Matthew) plated, carefully protecting each person’s the identity until the big reveal later in the evening. After everyone had settled in, Pamela offered a brief welcome and explained the origin of the evening’s event. When she first tasted this wine, she felt strongly that it would pair well with a variety of foods and thus, she sought to confirm her suspicions that night. Guests were then invited to dig into the wonderful array of food.

Having been asked to serve as the arbiter for the evening, I took my job seriously and made sure to take a bite of each dish and taste it alongside the wine, keeping careful notes of my impressions. I tasted the food on its own and then took some wine into my mouth, while the food was still in it, to further probe the pairing. It was a fun, but challenging task, as I sought to rank my preferences from 1 (favorite pairing) to 11 (least favorite). Certainly, it was not a scientific experiment, but I did come to some conclusions and submitted my ranking to the Millissime team.

My first choice was a Chicken Tagine with Apricots, prepared by Jamal Rayyis (technically he cheated as it wasn’t take-out, but he did take it out of his kitchen and it was quite tasty, so there were no arguments). I found the dish to be full-flavored and well-spiced with its fruit flavors — fruity, but not sweet — matching nicely with the fruit in the wine. My second favorite selection was Chicken Tikka Masala, the flavors and creamy texture serving as a nice foil for the wine. Sweeter dishes such as General Tso’s Chicken were less preferred by me as their sweetness dimmed the fruit in the wine and made it appear overly dry. Dishes with excessive heat overpowered the wine and were similarly less successful. I also have to mention the Grand Marnier Shrimp, brought by my friend, Lisa Carley, which thankfully made it into my Top 5, otherwise she claimed that she would have had to stop speaking to me.

A popular vote was also taken, and, while there wasn’t perfect consensus, the #1 and #11 spots were the same — Jamal taking home the prize for the evening and my dear husband, Jared, falling short on both lists (and confirming my impartiality as judge). Actually, everyone really enjoyed the Thai pasta dish he had selected, but its heat (and mind you, he ordered it as medium, not hot) would be better suited to a beer or lassi.

So, that was our Conundrum for the evening, easily solved with great wine, great food and great company. What’s yours?

All images courtesy of Pamela Wittman.

Chablis 2008 shines at Drouhin’s Domaine de Vaudon

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Laurent Drouhin, of Maison Joseph Drouhin, wants consumers  to know a few things about Burgundy. The first is that they don’t make Chardonnay or Pinot Noir. Rather, they make Chassagne-Montrachet, Chambolle-Musigny, Pommard, etc. In his view, the grapes, which are in fact Chardonnay for the whites and Pinot Noir for the reds, are merely a conduit through which the terroir can speak.

Another thing that Laurent would like folks to know is that Chablis, a very special terroir for white wines, is also in Burgundy.

And, finally, while he is proud of his family’s heritage as a negociant (a firm which purchases grapes from multiple growers to make wine), they are equally proud of their status as a land owner and producer, particularly in Chablis.

A recent tasting of the 2008 vintage from Drouhin’s Domaine de Vaudon proves that his pride is justly deserved.

The district level Chablis ($24.50) showed some complexity on the nose with  minerality and citrus fruit, both of which persisted on the palate along with the addition of green apple. The Reserve wine ($29.00), while similar in aromas and flavors, had a more pronounced nose and longer length on the palate.

Moving up in quality, the three Premier Cru wines (from grapes grown on highly rated vineyard land) all presented vibrant acidity, full body and citrus notes. The Premier Cru Montmains ($38.25) seemed to be the most complex of the three, with notes of apple, lime, earth and minerality.

However, it was the jump to the Grand Cru wines (those hailing from one of the seven best vineyards in Chablis) that really showed what world class Chablis is all about. The Grand Cru Bougros ($72.00) – incidently, Laurent pronounces the final “s” – had pronounced minerality, damp earth, bruised apple and a slight woody note on the nose, all of which re-appeared on the palate and remained throughout the exceedingly long finish. Slightly richer, with the perception of riper fruit on the nose and palate, the Grand Cru Vaudesir ($72.00) was slightly fuller and seemed to show a little more of the oak influence on the palate, although the use of oak was still restrained and elegant.

These latter wines were showing beautifully now, but indicated the ability to evolve and gain further complexity with age.

So, whether you drink them young or in time, enjoy these wines to the fullest. Just don’t call them Chardonnay.

Rom: A high point in the Golan Heights

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Courtesy Yarden Rom

A graduate of UC Davis, Victor Schoenfeld has been the winemaker for Golan Heights Winery in Israel since 1992. Zelma Long, who needs no introduction in certain circles, began her career at Robert Mondavi Winery and later moved to Simi Winery before pursuing her own interests. In 2002, the two well-regarded winemakers first came together with the goal of better understanding what limited and promoted quality among nine high quality blocks of vines at Golan Heights.

Describing the Golan Heights as a Mediterranean climate in an historical landscape, for Long, her visit “…felt like [she] was in this mythical land.” She saw its unique personality – wines that reflect the area with an extremely unusual diversity of climates within a small area (50 miles x 40 miles). Calling the wines fruit expressive with soft tannins, Zelma likens the wines to a cross between California fruitiness and Bordeaux restraint. She added that they are wines of complex character and concentration.

After working on the initial project together for several years, the two decided that a natural progression was to collaborate on the creation of a new wine. They recognized that blending wine was a very personal and intimate process, one that is not always easy to share with someone, but, their experience has been positive. Their vision for the wine, ROM, was power/intensity, which comes from the grapes and gives the wine potential for longevity; finesse/balance, which reflects winemaking and is also important for ageing; and flavor/complexity, which is enhanced in the winery through blending and ageing. Overall, they sought a wine of both access and ageing.

Ultimately, they sought out a blend of Cabernet Sauvignon, Merlot and Syrah, with each variety bringing a distinctive set of aromas and flavor profiles to the final blend. The Cabernet Sauvignon from cooler vineyards brings black cherry and ripe plum, while grapes from the warmer vineyards result in olive and dried herb aromas. Together, these grapes provide solid, consistent foundation to the wine, which is enhanced by Syrah’s darker fruit, savory qualities and roundness, depth and richness. The Merlot adds fresher notes of raspberry, fresh herbs and orange zest and is responsible for lift and fleshing out the mid-palate. From the Hebrew word for a high place, the name Rom symbolizes Victor and Zelma’s pursuit in creating a wine of the highest quality.  [See the graphs below.]

Members of the press had the opportunity to taste through barrel samples of the component wines from the 2008 vintage: Merlot from Odem, Syrah from Tel Phares and Cabernet Sauvignon from El Rom. This exercise provided a glimpse of how the individual grapes came together to create a gestalt, especially when compared with the Rom 2008 barrel sample.

The first wine to be launched, the Yarden Rom 2006, showed beautifully with aromas of plum, blueberry and blackberry. The well-balanced palate offered very concentrated, rich fruit flavors with a hint of herbal notes and firm tannins. The 2007 had brighter red fruit on the nose and was a bit more structured, while the 2008 (barrel sample) was not as integrated, with the wood notes more obvious on the palate, indicating that this is a wine that will improve with time. A limited edition of 6,000 bottles was produced for the 2006 vintage, with an SRP of $160.00.

Courtesy - Yarden Rom

Courtesy - Yarden Rom

Madeira: Perhaps a true desert island wine

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Courtesy Vinho Madeira - IVBAM

 

OK, yes, I wrote about desert island wines previously, but what if you were truly stranded on a desert island? You certainly wouldn’t have temperature-controlled wine storage available to you and eventually your wines would spoil in the heat. But what about a wine that was designed to withstand the heat and would even continue to improve on the voyage to said desert island? Madeira — a wine created to survive the long sea voyage from Europe to the New World– would be the perfect wine for such circumstances. 

Madeira is a volcanic island off the coast of Portugal and is the home of Madeira wine. Here, Tinta Negra Mole, Sercial, Verdelho, Bual and Malmsey (aka Malvasia) are grown on the steep slopes of the island. All, but the Tinta Negra, are white grape varieties.  The wine itself owes its taste and character to its fortification (through the addition of a neutral grape-based spirit similar to Port or Sherry) and its prolonged exposure to the heat. The fortification interrupts the fermentation process and, depending upon when it occurs, generally prevents some of the sugar from being converted into alcohol, thereby creating a wine with some sweetness. 

Four styles of wine — dry, semi-dry, semi-sweet and sweet — are produced, corresponding to the grape variety used. Sercial is the driest style, followed by Verdelho and Bual, with Malmsey being the sweetest. However, despite being labeled as “sweet”, these wines are drier than you might think and can actually pair nicely with savory foods, such as cheeses, wild game and nuts, as well as, if not better than, desserts. 

After the fortification, the wine is subjected to high temperatures in either a heated, concrete vat (an estufa) for several months or through prolonged storage in oak casks in naturally warm rooms (canteiros) over several years, recreating the conditions found when the wine was shipped over lengthy distances. Given the slow and steady process, the Canteiro method is considered to be of higher quality and thus generally reserved for the Sercial, Verdelho, Bual and Malmsey grapes, while Tinta Negra Mole are most often heated in Estufagem. A minimum of 85% of the grapes must be from the named grape variety if it is stated on the label. 

With its ability to withstand the heat, Madeira would do well in the sans-refrigerator environment of the desert island. For those of us on Manhattan island (hot right now, but fortunately, not under desert conditions) as well as elsewhere in the United States, Madeira is a perfect wine to enjoy now. And, as some of my colleague, Rebecca Chapa, has pointed out, it is timely too, as George Washington toasted the first Independence Day back in 1776 with a glass of Madeira. 

A June tasting, sponsored by the Madeira Wine, Embroidery and Handcraft Institute (IVBAM), showcased some of the top Madeira producers, including Blandy’s, Broadbent, Henriques & Henriques, Justino’s, Pereira d’Oliveira and Vinhos Barbeito. Here are a few tasting notes from that event: 

Henriques & Henriques 10 Years Old Verdelho, Portugal
Dating back to 1850, Henriques & Henriques is the largest independent producer and shipper of Madeira. Medium mahoghany in color with aromas of honey, burnt orange and oxidation, this wine is off-dry with rich flavors of orange peel, honey and raisin that linger in its long length.  

Vinhos Berbeito Historic Series Malmsey New York Special Reserve, Portugal
Established in 1946 by Mario Barbeito, this Madeira producer has a shorter history than many other firms, but has created an historic series based on the styles of wine preferred by various colonial cities. Colonial New Yorkers preferred a richer style of wine compared to their colleagues in Charleston and Savannah, with coffee, toffee and raisin notes on the nose and medium-sweet palate, culminating in long length. 

Broadbent Madeira Malmsey 10 Years Old, Portugal
Bartholemew Broadbent imports Madeira wines under his own label. This sweet wine has aromas of burnt sugar, oxidation and dried oranges, with flavors of spice, dried fruits and dried herbs on the palate. 

D’Oliveira Reserve Sercial 1969, Portugal
A small producer, Pereira d’Oliveira is known for its large stocks of old and rare wines. This older vintage is still showing some color with notes of burnt sugar and honey. It is dry with oxidized notes, honey and spice on the palate. 

Blandy’s Madeira Vintage Bual 1968, Portugal
Blandy’s was named for a soldier who landed on Madeira in 1808 and eventually settled on the island as a general trader in 1811.  This vintage wine is pale in color, but still shows hues of mahoghany. The nose is rich and deep with notes of caramel and burnt sugar. On the palate, it is medium-sweet, with a hint of oxidation, caramel, burnt orange and treacle flavors that persist.

A Truly Winederful Evening

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The Four Seasons was the scene for a beautiful event on June 7, 2010 — the Wine Media Guild’s annual Hall of Fame dinner. Members and their guests began the evening on the Grill Room’s balcony, with a festive sparkling wine reception after checking in with Ron Kapon to pick up their nametags made by yours truly.

A formal sitdown dinner followed the reception, held in the private room above the Pool Room with over 90 guests in attendance. As usual, attendees were invited to bring a bottle or two of wine from their cellar to share with their table. A wide range of wines were tasted throughout the evening from rare treasures and oddities to more common bottles, but all bringing immense drinking pleasure. We were especially pleased with our Marc Morey Chevalier-Montrachet 2000, which was showing beautifully. Unfortunately, our Bedell Cellars C-Block Merlot in magnum was a bit faded.

Just before dessert was served, the awards were presented to: Dan Berger, Michael Broadbent (accepted by his son, Bartholomew) and Karen MacNeil (accepted by John Gottfried),  inducting them into the Hall of Fame.  André Simon was inducted posthumously. In addition, scholarships were presented to three students at New York City College of Technology, as selected by the WMG Scholarship Committee. The students will be able to use their scholarships to further their knowledge with additional coursework in wine at school. 

The wine continued to flow as guests lingered with friends and had fun tasting leftovers on various tables. Kevin Zraly made a surprise appearance at the end of the evening, arriving just in time to taste a bit before we all headed home, eagerly anticipating next year’s dinner.

White & Red from the Med

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I’ve been travelling around the Mediterranean lately, all without leaving home. Recent wine events took me from Israel and Turkey to Greece. While these aren’t the first places that come to mind when thinking about wine-producing countries, they each have a long history of viticulture and vinification and I was impressed with both the producers I met and the wines I tasted.

I kicked off the tour at a seminar debuting ROM from Israel. This wine is a joint project between Yarden’s winemaker Victor Schoenfeld and Zelma Long. Zelma was initially brought in to help with viticultural issues, but as she and Victor got to know each other better, a wine collaboration seemed to be a natural progression. This new wine is a blend of Cabernet Sauvignon, Merlot and Syrah. Participants at the event had the opportunity to first taste through barrel samples of the individual wines, which truly illustrated how the three grapes come together to create a much greater whole. We next tasted three different vintages of the wine — 2006, 2007, and 2008, which highlighted the evolution of the wine in bottle. With limited production and its association with Zelma Long, this wine is likely to achieve a strong following.

Skipping across town instead of across the sea, I dined at Le Cirque with producers from Kavaklidere, Turkey’s largest winery, along with Mehmet Yorukoglu, president of House of Burgundy, the winery’s importer. Showcasing both indigenous and international varieties, the wines included a nice, crisp rose (Egeo Rose 2009) produced from Cal Karasi, Syrah and Grenache, with whites featuring Sauvignon Blanc, Narince and Chardonnay and reds made from Kalecik Karasi, Okuzgozu and Bogazkere. Working with French oenologist, Stephen Derencourt, the winery has seen significant growth and, more importantly, a signficant focus on quality, over the past several years. The wines were impressive, with a nice range of aromas and flavors distinguishing each wine.

The final stop on my tour was northern Greece with lunch at Marea with Evripidis Katsaros from Katsaros Estate; Thrassos Giantsidis, export manager from Estate Gerovassiliou; and Annegret Stamos, export manager from Biblia Chora. This dry and windy area produces mostly whites, but, over lunch, attendees tasted a wide range of both white and red wines. With training in Bordeaux, Gerovassiliou’s winemaker Evangelos Gerovassiliou has applied French winemaking techniques to indigenous grape varieties; similarly Katsaros has experience in Burgundy. Wines produced in this region have good acidity, but less so than the same grape, such as Assyrtiko, grown in Santorini. While import markets clambor for Greek varieties, the local market wants the diversity of international varieties as well, which accounts for the use of both in these wines.

Stellakaya’s winemaker a rising star at the Home of the Stars

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The first time Ntsiki Biyela tasted wine it was a shocking experience for her and she was initially decided that she didn’t like it. The problem was that Ntsiki had just moved 1,000 miles from her hometown in Kwa-Zulu Natal, South Africa to pursue a bachelor’s degree in oenology at Stellenbosch University. Recruited to the program as a result of her high marks in high school science by South African Airlines, Ntsiki didn’t really know much about the career on which she was embarking. Her only previous experience with alcoholic beverages was with brewing a traditional beer made from corn, but she was willing to stick it out and learn.

Once Ntsiki had begun the program, she was asked if she wanted to switch majors, but by that time it was too late. She had started to enjoy her coursework as well as working with Delheim winery to gain hands-on experience. And, of course, she learned to appreciate the taste of wine. Her perseverance paid off as she joined Stellekaya as junior winemaker in 2004 and then taking over the winemaking in 2005, becoming South Africa’s first black female winemaker. In 2009, she was named Landbouweekblad Woman Winemaker of the year.

Stellakaya, which means “Home of the Stars” specializes in red wines. A relatively new winery, Stellakaya planted 15 ha in 2005 and thus, currently buys in its grapes from neighboring vineyards. Grapes are carefully handpicked and left in cold storage overnight to adjust acidity levels due to the heat and wines are aged in French oak. Borrowing from the winery’s star theme, the blended wines are named for various constellations such as Cape Cross, Orion and Hercules.

Stellakaya Cape Cross 2004, Stellenbosch, South Africa
A Cape Blend of Merlot (50%), Pinotage (30%) and Cabernet Sauvignon (20%), this wine has aromas of meat, berries, earth and smoke. Its dry, medium to full-bodied palate shows notes of smoke, blackberry and meat, along with ripe tannins.

Stellakaya Orion 2005, Stellenbosch, South Africa
This wine’s blend is Bordeaux in style, bringing Merlot, Cabernet Sauvignon and Cabernet Franc together. Notes of blackberry, plum, euclyptus and slight oak greet the nose, while flavors of rich, ripe blackberry, vanilla, spice and oak pervade throughout the wine’s long length.

Stellakaya Cabernet Sauvignon 2005, Stellenbosch, South Africa
Produced from 100% Cabernet Sauvignon (at least the Technical Sheet doesn’t say otherwise), this wine is aged for twenty months in French oak, 60% of which was new. The full-bodied wine displays typical aromas and flavors of blackberry, euclyptus and pepper, with firm tannins.