Rose dreaming on a winter’s day

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Certainly, a bottle of bubbly makes any occasion special – an instant upgrade from blah to ta-dah! It can brighten days and elevate moods as evidenced on a recent vacation.

Specifically, on said vacation, we were asked to wait in the restaurant’s lounge while they found us a table for dinner. About 15 minutes later, the manager brought over two complimentary glasses of Cava for us, immediately ensuring happy guests, made even happier when we were ushered to the best table in the house only a short while later.

And, every evening at 6:00 PM, the St. Regis Bahia Beach continues the tradition of sabering a bottle of sparkling wine to mark the transition from day to night, as the sun sinks below the horizon and the coqui frogs begin their song.

Moreover, if looking at the world through rose-colored glasses brings a change in attitude, just imagine what a glass of pink-hued, sparkling wine can do for you in the middle of a dreary winter!

Thinking pink, a recent tasting brought together a beautiful range of salmons, pinks and pale reds, all bursting with bubbles and imbuing the day with beauty and brightness.

Thankfully, while a winter vacation might be just a dream, enjoying a glass of sparkling rosé wine just requires an easy trip to your local retailer. Here are a few options to get you in the mood.

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Mionetto Prestige Gran Rosé (SRP: $14.00)
While not technically a Prosecco, since it is both a rosé and a blend of Raboso and Lagrein, this wine hails from the same area where Prosecco is produced. Medium salmon in color, this fresh and fruity wine offered up berry, floral and cotton candy aromas, with a slightly off-dry palate (fittingly, since it is labeled Extra Dry).

Mionetto Luxury Cuvée Sergio Rosé (SRP: $19.00)
Much darker hued than its fellow rosé from Mionetto, this deep pink wine displayed aromas of roses, cherries and strawberries on the nose, all of which persisted on the off-dry palate.

Ruffino Sparkling Rosé (SRP: $15.00)
Ruffino is a well known Tuscan producer, but they have begun to branch out to other Italian regions and recently released this sparkling wine made from the Glera grape of Prosecco fame. It has a pronounced nose of floral and red fruit (raspberry and strawberry) notes, joined by a hint of cotton candy on the slightly off-dry palate.

Cavas Hill 1877 Rosado Cava (SRP: $13.00)
A blend of Garnacha and Monastrell, this Traditional Method sparkler hails from Spain and was deep salmon in color.  Notes of ripe, dark berries and a hint of earthiness dominate both the nose and palate.

Alfred Gratien Brut Classique Rosé Champagne (SRP: $65.00)
Light and ethereal, this pale hued rosé Champagne presented classic yeasty, bready/brioche notes with a touch of strawberry and minerality on the brightly acidic palate, culminating in long length.

Miner Family Winery: The Cool Miners’ Water

Miner
With their name proudly displayed on every bottle of wine they produce, the Miner family has made a name for themselves in Napa Valley wine. Founder Dave Miner initially launched his career in the software industry, following in the footsteps of his uncle, Robert Miner, who was among the co-founders of Oracle Corporation.

Dave continued to pursue his uncle’s passions when he took over as President of Oakville Ranch Vineyards, which Robert had established in 1989. While Oakville Ranch continues to remain in the hands of Robert’s widow, Mary Miner, Dave went on to found his own winery, Miner Family Winery in 1996, after meeting his future wife, Emily, who served as Tasting Room Manager at Oakville.

Ten years later, Dave and Emily’s efforts were duly rewarded when Miner Family Winery was honored as a Top 100 “Winery of the Year” by Wine & Spirits Magazine.

The Miner Family wines were initially crafted at a custom crush facility, but, by 1997, the pair had hired Gary Brookman on as winemaker and spent the following two years buying a building, excavating caves and releasing their first wine. In 2008, the winery was able to become energy-independent, running exclusively on self-generated solar power.

Interestingly, while they have spent considerable time and effort focused on their facility, the fruit for their wines is generally sourced from other people’s vineyards, some of which, like Hyde, Stagecoach and Garys’ Vineyard, have become extremely well known.

A wide range of wines are produced, including those from Bordeaux, Burgundy and Rhone varieties. In a fitting tribute to uncle Robert, the winery’s flagship Bordeaux-style blend, Oracle, was launched in 2004. Today, Miner Family Winery wines continue to earn critical acclaim and have been served at several White House dinners. Yet, the wines remain reasonably priced and accessible.

Miner Family Winery Chardonnay 2013, Napa Valley (CA), US, $30.00
As a high quality, well-made wine, this is an oaked Chardonnay for the haters out there. Aromas of apples, spice and pear greet the nose and persist on the dry palate; overall, it is really enjoyable with complexity and elegance.

Miner Family Winery Wild Yeast Chardonnay 2011, Napa Valley (CA), US, $50.00 Produced with only indigenous yeast cultures, this wine offers up yeasty, nutty characteristics on both the nose and palate. Despite spending 16 months in 70% new French barrels, it is well balanced with integrated oak, showing slight development and culminating in long length.

Miner Family Winery Garys’ Vineyard Pinot Noir 2012, Santa Lucia Highlands (CA), US, $60.00
Beautiful aromas of floral, cherries and a hint of herbs are displayed on the nose while rich, concentrated, ripe cherry flavors are joined by wet leaves and a kiss of oak on the palate.

Miner Family Winery Stagecoach Vineyard Cabernet Sauvignon 2012, Napa Valley (CA), US, $75.00
From the Krupp Family’s famed Stagecoach Vineyard, this wine is redolent of red and black fruits, coupled with spice notes.  The full-bodied palate delivers firm tannins, with rich blackberry and spice along with long length.

Versatile Vermentino: Rolle with it!

IMG_20151207_133046568[2]Stuck in a rut? Instead of reaching for the same-old grape varieties, why not try a versatile Vermentino? This Mediterranean grape offers up unoaked, fresh fruit flavors with bright acidity. Masquerading under a myriad of synonyms, the grape is also known as Rolle (France’s Provence and Corsica), Favorita (Piedmont) and Pigato (Liguria).

Vermentino is also widely planted in Tuscany and is the main white variety found in Montecucco and the Maremma. These dry, white wines typically display peach and pear fruit aromas with an occasional floral or spice note.

However, Vermentino probably shines brightest on the island of Sardinia where it has earned the highest designation for quality wine: Vermentino di Gallura DOCG. It was here that the vines were initially introduced to the island from Corsica in the early 1800s. Situated on the northeast of the island, Gallura’s name translates as an area located on high ground due to its elevation. The spot is also prized for its granite soils, which provide a mineral character to the wines, while the proximity to the sea adds a note of salinity.

One of the leading wineries in the area is Vigne Surrau, which produces 300,000 bottles annually. Although they also produce wines from Cannonau and Carignano, 60% of the winery’s production is dedicated to white wines, especially from Vermentino. In this regard, they make a range of styles from the variety, including dry, sweet and sparkling. Like the people on the island (Sardinia is known for being among the top five places in the world where people live the longest), these Vermentinos have great longevity. They can easily age for 5 to 7 years due the granitic soils, and, while they lose some of their freshness similar to aged Riesling, they retain their beautiful structural elements and evolve in the bottle.

VDSC_0052al delle Rose Litorale Vermentino 2014, Maremma Toscana DOC, Italy
With 10% Sauvignon Blanc in the blend, this wine displays a nice richness on the palate with pear and lanolin, along with fresh acidity.

La Mora Vermentino 2014, Maremma Toscana DOC, Italy Very floral nose joined by flavors of peach and pear on the round palate.

Moris Farms Vermentino 2014, IGT Toscana, Italy
Tropical in style with intense peach fruit, floral and spice notes on the nose and palate.

Massi di Mandorlaia Vermentino 2014, IGT Costa Toscana, Italy Aromas of peach, pear and mineral persist on the fresh palate with good acidity and long length.

2015-09-24 13.06.33Marchesi de Frescobaldi Massovivo Ammiraglia Vermentino 2014 IGP Toscana, Italy
Having spent time on the lees, this elegant wine has a lovely waxy texture along with pear and peach flavors, culminating in long length.

Ribusieri Vermentino Chiaranotte 2014, Montecucco DOC, Italy
This wine shows ripe peach fruit with lanolin and spice, along with medium acidity.

ColleMassari Melacce 2014, Montecucco Vermentino DOC, Italy
A very fresh wine with high acidity and a pleasing palate of mineral, pear and peach notes.

ColleMassari Irisse 2013, Montecucco DOC, Italy
An 85% Vermentino – 15% Grechetto blend that spends ten months aged in large oak vessels, this wine displays aromas and flavors of smoke, citrus and mineral with an angular structure and a hint of spice in the finish.

2015-09-26 10.40.21Prato al Pozzo Vermentino 2014, Maremma Toscana DOC, Italy Bright and fresh with high acidity and lots of citrus and pear along with saline and mineral characteristics.

Tenuta I’Impostino Ballo Angelico IGP Toscano Vermentino, Italy There is almost no fruit on this wine; instead, it offers up overt mineral, chalk and salty notes on the rich palate.

Vigne Surrau Branu Vermentino di Gallura DOCG 2014, Sardegna, Italy, $18.00 Pronounced floral aromas give way to ripe peach and pear on the palate with bright acidity, richness and long length.

Vigne Surrau Sciala Vermentino di Gallura DOCG Superiore 2014, Sardegna, Italy, $25.00
Named for the Italian word for “enjoy,” this higher-end version of Vermentino offers a more restrained nose, but with more richness and texture on the medium-full palate thanks to 24 hours of skin contact and five months on the lees, along with distinct salinity and minerality.

Vigne Surrau Sole di Surrau IGT Isola dei Nuraghi Passito di Vermentino 2014, Sardegna, Italy, $N/A
This unctuous dessert wine offers up both fresh and dried apricot notes accompanied by honey and orange peel; it is beautifully balanced with bright acidity.

Noma: My Perfect Storm, a film about food, focus and fame

7René Redzepi is not a household name, but for those in the culinary know, he is the bright star behind Copenhagen’s Noma restaurant. A new documentary from Magnolia Pictures, Noma: My Perfect Storm, inspired by Redzepi’s own books on the subject, charts his rise, fall and rise again.

Scoring a reservation at Noma is a feat. Most of us won’t have the opportunity to dine at San Pellegrino’s Best Restaurant in the World (2010, 2011, 2012, 2014), but through this film, we can catch a glimpse of what it might be like to taste through the multi-course meal as imagined and conceived by this food fanatic.

In this regard, Redzepi is credited with creating a new concept — the Nordic kitchen – using Nordic ingredients almost exclusively, an especially daunting task considering that Scandinavia is blanketed by snow five months a year.

As part of developing this concept, he was determined to tell a story with each dish: the story of a place (where the food came from) and time (the season in which it was grown). In essence, the here and now of what is on the plate. With the use of time lapse photography, we are drawn through the seasons of the beautiful Danish landscape, further illustrating Redzepi’s pursuit.

To accomplish his ground-breaking approach (sometime quite literally), Redzepi combed the land for foragers, farmers and fishermen in search of local products, produce and people, many of whom we meet in the film. He claims that ingredients are an alphabet by which to share a new language; the more ingredients one has, the more beautiful the prose.

Beyond taste, Redzepi also explores new techniques such as his experiments with fermentation; fights about thyme vs lemon thyme; and inclusion of live ants in a particular dish. Aided by a head-mounted camera, we watch Redzepi’s creations come to life, accomplished with such tools as paint brush and tweezers to ensure that his vision is realized in its precise level of detail.

But, more than just a pretty picture of food, the film is refreshingly candid, permitting us to see not only the less than glamorous side of five-star dining, but also the darker side of Redzepi. Achieving such a lofty goal at a young age, Redzepi discusses the dangerous side of success. Moreover, it is evident that he takes things very personally and you can feel his frustration as he pushes himself and his team to be even more creative and constantly driven to be the best.

It is also an immigrant story. Born and raised in Macedonia on the family farm, Redzepi comes to Denmark as an outsider, who must overcome racism. Yet, as he advances his new Nordic menu, he is “more Danish than the Danes” as one of the film’s interviewees describes him. He must also overcome the derision of his peers who are less than enthusiastic about his novel menus and taunt him accordingly.

The film is a bit slow at times, but, ultimately, the story pulls you through, as you eagerly await the outcome of the various obstacles that Redzepi faces in his struggle to succeed.

Film from Magnolia Pictures
http://www.magpictures.com/noma/
Available in theaters, on demand, Amazon video and iTunes December 18, 2015.

Sangiovese Spoken Here: Tuscany’s Montecucco

DSC_0513It could be the start of a bad joke: six journalists walk into a Consorzio office… wondering what in the world is Montecucco? But, instead, it was a pleasant journey that revealed another side of Sangiovese, a coterie of winemakers dedicated to their land and people passionate about wine.

Situated within Italy’s Tuscany region, just south of Sienna, Montecucco abuts Morellino di Scansano and looks across the river to Brunello di Montalcino. Here, seven towns sheltered by Mt. Amiata, an extinct volcano, are making wine under the Montecucco designation.

While wine has historically been produced in the region, the denomination is quite young, having obtained recognition in 1998, thanks to the enterprising efforts of six producers. Previously, the area was known more for its polycultural approach to agriculture, with farmers growing not only grapes, but also olive groves and cereals and raising livestock, a practice which continues to this day.

But, despite its relatively recent arrival on the wine scene, Montecucco has seen significant growth in both numbers and quality and has been rewarded for its efforts. Since 2011, the denomination also sports a DOCG level wine and can boast that its yields are among the lowest in Italy at 7 tons per hectare for these top wines.

The DOC rules account for white, rosato and red wines. White wines are produced DSC_0600predominantly from Vermentino, with a minimum of 40% required for Montecucco Bianco DOC[1] and at least 85% of this variety for Montecucco Vermentino DOC.

As elsewhere in Tuscany, Sangiovese is the grape of choice for reds. The Montecucco Rosso DOC requires a minimum of 60% Sangiovese, while the Montecucco Sangiovese DOCG must be produced with at least 90% Sangiovese. This latter wine and the Riserva also require 12 months and 24 months in wood, respectively, plus several months in bottle before release.

Given the area’s proximity to Morellino and Brunello, the wines almost beg to be compared and contrasted, in their description — more tannic than Morellino; less intense than Brunello. But, in reality, such an approach is much too limited and doesn’t provide the full picture.

Rather, the wines are truly capable of standing on their own merit and have their own distinct voice. This point was abundantly clear after we tasted through a selection of 24 wines at the consorzio office – our introduction to Montecucco. The wines were robust expressions of Sangiovese with firm tannins, notes of dried red fruit, spice and cherries with structure, complexity and power.

Moreover, as we quickly learned, as a region made up of many small producers (there are presently 70), the stories behind these wines were equally revealing. While there were differences in individual wine styles from producer to producer, a unifying declaration of a fierce devotion to quality and love for the territory was evident during our visits. To wit, 55% of the producers subscribe to organic farming.

Colle Massari: A Gentle Giant
2015-09-25 22.24.52Perhaps the leading voice of the region is that of Claudio Tipa, President of the Montecucco Consorzio and owner of Colle Massari. Named for the hill on which it stands, Colle Massari is by far the largest producer in the region at 500,000 bottles per annum (of the region’s total annual production of 1.8 million bottles).

Tipa, a Tunisian-born Swiss who entered the wine industry after a successful career in telecommunications has built a portfolio of wine properties with his sister, Maria Iris, beginning with the purchase of Colle Massari in 1998.

Now also the owner of Grattamarco (in Bolgheri) and Poggio di Sotto (in Montalcino), Claudio admits that he entered the industry in a backwards manner by starting with a wine that was unknown in the market. Yet, despite this obstacle, and the allure of his other properties, his heart seems wedded to Montecucco.

Further, his commitment to Montecucco appears motivated by passion and not profit; Claudio proclaimed that, “We want to do something else – something smaller; something real. [Montecucco] is little and hidden. If you have Brunello, you can sell it. Montecucco is much harder [to sell].” In spite of Colle Massari’s relatively large size, his maintains a philosophy of staying small while keeping the quality high. His hard work and dedication have paid off, with Colle Massari earning Gambero Rosso’s Winery of the Year distinction in 2014.

Not surprisingly given his tenure and stature in the region, Claudio has served as president of the consorzio three times, but says that he won’t serve in that position again. Instead, he prefers to get the younger generation involved. In fact, he mentioned that he plans to retire at DSC_0607age 70. While I enjoyed the full collection of Colle Massari wines, I was particularly impressed with the Montecucco Riserva 2012, which displayed an impressive array of spice, cinnamon, black cherry, wet leaves, earth and olive notes.


Perazzeta: Preserving the Past DSC_0541
Another of the region’s early pioneers is Perazzeta.  One of the founding members of the DOC, this small family business operates from a building that dates to 1400. The historic cellar was bombed during WWII because the Allies through the Germans were hiding there (they weren’t, but others were).

Similarly, the vineyard had been in the family for generations, providing wines for daily use. But, in 1994, the family was asked to bottle their wine by a Livorno restaurant, encouraging them to pursue a more commercial course for their wines. Today, their annual production runs 60-70,000 bottles.

In another nod to the past, the Bocci family has been working with a professor from Padua to research and identify old vines that have survived. As a result of this work, the winery’s Emma is produced from an extinct Sangiovese clone.DSC_0565

We were greeted at Perazzeta by Rita Bocci, wife of winemaker, Alessandro, who welcomed us dressed in denim overalls, underscoring the hands-on, down-to-earth nature of the people we met. More recently, they have been joined by their daughter, Sara, in the family business. Their Rita Riserva 2009 – named for both Alessandro’s wife and mother – was stunning with its beautiful development of spice, oak and cherry.

 

Prato al Pozzo: Yielding a Dream
DSC_0630At Prato al Pozzo, we met Francesca Quiriconi, who owns the small estate with her husband, Fabio. The duo purchased the property in 2003 and have been slowly growing the estate. Fabio has served as director of two Antinori estates for many years and has always had a dream to produce his own wine.

After ten years of waiting, they are finally building a real cellar, with construction appearing almost completed during the time of our visit. But, this dream has not come without its costs. Francesca manages the property in Fabio’s absence (he is only home on weekends) and is also responsible for taking care of their two daughters on her own.

2015-09-26 10.40.21Named for a Molière character who was reluctant to spend money, their flagship wine is sourced from the initial Arpagone vineyard (1.5 hectares), which doesn’t yield very much. Although Francesca referred to this wine as a “poor cousin of Brunello,” it was really quite lovely with fresh cherries, earth, olive and mineral character. As they continue to establish themselves, they plan to grow to a maximum of 2.5 hectares and are in the process of converting to biodynamics.

Poggio Mandorlo: Bringing Friends Together
Another realization of a dream, Poggio Mandorlo brought together four friends – Roberto, Felice, Giuseppe and Fabio – who wished to make their own wine. Accordingly, they came to the region in 2001, planting 30 acres of land under the direction of Consultant viticulturist, Maurizio Saettini, and initially hiring Brunello producer, Roberto Cipresso (of La Fiorita), as their consultant winemaker.

DSC_0528The estate sits 250 meters above sea level. Here, the mountains protect the vineyard from the Sirocco winds and stop the rain, while the good wind from the sea is able to penetrate and benefits the vines. With Sangiovese, Merlot and Cabernet Franc, the vineyard was carefully planted based on soil and exposure. Unlike Montalcino, which has no calcium in its soils, the Poggio Mandorlo estate is home to calcareous Albezza soils, similar to those found in Chianti Ruffina. The first vintage was in 2004. 2015-09-25 14.34.26

Their top wine, bearing the same name as the estate, is a blend of 70% Merlot and 30% Cabernet Franc, taking its cue from St. Emilion, despite its IGT Maremma Toscana designation. Given their north-facing exposure, the Cabernet Franc vines maintain good acidity and provide elegance to this wine, with its ripe fruit of red and black berries along with wet leaves and spice. Il Guardiano, their entry-level wine, previously qualified for Montecucco Sangiovese status, but with its 85% Sangiovese/15% Merlot blend, as of 2011 (the year of the new DOCG regulations), this wine is now labeled as IGT Toscana.

Poggio al Gello: A Labor of Love
With four hectares of grapes and five hectares of olives, Poggio al Gello DSC_0672is a labor of love for a retired teacher (Alda) and engineer (Giorgio) who claim that they are continuing to work, but without the stress. The two are happy with their small size of 20,000 bottles annually and are proponents of organic agriculture.

Recognizing that they needed schooling in the ways of wine, the couple hired the director of Col d’Orcia as their “teacher.” They note that he never tells them to do this or do that, but rather, is careful to explain to them why they should or shouldn’t do something. “He is our doctor of wine,” Alda says. Their Rosso del Gello Riserva 2011 spent two years in large oak, resulting in depth and complexity in the balanced and elegant wine.

DSC_0670In addition to producing Montecucco wines, the estate makes two wines from ancient varieties – Pugnitello and Fogliatonda  —  as much as to preserve these nearly extinct varieties as because they don’t wish to be boring. Beyond wine, they also make their own olive oil. In fact, Alda seems to come alive in the olive grove, as she stops to admire the budding olives on the tree. In their spare time, he is writing a novel, while she plays the piano and recently wrote a song for their grandson.

 

 

Tenuta l’Impostino: A Place to Stop and Rest
On a larger scale, Tenuta l’Impostino takes its name from the impostini — places where couriers would stop and change horses before heading on to their next destination during Medieval times. But, instead of moving on to the next location, the current owners fell in love with the area and decided to stay.

DSC_0696The 52 hectare property has 25 planted to vines, where a natural amphitheater provides excellent exposure. The old homestead’s restored farmhouse and stable presently serve as a restaurant and inn, respectively, providing a wonderful place for tourists to relax and recharge, while enjoying the estate’s wines. DSC_0725

The first harvest was in 2006 and, in spite of the property’s size, the grapes continue to be hand harvested. Tenuta I’Impostino’s Vermentino, Ballo Angelico, was one of my favorite whites, with freshness, minerality and a touch of salinity. Their Montecucco Rosso 2011 was also really lovely, with cherries, earth and spice.

Parmoleto: The Family that Farms Together
As Leonardo Sodi meets us in his parking lot, he glances wistfully across the valley at Castello Banfi and Brunello territory, seemingly only a whisper away. Yet, he is resigned to his Montecucco fate and in keeping the family farm in the family.

DSC_0766The 72 hectare estate consists of five hectares of vineyards, three hectares of olive groves and 65 hectares of cereals, along with 300 pigs and a bed-and-breakfast. The vines were mostly planted in 2000 and include just over 1 acre of Riesling.

The Sodi family’s historic cellar is 100 years old, but his parents only starting bottling wine in 1990 and were among the six founders of the DOC. Today, they produce seven different wines, with a total annual production of 23,000 bottles. The intention is to maintain the current size of production because Leonardo is determined to keep it a family farm. If it becomes too large, it will not be a family farm.DSC_0745

A sparkling wine and full-bodied white round out the predominantly red portfolio, but a rosato is noticeably absent because as Leonardo explains, he doesn’t like rosé. Although it needed more time to resolve its tannins, the Montecucco Sangiovese Riserva 2010 was balanced and elegant with tart cherry, spice and wood. His Sormonno, a blend of 75% Sangiovese and 25% Cabernet Sauvignon, displayed power and structure along with minerality and spice and was fondly dubbed a “Super Cucco” by fellow journalist, Dave Eckert.

Campo Nuovi: Breathing New Life into New Lands
2015-10-27 21.39.13I first met Daniele Rosellini when I visited Chianti Classico in 2011; the agronomist had been instrumental in the Chianti Classico 2000 research in which the best grape varieties, clones and rootstocks were identified as part of Chianti Classico’s commitment to improving quality. During this time, Daniele and his wife, Nadia Riguccini, wished to craft their own wines, but they needed to stay outside the Chianti Classico territory to avoid a conflict of interest with his job.

After much consideration, they purchased property 2015-09-25 22.37.55within the budding Montecucco denomination in 2000 with the goal of creating their own venture. Their land was previously referred to in historic documents as “Campi Nuovi” (New Fields), a name they kept as they thought is fitting to begin their “new life.” Today, their property is Certified organic and they are also practicing biodynamics. I didn’t have the opportunity to visit his estate during this trip, but it was a lovely surprise and pleasure to become reacquainted with him and to taste his wonderful wine. His Montecucco Rosso 2012 was powerful, concentrated and full of intense, dark red fruit, with slight notes of spice and vanilla.

In Montecucco, Sangiovese speaks loudly and proudly; those tasting these wines will be rewarded with beautifully balanced, well-made wines. But, it is the voices of the people I met that linger with me still.

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[1] Alternately, the Montecucco Bianco can contain a minimum of 40% Trebbiano Toscano.

Pieces of the Puzzle: Putting Together a Glass of Champagne

2015-11-05 15.04.50Once upon a time (also known as several years ago), we found a scrap of plastic film that read, “Assembly of Dust. Some Assembly Required.”

Not knowing what it was or what is meant, it was one of the strangest and most confusing things we ever found on our kitchen counter. After much scratching of our collective heads, we finally identified the scrap as having come from the wrapper of a music CD that a houseguest had opened earlier that day. (It turns out that Assembly of Dust is the name of a band).

The creation of Champagne is truly like that moment – perplexing and puzzling – with lots of assembly required. In fact, lots is an understatement as evidenced by a recent visit from winemaker Régis Camus of Champagne House, Piper-Heidsieck.

During his trip to New York, Camus offered up a unique glimpse into this creation process, known as assemblage, with a tutored vin clairs tasting. A vin clair is a still wine (not sparkling) that has been produced in anticipation of making the blend that will ultimately be bottled for the secondary fermentation; in essence, each vin clair is the equivalent of a single puzzle piece.

Within the Champagne region, there are hundreds of puzzle pieces to be considered. First, there is grape variety; the permitted grapes include Chardonnay, Pinot Noir and Pinot Meunier. Then, there are the approximately 100 different crus (top vineyards) from which the grapes are sourced. Third is a Champagne House’s Reserve wines – wines saved from previous vintages (and kept distinctly by individual vintage). And finally, there is the time that the wine is aged on its lees as the last piece of the puzzle, which is dictated in part by law (a minimum of 15 months for non-vintage and three years for vintage) and by house style, which typically exceed the minimums.

After each harvest, the winemaker and his team start with a blank canvas as the grapes are brought to the winery. Each parcel is fermented separately into wine, becoming the multitude of puzzle pieces – or vin clairs – available to the team. Their mission, which they choose to accept each year, is to taste through the individual wines and build the puzzle based upon the given vintage.

There is no printed box to follow, instead, the “picture” for these puzzle pieces comes in the shape of a bottle – the bottle of the wine produced the year before (and the year before that…). More specifically, the goal is to replicate the house style for each of the House’s wines. By achieving this goal, consumers can be sure that each and every time they buy a bottle of Piper-Heidsieck Brut NV, it will taste precisely the same.

At Camus’ tasting, we were given five different samples that had been part of the 2014 assemblage for the Piper-Heidsieck Brut NV: Chardonnay Avize Cru 2014, Pinot Noir 2015 Verzy Cru, Pinot Meunier 2014 Ecueil Cru, Chardonnay 2009 Avize Cru and Pinot Noir 2008 Verzy Cru.

As in working to piece together a visual puzzle, each vin clair provides a sought-after characteristic that helps to shape the resulting wine; each piece adding something that would be missing without it. For instance, the Chardonnay 2014 Avize Cru was particularly prized for its structure and tension as well as its freshness, fruit and minerality. Meanwhile, the older Chardonnay provided more pronounced minerality and was richer, giving some needed depth to the final blend.

In all, the 2014 assemblage contained 55% Pinot Noir, 15% Chardonnay and 30% Pinot Meunier, representing approximately 110 different puzzle pieces, inclusive of 10% Reserve wines. It’s enough to make one dizzy (and that’s not accounting for the alcohol). However, the vin clair tasting did offer some insight into this complex process and gave me a renewed respect for these master tasters.

I prefer to leave the assembly to the Chef du Cave and drink the finished product; perhaps it will sustain me as I pour over my next 1,000-piece jigsaw puzzle.

NB: At the conclusion of the formal tasting, we had the opportunity to enjoy several of Piper-Heidsieck’s Champagnes along with passed canapés. Given the informal format, I didn’t take tasting notes, but I was especially fond of the Rosé Sauvage and the prestige cuvée, Rare Millésime 2002. I may even have been willing to pose with the latter bottle’s laser cut label worn as a tiara.

A Harvest Celebration: It’s Never Too Early

2015-11-26 11.50.46The third Thursday of November is Beaujolais Day – the day on which the new vintage of Beaujolais Nouveau is released. Georges Duboeuf, the largest producer, generally hosts a festive affair heralding the wine’s arrival on America’s shores with a bang; from chefs on motorcycles to trapeze artists to graffiti artists. This year, there wasn’t even a whimper. Instead, I received only a single email from retailer, Sherry-Lehmann to mark the occasion. I thought perhaps I had fallen off that invite list, but, in speaking with a colleague, learned that there was no party this year.

While many decry the quality (or rather the lack thereof) of Beaujolais Nouveau, I have always enjoyed the quasi-holiday and, if not the wine itself (which, in fact, I generally do), then what it stood for: a celebration of the arrival and completion of yet another harvest. Another year of toil in the soil and effort in the winery.

We can easily see the bounty of the year’s harvest in the cornucopia of fruits and vegetables in the farmer’s market. But, unlike fresh grapes (and other produce), which provide immediate gratification from vine to vendor, wine takes time to make.

Wines like Beaujolais Nouveau are the exception, going from grape to glass in just a few weeks. It may not be complex and age-worthy, nor is it meant to, rather, it is fresh and fruity and a reminder of what is to come with more time and effort… other wines from this vintage. A time to celebrate the season and give thanks for what Mother Nature has once again provided.

Without the usual Beaujolais Day hoopla, something seemed missing. But, the arrival of Macari’s Early Wine 2015 gave me my much-needed fix. The grapes for this Chardonnay wine were harvested in early September, making their way to bottle by the end of October and released during the first week of November.

On the evening before Thanksgiving, I took a moment to open up this wine and pause and reflect on my deep gratitude in anticipation of the following day’s holiday. I also took time to reflect on what was in the glass – white floral and peach aromas; slightly off-dry palate with vibrant acidity; citrus, peach and floral flavors; and a long finish.

And, more importantly, I took time to notice what the wine reflected back: the remembrance of the freshness of summer as we head into winter; the long days of toil and effort in the vineyard; the gentle care taken by Kelly Urbanik in the winery; and the promise of what is to come from the other fruits of 2015’s labor.

Hungry for Wine

CHuygheWith Thanksgiving only a few days away, there are a flurry of features on what are the best wines to drink with the holiday meal.

While those in the industry are less likely to turn to such columns for advice, it is still a topic for conversation as was evidenced during a recent French Wine Society webinar. Among the declarations of bottles being served were the usual food-friendly suspects of Pinot Noir and Riesling.

The subject of the webinar, Forbes’ wine columnist, Cathy Huyghe, declined to answer as she is currently traveling and would be on the road for the holiday and thus unsure what wine would end up in her glass.

No one thought to ask her what she might have selected if she were planning to dine at home, but it would be a good bet that Cathy would use the occasion to open bottles that inspire her to stay Hungry for Wine, the title of her new book. She is also a big proponent of drinking up those “special” wine bottles now rather than waiting (and perhaps missing out) by saving them for a “special occasion” as is the case in her cautionary story in Chapter One.

In the book, Huyghe tells the story of wine – through a different lens than most. Instead of writing detailed tasting notes that conform to a particular format or simply writing about a particular producer, Huyghe shares her vinous experiences within a different context – a true hunger for wine and how it is made.

In general, her writing is fresh and engaging, albeit a bit precious at times. She speaks to the reader slightly more than I would prefer, a habit she likely picked up from her days writing the blog 365daysofwine in which she would “take” the reader with her to tastings and events throughout Boston and elsewhere.

Although the distraction momentarily brings me out of the story, this is a minor quibble and perhaps as much a praise of her writing in that I truly enjoyed reading her stories and didn’t want to be interrupted from the plot.

As any wine journalist is bound to do, Huyghe finds wine stories in the likeliest places: Italy, Spain and California, to name a few. But, more intrepidly, she also finds some in the unlikeliest places such as Syria and Turkey.

Moreover, her stories are at once political, financial and social providing a unique, yet important, perspective from which to view the grape to glass journey.

Island Wines: Santorini Edition

There is something special about visiting an island. The discrete borders, the intimate setting and the separation from the mainland all conspire to conjure images of serene beauty. It’s why “Island Getaway” makes a much better headline than “Landlocked Getwaway”!

This summer, I had the pleasure of visiting several different islands, either in body (Long Island) or in spirit (Sicilia and Santorini), succumbing to their charms through the lovely wines that capture their essence.

Admittedly, Greece has been the talk of the town lately – what with a collapsing economy and all that. But, the good news coming out of Greece is the quality and diversity its wines. I presented a session on Greek wines for IWAGY back in the spring, which was a great opportunity to refresh my memory on Greece’s regions and indigenous varieties. Then, in June, I was (virtually) off to the island of Santorini with a tasting featuring the wines of this volcanic island.

The volcanic island of Santorini is exactly what one would expect from a Greek island. Vivid photographs of blindingly white stone buildings juxtaposed against the brilliance of the azure sea, central casting couldn’t have done a better job in creating the perfect setting.

Viticulture on the island dates to 3500 BCE, but the island owes its true viticultural heritage to the volcanic eruptions that took place in 1600 BCE. The resulting caldera, volcanic soils coupled with the climatic winds and limited rainfall, require vines to be grown in a unique, basket-shaped trellis (known as kouloura) nestled close to the ground for protection.

Here, producers rely on a mixture of indigenous varieties, most notably the white grape Assyrtiko, which creates crisp, dry refreshing whites that are mineral driven. Other local grapes include Athiri, Aidani and the reds: Mavrotragano and Mandelaria.

There are three appellations assigned to the small island: Santorini (dry whites, which must include a minimum of 75% Assyrtiko, rounded out with Athiri and Aidani), Vinsanto (sweet wines producead from at least 51% Assyrtiko and made from late harvested grapes, which are dried in the sun for about 2 weeks prior to fermentetaion) and Nykteri (originally named for the now-defunct restriction that the grapes be harvested at night (nikta), these dry whites are also produced with a minimum of 75% Assyrtiko, but with the additional requirement that the wines be aged for at least 3 months in oak barrels). Additionally, the luscious dessert wine, vinsanto, is also produced on the island.

ESTATE ARGYROS
This winery, originally established in 1903 by George Argyros, is now under the leadership of the fourth generation in the guise of Matthew Argyros. With 30 hectares of vineyards, the company’s holdings are among the largest on the island.

Argyros Aidani 2014, PGI Cyclades
This wine has bright fruit aromas with flavors of floral and peach.

Argyros Assyrtiko 2014, PDO Santorini
This wine displays distinct minerality and salinity on both the nose and palate, with good acidity and texture.

Estate Argyros 2014, PDO Santorini
This wine was fuller-bodied and more structured due to the barrel influence than the Assyrtiko.

Estate Argyros Vinsanto 1998, PDO Santorini
Aromas of caramel, honey, with a mineral characteristic. On the palate, it is rich, but not heavy or cloying; bright and fresh with a long finish.

Estate Argyros Vinsanto 1990, PDO Santorini
Darker in color than 1998, this wine offered up an intense nose of dried fruits, with a sweet, viscous palate with caramel, honey and fig, balanced by sufficient acidity.


GAIA

Gaia was established by Leon Karatsalos and Yiannis Paraskevopoulos in 1994 and is considered to be a boutique winery. As an internationally trained winemaker, Yiannis is at the forefront of Santorini’s rebirth.

Gaia Thalassitis 2014, PDO Santorini
This unoaked version is pithy and fresh, with chalk and mineral notes throughout.

Gaia Assyrtiko Wild Ferment 2014, PDO Santorini
A yeasty character pervades the nose and palate most likely a result of the use of natural yeast.

Gaia Thalassitis Oak Fermented 2013, PDO Santorini
This oak-treated wine displays both a fuller body and notes of oak due to the winemaking.


GAVALAS

A true family business, the Gavalas Winery is presently headed by George Gavalas, who fuses his family’s traditions with a modern sensibility in the creation of his wines. In this regard, he has been instrumental in reviving some of the more obscure varieties on the island.

Gavalas Katsano 2014, PGI Cyclades
Floral and almond aromas on the nose give way to floral and pear flavors on the soft palate.

Gavalas Santorini 2014, PDO Santorini
Fresh with citrus and chalk, this is a lovely example of Assyrtiko.

Gavalas Santorini Natural Ferment 2014, PDO Santorini
Yeasty notes are joined by citrus and minerality. Very special.

Gavalas Vinsanto 2006, PDO Santorini
Intense nose with caramel and honey.

 

HATZIDAKIS
Forced to abandon the family vineyards in the wake of the 1956 earthquake, Haridimos and Konstatina Hadzidakis returned to the island forty years later to rebuild, replant and restore their family’s winemaking legacy.

Hatzidakis Aidani 2014, PGI Cyclades
With floral and peach aromas and flavors, this wine is lively on the palate with good acidity.

Hatzidakis Nykteri 2013, PDO Santorini
Fresh, with just a hint of sweetness on the attack. This wine is big and bold with good acidity.

Hatzidakis Mavrotragano 2013, PGI Cyclades
This wine has a deceptively soft start, giving way to its tannic grip and bright plum fruit.

Hatzidakis Vinsanto 2003, PDO Santorini
This wine is extremely fresh despite its sweetness level. It offers notes of honey, fig and quince.


KOUTSOYANNOPOULOS
The Koutsoyannopoulos family has been making wine since Grigoris and Dimitris Koutsoyannopoulos established Volcan Wines in 1880. Today, the fourth generation continues this tradition, under the family name, while still retaining the old logo.

Koutsoyannopoulos Santorini 2013, PDO Santorini
A bit weightier on the palate compared to some of the other examples, this wine still provides lively acidity and lots of minerality.

Koutsoyannopoulos Santorini 2012, PDO Santorini
With a decidedly mineral nose, the palate is more redolent of fresh fruit, namely pear and citrus. One of my favorites of the event.

Koutsoyannopoulos Nykteri 2012, PDO Santorini
Very floral on the nose, this wine offers up citrus, pith and mineral flavors on its complex palate.

 

SANTO WINES
Established in 1947, the SantoWines cooperative presently has 2500 members that support its activities in growing grapes and making wine.

Santo Wines Sparkling 2014
Quite lovely and fresh with a creamy mousse and floral notes.

Santo Wines Nykteri 2014, PDO Santorini
Floral and fruit aromas greet the nose and persist on the palate through the long length.

 

Then, in late June, just as the crisis was really heating up, an unusual event heralded the launch of Agrino.  Promoting the Mediterranean diet, these packaged rice dishes offer flavor and convenience and will, of course, pair well with Greek and other wines. Coming soon to a grocery shelf near you!