Wine with the Vanderbilts (Grand Cru Grapevine: May 2012)

America’s most visited winery isn’t in Napa. It isn’t even in California. Rather, with 600,000 guests annually, the imposing Biltmore Estate can be found in the Blue Ridge Mountains of Asheville, NC. With its driveway measured not in feet, but in miles (glad I don’t have to shovel it), the 1895 mansion was ahead of its time with electric lighting and an elevator and continues to be forward-thinking in its emphasis on being a self-sustaining estate. As part of these efforts, the on-premise dairy was replaced with a winery in 1985.

In 1997, a belated honeymoon included a visit to the Biltmore, along with a tour and tasting at the winery (in fact, our first winery visit as a couple). By design, our arrival coincided with the Flower Festival, which spanned the full weekend and entailed a myriad of events held at the immense estate. Our attendance at such events meant that our rental car became well acquainted with the lengthy driveway, but each time that the “house” came into view, it took our breath away. Coupled with the lush landscape and numerous gardens designed by Frederick Law Olmstead (of Central Park fame), we departed Asheville with fond memories.

Thus, it was with some delight that I accepted an invitation to meet with Biltmore Estate’s winemaker at a recent lunch in New York City. As you might imagine, growing grapes in North Carolina is not an easy task. The humid climate wreaks havoc in the vineyard, encouraging the growth of mildew and healthy grapes at harvest are not a given. Yet, despite these less than favorable conditions, Bernard DeLille has made wine at the Biltmore Estate for over 25 years.

The Burgundy-trained winemaker responded to an advertisement in 1986, intrigued by the opportunity to make wine in the U.S. Although he was working in Madiran and Jurançon (both in southwest France) at the time, DeLille welcomed the opportunity to produce wines without the rigid constraints of France’s appellation system. Accordingly, he packed up his wife, two children and their belongings and headed to North Carolina to begin his new position. Joining the staff under the direction of Philippe Jourdain, by 1991, he was promoted to the position of winemaker.

Given the challenges that North Carolinian viticulture presents, Biltmore Estate now sources grapes from California for many of its wines. In order to comply with U.S. regulations, wine production takes place in California as well. However, the estate vineyards have not been abandoned; DeLille will continue to make wines at home as well. In this regard, consumers can choose from two Blanc de blanc sparklers – one from North Carolina and the other from Sonoma County’s Russian River Valley. Two still Chardonnays are also similarly produced (Sonoma County and North Carolina). Not surprisingly, their red wine production centers on California.

This new approach to winemaking has provided DeLille with many rewards. Yet, he admits that it can be complicated to keep up with the need to make wine in two different facilities, separated by an entire continent. But, on the whole, DeLille seems to have taken well to the balancing act required. I wish I could say the same of the restaurant’s servers. In clearing the flutes and white wine stemware, both DeLille and I were the recipients of a Chardonnay shower. Luckily, as a veteran journalist, I was wearing black and was consequently, soggy, but not visably stained.

All in all, it was a nice reintroduction to these wines and I appreciated the changes being made in expanding the Biltmore Estate’s range of wines. The new wines should be available in the New York market soon and I would encourage you to seek them out. Or, even better, go join the other 600,000 guests and taste the wines at the estate. It’s truly a great way to spend the weekend!

Biltmore Estate Château Reserve Blanc de Blancs Brut 2008, North Carolina, $30.00
Produced from 100% Chardonnay grapes, this sparkling wine is made in the Traditional Method and receives 12-16 months of lees aging, yielding yeasty, toasty, apple and floral notes on the nose and palate.

Biltmore Estate Blanc de Blancs Brut 2007, California, $25.00
While produced similarly to its North Carolina sister, this sparkler’s grapes are sourced from the Russian River Valley and it spends 18-24 months on the lees. A more pronounced nose offers up riper fruit with apple and pear aromas. On the palate, some yeasty character is evident, but this wine is less toasty and more fruit forward than the other.

Biltmore Reserve Chardonnay 2010, Sonoma County (CA), $20.00
As an unoaked Chardonnay, this wine is all about pure fruit, showing aromas and flavors of pear, apple and citus. Bone dry on the palate with vibrant acidity and a full body, it is an excellent dining partner.

Biltmore Reserve Chardonnay 2010, North Carolina, $15.00
In contrast, this wine is fermented in French and American barrels and approximately 50% of the wine undergoes malolactic fermentation (sharper malic acid is converted to the softer and creamier lactic acid). The nose is rich and buttery with apple notes, while the palate offers apple and a hint of oak.

Biltmore Reserve Cabernet Sauvignon 2010, Alexander Valley (CA), $20.00
A varietally-correct, California Cab, this wine shows lots of black fruit and slight herbal notes, with moderate tannins, balanced acidity and good length.

Searching High and Low for Bordeaux (Grand Cru Grapevine: April 2012)

At a recent Wine Media Guild lunch featuring Château d’Issan and Château Rauzan-Segla, it was stated that, “as Bordeaux goes, so does the whole industry,” with the further comment that, it was a “lynchpin by which other regions measure themselves.” And, with the iconic nature of these two Margaux producers, it is not surprising that the wines showed quite well that afternoon. Several months earlier, four Pauillac châteaux – Château Lynch Bages, Château Pontet-Canet, Château Mouton Rothschild and Château Clerc-Milon – gave equal pleasure to the assembled journalists.

However, with the price of the classified growths reaching astronomical figures, many wine drinkers feel priced out of the Bordeaux market. Yes, it’s true, wines from pedigreed châteaux have become the object of collectors who may never drink a drop rather than the cherished claret they once were. Such wines are the result of high scores and top reputations, which have made them more prized for their investment value than for their hedonistic value. But, thankfully, the majority of Bordeaux is still very much for drinking.

As an extremely large French wine region, representing 26% of all AOC (quality) wine produced in the country, Bordeaux is home to 63 appellations. Yet, Bordeaux AOC and Bordeaux Supérieur AOC together comprise 55% of the total production. And, despite the volume this entails, Bordeaux has thousands of small, family-run estates such as Château Penin run by Patrick Carteyon, the fifth generation of his family to work in wine. Similarly, at Château de Bonhoste, winemaking is the domain of Yannick Fournier, while his sister, Sylvaine, and mother, Colette, tend to the vineyard.

Although these two appellations stem from grapes grown on both sides of the Garonne River, on its own, the Right Bank has been the scene of recent change. A new appellation – Côtes de Bordeaux – was established in 2009, providing these wines with more market recognition. For example, wines previously labeled as Blaye or Côtes de Francs were not instantly recognizable. Now, the name Bordeaux is featured prominently on their labels.

While not as prestigious as the wines from the various classifications, wines from these three appellations offer great value, with most under $20.00 and many in the $10.00-13.00 range. And, at these prices, you can take a chance on a bottle or two to try before splashing out on a whole case.

Château La Rivalerie, Côtes de Bordeaux Blanc 2009, Bordeaux, France, $N/A
(60% Sauvignon Blanc, 20% Sauvignon Gris and 20% Semillon)
This wine offers aromas of oak, bruised apple, citrus and ginger on the nose. With bright acidity and medium body, the flavors echo the nose and linger throughout the long finish.

Château La Goutere, Bordeaux Rouge 2009, Bordeaux, France, $12.00
(77% Merlot, 20% Cabernet Sauvignon, 3% Cabernet Franc)
Hailing from vineyards located near Saint Emilion, this wine showed aromas of blackcherry, vanilla and a hint of oak on the nose. Its palate also offered notes of earth and herbs along with medium tannins.

Château Penin, Grande Selection Bordeaux Supérieur Rouge 2008, Bordeaux, France, $13.00
(100% Merlot)
Blackberry, plum and some herbal character were present on the nose. Showing a supple texture, the wine had good acidity, with flavors of blackberry, plum, dried herbs and slight oak notes.

Château Peynaud, Bordeaux Supérieur Rouge 2009, Bordeaux, France, $12.00
(50% Merlot, 35% Cabernet Sauvignon, 15% Cabernet Franc)
Aromas of spice, oak, vanilla and black cherry greet the nose. On the palate, the wine is very fruity, with similar notes.

Château Saincrit, Vieilles Vignes Bordeaux Supérieur Rouge 2008, Bordeaux, France, $18.00
(70% Merlot, 30% Cabernet Sauvigon and Cabernet Franc)
This château is owned by Florence Prudhomme who took over the property in 2003. Showing aromas of plum, raisin and spice on the nose, the palate gives way to blackcherry and oak.

Et tu, Brunello? (Grand Cru Grapevine: March 2012)

The Ides of March is upon us, so all Caesars are cautioned to beware. And, while you may not be able to trust Brutus, you can feel confident about the most recent releases from Brunello di Montalcino, with three stellar vintages all now available in the market: 2006 Brunello di Montalcino Reserva, 2007 Brunello di Montalcino and 2010 Rosso di Montalcino.

Although Brunello di Montalcino doesn’t quite date as far back as Julius Caesar’s time, the origin of this Tuscan wine traces its heritage to a mention in an historical document dated 715. Production centers near the hilltop (monte) town of Montalcino, which takes its name from the oak trees (leccio) found growing there. The town’s vertical advantage placed it in a strategic position since its inhabitants could clearly see who was traveling on the main road between Florence and Rome during the Middle Ages. Consequently, the city maintained its independence as a municipality for centuries before the Medici’s took possession in 1559.

The history of Brunello itself stems from 1869 when Clemente Santi defined the wine. Santi won an award for his 100% Sangiovese wine that, aged for a long period of time, was unusual for his integration of advanced racking and barrel-ageing techniques that had not been used previously. Several decades later, his grandson Ferruccio Biondi Santi built upon Clemente’s initial work, establishing strict production standards and, unlike his peers, focusing exclusively on a wine meant to be aged. Biondi Santi’s labors also isolated a particular clone of Sangiovese, known locally as Brunello, and in 1932, an Interministerial Commission described him as the inventor of Brunello.

Steeped in Medieval history, Montalcino offers visitors the chance to step back in time – thick stone walls, an imposing fortress and cobblestone streets transport you from 2012 to 1512. Yet, despite the ancient ambience, Montalcino embraces its decidedly commercial culture. Walking down the town’s narrow streets, one encounters wine shop, after wine shop, after wine shop, almost to the exclusion of all else. As a colleague remarked during a recent visit, at no time did we come across a hardware store or a place to buy non-touristic garments. Got wine? No problem. Got underwear? That’s another story.

Initially established as a DOC in 1966, Brunello was among the first denominations to be promoted to DOCG status, Italy’s highest quality wine level, in 1980. By then, it had achieved worldwide recognition as an ageworthy wine. Today, the denomination is home to 250 producers and, while the delimited area itself comprises 60,000 acres, only about 5,200 acres are planted to Brunello vineyards. Another 1,275 acres is given over to Brunello’s baby brother – Rosso di Montalcino. Whereas Brunello must be aged for a total of 5 years (or 6 years for Riserva) with at least two years in oak, the Rosso wines may be released immediately.

The square-shaped region is home to four rivers and valleys and is situated midway between the center of Italy and the sea. Moreover, the area is slightly further south than Chianti Classico and Montepulciano. Accordingly, the Mediterranean climate provides a warmer and drier climate than these other two regions, impacting the ripeness and tannin development of the grapes. With richer cherry fruit and less vegetal notes than Chianti Classico (and less earthy ones than Vino Nobile di Montepulciano), these tannic wines need time to truly develop as evidenced by the beauty found in both the 1995 Col d’Orcia and 1994 Villa Poggio Salvi described below. Hailed as a five-star vintage, the 2007s will have similar staying power and should be laid down in the cellar and perhaps forgotten about until the Ides of March circa 2024.

Camigliano 2007 Brunello di Montalcino, Tuscany, Italy, $40.00
With aromas of cherry, slight earth and hint of oak, this dry wine is light and elegant with bright acidity, medium tannins and cherry dominating the palate. 

Capanna 2007, Brunello di Montalcino, Tuscany, Italy, $41.00
Aged for four years, this wine is classic with rich and concentrated aromas of cherry, anise and wood, culminating in long length.
 

Fanti 2007 Brunello di Montalcino, Tuscany, Italy, $45.00
A combination of black cherry and sour cherry, the aromas are repeated on the palate, with firm tannins and nice length.

Il Poggione 2007, Brunello di Montalcino, Tuscany, Italy, $69.00
This wine is beautifully rich with cherries and balsam notes on both the nose and palate. The concentrated flavors linger throughout the wine’s long length.

Col d’Orcia Riserva Poggio Al Vento 1995, Brunello di Montalcino, Tuscany, Italy, $85.00
This wine saw four years in oak and two years in bottle before being released. Now, 17 years after its initial production, it is showing development on both the nose and palate and offered dried fruit, herbs and cherries.

Villa Poggio Salvi 1994 Brunello di Montalcino, Tuscany, Italy, $NA
Almost Barolo-like in its black fruit character, this wine also offers dried herbs and fig notes. However, its body was lighter than the Col d’Orcia 1995.

Bonjour with a side of French wine and cheese

If you are planning a trip to France (or another European destination), you might want to pick up a bit of language skills before you head off into the Parisian sunset. Enter Manisha Snoyer, educator and proprietor of Into this City. This unique company not only offers foreign language classes, but also provides acting classes in both English and French.

Among the French classes scheduled is Act French for Travelers, which is further described as a basic French language class with cheese tasting. My husband and I attended this class on a Friday evening earlier this month and were pleasantly surprised. In addition to learning key terms and phrases concerning introductions, ordering food and inquiring about where someone is from, Snoyer offers participants with the opportunity to sample four different French wines, each paired with a different cheese.

Moreover, drawing on her acting experience, Snoyer teaches language skills utilizing a variety of activities and games. There is very little occasion to sit still in this class. Instead, students are called upon to identify pantomimes to reinforce the names of months, adding a physical or tactile learning approach to the already verbal one, further enhancing knowledge acquisition. Afterward, while standing in a circle, a ball is tossed from person to person, with each one calling out the French number in sequence. Next, the assembled group is divided into smaller groups and menus are distributed. Returning a few minutes later in the guise of a server, Snoyer takes each member’s food order. And, toward the end, classmates must circulate throughout the room, asking an assigned question and providing a prize (stickers) for correct responses en Français, of course.

Breaks between these exercises are punctuated with the wine and cheese, while French music plays in the background and the structure, aromas and flavors of the wine are discussed. Admittedly, Snoyer is not a wine educator, but she does a nice job with this aspect of the class as well.

The students themselves were a diverse mix of people — different nationalities, different ages and different professions — adding to the atmosphere and congeniality of the evening. All in all, it was a lot of fun, and, we even improved our French. Bien sûr!

Tavel, the Original Rosé (Grand Cru Grapevine: February 2012)

If you only drink rosé in the summer – challenge that! Sure, rosé wines are perfect summer sipping wines with their lighter body, refreshing acidity and affinity for being served at cooler temperatures. However, meatier rosés can make a wonderful addition to the dinner table year-round and will provide a rosy hue for your Valentine. And, France’s Tavel is a perfect example.

Produced from vines originally brought to the Rhône Valley by the Romans, Tavel was first made for the popes at Avignon as early as the 1300s. With its lighter body, low tannins and fruit driven character, the Popes enjoyed these wines, which became famous as the most red of all pink wines. After finding favor with the clergy, Tavel continued its long history, receiving official recognition as a controlled appellation in 1936, becoming the first AOC rosé wine in France.

With the iron-rich, clay and sandstone soils on the Rhône’s Left Bank more suitable for red wines, Tavel vines are grown on the Rhône’s Right Bank. Known for the wind-blown silts and sand that were deposited by the mistral after the ice age, these vineyards offer ideal conditions for fruit-forward, less-structured wines. Here, the soils are composed primarily of limestone, which formed millions of years ago when the area was initially under the sea. The land was eventually pushed to the surface where its mineral content provides acidity, minerality and aroma to today’s wines. Referred to as garrigue, which is also the name for the scrub vegetation that grows on it, these scents include lavender, thyme, rosemary.

Theoretically, Tavel may be made from a blend of up to 15 different grapes, most of which are red. Yet, in practice, the wines are limited to nine varieties and no grape can constitute more than 60% of the blend. These authorized grapes span from Roman (Bourboulenc) and Spanish (Grenache, Carignan and Mourvèdre) origin to French (Syrah, Cinsault, Calitor, Clairette, Picpoul) varieties, all of which thrive in the sun-drenched climate.

Crafted using the saignée method, the wines undergo an average of 12-48 hours during which the fresh grape juice is in contact with the red skins before being bled off.  However, the soak may last up to 72 hours to pull significant tannins and color from the grape skins. Regardless of the time period, the wines are fermented at cool temperatures to preserve the intense aromatics.

The range of colors is determined by the combination of grape varieties, ripeness of the vintage (pH), temperature of the grapes at harvest, length of maceration and oxygen exposure. Moreover, the quickly oxidizing Grenache imbues the wines with more orange hues while high acid grapes add pinker tones. Finally, while Tavel has historically been known for its salmon hue, with the advent of modern technology, the wines are now more pink. And with the legal revisions made in 1997 that mandate the use of clear bottles, you’ll be able to admire the wine’s beautiful shade well before you pour it in your glass.

TASTING NOTES

Château d’Aqueria 2010, Tavel, Rhône Valley, France, $18.00
(52% Grenache, 12% Syrah, 11% Mourvèdre, 9% Clairette, 9% Cinsault, 6% Bourboulenc, 2% Picpoul)
This deep pink wine offers up aromas of cherries and berries. Its medium acidity and medium tannins provide nice structure for the darker red fruits, which pervade the palate.

Domaine de la Mordorée La Dame Rousse 2010, Tavel, Rhône Valley, France, $15.00
(56% Grenache, 20% Cinsault, 10% Clairette, 4% Syrah, 3% each – Mourvèdre, Bourboulenc and Grenache Blanc)
Medium pink in hue, this wine has aromas of berries, with some slight citrus pith and minerality, all of which persist on the palate. Vibrant acidity and light tannins result in a refreshing wine.

Domaine Maby la Forcadière 2010, Tavel, Rhône Valley, France, $20.00
(70% Grenache, 10% Cinsault, 10% Grenache Blanc, 10% Other)
Decidedly salmon in color, this wine shows floral and berry notes. The palate has medium acidity, low tannins and is dominated by fresh berry fruit flavors.

Prieuré de Montézargues 2010, Tavel, Rhône Valley, France, $19.00
(55% Grenache, 30% Cinsault, 13% Clairette, 2% Other)
Pale pink, with salmon highlights, berries and herbs greet the nose on this wine. Flavors of citrus and berries linger on the lively palate.

Château de Trinquevedel 2010, Tavel, Rhône Valley, France, $17.00
(60% Grenache, 15% Clairette, 10% Cinsault, 10% Syrah, 5% Bourboulenc)
With its medium pink appearance, this wine offers a range of floral, berry and herbal notes. Red berries and cherries are joined by a chalky/mineral character on the palate.

Truth or Dare? (Grand Cru Grapevine: January 2012)

If you make only one wine, it can be a bit risky. If you only make Riesling in New Zealand, it’s downright daring! In fact, that is precisely what Hennie Bosman and his wife, Celia, are doing. The proprietors of True & Daring admit that the venture is high risk; at a recent event Hennie joked that they should have called it Truly Mad. But, despite the inherent madness, the result is a wine that is true to their palate.

Born in South Africa, the affable Hennie planned to make wine in retirement, but their relocation to New Zealand prompted them to accelerate their plans. Starting out in the usual vein, they made several different varietally-labeled wines, including Pinot Noir, Pinot Gris, Chardonnay and Sauvignon Blanc. However, as Hennie explained, they “decided to be daring; to stay true to the wine [they] love.” Accordingly, they turned their attention exclusively to Riesling.

Not wanting to imitate a particular style or region, Hennie believes that the vineyard speaks through Riesling more than other grapes. In this regard, the grapes are carefully sourced from vineyards in Nelson, on the northern tip of New Zealand’s South Island. He then works in small batch fermentations and leaves the wine on the lees for a longer period of time (by New Zealand standards). Consequently, the wine is bottled in December or January as opposed to September. Finally, the couple allows the wines to age before releasing them, further adding to their audacious behavior. Production is deliberately kept tiny with only 2,200 cases produced.

So what does all this mean in the end? An event held at Porterhouse brought together several top New York sommeliers, including Roger Dagorn, MS, all of whom were asked to taste nine wines blindly. While the tasters knew that the wines were all Riesling and that the True & Daring was among them, they didn’t know what else was in the line-up. Despite the tasters’ honed skills, upon tasting the True & Daring Riesling they couldn’t place the wine as being either distinctly Old World or New World. Moreover, the wine held its own in the company of such wines as Trimbach’s Cuvee Frederic Emile 2004 from Alsace, France, the Muller-Catoir 2009 from Pfalz, Germany and Eroica 2009 from the Columbia Valley, WA joint venture between Chateau Ste. Michelle and Dr. Loosen.

First released with the 2004 vintage, True & Daring’s current release is the 2007 vintage. Tasted in October, this wine was showing some development with honey, citrus and a hint of petrol on the nose. The dry palate was dominated by citrus and petrol with high acidity, medium body and long length.

Unfortunately, all of the Bosmans’ audacity doesn’t come cheap; the wine retails at $35.00/bottle, but it is well-worth the splurge.

Make Mine Spumante (Grand Cru Grapevine: December 2011)

While France and Champagne are frequently the standard bearers for sparkling wines, Italy is not to be outdone in this regard. In fact, Italian sparklers run the gamut from light and lively quaffers to complex, yeast-aged wines and everything in between. Although many Italian appellations include the provision, “May be spumante (sparkling),” in their regulations, the best examples are usually those that come from the designated fizz regions such as Trento, Franciacorta, Moscato d’Asti, Asti, Prosecco and Brachetto d’Acquis. With this broad selection of sparkling wines, one is sure to find the perfect Italian sparkler with which to toast the holiday season and beyond.

Rivaling the yeasty, toasty character of Champagne, Italy’s Trento and Franciacorta appellations offer similar aromas and flavors in these Traditional Method wines. During the dawn of the 20th century, Giulio Ferrari was intrigued with the quality of France’s sparkling wines and went to study in Montpelier to learn how to make them. He returned to his hometown in Trentino and set about creating his wine. In 1952, he sold the company to the Lunelli family which has continued to maintain the high standards set by Ferrari. Produced identically to Champagne, these wines rely almost exclusively on Chardonnay, with the occasional use of Pinot Noir. Today, other producers in the area also ascribe to these standards, which were codified in 1993 with the creation of the Metodo Classico Trento DOC, the first Italian appellation for a sparkling wine. These wines must undergo a secondary fermentation in the bottle, with a minimum of 15 months aging on the lees.

Italy’s Lombardy region is home to Franciacorta, which is also produced using the same, time-consuming Traditional Method of sparkling wine production as that used in Champagne. However, beyond its reliance on Champagne’s Chardonnay and Pinot Noir grapes, Franciacorta also includes Pinot Gris and Pinot Bianco in its recipe, if the producer so desires. In 1995, Franciacorta was established as a DOCG (Italy’s highest appellation level), with regulations requiring a minimum of two years aging before release, of which 18 months must include contact with the lees. Franciacorta’s vintage wines are those which have been aged for 37 months be in contact with the yeast, while rosés must contain at least 15% Pinot Nero (Pinot Noir). The specially labeled Franciacorta Satèn must be produced solely from white grapes, specifically Chardonnay and Pinot Bianco, and at a reduced pressure of 4.5 bars instead of 6.

For a more aromatic and less expensive option, look to Prosecco to fill your glass. In general, Proseccos are vibrant and fruity, exhibiting the aromatic characteristics of the Glera grape. Produced via the Italian (aka Charmat) method of sparkling wine production, the floral and fruit aromas and flavors are retained, rather than masked through the use of stainless steel and minimal contact with yeast/lees (unlike the Traditional method). Meant to be drunk young, the wines are increasingly being vintage-dated (most were previously non-vintaged) to provide the consumer with more information. In 2009, the appellation was promoted to DOCG status, with production limited to the towns of Conegliano and Valdobbiadene.

Toward the end of the meal, turn to Piedmont for sweet-style sparklers. Here, the Moscato (Muscat) grape is known for producing aromatic wines that are available in lightly sparkling (frizzante) and fully sparkling (spumante) versions. The sweet and grapey Moscato d’Asti DOCG and Asti DOCG both have low alcohol, light body and fragrant floral notes, making them the perfect accompaniment to fruit-based desserts. Although both are produced from the same grape variety and in the same region, the former wine has a higher sugar content, lower alcohol level and fewer atmospheres of pressure, which accounts for the use of a regular wine bottle. In comparison, the Asti is fully sparkling at an average 7% abv, with a gentle froth on the palate. For chocolate desserts, try Brachetto d’Acquis. Made with the red Brachetto grape, this Piemontese sparkling wine offers up raspberry and strawberry aromas and flavors, coupled with soft sweetness on the palate.

Ca’ del Bosco, Franciacorta Cuvée Prestige NV, Lombardy, Italy, $50.00
Considered to be one of the top producers in Franciacorta, Ca’ del Bosco was established in 1968 by Maurizio Zanella. A blend of 75% Chardonnay, 15% Pinot Nero and 10% Pinot Bianco, this full-bodied wine has been bottle aged for a minimum of 28 months with rich, toasty notes on the nose and palate. A slight nuttiness lingers in the long finish.

Ferrari, Giulio Ferrari Riserva 2001 Trentino, Italy, $100.00
Produced from a single vineyard of 15 year old vines, this special cuvée is named for founder Giulio Ferrari with wines aged for a minimum of 10 years on the lees. These beautifully rich wines are capable of great aging as evidenced by the complexity revealed in a tasting of the 1986, 1995, 1997, 2000 and 2001 vintages. The company also makes its vintage-dated Perlé in a blanc de blancs (100% Chardonnay) and a rosé (80% Pinot Nero and 20% Chardonnay), in addition to their non-vintage brut ($25.00) and rosé ($37.00) wines.

Peri, Talento Brut Millesimato Metodo Classico 2007, Lombardy, Italy, $30.00
Although this 100% Chardonnay sparkler is produced near the Franciacorta appellation, it is done so under the broader geographical appellation of Montenetto di Brescia. Produced using the Traditional Method, the wine showed some yeasty notes along with citrus and apple on the palate.

Bel Canto di Bellussi, Valdobbiadene Prosecco Superiore DOCG, Extra Dry, Veneto, Italy, $13.00
Purchased by the Martellozzo family in 1993, Belllusi is presently run by Enrico, the third generation in his family to work in the wine business. With a fine perlage, this wine displays red apple and floral notes on both the nose and palate. Off-dry and light, it is quite elegant.

Ricossa, Moscato d’Asti, Piedmont, Italy, $15.00
The Ricossa Antica Casa winery dates to the 1800s when it was founded by Lorenzo Ricossa. This wine has pronounced aromas of floral, peach and honey on the nose. Its sweet palate offers fresh peaches, grapes and honey before finishing cleanly.

Quick Sips

A number of wine samples crossed my dining table in the latter half of 2011. Some were quite nice; others were amazingly good. Here are the highlights.

Italy Calling

The Frescobaldi Remole 2009, Tuscany, Italy ($10.00) is a country level wine (it’s labeled as IGT Toscana) that combines 85% Sangiovese with 15% Cabernet Sauvignon. With leafy, cherry and vegetal aromas and flavors, the wine was in keeping with its Sangiovese origins, but the Cabernet Sauvignon was more evident on the palate, with black fruit lingering in the finish. A nice value at this price and an excellent foil for the homemade pizza we paired with which we paired it.

A more traditional “Super Tuscan” style wine, Frescobaldi’s Tenuta di Castiglioni 2008, Tuscany, Italy ($22.00) switches the blend to lead with 50% Cabernet Sauvignon, 30% Merlot, 10% Cabernet Franc and only 10% Sangiovese. The nose presents blackberry, mint, smoke and slight vegetative aromas, while the palate offers bright acidity, firm tannins, full body and black cherry, vegetal, mint and cedar flavors. Overall, it is nicely structured with some complexity.

From further south, the Xavier Flouret Quattro Canti 2007, Sicily, Italy ($24.00) offers an interesting 50-50 mix of the indigenous Nero d’Avola with the non-traditional Cabernet Franc, aged for 12 months in French oak barrels. This deep colored wine had aromas of plum, vanilla, oak, licorice and some spice with dusty tannins, ripe, jammy fruit flavors of plum, cocoa, black cherry, vanilla and oak, with medium+ length.

You had me at Pinot

A  Pinot Noir “taste off” pitted Foppiano Pinot Noir 2008, Russian River Valley, CA ($25.00) against Bouchaine Pinot Noir 2007, Carneros, CA ($30.00) with the following results. The Bouchaine showed cherry, black cherry and vanilla aromas, which were joined by spice and herbs with vibrant acidity, medium+ body, ripe tannins and long length on the palate. The Foppiano offering was a bit shier on the nose, with less pronounced aromas of cherry and herbs. Bright red fruit, spice and wood dominated the slightly lighter-bodied palate, culminating in long length.

Down by the bay

Shifting attention down under, a series of wines from Hawkes Bay were tasted in anticipation of a New Zealand wine seminar given at the American Wine Society’s annual conference.

Among the whites, the Decibel Sauvignon Blanc 2009 ($14.00) showed citrus and grassy aromas on the nose, giving way to lemon, lime marmalade, slight grass and minerality with high acidity and medium+ body, while the Te Awa Sauvignon Blanc 2009 ($18.00) displayed more grapefruit and pith with slightly less acidity on the palate. The Te Awa Chardonnay 2009 ($27.00) offered apple notes with slight oak and mineral character, which were joined by citrus and spice flavors on the full-bodied palate.

Moving onto the reds, the Te Awa Syrah 2009 ($27.00) had fresh fruit aromas of blackberry with a hint of oak followed by spice, earth, leather and black cherry flavors with medium acidity, full body,  med tannins and long length. The more unusual, varietally-labeled Decibel Malbec 2009 ($18.00) is a blend of blueberry, cranberry and slight spice on the nose with ripe tannins, medium+ acidity and rich blueberry and blackberry notes on the palate.

German Riesling and beyond

I ended the year with several German wines including Silvaner, Lemberger and Riesling.

The P.J. Vlackenberg Gewürztraminer 2010, Pfalz, Germany ($14.00) has pronounced aromas of spice, floral and pear, which persisted on the off dry palate with medium+ body and medium length.

With notes of pear, blossom and smoke, the Castell-Castell Silvaner Trocken 2010, Franken, Germany ($18.00)’s palate gives way to riper versions of these aromas on its light-bodied palate.

A nice red, quaffing wine, the Grafen Neipperg Lemberger 2010, Württemberg, Germany ($24.00) greets the nose with cherry, plum and slight spice and finishes with medium length.

The Liebfrauenstift Dry Riesling 2010, Rheinhessen, Germany ($15.00) is a good value, food friendly wine, offering  fresh citrus and candied lemon aromas, with good acidity on the dry palate.

Enjoyed on Christmas day and shared with close friends, the Baron zu Knyphausen Erbacher Michelmark Riesling Erste Lage 2009, Rheingau, Germany ($57.00) was a wonderful surprise. Displaying floral, citrus and tangerine aromas on the nose, the dry palate offered piercing acidity with rich, ripe flavors of peach, tangerine, citrus pith, lime zest, floral and minerality, finishing with a very long length. Truly amazing.

Campania in a Glass

The scent of freshly fermenting grapes pervaded the air. We had arrived in Avellino early on a Saturday morning and were warmly welcomed by Eliana at Mastroberardino. Harvest had just begun and things were in full swing at the winery.

Eliana showed us through the cellars where we admired large botti maturing the next generation of Taurasi. These oak vessels are much larger than the typical barrel (225 l) and impart less wood influence on the finished wine due to the limited surface area compared to the voume of wine.

Almost more art gallery than aging room, the ceilings of the cellars are adorned with beautiful frescos commissioned by Mastroberardino to depict wine-related scenes such as the marriage of Bacchus. After this tour, we watched a brief video on the winery and its history, and then Eliana brought us to the wine cellar. Again, artistic elements decorated the room, which housed old bottles of Mastroberardino wines, including bottles from 1928.

We paused to admire current bottles for sale in the winery’s retail shop before heading to Mastroberardino’s resort, Mirabella, about 30 minutes away.

Following Eliana’s Fiat in our own car, we drove through small towns and took in the view of vineyards we passed along the way. Here, we noted interesting trellising techniques with the vines trained very high.

As we pulled into Mirabella, we saw the lovely facade of the main building, but continued to drive a bit further onto the property so that we could view the vineyards, golf course — a tournament was underway during our visit, and pool house.

Reluctantly, we willed ourselves away from the staggering beauty of the hillside vines, and headed in to lunch in the main dining room. We were treated to a multi-course meal, paired with the exquisite Mastroberardino wines. Each delicious course was joined with at least one wine, all of which complemented the food. Finally, we enjoyed a few last bites of dessert and then espresso before saying our goodbyes and thank yous to Eliana.

Our next stop was Feudi di San Gregorio, which is situated in the opposite direction, near Irpina. Upon our arrival at Feudi, we were greeted by Emanuela who served as our guide for the remainder of the day.

The on-again, off-again rain let up just enough to permit us to wander through the hanging gardens before we walked over to the crush pad. A new load of grapes had just arrived and the lugs were being lifted off the truck, setting things in motion.

The tour of Feudi’s cellars included views of their pupitres (riddling racks), botti, barrels and a special creche. We were briefly permitted to enter the actual winery, but the winemaker quickly shooed us out for fear that we might be overcome by the carbon dioxide seeping from the fermentation tanks.

Emanuela then brought us to a modern part of the winery, which housed its retail/wine bar area and a place for us to sit and taste their wines. We started with their sparkling wines, which were really lovely. Unfortunately, these wines are not exported to the U.S., so you’re restricted to enjoying them in Italy (although there are worse places to be restricted to be). The tasting continued with Feudi’s still wines.

Overall, the tastings provided strong evidence as to why these two wineries are so highly regarded. Standouts at Mastroberadino included the Falanghina, showing mineral, herbal and citrus notes on both the nose and palate, and the Radici Taurasi Riserva 2004, which displayed perfume, oak, vanilla, smoke, berries and other dark fruit flavors. My favorites at Feudi were its full-bodied Cutizzi Greco di Tufo with stone, spice and apple aromas and the Piano di Montevergine Taurasi Riserva 2002 with floral, black fruit, licorice and long length.

 

An Honorable Mention for Mencia

Autoctona del Bierzo, an organization established to represent several wineries from the Bierzo DO wine region made its first official visit to the U.S. in early May. Located in northwest Spain, the region is made up of a group of small valleys coupled with wider, flatter areas known as low Bierzo. Situated within the province of León, this region is relatively small and is comprised of many producers each with a relatively limited amount of land. Here, the mild climate has some humidity, but the low altitude prevents problems with frosts.

The region’s flagship grape is Mencia (also known as Negress), a red variety that adapts well to the local climate. Although the variety dates to Roman times, its current cultivation is limited to the Iberian Peninsula. It accounts for 65% of plantings in Bierzo, supplemented by Garnacha Tintorera and the experimental Tempranillo, Cabernet Sauvignon and Merlot.

Typically, Mencia is used to produce both reds and roses. Its thin skins and soft flesh result in wines with light tannins and a velvety palate, with cherry and strawberry as the predominant fruit notes. Many producers make their wines from 100% Mencia. However, with differences in vine age, varied use of oak and aging periods, each winery has a full portfolio often ranging from unwooded styles and young (those labeled as Joven) to aged Crianza and Reserva wines. The May tasting provided an opportunity to taste this grape in several iterations and I was particularly impressed with Bodegas Estefania’s line-up.

The region itself is also home to indigenous white varieties including Palomino and Godello, the latter of which offers wines with good body and apple aromas. Dona Blanca, a mildly aromatic grape, makes up only 10% of all plantings and is on the decline.

The opportunity to meet these producers and taste through their wines was eye-opening and I am sure we will see more of Bierzo in the years to come.

WHITE WINES

Bodega Luzdivina Amigo, Baloiro Blanco 2010, Bierzo, Spain,16.00
This blend of 60% Palomino and 40% Dona Blanca was produced from 60-70 year old vines. Sharp cheese and sherry-like aromas greeted the nose. On the palate, the wine was rich and concentrated with yeast, citrus and a slight oxidized note, which gave the wine some depth.

Bodega Luzdivina Amigo, Baloiro Godella 2009, Bierzo, Spain, $34.00
With only 600 bottles produced, this wine is quite limited. It was aged for 8 months in French oak, with the wood showing on both the nose and palate in addition to fresh herbs, tarragon and citrus.

Palacio de Canedo Prada a Tope Blanco 2009, Bierzo, Spain, $N/A
Produced from 100% Godello, this wine displayed youth aromas of flowers and herbs, which persisted on the full-bodied palate with the addition of lime.

RED WINES

Bodegas Estefania Tilenus 2010, Bierzo, Spain, $15.00
This unwooded wine is comprised of 100% Mencia. It is very youthful with bright, fresh berry and cherry notes.

Bodegas Estefania Tilenus Envejecido 2007, Bierzo, Spain, $20.00
Produced from old Mencia vines ranging from 30-50 years old, half of this wine was aged in tank with the remainder in wood (a combination of both French and American barrels) for 8-12 months. Slightly less bright on the palate than the young wine, it still showed lively acidity, with strawberry, cherry and licorice.

Bodegas Estefania Tilenus Crianza 2005, Bierzo, Spain, $30.00
Low yielding Mencia vines averaging 60-80 years old were sourced for this wine. The barrel aging regimen wasn’t specified, but as a Crianza, it would have been longer than the Envejecido. This wine was more herbal on the nose likely due to its age, with more noticeable oak on the palate.

Bodegas Estefania Tilenus Pagos de Posada 2003, Bierzo, Spain, $50.00
This limited production wine comes from a single vineyard with Mencia vines at or older than 80 years old. Yields are exceedingly low (1 kg/ha). Oak and leafy notes took precedence over the faded strawberry aromas, but the palate was still lively with leaf, oak, strawberry, raspberry, tobacco, culminating in long length.

Bodegas Estefania Tilenus Pieros 2002, Bierzo, Spain, $120.00
This wine hails from a small, rare plot of land, planted exclusively to Mencia. There was an absence of fruit on the nose, instead, developing aromas of tobacco leaf, dried herbs and pencil lead dominated. The wine showed light minerality on palate, with concentrated strawberry and leafy flavors. Overall, the wine was complex, and balanced, with extremely long length.