Category Archives: Wine Education

Why Extra Dry is anything but

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Those who know me well, know that I love everything that sparkles – wine, water, personalities and diamonds. With Christmas and New Year’s Eve lurking around the corner, it is the perfect time to break out the bubby, whether it’s a special bottle of vintage Champagne*, a fresh and fruity Prosecco or a fabulously food-friendly Lambrusco. As long as it glitters, all is right in the world J

Of course, sparkling wines should be welcome guests at the table any time of year, but with holiday festivities and parties proliferating your social schedule, there is even more reason to celebrate with CO2 infused libations.

For the uninitiated, the world of sparkling wine can be quite complicated with terms appearing on these labels not seen on other wines such as blanc de blancs. Plus, if you’ve tried to use the literal translation of those sweetness levels, you’ve likely been a bit disappointed or at least quite confused.

Looking for an easy way to teach yourself or others to remember the basics of sparkling wine?

As an educator, I prefer to appeal to people’s visual learning style because it can be much more powerful than simple text. There’s a reason the adage “A picture is worth a thousand words” has become so popular. Equally important, images can highlight familiar concepts or reinforce associated meaning when introducing new concepts. To that end, I’ve created two infographics, which you may find helpful to you as you shop for wine or engage your students this holiday season (click on the thumbnails for larger version images).

Sparkling Wine Definitions

Dosage Table

 

 

 

 

 

I’ve also found another nifty visual aid over at Wine Folly.

For more tips on sparkling wine, check out the holiday issue of my newly launched magazine – Drink Wisely & Well (and also see the inaugural issue, which featured Bordeaux). I’m really proud of this new publication and have gotten a lot of praise on the design (and not just from my parents).

As for why Extra Dry is a misnomer, I really can’t say; even Jancis Robinson’s Oxford Companion to Wine (3rd edition) didn’t have an answer. But, whether your preference is for dry, sweet or somewhere in between, I raise a flute to you and wish you all the best as we count down 2013 and usher in 2014!

*It’s admittedly a pet peeve of mine, but in case you didn’t know, the term Champagne is NOT generic; it should be reserved specifically for those sparkling wines produced in the Champagne region of France.

Rediscovering Sicily and discovering Prezi

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Italy 2013-05-08_247I’ve just returned from the American Wine Society‘s annual conference where I presented a session on Sicilian wines. As you may know, I had the wonderful opportunity to visit this amazing Italian region back in May. So, it was with great pleasure that I shared my experiences with seminar participants.

While I presented them with a lot of information about the region’s history, culture and commercial development, my main goal was to reinforce two main points:
-The Sicilian wine industry has made dramatic improvement in the quality of its wines;
and, perhaps more importantly,
-Sicilian wines are enjoyable to drink.

Beyond that, everything else they took away with them was gravy (mmm… gravy, thank goodness Thanksgiving is around the corner 😉 ).

In fact, since this was a group of wine enthusiasts, I wanted my session to seem more like a travelogue than a traditional lecture. Accordingly, I made sure to include many personal stories from my trip to capture the audience’s attention and imagination.

These same stories have been immortalized in an article I wrote earlier this year. If you haven’t already seen it, you can take a look here.

Of course, as an educator, I was also mindful to weave in facts about the region and its wines, having done considerable research on the new Sicilia DOC and Sicily’s indigenous grape varieties.

Aside from storytelling, I also implemented a new tool, Prezi, to introduce movement and perspective into my presentation. If you are not familiar with Prezi, it’s as if PowerPoint and Flash had a love child (okay – so I don’t know why these two software programs would have an affair, but just pretend they did).

This was my first foray into using this tool, so there is room for improvement, but I think it was a good first effort. What do you think? You can check out my actual presentation online.

What are your favorite ways for presenting about wine (or other topics)? Do you have any signature moves or methods to your madness? Tell me what works in the comments below!

Discovering Sicily: A Mediterranean Jewel in Italy’s Crown

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2013-05-11 08.39.15In May 2013, I had the precious opportunity to spend a week visiting the beautiful island of Sicily, exploring its land, meeting its people and tasting its wonderful wines. This is my story.

I  stood in line at the Palermo airport, crying. Not loud wails, just silent tears rolling down my face. But, as it was my seventh visit to Italy, the intense emotion was as surprising to me as it was to anyone else who might have noticed. I felt a deep loss as I prepared to leave Sicily. In less than a week this region had somehow wrapped itself around my heart and refused to let go. I wanted to attribute this visit’s difference to my slightly improved Italian language skills, but I knew that this didn’t do it justice. There was something else – something that permitted conversations to by-pass small talk and dive right in to what really mattered; getting to know one another and feeling safe to share. I had become attached to the spirit of the island, with its fusion of Arabic, Spanish, Norse and Italian heritage, and to the spirit of the people who inhabit it.  I took a deep breath, blinked back the tears and boarded my plane knowing that I had been given a wonderful gift…

[Read the full story as a PDF: Discovering Sicily]

Sicily – a part of Italy and yet it stands apart both literally and figuratively. As an island situated off the coast of Italy’s toe (Calabria), the region is physically separate, requiring a flight or ferry to get to or from there. But, beyond geography, Sicily remains steadfast to its traditions and culture. My new friend, Federico Mammoli, of Firriato winery’s export department and originally from Rome, told me that when he first arrived on the island, he only understood about thirty percent of what people said to him, despite the fact that, of course, they all speak the same language.

As far as wine is concerned, agriculture is a big component of the economy and grapes have been cultivated here for centuries. Nearly everywhere one looks, there are vines and Sicily is responsible for an immense amount of Italian wines. Like the rest of southern Italy, the key word here was quantity, with quality a mere afterthought for many producers.

But that, to a large extent, is ancient history. Sure, Sicily still produces cheap and cheerful wines, most regions these days do, but while my formal exploration of Sicilian wine was admittedly confined to a handful of wineries, I was extremely impressed with what I found. There was complexity, depth and structure that I didn’t expect, revealing the significant quality and continued potential of Sicilian wines. And, throughout each winery visit, I was enamored not only by the wines, but also by the people and their passion and warmth. I felt so welcomed in a way that felt much differently than any other press trip that I didn’t want to leave… Hence, the tears at the airport.

One Fish, Two Fish, Red Fish…

Island Capers

Reserve in a reserve

True Cooperation

Valley of the Temples and Nectar of the Gods

Crazy with a fox (and Germans)

Recommended Wines

Discovering Sicily: One Fish, Two Fish, Red Fish…

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Kamens Favignana Tufa Quarry BeachesEarlier in the week, it was a beach scene like any other as the smell of fresh fish and salt water permeated. The sky had clouded over, the not-quite-summer air had turned cool and towel-wrapped children waited with their parents for the ferry back to the mainland. Only, this wasn’t Sag Harbor or Block Island; instead, we were on Favignana in the Egadi Islands, 45 minutes from Trapani, Sicily – an island off the coast of an island.

The island’s history dates to prehistoric times, but the only visible historic remnants date to medieval times when Swabians constructed the Castle of Santa Caterina at the top of the island’s only hill, from a pre-existing tower originally built by the Saracens.

Alternately called La Farfalla (the butterfly) due its shape, Favignana is named for the Favonio, a local westerly wind, which made its presence known, as I was shown around Firriato’s latest project. The Trapani-based winery was first established in the 1980s by Salvatore Di Gaetano, who is now joined by his wife, Vinzia, in running the family business, but while Firriato’s 320 hectares of vineyards are spread out over six Sicilian estates, it was the five hectares planted six years ago on Favignana that they were most excited about sharing with me. This selection of vines is the first and only vineyard to be planted on the island in 50 years.

Although Favignana is known for its twin industries of tuna and tufa, today’s islanders rely on tourism to make their livelihood. Yet, while the island is hospitable to tourists, it is less so to vines. The tufa-sand soils provide their own challenges, while the namesake wind necessitates that vines are bush trained using the alberello (little tree) method. At only several inches off the ground, the obvious need for hand-harvesting prompted me to commiserate with the vineyard crew, sensing the back-breaking work required (I certainly wasn’t inspired to volunteer).

Similarly, bamboo fencing tempers the wind and reduces the effect of salt water, which would otherwise burn the vines’ tender leaves. Their agronomist, Giovanni Manzo, advised that Zibibbo – a local clone of Moscato d’Alessandria (Muscat d’Alexandria) – is among the more resistant plants, which explains why these were planted closest to the sea.

But, despite these obstacles, the island’s climate also has a favorable impact. A high diurnal shift helps grapes develop good acidity and perfume. Meanwhile, the wind minimizes humidity, and subsequently, mildew, so much so that the operation is almost entirely organic.

Focused on indigenous varieties, the vineyard is planted to Cataratto, Grillo, Zibibbo, Perricone, and Nero d’Avola, with grapes shipped back to Trapani for production since its size doesn’t warrant the construction of a winery on Favignana. But, while these wines are currently labeled as IGP Sicilia, Firriato hopes to create a new Favignana-based DOC for them and will submit an application after the third vintage (2013) in keeping with legal restrictions.Kamens Favignana Alberello

After my vineyard orientation, Federico and Giovanni took me to lunch. But, before I had my fill of locally-caught, tonno rosso (blue fin tuna), swordfish and other wonderful seafood, all of which was simply prepared and delicious, we tasted through the Firriato wines, including two produced from the vines I had just seen.

In typical Sicilian style, we capped off the meal with a cannoli dessert and then indulged in some coffee to keep us awake. Post-lunch, the taxi driver did double duty as both driver and tour guide, having lived on the island his entire life. He showed us around, noting various points of interest and historical buildings. We stopped at an abandoned quarry that now functions as makeshift seaside cabanas and plays host to beach bathers. I was struck at the brilliance and clarity of the blue water below. Then, we climbed back in the car and headed to the port, the bright sun fading just as we arrived and joined the families as we all waited in earnest for the next boat.

Discovering Sicily: Island Capers

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Kamens Pantelleria Damusso The next day, fighting off jetlag and a general lack of sleep, I struggled out of bed early (5:30 AM) to meet Laura Ellwanger from Donnafugata’s Public Relations department. That morning, Laura and I flew further afield (closer to Africa than to Italy) to another Sicilian island – Pantelleria, joined on our early morning flight by the daily newspapers. But, while the news may arrive a bit late, this sybaritic slice of paradise has long attracted the well-heeled with their well-endowed pocketbooks – including Armani who arrives each summer via private yacht – in stark contrast to Favignana’s laid-back tourists.

Also unlike Favignana, Pantelleria has a more continuous vinous history. Here, vines commonly average 40-50 years old, with a few remaining ungrafted vines thought to be over 100 years old as I saw at Donnafugata’s vineyards. Initially arriving on Pantelleria in 1989, Donnafugata now owns vineyards in 12 districts on the island, totaling close to 70 hectares (170 acres).

In addition to vines, the island is also known for its capers and, since I had never seen a caper bush, Laura made sure to take me to a caper garden, which was a treat to see. Interestingly, in terms of cuisine, this is not an island of fisherman, as Pantelleria’s rocky coastline makes it challenging to easily put boats in and out of the water. Consequently, fresh fish is less abundant here. However, rabbits are quite plentiful and often find their way onto the menu.

Home to even fiercer winds, Pantelleria’s Arabic -derived name means “Daughter of the Wind,” and its vines are also alberello trained. This practice has been adapted to olive and citrus trees on the island, with dwarf-like orchards dotting the landscape.

Another feature of the landscape are walls made from dark, volcanic stones that line the narrow roadways, define property borders and undoubtedly gave rise to the island’s nickname as the Black Pearl of the Mediterranean. The stacked stones revealed a patchwork of plots, stemming from very fragmented land ownership, and some seemed to have been abandoned given the overgrown vegetation, possibly due to their exceedingly small size.

Kamens Pantelleria Pantesco GardenBut beyond their proprietary function, these walls protect the grapes from the whipping winds and reduce erosion while their composition of pumice and lava release much-needed humidity during the heat of the day. These same stones were used to build a Pantellerian Garden, the oldest evidence of which date to 3000 B.C.E. As they do in the vineyard, the stones of these circular enclosures give off sufficient moisture to sustain a centrally-planted orange tree despite the limited rainfall and lack of irrigation. Such gardens are a mark of wealth and prestige, but also hold the promise as to how such technology might be adapted in other rain-starved climates, which is why the winery has donated its garden to the National Trust for Italy (F.A.I.) and collaborated on a study with the University of Milan.

The garden is situated in Khamma where Donnafugata maintains a winery, necessary since production of its Ben Ryé, with its prestigious Passito di Pantelleria DOP, must be completed entirely on the island. The labor-intensive harvest is quite protracted spanning six weeks from beginning to end as different plots become ripe and ready for harvest in turn. Selected grapes are dried on mats in the sun and wind for three to four weeks, during which time they lose moisture and increase intensity and sugar levels. Others are picked a month later and pressed immediately, with the dried grapes destemmed by hand and then added to the this fermenting must in batches, resulting in a luscious dessert wine with sufficient freshness. Yields are extremely low at 1.6-2.4 tons per acre (4.0-6.0 tons per hectare).

The winery’s other prized Zibibbo grapes are vinified on the island to produce Kabir, a Moscato di Pantelleria DOP, while the younger grapes are sent to Marsala to make  Lighea, a dry and refreshing wine that carries the IGP Terre Siciliane designation.

Tasting this latter wine at Khamma, I fantasized about enjoying it on the deck of a dammuso, a Pantellerian traditional white-domed house, while on holiday, but alas, it was once again time to return to the mainland.

But, the Rallo family, which owns Donnafugata, is known for much more than its award winning Ben Ryé Passito di Pantelleria and has been in the wine industry for much longer than their time on Pantelleria. As early as 1851, the family first produced the Italian fortified wine, Marsala, where their winery is located. But, as the reputation of Marsala waned (as did much of its quality), Giacomo and Gabriella Rallo looked for other ways to better show off the potential of the Sicilian island. Taking a new approach, they chose to plant international grape varieties on the family’s estate in Contessa Entellina and launched the Donnafugata wine brand, borrowing the name from Giuseppe Tomasi di Lampedusa’s book, Il Gattopardo (The Leopard), which takes place on Sicily.

During my visit, I had the pleasure of dining with both of Giacomo and Gabriella’s children — Josè and Antonio. One night, Antonio shared some of the family history with me, noting that one of the initial challenges was to teach the vineyard workers how to grow vines for the production of quality wine when they had been conditioned to grow solely for quantity. To solve this problem, the workers were given an opportunity to taste the wines side by side so that they would see what the impact of quality vineyard practices would have on the finished wine.

Once Donnafugata’s reputation with international varieties was established, the family turned its attention to local grapes. Today, the company grows 49 different varieties and is working on another project with the University of Milan to identify the best clones among the indigenous Sicilian varieties such as Cataratto.

The concerted effort and continued emphasis on quality is significant in its impact. In 1994, only 20% of all wine produced in Sicily was bottled in the region – the rest left in bulk. Today, 70% of wine produced within the region is bottled as Sicilian wine. But, Antonio was quick to point out that such progress is the result of many small families working together. Recognizing their shared interest and common goals, a formal group was created in 1998 with an eye toward crafting quality and changing the image of Sicilian wine.

The Hills Are Alive with the Sound of Schiava: Grand Cru Grapevine (May 2013)

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suedtirol-wein-anbaugebiet-bozen-und-umgebung-2My colleague and friend, Tim Gaiser, was in New York in late April to sing the praises of Alto Adige, accompanied by several of the region’s winemakers. And, singing its praises is quite apropos. At a previous seminar on the region, Cornerstone Communication’s CEO Marsha Palanci explained that, “This is the only part of Italy where you can hear yodeling in one window and arias in another.” Not surprisingly, in looking at regional photos, you would half expect Julie Andrews to suddenly appear and belt out songs from the Sound of Music.

Nestled between Italy to the south and Switzerland and Austria to the north, Alto Adige is the northernmost region of Italy. The region was under Austrian rule from the defeat of Napolean until 1919, hence the yodeling. And, to this day, both German and Italian are the official languages. With the Dolomites to the East and the Alps to the north, Alto Adige is sheltered from the cold forces of the North. These mountain ranges also form a rain shadow, which limits the area’s overall rainfall, the result of which is 300 sunny days per year.

The vast valley floors are littered with apple orchard after apple orchard, which accounts for the region’s claim as the largest European producer of apples. Meanwhile, the area’s steep slopes (with an average slope of 50 to 60 degrees, similar to that found in the Mosel or Wachau) are given over to white grapes while the lower, rolling hills are planted to reds. The high elevation of these vineyards provides good sunlight, which promotes ripening, and a significant diurnal shift (temperature variation from day to night can fluctuate as much as 40 degrees F), which retains high acid levels in the grapes.

Within the region, grape production spreads out from central Bolzano in a Y-shaped configuration, bearing a striking resemblance (in Tim’s eyes) to the flux capacitor from Back to the Future. The yin-yang of past and present spills over to the grapes themselves. At nearly 20% of all plantings, Schiava is the most grown variety in the region, with its first documented mention dating to the 1600s. However, this ancient grape has been associated with Italy since the 1300s. Big berried, with thin skins, Sciava is known for producing wines with low tannins, low alcohol and cherry aromas and flavors and an almond aftertaste. These are elegant wines for everyday drinking.

Other key varieties include Pinot Grigio, Pinot Bianco (aka Pinot Blanc), Gewürztraminer, Chardonnay and Sauvignon Blanc, Pinot Nero (aka Pinot Noir) and Lagrein, the diversity of which highlight the region’s Germanic and French influences. White plantings account for 58% and have been on the rise.

Regardless of the specific variety used, Alto Adige wines are known for their high quality. In fact, when considered separate from Trentino, Alto Adige is the smallest of Italy’s 20 regions; yet, despite its limited size, 98% of its production is at the Protected Designation of Origin level – the most of any Italian region. And that’s something to sing about.

TASTING NOTES

Kaltern Caldaro Pinot Grigio Söll 2011, Alto Adige DOC, Austria, $16.00
This is a classic Pinot Grigio with smoke, floral and citrus aromas and flavors. Twenty percent of the wine was aged in used barrels, which gives it some more depth on the palate. It is bone dry with high acidity and distinctly mineral in the long finish.

Cantina Terlano Sauvignon Blanc Quarz 2010, Alto Adige Terlano DOC, Austria, $53.00
We tasted two Sauvignon Blancs during Tim’s seminar with this being the softer style of the two. Stone and mineral characteristics co-mingled with citrus, peach and slightly herbal notes with medium+ acidity and medium to full body.

Tramin Gewürztraminer Nussbaumer 2011, Alto Adige DOC, Austria, $47.00
I really enjoyed this wine with its distinct floral and tropical fruit notes, so indicative of the Gewürztraminer grape. What I also liked was its lack of lavender/soap characteristics that some of these wines tend to have (for me). Exotic and spicy on the palate, this dry wine has beautiful acidity and long length.

Castelfeder Schiava Breitbacher 2011, Alto Adige DOC, Austria, $14.00
Pale ruby in color, this dry wine is very refreshing with high acidity and light body along with aromas and flavors of cherries, floral, earth and wet leaves. It is very easy to drink and would be a perfect accompaniment for a wide range of cuisine.

Tiefenbrunner Lagrein Riserva Linticlarus 2009, Alto Adige DOC, Austria, $26.00
Described by my friend Tony as being reminiscent of beets, this wine displays rich red and black cherry aromas joined by floral, mineral and granite notes. It has medium+ acidity and is nicely structured with full body and firm tannins and could age for up to ten years.

suedtirol-wein-anbaugebiet-mittleres-etschtal-1

 

 

 

 

All photos courtesy of Alto Adige Wines.

All Dried Up: The Wines of Mister Amarone

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Image courtesy of Masi Agricola.

Some people might address Masi Agricola’s president as Signor Boscaini, but a recent book profiling the well-known Venetian wine producer refers to him as “Mister Amarone.” A leader in the Amarone denomination, it is likely that Sandro appreciates the moniker, having tirelessly worked to improve the quality of this wine since the 1950s.

Of course, some might even say that the man is all dried up. Well, not him exactly, but most of his grapes. While the process of drying grapes is de rigor for Amarone della Valpolicella DOCG, this practice is found in few other places, but Masi’s president has exported the technique both far and near. In fact, many of his wines feature a special logo, Appaxximento, Masi Expertise® coupled with Sandro’s signature, further emphasizing the winery’s commitment to this wine production style.

Boscaini’s initial efforts focused on maintaining the concentration for which Amarone has always been known, while losing the oxidized character. In this regard, he aimed to preserve Venetian tradition, while improving the wine’s quality, introducing new yeast strains that could work at higher alcohol levels and adjusting the fermentation period from 60 days to 45 days. In the 1950s, fermentations often took as long as 18 months. As a result, today’s wines are much fresher than their predecessors.

But despite technological embraces, other aspects of production remain quite traditional such as the use of wood mats on which to dry the Amarone-bound grapes. For this purpose, Masi prefers bamboo, the spherical surface of which reduces the contact between the mats and the grape skins and ensures good air flow. Whereas some producers have shifted away from this traditional approach

This delicate balance between tradition and modern practices further comes into play when controlling the environment in the drying facilities. When possible, the room’s temperature and humidity are regulated naturally, with vents opened and closed to create the ideal conditions for drying. However, when necessary, a computer takes over to provide the ideal climatic parameters. Designed by the Masi Technical Group in the 1990s, this complex system is referred to as NASA (Natural Appassimento Super Assisted).

In neighboring Friuli, Boscaini has brought the appassimento procedure to bear on the Verduzzo grape. Harvested rather late to achieve full ripeness, the grapes are then dried on racks for three weeks to concentrate the fruit and permit evaporation of the water content. These raisined grapes are fermented  on their own before being briefly aged in barriques. They are then blended with Pinot Grigio, which has been picked much earlier to retain its acidity and fermented in stainless steel. When brought together, the result is Masianco, a complex wine with full body, depth and richness.

Conversely, the appassimento process is eschewed when producing Bonacosta, a Valpolicella Classico DOC made from Corvina, Rondinella and Molinara. Intended to be a fruity, young red wine, the simple production process, using non-dried grapes, retains this freshness.

Building in complexity among their Venetian reds, is Masi’s Campofiorin. Initially created in 1964, this wine had previously been called a ripasso, but Boscaini feels that this term has become corrupted and opts instead to label it as a Rosso del Veronese IGT and refers to it instead as a Supervenetian.  Instead of conducting a more common technique of using the wine equivalent of an old tea bag, Masi dries grapes specifically for inclusion in the Campfiorin. Regardless of its name or label, the wine falls somewhere in between the fruity character of the Bonacosta and the big, Baroque style of an Amarone.

Masi also produces several different Amarone wines, including its entry-level, Costasera and Costaserva Riserva, as well as several different single-vineyard wines. However, the single-vineyard wines are only produced in excellent vintages, when conditions are right not only during harvest, but also once the grapes have been picked.

Farther afield, Boscaini’s imprint can be found in Argentina, where Masi launched a partnership with Norton in 1995. Here, Corvina grapes receive the same royal, dried-grape treatment and are then blended with Malbec. Appropriately named Passo Doble, this is a decidedly unusual and modern wine.  All dried up? Maybe. But, all washed up? Never! Mister Amarone strikes again!

Grand Cru Grapevine: ‘Tis the Season to Think Pink (April 2013)

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CONSO-090827-4

Image courtesy of the CIVP


With indictments accusing Puxatawny Phil of fraud being filed across the country, it’s clear that everyone is ready for spring. Whether it’s cabin fever, a thorough dislike of cold weather and snow or simply a desire to wear short-sleeves and sandals, the lure of warmer weather tantalizes us all. And, small, but simple, signs – sightings of ramps and fiddlehead ferns at the market, robins heard overhead or crocuses blooming on the lawn – provide a glimmer of hope that perhaps spring has finally arrived.

Although Alfred Lord Tennyson noted that “In the spring, a young man’s fancy lightly turns to thoughts of love,” a wine lover’s fancy might turn to thoughts of lighter wines, with the many shades of rosé serving as a further reminder of the change of seasons, a pink lining to the dark cloud that has been winter. Thus, we happily turn our attention to the rosés of Provence this month.

We hope that you will feel lighter in your heart with a spring in your step as we usher in this time of renewal and collectively “think pink.”

Drink wisely and well,

Tracy Ellen Kamens, Ed.D., DWS, CWE
CEO: Chief Education Officer

and

Jared Michael Skolnick
COO: Cork Opening Officer

 

‘Tis the Season to Think Pink

Admittedly, rose-hued wines can be enjoyed all year round, but the palest blush of these pink wines heralded the near arrival of spring in New York as producers from Provence strutted their wines for press and trade in early March. Moreover, the message was made clear – thinking pink is no longer a fad. With nine years of growth in the U.S. market, rosé is one of the U.S.’s fastest growing wine categories in retail sales. While rosé wines hail from all over the wine world,  France is the number one producer of rosé wine worldwide and Provence accounts for forty percent of all the French quality-level rosé wine production. In fact, the majority of Provence’s production (nearly 88 percent) is allocated to making rosé wines.

Blessed with near perfect, Mediterranean climate conditions, Provence prides itself on being the birthplace of all French wine. In fact, winemaking in the region dates to 600 BCE, representing a total of twenty-six centuries of wine production in France. Although the regional area is the IGP de Méditerranée, most Provencal wine is produced at the AOC-level with lovely dry rosés made principally from Mourvèdre, Grenache and Cinsaut. Tibouren, Carignan and Cabernet Sauvignon also complement these blends.

The 65,000 acres dedicated to rosé production are centered in three appellations: Côtes de Provence, which has three sub-appellations, and is the largest at 73 percent of overall production; Coteaux d’Aix-en-Provence, which comprises an additional 17 percent of production; and Coteaux Varois en Provence, which accounts for the remaining 10 percent.

Almost all of these wines are produced using temperature-controlled, stainless steel fermentation with an emphasis on maintaining vibrant acidity and fresh fruit aromas and flavors. These dry style rosés are exceptionally food-friendly, pairing well with a broad range of cuisines as well as being easily enjoyed on its own.

 

Les Vins Bréban L’Opale de la Presqu’ile de Saint Tropez 2012, Côtes de Provence, France, $14.00 This wine brings together 50% Grenache, 30% Carignan and 20% Cinsault. It was meatier and fleshier than some of the other wines I sampled that day with berry and peach notes. Nicely structured with slight grip and a hint of citrus pith, the wine has long length.

Mas de Cadenet Arbaude Rose 2012, Côtes de Provence, France, $15.00 Established by the Négrel family, Mas de Cadenet celebrates its 200th anniversary this year, with the 7th generation now at the helm. The family’s estate, named for a shrub in the juniper family, is situated near Aix-en-Provence. The Arbaude cuvée is a blend of 70% Syrah, 15% Carignan and 15% Cabernet Sauvignon and displays fleshy, melon aromas and flavors with vibrant acidity, slight citrus pith and minerality on the elegant palate.

Maison Saint Aix AIX 2012, Coteaux d’Aix-en-Provence, France, $20.00 With its very attractive, graphic label, this wine caught my eye across the room. After tasting it, it won over my palate as well. A blend of Grenache, Cinsault, Syrah and Counoise, this wine offers up fresh, ripe berry fruit character on both the nose and palate. A slight minerality is evident on the palate, culminating in long length.

Château Coussin 2012, Côtes de Provence Sainte-Victoire, France, $25.00 Produced by the Sumerire family, which traces its heritage in the area back to the 13th century, this wine is a blend of Grenache (70%), Cinsault (20%) and Syrah (10%). It has a beautifully floral nose with delicate fruit on the palate, which is joined by a hint of minerality in the finish. I also had the opportunity to taste the 2011 vintage of this wine, which showed some complexity in its year of development with darker fruit character than the 2012.

Château d’Esclans 2012, Côtes de Provence, France, $35.00 Well-known for its Whispering Angel rosé, Caves d’Esclans produces several other rosé wines including this one, which is a blend of Grenache, Rolle, Syrah, Tibouren and Cinsault. With some of the wine spending time in neutral oak barrels and undergoing bâtonnage (lees stirring), this wine takes on some complexity and structure, but still displays hallmark floral, melon and berry aromas.

Grand Cru Grapevine: France’s Southwest ~ The United Nations in a Glass (November 2012)

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Just a proverbial stone’s throw from Bordeaux, the wines of southwest France offer an interesting perspective. Located south of Bordeaux and north of Languedoc, winemaking in this region is not new; it dates to 125 BCE. Yet, while Bordeaux has held fame and fortune for centuries, these smaller appellations cover a vast area, but have been largely ignored…until now.

Despite the area’s relative obscurity, many of France’s heralded grapes are given space in these vineyards. Bordeaux’s key grapes – Cabernet Sauvignon, Cabernet France and Merlot – are joined by the Rhône Valley’s Syrah and Beaujolais’ Gamay. Even more remarkable, these same grapes come together in a single glass, proving that, at least viticulturally, we can all learn to get along.

Meanwhile, other varieties grown in the region are found nowhere else – Petit Manseng, Gros Manseng, Mauzac and Arrufiac are among the top whites, with Fer Servadou, Prunelard and Négrette leading the reds. And the vast diversity is impressive; wines range from dry whites and sweet whites to tannic reds and softer, easy-drinking reds to sparkling wines produced in ancient methods that predate Champagne’s rise to prominence.

Those appellations which might draw some recognition include: Cahors, Madiran, Gaillac and Jurançon (not to be confused with the Jura, located in northeast France). However, names like Marcillac, Brulhois and Fronton are likely known to only to a few die-hard, franco-oenophiles. But, these are all names you should consider getting to know.

Why? Well, for starters, the reputation may not precede them, but the quality is certainly there. And, as the land of gastronomy – foie gras, duck cassoulet and delicious cheeses – you can be sure that these folks know their food and wine, meaning that the wines are extremely food-friendly. Moreover, as already mentioned, there is a wealth of wine styles from which to choose. But, if that’s not enough, perhaps their price tags will convince you. Of the six tasting notes included below, all are under $25.00, most are $12.00 or less and one even has a suggested retail price of $5.00.

So, truly, there is no reason not to embrace these magnanimous wines.

Domaine Tariquet Classic 2011, Côtes de Gasgogne IGP, France, $9.00
45% Ugni Blanc, 35% Colombard, 10% Sauvignon Blanc, 10% Gros Manseng
Family-run since 1912, Domaine Tariquet also produces the local spirit, Armagnac. Melon and citrus aromas greet the nose. Dry with medium+ acidity, this wine shows flavors of apple and melon with a leesy character lingering in the long finish. 

Domaine de la Chanade La Coste Blanche 2011, Gaillac AOP, France, $5.00
80% Loin de l’Oeil, 20% Mauzac
Among the newer producers, Domaine de la Chanade was established in 1997. With citrus and pronounced floral notes, this wine displays piercing acidity on the dry, light-bodied palate, with honey, apple and almond flavors.

Domaine Le Roc Le Roc la Saignée 2011, Fronton AOP, France, $12.00
Located near Toulouse, Domaine Le Roc has created a rosé that can stand up to steak! A blend of Négrette and Syrah, this wine spends four to five months on the lees. It has a red wine nose with black fruit, slight herbs and meat, all of which persist on the palate. Dry with a fruity attack, the medium tannins are especially perceptible on the finish.

Domaine du Moulin Méthode Gaillacoise 2011, Gaillac AOP, France, $18.00
The Hirissou family has been making wine for three centuries. This sparkling wine is produced from 100% Mauzac and offers up yeasty, floral and apple aromas. On the palate, it is slightly off-dry, but finishes very cleanly with yeast and apple flavors and a nice, creamy mousse.

Vignobles Arbeau Château Coutinel Tradition 2009, Fronton AOP, France, $9.00
60% Négrette, 20% Gamay, 10% Syrah, 10% Malbec
Vignobles Arbeau was created in 1878. A fruity nose displays aromas of black berries, floral and herbs. The palate is dry with bright acidity, cherry flavors and ripe, medium tannins.

Plaimont Producteurs Saint Albert 2011, Pacherenc du Vic-Bilh AOP, France, $24.00
Petit Manseng, Gros Manseng, Petit Corbu, Arrufiac (percentages not stated)
Plaimont Producteurs was established when three co-ops came together in 1979. This dessert wine shows notes of peach, yeast and honey on the nose. Its medium sweet palate is decidedly a dessert wine, but, with medium+ to high acidity, it is not cloying. Peaches, honey and yeast all persist on the palate throughout the wine’s long length.