A Wine Soaked Week

003The last week of April was filled with wonderful wine. I kicked off the week at the Wine Media Guild’s monthly luncheon. This Tale of Two Pichons featured a matched, vertical tasting of Chateau Longueville au Baron de Pichon-Longueville (aka Pichon-Baron) and Chateau Pichon Lonagueville Comtesse de Lalande (aka Pichon-Lalande). These highly acclaimed Bordeaux wines were accompanied by a sumptuous meal at Felidia.

Christian Seely, Manager of all AXA-Millseimes properties (which includes Pichon-Baron) was joined by Gildas d’Ollone, Managing Director of Pichon-Lalande, in enlightening us about these two properties and their resulting wines. Much discussion about the cepages (blend) and weather patterns of each year ensued, with both men noting the importance of ripeness and yields.

The Longueville property was initially one large parcel, but upon the marriage of the Baron’s daughter, it was split into two separate properties as part of her dowery. In 1978, Giladas’ aunt purchased the Pichon-Lalande property, which she sold to Roederer in 2007. Pichon-Baron is presently owned by AXA-Millisime.

As usual, the first part of the event featured a walk-around tasting. Given the day’s theme, the luncheon was particularly crowded and included some luminary members and guests that rarely attend. Consequently, I chose not to take detailed notes during the tasting but rather, to simply enjoy the wines. We began with the 2000 vintage, which was lauded as one of the top vintages in Bordeaux, until 2005 arrived. Overall, I found the 2000’s to be quite amazing and felt that the 2005’s needed additional time to mature. I was also surprised that the 2003’s (the hot vintage) were as good as they were. Generally, it was interesting to taste each wine from the same vintage and see how the two differed. Similarly, it was great to see how the same wine changed from vintage to vintage. In some vintages, I preferred Pichon-Baron, while the Pichon-Lalande was my favorite in others. During the actual lunch, the 1985, 1989 and 1975 (the latter in double magnum) Pichon-Lalandes were served as were the 1989 and 1990 Pichon-Barons. The 1975 Pichon-Lalande was incredibly bright and lively for its age.

After lunch, many of the attendees headed over to the Four Seasons restaurant to attend a preview tasting of the recently declared 2007 vintage for Port. Event participants included properties from the Fladgate Partnership, Symington Family Estates and Quinta do Noval. I briefly tasted through a few of the 2007s, noticing their richness, coupled with chocolate and berries. A selection of older Ports was also available to taste, of which I particularly liked the very concentrated Smith Woodhouse 1977, the mellowness of the Graham 1970 and the luscious bramble fruit of the Dow 1980.

The following evening found me at Grape & Grain wine bar in the East Village, meeting up with a friend from out of town. The by-the-glass list was surprisingly heavy on Spanish wines, but also had a selection of others. We weren’t very hungry, so we simply ordered a white bean dip accompanied by spicy pita chips. My initial glass of wine, a white blend of Macabeo, Xarel-lo and Chardonnay, seemed somewhat oxidized, but as many traditional white Spanish wines have this characteristic, I ignored it. However, when my husband arrived later on, he brought it to the server’s attention who expressed surprise, having not encountered it in that wine before. Consequently, he opened a second bottle, which had the same oxidized note and then a third, which didn’t, before pouring me a new glass of wine. The bar also carries a selection of beers in hommage to the “grain” in its name.

My next major interaction with wine didn’t occur until the end of the week, but it was quite major. Grand Cru Classes hosted the Saturday night dinner for TasteCamp East in its Tuscan-inspired tasting classroom. Participants had been asked to bring a bottle of wine, especially one from their home state/local wine region. Many attendees took this a step further and arrived with a full case. Consequently, with 30+ people in the room, there was a sea of wine. The diversity of wines present was quite astounding with fruit-based wines sharing the table with the likes of Duckhorn. All in all, it was an extremely fun evening and we enjoyed meeting and, in some instances, re-acquainting ourselves with, the bloggers.

We woke up Sunday morning with a fair amount of cleaning up to do.  All told, we ended up opening over 30 bottles of wine, with many unopened bottles taken home and a just few left behind. It truly had been a wine-soaked week.

A new organic wine hits the market – the Pinot Grigio to feel good about

Harvest at CollaviniFriulian wine producer, Collavini, has introduced a new Pinot Grigio, produced from organic grapes. The family-owned and operated winery has been in existence since 1896 and is currently run by Manlio Collavinin, along with his sons Luigi and Giovanni. Wife, Anna, manages public relations for the company.

In addition to being an organic wine, several environmentally-friendly measures have been taken in connection with the wine. More specifically, the bottle itself is made of recycled glass and may be recycled yet again. Sealed with a natural cork, the closure is also recyclable. Related packaging such as the wine shipper and its partitions, was produced from recycled materials, most of which is fully recyclable as well.

Made entirely from Pinot Grigio, the (ICEA) certified organic grapes are grown in the Venezie region, with adherence to organic practices and eschewing man-made fertilizers and pesticides. The winemaking process is not certified organic, but care was taken to follow traditional winemaking practices with minimal handling of the fruit.

Collavini Pinot Grigio 2008
IGT Delle Venezie
$13.99 SRP
This wine has a clean nose of floral, lemon and slight stone aromas. On the palate, it is dry with lively acidity and a relatively light body. Flavors of lemon, stone and tangerine persist throughout the wine’s medium+ length. The high acidity permitted this wine to pair nicely with fried food, cutting through the grease and cleansing the palate between bites.

Etch a sketch

 etch2I received an invitation to participate with a company, Etching Expressions, to have my logo etched onto a bottle of wine. It seemed like an interesting idea, so I decided to give it a chance.
 
I sent in my logo according to the specifications requested and within a few weeks was the proud owner of a Grand Cru Classes logo’d wine bottle! The logo was reproduced exactly and the etching workmanship seems quite good. The red in our logo doesn’t show up quite as well on the green glass, but that is certainly not the fault of the etching company.
 
My only other criticism would be the fact that this is a bottle of “California Champagne” which is wrong for so many reasons, not the least of which Champagne can only be from one place in the world — Champagne, France. Anyway, the company does offer other generic wines for etching: Chardonnay, Cabernet Sauvignon, Merlot and Pinot Noir, and also has a selection of name brand wines as well, including Clos du Val, Beringer Vineyards and Veuve Cliquot. Alternately, you can choose to send in your own wine with several caveats mentioned. However, while the potential for damage may be low, I wouldn’t recommend doing this with a prized bottle of wine (just Close up of etched imageshipping it back and forth isn’t so good for the wine, let alone possible breakage).

The service starts at $65.00/bottle, but drops as the volume increases. Beyond etching a corporate logo, they also do personalized greetings such as Happy Birthday or Congratulations with a personal message to the recipient included below the more generic graphic. As party favors, meeting give-aways or other corporate gifts, it can be a nice option for making your mark.

Keep them laughing: My debut in stand-up comedy at Comix

photo_112208_001As a wine educator, I am a teacher, coach, mentor and performer, all rolled into one. I strive to ensure that my students truly learn about wine, while having a great time doing so. I want them to overcome any obstacles and to begin to really appreciate all of the nuances involved.
Accordingly, I constantly strive to improve my presentation skills, along with my pedagogical approach. Over the years, I have been fortunate to receive some great presentation skills training and I am a confident public speaker as a result. However, I know that while I enjoy wine very much, parts of it can be overwhelming, confusing or just plain boring. So, I sought out a way to solve this issue.

Accordingly, last fall, I enrolled in a stand-up comedy class. While I had never considered myself to be the funniest person, I thought that I had a great sense of humor that occasionally shone through. Apparently not.

When I told my mother that I was taking the class, her immediate response was, “You know you’re not funny, right?” My sister was a little less harsh in her reaction, but was equally surprised by my decision to study stand-up and was considerably anxious about my performance. But, I chose to ignore their concerns.

The class ran for three hours a week for five weeks and was expertly facilitated by the comedianne Cory Kahaney.  At each class meeting, including the very first, participants were instructed to present a comedic set to the instructor and class, both of which would provide constructive feedback.

In between classes, we were writing new material and would occasionally have a specific homework assignment such as writing a joke about our mother or using a particular format such as a switch joke. Just as in a regular class, we were required to demonstrate that we had done the assignment; the only difference was that we had to tell our joke from the stage, rather than submit a piece of paper to the teacher.

We started off the sessions with a two-minute set. This eventually built to 5-6 minutes, which we aimed to perfect by the end of the last class meeting. Now was not the time to experiment or try new things.

A few weeks after the class ended, all of the students were scheduled to perform on stage at a prestigious comedy club in New York City — Comix. While it was a Saturday, it was a little less nerving to perform at 4:00 PM and instead of a room full of strangers, we were surrounded by our friends and family and those of our classmates. Accordingly, we had the benefit of an encouraging crowd.

I was scheduled to appear near the end of the show and waited nervously in the Green Room with fellow colleagues awaiting their turn. One by one, our classmates took the stage, performed their best and made the audience laugh. When my turn finally came, I stepped out onto the stage and was bathed by the brilliant lights. It was a heady moment. My husband and sister (who was clawing my husband since she was still so anxious about my lack of talent) were seated in front of the stage and, along with several other friends, were  a welcome sight, putting me further at ease.

I began my set and was rewarded with laughter. I continued on until I saw the red light in the back of the room indicating that my time was up. I wrapped up with my closing joke and took a bow. I had had an amazing time and was sorry that the time had passed so quickly!

I exited the stage and reunited with the dozen or so friends and family afterward, sharing in the moment.

While I do not anticipate performing entire comedy sets for my students, I do plan to utilize more humor into my teaching and finding ways to always make wine fun. And, when I get the chance, I find myself up on stage doing my 5 minutes for yet a new audience. I may not be funny, but my comedy seems to make people laugh.

See my set: http://video.google.com/videoplay?docid=-2601622325874714325&hl=en

An Examined Life: I join the Examiner.com as NY Wine Shopping Examiner

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This week I began writing a column for Examiner.com as their NY Wine Shopping Examiner.

I am excited about the opportunity to combine my love of shopping with my passion for wine. While my sister , who works in the fashion industy has a closet full of clothes, I have a closet full of wines and you can imagine how they got there. I often feel like a kid in a candy store when I go to a wine shop, which is why I previously did most of my wine shopping online. However, as part of my investigative reporting, I will be venturing out of the house more and seeking out wine and spirit shops around New York.

In addition to profiling local wine shops, I will also cover wine shop events including in-store pours, classes and sales. If it has to do with wine and retail, it’s my beat. Won’t you join me on this journey?

Dining at Home

With the recent downturn in the economy, dining out seems like an unnecessary splurge for most evenings. Additionally, with a cellar full of wonderful wines, dining at home is the perfect excuse to invite over some friends and break open a great bottle of wine. Happily, we have had the good fortune of serving as both hosts and guests in this manner.

A Monday night in February found us at a dear friend’s home where the goal of the evening was to enjoy some wines from her cellar. The celebration began with a glass of Mumm Brut Cordon Rouge, paired with cheese and crackers and shrimp cocktail. The salad course was served with a Rochioli Chardonnay 2006 (Russian River Valley, CA), which displayed beautiful elegance despite its full body.  A trip to Napa in 1998 included a stop at Opus One, with both Opus One and Overture (Opus One’s second wine) heading home with her as souvenirs. Based on our recommendation that the Opus One 1997 would likely continue to age, she opened the (non-vintage) Overture, which was a perfect foil for the filet and mushroom dish she had prepared. Our own contribution to the evening was a Forster Kirchenstuck Riesling Auslese 1994, which was unfortunately flawed, likely due to poor storage conditions prior to our own purchase at a silent auction. Instead, the hostess opened a Hermann J. Wiemer Johannisberg Riesling Late Harvest 2001 from the Finger Lakes to pair with dessert (fruit pie) and the Trentadue Chocolate Amore from California, lest anyone still be in need of any wine. All in all, it was a terrific evening of good food, good wine and great friends!

My Life in Wine PR: We interrupt this wine event for Tyra Banks

Back in February, I was working on a special wine luncheon featuring two winemakers from Napa Valley held at Porterhouse in the Time Warner Center. I was looking forward to the event, but as it turned out, I was unable to attend afterall.

I arrived at Porterhouse early that morning to set up, but as I had to leave prior to the event start time, I asked a friend to fill in for me. As the guests began to file in, I headed out to the town car waiting downstairs. My husband had already been picked up at our home and as I joined him in the car, we sped off for our adventure.

We arrived at the studio and were whisked upstairs to a green room, one of many, to get settled. My sister arrived shortly thereafter. Then, we began a long wait, punctuated by frequent visits from the various producers and assistant producers who came to prep us for our television appearance. Finally, I was sent to hair and makeup, which was a lot of fun, as I excel in neither of these talents. Next, I was rushed to the stage to take my seat next to Tyra.

Our brief segment went by in a flash and all too soon, they were calling cars to take us home. Rather than end the day on a rather anticlimatic note, we chose to return to the Time Warner Center, where our friend had just finished up with the winemakers’ luncheon. We headed her off at the pass and enjoyed a light, but lovely, late lunch at landmarc, where we shared half-bottles of the Caymus Conundrum and a Seghesio Zinfandel.

We had been advised that our show would air in March, but each week we diligently checked Tyra’s website to no avail. Just when we were beginning to think that the show would never air, they called to give us the good news… we would appear on May 27. You can catch our appearance online.

California Here I Come

With the holiday season in the rearview mirror, we bid goodbye to Santa Claus and say hello to another Santa, Santa Barbara. We’ll be visiting this wine region in April with my family to celebrate my father’s birthday. In deference to him, I won’t reveal his age, but it is a milemarker, hence this big family vacation.

Like much of California, winemaking in Santa Barbara began during the Missionary period and then stagnated during Prohibition. While its modern period of viticulture began in the 1960s, it certainly came upon the world scene with the launch of the movie Sideways. During my last visit to the region, I was much too young to drink (~12), so I have no reference point, but I am looking forward to getting to know some of these wineries first hand.

Also part of the area is the town of Solvang, which was recently featured in an episode of the Girls Next Door, and a place I do recall from that childhood visit long ago. Solvang is an authentic Danish village that looks like you stepped out of reality into a Grimm’s Fairy Tale. Fortunately, the big, bad wolf is no where to be found.

I’ve already visited the  Santa Barbara County Vintners’ Association and requested (and have already received) their touring map, which will help us plan our travels. My parents have taken care of the accommodations (we are renting a house), plane tickets have been purchased and we’ve booked a birthday dinner at bouchon, which has a terrific list of local wines, 40 of them available by the glass. The only thing left to do is to select which wineries to visit.

We had the pleasure of meeting Steve Clifton of Clifton Brewer and Palmina at the Long Island symposium back in August, who hails from this region, so we hope to visit with him or at least visit the tasting room to enjoy some of the wines he didn’t bring east with him.

Unlike my previous visits to wine regions, where it is generally just my husband and myself, we will be  traveling as a group of six. The consequences are that it will be more challenging to agree upon which wineries to visit and I think we may need to make reservations in advance given the size of our group.

We arrive in Santa Barbara on April 18, which coincidently coincides with the annual Vintners’ Festival, held at River Park in Lompac. The main festival doesn’t start until 1:00 PM on Saturday and we are scheduled to arrive at 9:30 AM, so it should be doable. The only issue will be whether we can stay awake since we have a 6:00 AM flight from NYC.

Other festivities are held at the various wineries throughout the weekend. Tickets for the main festival are $75.00/person and a “Vintners’ Visa” which permits its holder to have the tasting fees waived at up to 12 wineries over the four-day period, is $35.00/person. They offer a designated driver Vintners’ Visa at $25.00/person, which is a bit confusing. While I laud their efforts in advocating responsible drinking and abstention from drinking and driving, I’m not sure why someone has to pay not to drink. 🙂 Likely they provide the driver with some sort of nice recognition, but nothing is specifically stated on the website other than price.

Santa Barbara is highly regarded for its Pinot Noir wines, but certainly isn’t exclusive to this grape. Yet the cool climate, thanks to the maritime influence of the Pacific, truly creates beautiful wines from this variety. Not surprisingly, Chardonnay also does remarkably well here. Inland, where the climate is warmer, one will find some Merlot and Cabernet Sauvignon. And, the aforementioned Palmina specializes in Italian varietals.

Within Santa Barbara County are three AVAs, which sound like a line-up of Christopher Columbus’ ships: Santa Ynez Valley, Sta Rita Hills and the Santa Maria Valley. A fourth area, , Los Alamos Valley, is not an official appellation, but it is a well-demarcated area within the region.

The Vintner’s Association has outlined six different wine tasting routes, but I don’t think we’ll hit them all in sequence. I have much more research to do in deciding where I want to go and then, of course, run it by the committee. Regardless of where we go, I am sure we will taste lots of wonderful wines and I am very much looking forward to the trip.

Lovely Wines from Languedoc-Roussillon

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Collioure, France

On a wet, blustery autumn day, I packed up my things and headed off to the South of France. Well, I headed out to a tasting of wines from Southern France located across town, but, for a few hours I was transported to the sun and warmth of Languedoc.

Held at Fig & Olive, the Sud de France tasting was organized by Teuwen One Image on behalf of client La Maison de la Region Languedoc-Rousillon. Having actually been in the Languedoc some years ago, I was familiar with the region and very much looked forward to the tasting.

Spanning along the coast of the Mediterranean Sea, the region is located in the Southwest of France, stretching from the Spanish border to just West of the Rhone Valley. Much of the climate is tempered by the Mistral. This wind is so strong that driving along the highway during our visit, we could feel the car shake. It is a large, geographic area and includes ~30 different appellations, along with a vast number of Vin de Pays and simple table wines. Previously, this was a region known for quantity and not quality, but things have changed significantly over the past several years.

While most of the international grapes are grown here, the region is primarily known for red grapes Syrah, Carignan, Mourvedre, Cinsault and Grenache, frequently blended together. Among the white varieties are Viognier, Picpoul Blanc and Roussanne.  Dry and fruity roses are also produced as are fortified dessert wines. The majority of these wines are well priced, offering great value under $20.00 and many under $15.00. The most expensive wine represented at the tasting retails for $48.00, but this truly was the exception rather than the rule.

I did not get to taste all of the wines at the event, but did taste through seven of the ten collections presented, which was simply a matter of navigating the crowd, not an indictment on the producers I missed. As always in these walk-around tastings, my notes are limited in their detail, but a few did stand out, which I starred in my book.

I particularly liked the Chateau Les Ollieux wines from Frank Johnson Selections. The estate had been family owned for many generations, but due to French inheritance laws and their resulting tax bills, it had to be sold. Fortunately, a nearby neighbor was the purchaser, keeping the wines under a similar regimen. From the Corbieres AOC, the two wines available for tasting were the Rouge Cuvee Tradition 2005, a blend of 33% Syrah, 31% Grenache, 31% Carignan and 5% Mourvedre and its reverse counterpart, the Rouge Cuvee Francoise Cartier 2001 (40% Mourvedre, 30% Carignan, 15% Grenache and 15% Syrah). The Tradition had medium+ tannins with red fruits and meaty notes, while the Francoise Cartier tended toward black fruits and leather.

I also liked many of the wines from Henny & Francois Selections, which focuses on natural and organic wines. The Chemin de Bassac Vin de Pays de Cotes de Thongue “Isa Blanc” 2007 is a blend of 33% Viognier and 67% Roussanne with a very floral nose. On the palate, the wine has good acidity with citrus and floral notes. As a certified organic producer, no man-made chemicals are used in the production of its grapes.

From Pasternak, the Chateau d’Aussieres Vin de Pays d’Oc Aussiere Rouge 2006 (40% Cabernet Sauvignon, 30% Grenache, 20% Syrah and 10% Merlot) was a nice example of integrating indigenous grapes with higher profile grapes. It showed bright red fruit with notes of underbrush, providing some complexity in the wine.

Overall, these are wines that are very accessible, especially given the economic climate and should be more easily available on retail shelfs and on restaurant lists. If you are not familiar with the wines of this region, it’s time to give them a try.

Cotes de Roussillon, France

Cotes de Roussillon, France

Wine Media Guild Lunch – Sipping Champagne with Ed McCarthy

newyears-009In December, I attended my first Wine Media Guild lunheon as a full-fledged member, having ben voted in by the membership a few days prior. I graciously thank Marisa D’Vari, Robert Simonsen and Louisa Hargrave for their sponsorship, which is greatly appreciated. The luncheon’s theme was Vintage Champagne and we had the good fortune to hear from Ed McCarthy, one of the noted experts on the subject. Formerly an English teacher, Ed is now the author and co-author of numerous wine books, including, “Champagne for Dummies.” He explained that his defining wine moment was with Krug Champagne, when he discovered that, “Champagne is more than just bubbles.”

We began by warming up our palates with two non-vintage Champagnes, before moving on to the main event. Vintages represented were 1995, 1998, 1999, 2000, 2002 and 2003 as were a wide range of producers, both large and small. Vintage Champagnes are those Champagnes made in especially good years (aka vintages), when the grapes stand on their own and communicate something special. Conversely, non-vintage (NV) Champagnes are the product of a blend of wines from different years, which provides consistency from year to year. Accordingly, once you determine your preference for a particular producer’s house style, you know you can rely on the wines to deliver the same qualities every time you taste it.

The sole 1995 wine was from Henriot, its Cuvee des Enchanteleurs Brut. Ed described it as big, sturdy and full-bodied and added that this was a Champagne house to watch as they are making wonderful wines. He also noted that while 1995 was a good year with ageability, it wasn’t as good as 1996. Although he described the 2000 vintage  as good, but not great, it was the 2002 vintage that Ed really advocated. He explained that it was a much maligned vintage, but to him, it is the best vintage since 1996 and thus the one to buy now to hold. The 2003 vintage was the year of the heat wave that swept through Europe, resulting in extremely ripe grapes with much lower acidity than usual. However, this does not mean that some producers didn’t make good wines in 2003. As an example, Ed pointed out the Louis Roederer Brut 2003.

All in all, there were 19 vintage Champagnes, most of which I enjoyed greatly. However, at an average price of $100.00, these wines will seldom if ever find their way into my cellar. Fortunately, price did not necessarily dictate preferences.

The least expensive wine on the table was the Nicolas Feuillatte Blanc de Blancs 1999 at $40.00, but its lower price was not reflected in the glass. The wine was dry with ripe, lemon fruit and full-bodied with a creamy mousse. Blanc de Blancs refers to the fact that the wine is produced exclusively from white grapes (Chardonnay), while Blanc de Noirs are produced from one or a blend of the other two permitted grape varieties, Pinot Noir and Pinot Meunier, both of which are red grapes. Nicolas Feuillatte is a cooperative (in fact, the region’s largest), rather than a privately owned Champagne house, with the grapes purchased from its grower-members.

The big ticket item of the day was the Perrier-Jouet “Fleur de Champagne” Blanc de Clancs 2000 at $300.00, but this turned out to be the most controversial wine at the event. When I first tasted it, I found the nose to be unpleasant and several people wondered aloud whether it might be corked. However, once seated for lunch, Ed was quick to point out that there was nothing wrong with the wine, but admitted that it is idiosyncratic, which would account for the mixed reception. He described it as very citric and very lemony.

Regardless of cost or preference, I felt very fortunate to have the opportunity to taste these wonderful wines and to learn from Ed.