Author Archives: Tracy

Parlare Prosecco Superiore

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About to embark on my fifth trip to Italy in three years, I felt it was imperative to be able to say more than the five words I had previously memorized to be polite. So, I enrolled in a language class appropriately called the Traveler’s Survival Kit, which focused on important vocabulary such as that needed to ask directions and check into a hotel.

Of course, the most crucial phrase I taught myself was “Sorry, but I have studied to speak Italian for only four weeks,” and practiced it numerous times before I headed out of town. Not surprisingly, I used it in nearly every conversation I had upon my arrival in Italy. With its multiple repetition came fluidity and ease and soon I was sounding very Italian, earning repeated compliments…at least for that one minute.

My survival kit kept me in good stead for most of the trip, especially when coupled with an abbreviated game of charades in an attempt to be understood. Yet, while the majority of folks spoke at least some English, I found myself in a few situations where this was not the case. I generally grasped most of the conversation, but admittedly missed a few phrases and simply nodded along. It’s possible that I may have inadvertently said yes to something I didn’t mean to, but, I am confident that I didn’t receive any marriage proposals along my journey.

My trip was nearly complete when I had the opportunity to meet with Francesco Drusian, a Prosecco Superiore producer. Francesco met me at the Castello di San Salvatore (the “villa” of the Vino in Villa event) in order to bring me to his winery in Valdobbiadene. We waited for the tram to take us from the castle courtyard to the parking lot and quickly exhausted the few relevant phrases I knew since I was not about to ask Francesco for a hotel room or an order of pasta. Unfortunately, Francesco didn’t speak English at all, so he asked me if I spoke French to which I replied “oui. “

Shortly thereafter, we were in his car headed to the winery—a full 30 minutes away. Possibly the longest 30 minutes of my life. Did I mention that I studied French in junior high and high school (both of which were very far away from the minutes I spent sitting in Francesco’s car)? Shifting gears, my beautiful Italian phrases were replaced with rusty French, jumbled with the occasional Italian word and I now sounded like Sgt. Deux-Deux of the Pink Panther and Friends’ The Inspector cartoons…”Si, I mean, ‘Oui.'”

We finally arrived at the Drusian estate and I (inwardly) breathed a sigh of relief. It wouldn’t be too much longer until we’d be occupied with tasting through the wines and his colleague, Anna Maria, who did speak English, was due to show at any moment.

Pulling the wines from the refrigerator, Francesco apologized for the wines being too cold and so we waited a bit to let them warm up. We eventually began with Prosecco Superiore Brut, which had a very floral nose and is fresh on the palate with ripe peach flavors. His Prosecco Superiore Extra Dry displayed a heady aroma of white flowers and just a hint of sweetness with floral and mineral notes.

By now, Anna Maria had appeared and we made each other’s acquaintance, while continuing with the tasting. The Millisimato 2011 was similarly floral and mineral on both the nose and palate, along with pear. Labeled as Dry, the wine was quite clean and very balanced despite its 20 g/l of residual sugar.

Although among the mid-level tier of Prosecco Superiore producers in terms of overall production size, Drusian is among the largest landholders in the vaunted Cartizze area – Prosecco Superiore’s cru vineyard. As expected, Drusian’s top wine was extremely elegant showing with mineral and pear drop characteristics dominating the palate before culminating in long length.

With the tasting completed, I was given a quick tour of the winery and then we were off to dinner. It turned out that Anna Maria used to work at the winery, but now manages Althe’a, an agriturismo property owned by Francesco. I rode with Anna Maria, which was a much more relaxing trip than the earlier one (simply due to the lack of a language barrier), as we sped toward Colline di Soligo.

The farm is home to a beautifully restored stone house with farm country décor throughout the guest rooms and restaurant. We entered the dining room and were seated immediately (it certainly helps to arrive with the owner). As good hosts, Francesco and Anna Maria were keen to ensure that I enjoyed every course even when they chose to skip it themselves; I was the sole eater of both the pasta course and dessert. And, since they were unwilling to provide guidance on one appetizer over another, I was strong-armed into trying two.

For the main course, Anna Maria and I split a steak courtesy of one of the cattle raised on the farm, which we paired with one of Francesco’s non-Prosecco wines – a red blend from the newly promoted Colli di Conegliano DOCG. I chose Italian cheesecake for the aforementioned dessert, which was served warm on a bed of chocolate sauce and with which Francesco insisted that I try one of the local passito (dried grape) dessert wines.

As the evening faded into night, Francesco excused himself and bid me au revoir and Ciao! as he headed home to his family. I finished my cake, had a few more sips of the Torchiato di Fregona and saw the finish line looming in the distance. But, just then, Anna Maria remembered that they had experimented with making a limoncello flavored with herbs and another glass was brought to the table and filled. I took a few obligatory sips and, at last, it was time to go.

By this point, I was quite tired, but very satiated and, had been reminded that while we may speak different languages, whether English, Italian, French or otherwise, the language of food and wine is universal!

It’s the Yeast We Can Do (Grand Cru Grapevine: July 2012)

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The tiny, single-celled fungi (I’ll spare you the bad joke) known as yeast are responsible for creating wine; without them, it would merely be grape juice. Simply put, the yeast consumes glucose and fructose in grapes, converting the sugars into alcohol and carbon dioxide. The resulting product is much more complex and interesting than if the yeast had not intervened (thanks yeast!). These organisms exist throughout nature and are found on the skins of grapes (not a bad place to hang out if you’re looking for a free lunch), among other places.

Brought together in this manner, the initial discovery of fermented beverages was most likely an accident, but yeast are one of the oldest domesticated organisms (although admittedly not as cute as dogs) with humankind having used it for thousands of years. More recently, the commercial production of yeast has a 100 year old history with today’s winemakers having the luxury of ordering any number of cultured yeast strains from a catalog to achieve their desired effect. In fact, a chart on Winemaker magazine’s website suggests which yeast products are best for which styles of wine.

Yet, despite these modern conveniences, many winemakers are going native. In Canada’s Niagara-on-the-Lake region, Hillebrand Winery gifted us with yellow t-shirts emblazoned in green with the slogan “Take a Walk on the Wild Side” on the front and hailing their Wild Ferment Showcase Chardonnay 2009 and Showcase Sauvignon Blanc 2010 wines on the back. Stateside, the Hamptons-based Channing Daughters has produced its L’Enfant Sauvage Chardonnay, made entirely with native yeast, since 2001, while Janet Myers of Napa’s Franciscan Estate makes the similarly produced Cuvée Sauvage Chardonnay.

Why the emphasis on these minute details? Does it make a difference or is all about the hype? Not only is Myers adamant that it matters, but she continues to make various batches of Chardonnay using both cultured and non-cultured yeast each year, which are then blind-tasted to determine which one is the best. And, every year, she finds that the wine produced with natural yeast wins out. For Shane C. Welch, President and Founder of Sixpoint Craft Ales, the use of natural vs. cultured yeast is the difference between a live performance and a studio album.

But, using wild yeast may not always be the best course of action. Myers admits that in some cases, especially with red wines, the result is less pronounced while further explaining that she finds it produces a different (unwanted) style with Sauvignon Blanc. Accordingly, the extra time and attention necessary to use wild yeast fermentation is limited to her Cuvée Sauvage Chardonnay; all other Franciscan wines are made with cultured yeast. Myers is also quick to point out that she has the benefit of having a microbiologist on staff that can observe, smell and analyze what’s going on and make adjustments as needed. Tracy’s tales of producing L’Enfant Sauvage sound dicier, with some ferments taking almost a full year to complete.

Whether brought on by ambient populations of yeast or those of the cultured variety, the finished products of fermentation – wine, beer, bread – are made all the better for their actions. Accordingly, we have much for which to thank the yeast. If the yeast could talk, they might be heard to respond, “It’s the yeast we can do.”

Channing Daughters L’Enfant Sauvage, The Hamptons, NY, $35.00
Although we have not tasted the recent release of this wine (2009), we hosted a wine dinner featuring the L’Enfant Sauvage from vintages 2001 through 2008. While the older wines did display some oxidative characteristics, this added richness and complexity and confirmed the ageability of these wines. Citrus and apple were the most common aroma and flavor descriptors in my various notes, accompanied by some slight oak and spice, along with good acidity.

Chateau Dereszla Tokaji Dry 2010, Hungary, $15.00
While likely more famous for its sweet and luscious botrytized wines, Tokaji (pronounced to-keye) winemakers also make dry whites. This one is a blend of 85% Furmint, 10% Harslevelu and 5% Muscat, 20% of which has been aged in oak barrels for six months. Notes of apple and canned peaches greet the nose and persist on the medium-bodied palate.

Franciscan Estate Cuvée Sauvage 2009, Carneros, Napa Valley, CA, $40.00
The result of using wild yeast for this wine is worth the effort, with its complexity of aromas of yeast, apple, and wet stone. On the palate, it has vibrant acidity, full body, flavors of yeast, toothpick, apple, and lemon, culminating in long length. Crisp and complex.

Lucien Albrecht Blanc de Blancs Crémant d’Alsace Brut NV, Alsace, France, $20.00
Traditional method sparklers such as France’s Champagne and crémants owe their charm to not just one, but two fermentations, along with lengthy contact between the wine and the dead yeast (aka autolysis). As a blanc de blancs (white from whites), this wine is a blend of 80% Pinot Auxerrois, 10% Pinot Blanc and 10% Chardonnay and shows aromas of yeast and toast, joined by apple peel and ripe citrus on the fresh and elegant palate.

Masi Agricola Bonacosta Valpolicella Classico 2010, Veneto, Italy, $14.00
If you’re craving red wine despite the heat, this light-bodied, low tannin blend of Corvina, Rondinella and Molinara from the foot of the hillside vineyards in the Classico zone just might do the trick. Bursting with vibrant, fresh cherries, it can be enjoyed with a slight chill and paired nicely with oven-roasted Portabella mushrooms and eggplant.

50 Shades of Rosé

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The heat is on (some might call it sultry), but there’s no need to get all hot and bothered. Although there’s no prohibition against drinking rosé during the winter months (admittedly ordering rosé in the middle of a snow storm may raise some eyebrows), summer is certainly a perfect time for turning to rose-colored glasses.

Not quite white and definitely not crimson, these wines are somewhere in between, but offer a wide range of styles. With a grape’s color pigments contained in its skin and not in the pulp, rosé wines are produced primarily from red grapes, but with much more limited contact between the skins and grape juice (think tie-dyeing). Longer macerations and more deeply pigmented grapes will result in wines with deeper, more intense shades of pink (and frequently more body and flavor intensity), while shorter skin contact and paler grape varieties create lighter-bodied rosés with just a blush of color.

Purse your lips and get ready to enjoy these wonderfully refreshing wines, broadly available at your neighborhood wine shop this time of year. Astor Wines has not just one, but two special sections of rosés in the store – a more general selection of rosés and another limited to those priced at $10.00 and under. A few of their wines are listed as organic. Aside from the usual suspects, an unusually shaped, box wine hailing from southwest France is offered in a “Vinity Case de Buzet.” This Bordeaux-style blend of Cabernet Franc, Cabernet Sauvignon and Merlot, priced at $25.00, is the equivalent of four bottles of wine, but is easily transported to the party.

Uptown, Sherry-Lehmann kicks off summer with Rosé Fridays. Starting June 22, 2012 and running for the next eleven weeks, the store will pour a selection of rosés from 3:00-5:00 pm each Friday afternoon (505 Park Avenue @ 59th Street, New York, NY 10022).

If you can’t unleash your inner goddess at least you can unleash your inner wine lover. In any shade, these wines are definitely delicious!

Cooking by the book

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Like anyone else who’s ever gone away for more than a week, I came home to a lot of mail… most of it junk. But, having forgotten the promise made by a friend, I found a pleasant surprise amid the bills and circulars — a new cookbook. In fact, there was not just one, but two cookbooks waiting for me upon my return.

Now, I already have a lot of cookbooks. No, not as many as those folks who wax poetically that they’ve been collecting cookbooks since the year of the flood and have subsequently had to build a special wing on their home just to shelter them. But, enough that I don’t really need another cookbook; especially since lately I seem to use online recipe sites more frequently than reaching for one of my printed tomes. Yet, there they were.

The first came to me from wine colleagues, Jeff Jensen and Mike DeSimone, by way of their publisher. Their latest book –The Fire Island Cookbook – is a collection of menus, one for each weekend of the summer, along with suggested wine pairings. Although Fire Island is the title’s stated destination, the recipes are culled from around the world and are appropriate for any summer supper – whether enjoyed in your Hamptons share, island retreat or suburban backyard.

Flipping through the book, we picked a page at random and found ourselves preparing a shopping list for seafood and sausage paella. Since it was just the two of us, we chose to forgo the other menu items and also halved the recipe regarding the rice itself, while being more lavish with the seafood. Even with the revision, it was all paella all the time for the next few meals (but, since the dish was as tasty as it was, we had no complaints). If you’ve never made paella before (I’ll admit to having been a paella virgin, myself), it is actually made just like risotto, but with a lot of flavorful spices.

We chose to ignore Jeff and Mike‘s wine pairing recommendation simply because we had a lot of wine waiting to be opened, but it’s a nice bit of information for them to have included, making it easy for the wine novice to easily find a pairing for the meal. A few weeks later, we tackled two more recipes, pulling an appetizer of grilled romaine from one meal and a Tequila-marinated steak from another, and pairing the meat with a Malbec as suggested.

The second, extremely unexpected volume was a gift from my husband. He had attended a literary event at the New York Public Library during my absence (the quintessential bachelor, no?) and had obtained a signed copy of Elizabeth Gilbert’s newest publication for me, At Home on the Range.

According to my husband, Elizabeth Gilbert does not look like Julia Roberts. I know that I shouldn’t be surprised the author doesn’t resemble the actress who portrayed her in the film version of her Eat, Pray, Love book, but I am. Regardless of whom she does or does not resemble, it was apparently quite a humorous event. John Hodgman (of the Mac commercial, and, perhaps to a lesser extent, The Daily Show fame) interviewed Ms. Gilbert, but since they have been friends for years, it was more like a conversation replete with inside jokes than a usual interview.

The important gist of the discussion is that, once upon a time, Elizabeth’s great-grandmother, Margaret Yardley Potter, wrote a cookbook, which was ahead of its time with its focus on nose-to-tail eating; reliance on fresh, local ingredients (as opposed to the modern conveniences of canned or frozen items); and unusual (for the period) cuisine such as, believe it or not, pizza. Curating recipes from unlikely sources such as shopkeepers and obstetric nurses, Potter crafted a cookbook that reads more like a letter from grandma than the Galloping Gourmet, but is made all the more entertaining for this novel approach.

Having only formally discovered this piece of family heritage recently, Elizabeth has republished At Home on the Range, along with the insertion of an Introduction and a few helpful hints with the recipes. With a goal of having these recipes reach a more amenable audience than when the book was first launched, rather than profit, all proceeds from the sale of the book will benefit Scholar Match. In this regard, you are helping you to feed the mind of the next generation while feeding yourself.

 

Captain & Tennille Redux – Muscat Love (Grand Cru Grapevine: June 2012)

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Back in the day, Captain & Tennille sang about Muskrat Love, but these days everyone seems to have fallen, not for rodents, but for the Muscat grape. In fact, Nielsen data presented in January 2012 indicated that sales of Moscato (which is a wine produced from the Muscat grape) has risen more than 70% from 2010 to 2011.

Among the oldest grape varieties in the world, Muscat shines in a plethora of places from the cool climate of Piedmont where it sparkles as Asti and Moscato d’Asti to the warmth of Southern France where it dazzles as Muscat de Beaumes-de-Venise. And, equally notable, it thrives off the coast of mainland Greece in the Aegean Sea.

Here, the Mediterranean island of Samos nurtures the Muscat Blanc à Petits Grains grape with its steep, terraced vineyards (“pezoules”), deep soils, high altitude and abundant sunshine (3,300 hours per year). Home to the philosopher Pythagoras, of triangular fame (which is presumably better than singular fame), Samos has produced Muscat wine for centuries and is closely linked with its use for the liturgies surrounding the sacrament of Holy Eucharist service of the Roman Catholic Church.

In more modern history, the Union of Winemaking Cooperatives of Samos (UWC) was established in 1934 and was among the first cooperatives in Greece. With the participation of 26 wine growing villages, EOSS represents all of the island’s growers. In this regard, it is responsible for wine production (it maintains two full-scale wineries for its members), along with sales and marketing activities on behalf of brand Samos.

Given that 97% of the island’s 4,000 acres of vineyards are planted to Muscat, Samos wines are nearly synonymous with this indigenous variety. As per Greek wine laws, Samos wines are one of eight dessert wines classified under the Appellation d’Origine Contrôlée (AOC) designation and are produced in three different styles: Samos Doux, Samos Vin Doux Naturel and Samos Nectar.

Samos Doux is known as a vin de liqueur (aka mistela), produced by the addition of a neutral spirit almost immediately after pressing. With fermentation stopped so quickly, these wines have high levels of residual sugar (200 g/l). The Samos Vin Doux Naturel is akin to the fortified wines of Languedoc-Roussillon, whereby the neutral spirit is added after fermentation has begun. Conversely, Samos Nectar wines are not fortified at all; rather, their sweetness is a result of drying the grapes in the sun to concentrate the sugars before fermentation and then being aged in cask for three years. Although still quite sweet, these latter two wines are less sweet than the Samos Doux wines.

With rich, unctuous notes that range from honey, apricot and candied citrus to burnt orange and butterscotch, what’s not to love?

SAMOS NECTAR 

Despite the high levels of residual sugar in these wines, they do have  balanced acidity to keep them from becoming cloying on the palate.

However, with that said, these are decidedly dessert wines and pair best  with rich, flavorful cheeses (such as sharp cheddar or intense blue  cheese), or fruit- or custard-style desserts (i.e. strawberry  cheesecake, zabaglione).

A third option is to pair them in a cocktail as  their aromatic profile and sweet taste can balance bitter elements and  add weight to the palate. Dushan Zaric, co-owner and bartender of the  New York City-based Macao Trading Company, has crafted a number of  Samos-based cocktails, which work well, including the Nectar Fix. And, with the arrival of summer’s warmer weather, a chilled cocktail might be just the thing.

Nectar Fix

Glass:
Martini-Cocktail
Ingredients:
1¼ ounces Samos Nectar
1 ounce Rye
½ ounce Campari
1 fresh strawberry, quartered
fresh strawberry, halved, for garnish
Directions:
Pour all ingredients including the quartered strawberry into a mixing glass. Add large, cold ice. Stir for 40 revolutions. Strain into a Martini-Cocktail glass and garnish with half a strawberry.

Bodegas Fariña celebrates 70 years

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Pictured left to right: Inigo Ramirez de Haro Valdes (Cultural Attaché to the Consul General of Spain), Manuel Farina Jr, Chef Jesus Nunez, Manuel Farina Sr, Juan Martinez Salazar (Consul General of Spain)

Manuel Farina, Jr. looks very young, but at 25 years old he is supposed to. His father, Manuel, Sr., looks more weathered after being at the helm of the family business for more than 40 years. The newly minted viticulturist was in New York for the first time in April, along with dad, to mark a special occasion – their esteemed Toro winery, Bodegas Fariña, celebrates its 70th anniversary this year.

Situated in northwest Spain, the Toro region is a little over two hours from Madrid and about an hour from the Portuguese border. Wines have been produced here for centuries, but the denomination of origin (DO) only dates to 1987, thanks considerably to the efforts of Manuel, Sr. and his belief in the area.

With its span of seven decades, Bodegas Fariña is one of the oldest wineries in the Toro DO. Beyond simple longevity, the winery can also claim to be a pioneer in establishing the reputation of Toro wines. Founded in 1942, Bodegas Farina was created by Salvador Fariña in the village of Casaceca de las Chanas, located 30km from Toro. A new winery was built within the Toro border upon creation of the DO.

Born just a year before the winery was established, Salvador’s son, Manuel was destined to take over the business. However, Manuel wondered why the Toro wines weren’t doing better in the world wine market.

Studying wine in Bordeaux as part of his studies proved pivotal, revealing to him that people didn’t want high alcohol wines. Back then, tradition dictated that the local wines should be harvested in mid-October, the result of which was wines that clocked in at an average of 17% abv. Returning home, Manuel changed his family’s practices, producing the first wine at 13.5% abv.

Other trail-blazing measures included being the first to use a de-stemmer and the first to use temperature controlled stainless steel for fermentation. Historically, the wines were packaged in jugs, but along with his other shifts, Manuel, Sr. began bottling in Bordeaux bottles. Not surprisingly, the winery was also the first in the region to be exported.

Today, Bodegas Fariña is highly regarded, with the wines available in numerous countries. Not content to rest on these laurels, both of Manuel, Sr.’s sons share their dad’s passion for wine and innovation. Bernardo, the oldest, serves as technical director, while Manuel, Jr. focuses on the vineyards. The 2011 vintage found them actively evaluating their soils and vine nutrition and was their first vintage with separate vinification of different vineyard plots. The family’s next challenge is to convert 65 ha of their land to organic farming.

The impact of this innovation can be found in the glass. The Bodegas Fariña wines over deliver for the money, especially in the mid-range. At the lower end, fresh fruit flavors of strawberry and plum showed nicely in the Pimero 2011 ($n/a), a 100% Tempranillo wine, which begins with carbonic maceration before regular fermentation takes place. The Dama de Toro Tempranillo Roble 2010 ($13.00) was barrel aged for four months and offers more complexity with dried herbs, spice and a hint of the oak as well as strawberry aromas and flavors.

Even more complex, the Dama de Toro Crianza 2006 ($17.00) had aromas of strawberry, oak, herbs, balsamic notes, and spice, all of which persisted on the palate and culminated in long length. The winery’s special release, Bodegas Fariña 70th Anniversary 2009 ($25.00) had similar notes, but was more floral on both the nose and palate. And, to cap off one’s meal, the Val de Reyes “Tino Dulce” ($20.00) is a late-harvested Tempranillo wine with black raspberry, dried red fruit and cocoa, which was much lighter on the palate than Port.

Wine with the Vanderbilts (Grand Cru Grapevine: May 2012)

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America’s most visited winery isn’t in Napa. It isn’t even in California. Rather, with 600,000 guests annually, the imposing Biltmore Estate can be found in the Blue Ridge Mountains of Asheville, NC. With its driveway measured not in feet, but in miles (glad I don’t have to shovel it), the 1895 mansion was ahead of its time with electric lighting and an elevator and continues to be forward-thinking in its emphasis on being a self-sustaining estate. As part of these efforts, the on-premise dairy was replaced with a winery in 1985.

In 1997, a belated honeymoon included a visit to the Biltmore, along with a tour and tasting at the winery (in fact, our first winery visit as a couple). By design, our arrival coincided with the Flower Festival, which spanned the full weekend and entailed a myriad of events held at the immense estate. Our attendance at such events meant that our rental car became well acquainted with the lengthy driveway, but each time that the “house” came into view, it took our breath away. Coupled with the lush landscape and numerous gardens designed by Frederick Law Olmstead (of Central Park fame), we departed Asheville with fond memories.

Thus, it was with some delight that I accepted an invitation to meet with Biltmore Estate’s winemaker at a recent lunch in New York City. As you might imagine, growing grapes in North Carolina is not an easy task. The humid climate wreaks havoc in the vineyard, encouraging the growth of mildew and healthy grapes at harvest are not a given. Yet, despite these less than favorable conditions, Bernard DeLille has made wine at the Biltmore Estate for over 25 years.

The Burgundy-trained winemaker responded to an advertisement in 1986, intrigued by the opportunity to make wine in the U.S. Although he was working in Madiran and Jurançon (both in southwest France) at the time, DeLille welcomed the opportunity to produce wines without the rigid constraints of France’s appellation system. Accordingly, he packed up his wife, two children and their belongings and headed to North Carolina to begin his new position. Joining the staff under the direction of Philippe Jourdain, by 1991, he was promoted to the position of winemaker.

Given the challenges that North Carolinian viticulture presents, Biltmore Estate now sources grapes from California for many of its wines. In order to comply with U.S. regulations, wine production takes place in California as well. However, the estate vineyards have not been abandoned; DeLille will continue to make wines at home as well. In this regard, consumers can choose from two Blanc de blanc sparklers – one from North Carolina and the other from Sonoma County’s Russian River Valley. Two still Chardonnays are also similarly produced (Sonoma County and North Carolina). Not surprisingly, their red wine production centers on California.

This new approach to winemaking has provided DeLille with many rewards. Yet, he admits that it can be complicated to keep up with the need to make wine in two different facilities, separated by an entire continent. But, on the whole, DeLille seems to have taken well to the balancing act required. I wish I could say the same of the restaurant’s servers. In clearing the flutes and white wine stemware, both DeLille and I were the recipients of a Chardonnay shower. Luckily, as a veteran journalist, I was wearing black and was consequently, soggy, but not visably stained.

All in all, it was a nice reintroduction to these wines and I appreciated the changes being made in expanding the Biltmore Estate’s range of wines. The new wines should be available in the New York market soon and I would encourage you to seek them out. Or, even better, go join the other 600,000 guests and taste the wines at the estate. It’s truly a great way to spend the weekend!

Biltmore Estate Château Reserve Blanc de Blancs Brut 2008, North Carolina, $30.00
Produced from 100% Chardonnay grapes, this sparkling wine is made in the Traditional Method and receives 12-16 months of lees aging, yielding yeasty, toasty, apple and floral notes on the nose and palate.

Biltmore Estate Blanc de Blancs Brut 2007, California, $25.00
While produced similarly to its North Carolina sister, this sparkler’s grapes are sourced from the Russian River Valley and it spends 18-24 months on the lees. A more pronounced nose offers up riper fruit with apple and pear aromas. On the palate, some yeasty character is evident, but this wine is less toasty and more fruit forward than the other.

Biltmore Reserve Chardonnay 2010, Sonoma County (CA), $20.00
As an unoaked Chardonnay, this wine is all about pure fruit, showing aromas and flavors of pear, apple and citus. Bone dry on the palate with vibrant acidity and a full body, it is an excellent dining partner.

Biltmore Reserve Chardonnay 2010, North Carolina, $15.00
In contrast, this wine is fermented in French and American barrels and approximately 50% of the wine undergoes malolactic fermentation (sharper malic acid is converted to the softer and creamier lactic acid). The nose is rich and buttery with apple notes, while the palate offers apple and a hint of oak.

Biltmore Reserve Cabernet Sauvignon 2010, Alexander Valley (CA), $20.00
A varietally-correct, California Cab, this wine shows lots of black fruit and slight herbal notes, with moderate tannins, balanced acidity and good length.

Searching High and Low for Bordeaux (Grand Cru Grapevine: April 2012)

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At a recent Wine Media Guild lunch featuring Château d’Issan and Château Rauzan-Segla, it was stated that, “as Bordeaux goes, so does the whole industry,” with the further comment that, it was a “lynchpin by which other regions measure themselves.” And, with the iconic nature of these two Margaux producers, it is not surprising that the wines showed quite well that afternoon. Several months earlier, four Pauillac châteaux – Château Lynch Bages, Château Pontet-Canet, Château Mouton Rothschild and Château Clerc-Milon – gave equal pleasure to the assembled journalists.

However, with the price of the classified growths reaching astronomical figures, many wine drinkers feel priced out of the Bordeaux market. Yes, it’s true, wines from pedigreed châteaux have become the object of collectors who may never drink a drop rather than the cherished claret they once were. Such wines are the result of high scores and top reputations, which have made them more prized for their investment value than for their hedonistic value. But, thankfully, the majority of Bordeaux is still very much for drinking.

As an extremely large French wine region, representing 26% of all AOC (quality) wine produced in the country, Bordeaux is home to 63 appellations. Yet, Bordeaux AOC and Bordeaux Supérieur AOC together comprise 55% of the total production. And, despite the volume this entails, Bordeaux has thousands of small, family-run estates such as Château Penin run by Patrick Carteyon, the fifth generation of his family to work in wine. Similarly, at Château de Bonhoste, winemaking is the domain of Yannick Fournier, while his sister, Sylvaine, and mother, Colette, tend to the vineyard.

Although these two appellations stem from grapes grown on both sides of the Garonne River, on its own, the Right Bank has been the scene of recent change. A new appellation – Côtes de Bordeaux – was established in 2009, providing these wines with more market recognition. For example, wines previously labeled as Blaye or Côtes de Francs were not instantly recognizable. Now, the name Bordeaux is featured prominently on their labels.

While not as prestigious as the wines from the various classifications, wines from these three appellations offer great value, with most under $20.00 and many in the $10.00-13.00 range. And, at these prices, you can take a chance on a bottle or two to try before splashing out on a whole case.

Château La Rivalerie, Côtes de Bordeaux Blanc 2009, Bordeaux, France, $N/A
(60% Sauvignon Blanc, 20% Sauvignon Gris and 20% Semillon)
This wine offers aromas of oak, bruised apple, citrus and ginger on the nose. With bright acidity and medium body, the flavors echo the nose and linger throughout the long finish.

Château La Goutere, Bordeaux Rouge 2009, Bordeaux, France, $12.00
(77% Merlot, 20% Cabernet Sauvignon, 3% Cabernet Franc)
Hailing from vineyards located near Saint Emilion, this wine showed aromas of blackcherry, vanilla and a hint of oak on the nose. Its palate also offered notes of earth and herbs along with medium tannins.

Château Penin, Grande Selection Bordeaux Supérieur Rouge 2008, Bordeaux, France, $13.00
(100% Merlot)
Blackberry, plum and some herbal character were present on the nose. Showing a supple texture, the wine had good acidity, with flavors of blackberry, plum, dried herbs and slight oak notes.

Château Peynaud, Bordeaux Supérieur Rouge 2009, Bordeaux, France, $12.00
(50% Merlot, 35% Cabernet Sauvignon, 15% Cabernet Franc)
Aromas of spice, oak, vanilla and black cherry greet the nose. On the palate, the wine is very fruity, with similar notes.

Château Saincrit, Vieilles Vignes Bordeaux Supérieur Rouge 2008, Bordeaux, France, $18.00
(70% Merlot, 30% Cabernet Sauvigon and Cabernet Franc)
This château is owned by Florence Prudhomme who took over the property in 2003. Showing aromas of plum, raisin and spice on the nose, the palate gives way to blackcherry and oak.

Et tu, Brunello? (Grand Cru Grapevine: March 2012)

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The Ides of March is upon us, so all Caesars are cautioned to beware. And, while you may not be able to trust Brutus, you can feel confident about the most recent releases from Brunello di Montalcino, with three stellar vintages all now available in the market: 2006 Brunello di Montalcino Reserva, 2007 Brunello di Montalcino and 2010 Rosso di Montalcino.

Although Brunello di Montalcino doesn’t quite date as far back as Julius Caesar’s time, the origin of this Tuscan wine traces its heritage to a mention in an historical document dated 715. Production centers near the hilltop (monte) town of Montalcino, which takes its name from the oak trees (leccio) found growing there. The town’s vertical advantage placed it in a strategic position since its inhabitants could clearly see who was traveling on the main road between Florence and Rome during the Middle Ages. Consequently, the city maintained its independence as a municipality for centuries before the Medici’s took possession in 1559.

The history of Brunello itself stems from 1869 when Clemente Santi defined the wine. Santi won an award for his 100% Sangiovese wine that, aged for a long period of time, was unusual for his integration of advanced racking and barrel-ageing techniques that had not been used previously. Several decades later, his grandson Ferruccio Biondi Santi built upon Clemente’s initial work, establishing strict production standards and, unlike his peers, focusing exclusively on a wine meant to be aged. Biondi Santi’s labors also isolated a particular clone of Sangiovese, known locally as Brunello, and in 1932, an Interministerial Commission described him as the inventor of Brunello.

Steeped in Medieval history, Montalcino offers visitors the chance to step back in time – thick stone walls, an imposing fortress and cobblestone streets transport you from 2012 to 1512. Yet, despite the ancient ambience, Montalcino embraces its decidedly commercial culture. Walking down the town’s narrow streets, one encounters wine shop, after wine shop, after wine shop, almost to the exclusion of all else. As a colleague remarked during a recent visit, at no time did we come across a hardware store or a place to buy non-touristic garments. Got wine? No problem. Got underwear? That’s another story.

Initially established as a DOC in 1966, Brunello was among the first denominations to be promoted to DOCG status, Italy’s highest quality wine level, in 1980. By then, it had achieved worldwide recognition as an ageworthy wine. Today, the denomination is home to 250 producers and, while the delimited area itself comprises 60,000 acres, only about 5,200 acres are planted to Brunello vineyards. Another 1,275 acres is given over to Brunello’s baby brother – Rosso di Montalcino. Whereas Brunello must be aged for a total of 5 years (or 6 years for Riserva) with at least two years in oak, the Rosso wines may be released immediately.

The square-shaped region is home to four rivers and valleys and is situated midway between the center of Italy and the sea. Moreover, the area is slightly further south than Chianti Classico and Montepulciano. Accordingly, the Mediterranean climate provides a warmer and drier climate than these other two regions, impacting the ripeness and tannin development of the grapes. With richer cherry fruit and less vegetal notes than Chianti Classico (and less earthy ones than Vino Nobile di Montepulciano), these tannic wines need time to truly develop as evidenced by the beauty found in both the 1995 Col d’Orcia and 1994 Villa Poggio Salvi described below. Hailed as a five-star vintage, the 2007s will have similar staying power and should be laid down in the cellar and perhaps forgotten about until the Ides of March circa 2024.

Camigliano 2007 Brunello di Montalcino, Tuscany, Italy, $40.00
With aromas of cherry, slight earth and hint of oak, this dry wine is light and elegant with bright acidity, medium tannins and cherry dominating the palate. 

Capanna 2007, Brunello di Montalcino, Tuscany, Italy, $41.00
Aged for four years, this wine is classic with rich and concentrated aromas of cherry, anise and wood, culminating in long length. 

Fanti 2007 Brunello di Montalcino, Tuscany, Italy, $45.00
A combination of black cherry and sour cherry, the aromas are repeated on the palate, with firm tannins and nice length.

Il Poggione 2007, Brunello di Montalcino, Tuscany, Italy, $69.00
This wine is beautifully rich with cherries and balsam notes on both the nose and palate. The concentrated flavors linger throughout the wine’s long length.

Col d’Orcia Riserva Poggio Al Vento 1995, Brunello di Montalcino, Tuscany, Italy, $85.00
This wine saw four years in oak and two years in bottle before being released. Now, 17 years after its initial production, it is showing development on both the nose and palate and offered dried fruit, herbs and cherries.

Villa Poggio Salvi 1994 Brunello di Montalcino, Tuscany, Italy, $NA
Almost Barolo-like in its black fruit character, this wine also offers dried herbs and fig notes. However, its body was lighter than the Col d’Orcia 1995.

Bonjour with a side of French wine and cheese

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If you are planning a trip to France (or another European destination), you might want to pick up a bit of language skills before you head off into the Parisian sunset. Enter Manisha Snoyer, educator and proprietor of Into this City. This unique company not only offers foreign language classes, but also provides acting classes in both English and French.

Among the French classes scheduled is Act French for Travelers, which is further described as a basic French language class with cheese tasting. My husband and I attended this class on a Friday evening earlier this month and were pleasantly surprised. In addition to learning key terms and phrases concerning introductions, ordering food and inquiring about where someone is from, Snoyer offers participants with the opportunity to sample four different French wines, each paired with a different cheese.

Moreover, drawing on her acting experience, Snoyer teaches language skills utilizing a variety of activities and games. There is very little occasion to sit still in this class. Instead, students are called upon to identify pantomimes to reinforce the names of months, adding a physical or tactile learning approach to the already verbal one, further enhancing knowledge acquisition. Afterward, while standing in a circle, a ball is tossed from person to person, with each one calling out the French number in sequence. Next, the assembled group is divided into smaller groups and menus are distributed. Returning a few minutes later in the guise of a server, Snoyer takes each member’s food order. And, toward the end, classmates must circulate throughout the room, asking an assigned question and providing a prize (stickers) for correct responses en Français, of course.

Breaks between these exercises are punctuated with the wine and cheese, while French music plays in the background and the structure, aromas and flavors of the wine are discussed. Admittedly, Snoyer is not a wine educator, but she does a nice job with this aspect of the class as well.

The students themselves were a diverse mix of people — different nationalities, different ages and different professions — adding to the atmosphere and congeniality of the evening. All in all, it was a lot of fun, and, we even improved our French. Bien sûr!