Channeling Jimmy Buffet with Montes and Kaiken Wines

As Jimmy Buffet crooned, “It’s those changes in latitudes, changes in attitudes [when] nothing remains quite the same.” While he was singing about life in general, Buffet might have been speaking about the differences between Chilean and Argentine wine. OK, not really, but the emphases on latitude and altitude were apparent at a recent tasting of Montes and Kaiken wines. Presided over by Aurelio Montes, Sr. and Aurelio, Montes, Jr., the father and son team shared the fruits of their respective labors as we tasted a collection of their wines from these two countries.

A pioneer in wine, Aurelio Montes, Sr. earned his degree in agronomy and went on to co-found Viña Montes in 1988. This Chilean winery set the bar for Chilean wines and helped introduce them to the world at time when people had never heard of Chile, let alone knew the country produced wine.

This father of five was eager to have his son, Aurelio, Jr., follow in his footsteps and was loathe to leave it to chance. Thus, the two traveled to the Napa Valley when Jr. was only 15 years old. During the trip, he visited UC Davis and met Robert Mondavi and other key figures in the Napa industry, which cemented his interest in wine. Moreover, he encouraged his father to focus exclusively on top quality wines.

Upon their return, Sr. looked to new territories in Chile, finding land in Apalta on which to plant his vineyards and launch the Alpha line of high end wines. Here, he embraced the maritime climate, planting Bordeaux varieties, and concentrating on growing premium grapes and crafting premium wines. This shift proved to be quite successful and the Montes name became well respected in the industry.

However, not content to rest on his laurels, Aurelio, Sr. was lured by the stark contrast of Argentina’s vineyards beckoning just over the steep Andes peaks. Its continental climate, unique soils and elevations were equally well suited to grape growing, but with distinctly different challenges than those he faced at home in Chile. Thus, he eventually established Kaiken in 2001, giving him two wonderful worlds in which to produce wine.

Meanwhile, thanks to the success of that first Napa trip, Aurelio, Jr. completed his agronomy studies in 1999 and began building his resumé with stints at Rosemount, Cape Mentelle and Franciscan Estate, before returning to Chile. But, he had to earn his place in the family business, honing his skills at Viña Ventisquero before joining Montes in 2007. He first worked in Apalta and then led the winemaking team at Kaiken from 2011 to 2015. Not surprisingly, Jr. acknowledges that, “Making wine is hard work; we are not magicians.”

More simply, he suggested that, “The job of a winemaker is twofold: half of the job is to make wine and the other half is to understand what the consumer wants.” In this regard, he has worked in five different countries, understanding what is good, learning from other areas and taking that experience and expertise home with him to make better wine.

In illustration of their combined knowledge and expertise, we tasted two Chardonnays from the two different “neighborhoods.” Introducing his cool climate wine, Aurelio, Sr. spoke about playing with proximity to the Pacific Ocean, thereby moving along the same latitude to change the character of the resulting grapes. His Chardonnay was very fresh with bright acidity and predominantly citrus notes.

Similarly, Aurelio, Jr. described his manipulation with the height of his vineyards above sea level to slow down ripening and retain acidity, ultimately producing high altitude Chardonnay. While still quite balanced, his Chardonnay was lower in acidity and displayed riper fruit and slightly more oak.

We then focused our attention on Cabernet Sauvignon with the Chilean version being leaner and more elegant whereas the Argentine Cab was fruitier with a richer, rounder style that was more muscular with riper tannins. While Cabernet Sauvignon is not usually associated with Argentina, Aurelio, Jr. argues that the grape can do well there; it simply hasn’t been planted in the right places. He suggested that as an industry, Argentine producers need to do a better job of identifying the best terroirs and planting vines, but also acknowledged that Argentina’s emphasis on quality wine only came about in the past 15 years.

Turning the tables, we next tasted Malbec, which is much more linked to Argentina than to Chile. Aurelio, Sr. jokingly explained that he was jealous of the success that Argentina has had with this grape and decided to produce his own version at home. His Malbec was fresh and lean, with less spice and intensity than the Argentine version. Yet, the Kaiken Ultra Malbec was still an elegant wine with ripe black and blue fruit and herbal notes, thanks to the extreme terroir of his 1500 m vineyard that Jr. calls “wild black horse of the mountain.”

With their long tenure in wine, the two winemakers are not without their desire to experiment. For Sr., it was a Rhone-style blend of Carignan, Grenache and Mourvèdre (Outer Limits CGM); for Jr., a varietal Cabernet Franc, which he described as being more feminine compared to the “macho wines” Argentina is known for.

Their aspirational wines include the Montes Alpha M, which was Sr.’s attempt to craft a Bordeaux blend as good as one from Bordeaux. By the accolades given in the room, it was clear that he has succeeded with this sophisticated and complex blend. Likewise, the Kaiken Mai is a beautiful Malbec sourced from a heritage vineyard planted in 1910 that has been saved from the encroaching condo development in the Mendoza area. Although 97% of this vineyard is planted to Malbec, a handful of other grapes such as Semillon, Criolla, Cabernet Sauvignon and Cabernet Franc are still mixed in among the vines.

Finally, we closed with a mini-vertical of Taita, a visionary wine named for a term of endearment used for a beloved father, denoting respect and devotion. Dry-farmed on a vineyard with calcium-rich soil (thanks to the detritus from a previous glacier), the wine is primarily made up of Cabernet Sauvignon and is aged for a long period of time before release. My favorite was the 2007, which was still quite structured, but displaying some development on its tenth anniversary.

But, in the end, despite discussions of latitude and altitude, it is all about the wines you like. A common note made during the tasting was how each wine was beautifully made in its own right, but would have greater or lesser appeal depending upon one’s palate preferences. Such thoughts underscore Sr.’s statement that, “You get more human than technical about wine as you get older.”

Plus, as Jimmy Buffet also reminded us in his tune, “With all of our running and all of our cunning, If we couldn’t laugh, we would all go insane.”

Thankfully, both gentlemen readily laugh. Aurelio, Sr. shared an anecdote about that fateful trip to Napa during which Aurelio, Jr. proudly purchased an inexpensive pair of shorts that he proceeded to wear throughout the week, only to discover at the end that they were actually a pair of underwear. Apparently, Chileans only wear briefs; it must be a longitudinal thing.

List of Wines Tasted

  • Montes Alpha Chardonnay 2014, Aconcagua Costa, Chile, $20.00
  • Kaiken Ultra Chardonnay 2014, Mendoza, Argentina, $20.00
  • Montes Alpha Cabernet Sauvignon 2014, Colchagua Valley, Chile, $20.00
  • Kaiken Ultra Cabernet Sauvignon 2014, Mendoza, Argentina, $20.00
  • Montes Alpha Malbec 2014, Colchagua Valley, Chile, $20.00
  • Kaiken Ultra Malbec 2014, Mendoza, Argentina, $20.00
  • Montes Outer Limits CGM 2015, Colchagua Valley, Chile, $25.00
  • Kaiken Obertura Cabernet Franc 2014, Mendoza, Argentina, $35.00
  • Montes Alpha M 2012, Colchagua Valley, Chile, $98.00
  • Kaiken Mai Malbec 2013, Mendoza, Argentina, $70.00
  • Montes Taita Cabernet Sauvignon 2007, Colchagua Valley, Chile, $249.00
  • Montes Taita Cabernet Sauvignon 2009, Colchagua Valley, Chile, $249.00
  • Montes Taita Cabernet Sauvignon 2010, Colchagua Valley, Chile, $249.00

 

Two Tuscan Gems

Synonymous with quality, both Il Poggione and Brunello di Montalcino are well known names in wine, the first a highly-regarded producer of the second, a wine often cited as Italy’s best expressions of the Sangiovese grape.

Hailing from the region of Tuscany, production of these long-lived wines center near the hilltop (monte) town of Montalcino, which takes its name from the oak trees (leccio) found growing there. Brunello’s roots date back to 1869 when Clemente Santi defined the wine as being one produced from 100% Sangiovese and aged for a long period of time in oak. His grandson, Ferruccio Biondi Santi, built upon Clemente’s initial work, establishing strict production standards and isolating a particular clone of Sangiovese, known locally as Brunello.

Initially established in 1966 (and promoted to DOCG status in 1980), today, the Brunello denomination is home to 250 producers and, while the delimited area itself comprises 60,000 acres, only about 5,200 acres are planted to Brunello vineyards. Other wines produced within this same delimited area, but from younger vines and without the lengthy aging requirements, are made under the appellation of Rosso di Montalcino, often referred to as a “Baby Brunello.”

With an even lengthier history, Il Poggione predates Brunello and was founded by the Francesci family in the 1800s, when Lavinio Francesci, a wealthy Florentine landowner, purchased property near Montalcino after hearing of the land’s potential from a local shepherd. Today, the fifth generation of the Francesci family is currently at the company’s helm.

In an unusual symbiotic relationship, the Bindocci family has been instrumental in the winery’s recent history. Fabrizio Bindocci took over as winemaker at Il Poggione in the late 1970s and was later joined in his endeavors by his son, Alessandro. The duo presently work side by side in crafting Il Poggione’s wines.

I first became acquainted with Il Poggione when I visited Montalcino in 2011. More recently, I had the opportunity to taste a selection of current Il Poggione wines with Alessandro at L’Amico in New York. We kicked off the tasting with the Il Poggione Rosso di Montalcino.

Such wines offer a win-win scenario since their shorter production process (there is no aging requirement) permits the wineries to get these wines into the market earlier than their Brunellos and at a much lower cost. In contrast, Brunellos are required to have five years of aging by law (two of which must be in oak) and, while this time and effort results in more complex wines, such complexity and elegance come at a price.

During lunch, Alesandro called his Rosso, a younger brother and was quick to point out that it is a wine with its own identity and not a poor cousin. Produced from vineyards that are less than 15 years in age, the hallmark of Rosso di Montalcinos is their bright red fruit.

“Rosso’s are always about the fruit and the freshness. We make them very clean,” he said. Alessandro added that such wines are still capable of bottle aging 15 years resulting in leather and floral notes with time and occasionally sneaks in an older vintage Rosso wine in vertical tastings with the more vaunted Brunellos to illustrate their quality and aging potential.

Despite the lack of aging requirement, Il Poggione’s Rosso di Montalcino 2014 (SRP $29.99) spent 12 months in oak barrels and barriques, along with an additional 8 months in bottle, before its release. This beautiful wine showed good depth of cherry fruit, with bright, vibrant acidity and a slight woody undercurrent, with long length.

The Rosso wines are also a barometer of the vintage. In 2014, climatic conditions forced producers to cut their Brunello production since it was an okay, not great, vintage. Accordingly, many Brunello grapes were declassified and found their way into Rosso production instead, thereby improving the quality of such wines.

Il Poggione also exceeds the aging requirements for its Brunellos. Their current vintage Brunello 2011 was produced from vines 25 years of age or older and spent three years in oak. However, this longer aging period does not result in an overly oaked wine because their use of oak is actually quite limited given their reliance on larger oak vessels (5000 L in size).

Aged in French oak barrels for 36 months, the Il Poggione Brunello di Montalcino 2011 (SRP $84.99) displayed dark cherry notes, with some dried fruit character and spiciness. In spite of the wine’s full body, it still offered an elegance and finesse along with long length.

At the top of the pyramid, Brunello Riserva wines must be aged for a total of six years. The single-vineyard Il Poggione Brunello di Montalcino Riserva Vigna Paganelli 2010 (SRP $125.00) comes from the oldest vineyard on the Il Poggione estate (planted in 1964) and spent four years aging in large oak vessels, resulting in a powerful wine with cherry, leather and woodiness on the nose and palate, culminating in long length.

The winery’s careful oak management extends to its decision to season its own oak and then assemble the barrels themselves, rather than sourcing them directly from a cooper. Further, in an effort in be sustainable, the barrels are kept for 20 years and shaved every five years. After that, the wood is recycled into floor boards and other non-wine uses. Moreover, the winery has been fully solar-powered for the past three years.

Green efforts also apply outside the winery as Il Poggione propagates its own vines with its own unique clones of Sangiovese and practices sustainable agriculture. Beyond its 300 acres of vineyards, Il Poggione’s 1300-acre property also boasts extensive olive groves, grain fields and livestock, all of which are tended to by hand.

Such attention to detail is labor-intensive and costly, but certainly befitting a jewel in Brunello’s crown.


Navarra Wines, A Confluence of Cultures

dsc_1696Situated in northern Spain, Navarra’s history stretches back to the Romans and includes close links to France, both in terms of its proximity to the country and the fact that the Count of Champagne, Theobald I, also held the title of King of Navarra. The region maintained its independence as a separate kingdom until it finally succumbed to the Castilian empire in 1512.

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Dolias at Villa Romana de Arellano

Coupled with this lengthy history is evidence (vinous vessels, called dolias, unearthed at Villa Romana de Arellano) that Navarran wine has been an important product from the very beginning.

Moreover, given Navarra’s place along the Camino de Santiago, it has been at the crossroads of many cultures for centuries. From the earliest days, pilgrims came from England, France, Germany and elsewhere throughout Europe, bringing their customs and cuttings as they passed through.

dsc_1487This heritage has infused Navarra and its wines with an international outlook and openness to trying new things, while still retaining its traditions. During a visit to the region in 2011, we saw an innovation with new winemaking techniques and experiments with novel grape varieties joined with an equally strong commitment to indigenous varieties.

Navarra’s also wines speak to the lifestyle of the region. The town of Puente la Reina is bustling with activity as people sit outside at cafes and bars on a hot summer’s afternoon, perfect for ordering pinchos (tapas) and a bottle of rosé, which make up 25% of Navarra’s total production. The fresh and fruity wine is the perfect accompaniment to the heat of the day and the diversity of food on the table. Whites play a smaller role, but Chardonnay, Viura and, as of 2008, Sauvignon Blanc, can be found.

dsc_1553Bridging this duality of old and new, the well-worn and well-signed Pilgrim’s Path snakes its way past the medieval castle at Castillo Monjardin. With its eponymous winery, this family estate dates to the 12th century and is currently presided over by Sonia De La Lama and her husband, Victor. Planted to French as well as Spanish grape varieties, their vineyards underscore Navarra’s historical link to France, even though French varieties have only been permitted since the 1980s. dsc_1550

The region’s primary Spanish grapes include Tempranillo and Garnacha, the latter of which are often old vines, averaging 60 to 70 years old. The resulting wines are typically fresher and lighter than their Rhone Valley counterparts due to the area’s elevation and mountains, yet they have great concentration due to the vines’ age.

Another winery with deep roots in the region is Bodegas Nekeas, which traces its vineyards to the 17th century. However, the current configuration of the company dates to 1989 when the descendants of these original grape growers pooled their lands and replanted them, eventually building a winery in 1993.

With a much shorter tenure, Bodegas Príncipe de Viana was created in 1983, taking its cue from an historic Navarran title of Spanish royal succession dating to 1423. Despite its regal name, the winery was actually developed as a way to provide financial assistance to Navarra’s farming industry.

Overall, Navarran wines are easy to drink, food-friendly varietal wines with an emphasis on fruit character. Yet, what is most striking about these wines is their quality. In tasting one wine after another, there is concentration, complexity and beautiful balance in the glass. Even more amazing, most are priced under $20.00 and quite a few are under $15.00, with aged wines – those labeled as Crianza and Reserva – generally topping out at $30.00.

TASTING NOTES


Principe de Viana Chardonnay 2015, Navarra, Spain, $12.00

Although the label proudly acknowledges that the wine was barrel fermented, it is actually quite clean and fresh with only light oak/toothpick notes. Otherwise, it primarily displays aromas of melon, citrus and tropical fruit.

Principe de Viana Edicion Rosa 2015, Navarra, Spain, $15.00
This 100% Garnacha wine is refreshing with bright melon and peach fruit aromas and flavors, good acidity and long length.

Castillo de Monjardin La Cantera Garnacha 2015, Navarra, Spain, $11.00
A really lovely, light-bodied, fresh red with bright red fruits and long length.

Bodegas Nekeas Vega Sindoa Tempranillo 2015, Navarra, Spain, $10.00
Tart strawberry fruit aromas are joined by a slight woody note on the bright, medium-to-full bodied palate.

Cabernet In Pursuit of Excellence

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As the well-worn joke advises, there is only way to get to Carnegie Hall – practice, practice, practice! Taking the stage at this prestigious concert hall is truly the culmination of many years of dedication and commitment to one’s craft and often the pinnacle of one’s musical career.

Thus, the choice of location for the Oakville Winegrowers association’s recent trade and press tasting was apropos. With a roster that reads like a “Who’s Who” of the Napa Valley, names like Far Niente, Opus One, Robert Mondavi Winery and Screaming Eagle, the association’s members have similarly devoted significant time and effort to producing some of the world’s greatest wines. And, certainly numerous analogies could be drawn between a many-layered symphony and a beautifully, complex wine.

Nestled between the Mayacamas Mountains and the Vaca Range, Napa Valley’s Oakville AVA (American Viticultural Area) was established in 1993. Shortly thereafter, its resident wineries and vineyards banded together to create the Oakville Winegrowers association.

Named for the dense groves of oak trees, which previously grew in the area, the town of Oakville was once home to a steam train stop, but is now known for its Cabernet Sauvignon. To showcase the qualities of these wines, an annual trade and press event is held each spring in Oakville. However, this November they took the show on the road, with nineteen of the 54 winery members on hand to taste their Cabernet Sauvignon wines at the Carnegie Hall-based event: A Taste of Oakville.

Some highlights of the tasting include:

Hoopes Vineyards
Starting with ten acres in 1983, Spencer Hoopes eventually decided to stop selling his grapes and make his own wine. Today, he works in partnership with his daughter Lindsay Hoopes. The 2013 ($75.00) offers up rich black fruit, with ripe, yet firm, tannins. The 2003 is much softer, with overt herbal complexity.

Groth Vineyards & Winery
Owned by Dennis and Judy Groth, Groth Vineyards & Winery was established in 1982. Their 2013 Cabernet ($57.00) offers up bright fruit with good tannins and acidity. It’s 2013 Reserve ($130.00) counterpart is oakier and more tannic, needing more time in the cellar, while the 2006 Reserve Cab is drinking well now, with plush texture and luscious black fruit.

Heitz Cellar
First produced in 1966, the iconic Martha’s Vineyard Cabernet Sauvignon was the first label to sport a vineyard designation in the Napa Valley. Founded by Joe and Alice Heitz, Heitz Cellar continues to carry out this legacy with the third generation of the family now actively involved in the winery. The 2010 ($225.00) offered up bright acidity and freshness, but was still quite tight, while the 2009 ($225.00) was much lusher, rounder and herbaceous.

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(c) Oakville Winegrowers association

Paradigm Winery
After a successful career in real estate, California native Ren Harris and his wife, Marilyn (whose Italian grandparents moved to the Napa Valley in 1890), decided to found Paradigm Winery, taking on Heidi Barrett as their winemaker from the start. While I liked the 2012 Cab ($80.00), I was even more impressed with the 2005, which was beautifully resolved, with good fruit, acidity and complexity.

Washington Wine and the World

2016-11-01-11-09-20Bob Betz, MW of Betz Family Winery has been a fixture in Washington State wine for 40 years. He recalls a time when people would ask him where in the DC Metro area he made his Washington wine and is gratified that times have since changed. Yet, while Washington State has gained significant recognition for its wines, there is still much work to do in increasing awareness for them for both industry members and consumers alike.

With an aim toward positioning Washington wine within the global industry, Betz led a comparative seminar for members of the press and trade, which included a blind tasting along with participation from a panel of winemakers: Thomas Pastuszak (Empire Estate wines*), Michael Savage (Savage Grace) and Peter Devison (EFESTE).

Betz framed the conversation with the assertion that every global appellation is based on a cause and effect stemming from its respective growing conditions and physical reality that ultimately result in sensory consequences in the glass.

As Betz explained, Washington – or rather, more specifically – the Columbia Valley’s physical reality is impacted by the collision between the mountain ranges and Pacific air; poor soils that are deeply fractured with low fertility and a low moisture capacity; and a modified continental climate with hot, dry summers and very cold winters. Such existence at the margin of ripeness, combined with the ability to control water — thanks to deep aquifers and mountain snow pack — influences the resulting wines.

Looking at what he called the “chameleon-esque varieties” of Riesling, Syrah and Cabernet Sauvignon, each flight within the tasting started with a known Washington wine example, followed by three or four other blind examples of the same grape. Collectively, the participants made guesses as to the origin of each blind wine (and were correct on a few occasions), but such guessing games were beside the point.

Rather, we began to see how Washington wines fit within the context of a given grape variety and how their sensory consequences compared and contrasted with their global peers. Thus, while one’s palate might prefer the Mosel Riesling to the Columbia Gorge Riesling (or the reverse), it was evident that the quality of the two were equivalent.

Furthermore, the tasting underscored the overarching characteristics of Washington wines: their purity of fruit and their structural integrity, this latter element translating into tension and freshness in the wines.

Admittedly, most consumers’ experience with Washington wines has been limited to large brands because 10% of the 900 wineries are responsible for producing 70% of the state’s volume. However, wines produced by the smaller wineries are available direct-to-consumer and may also be found at higher-end restaurants, if you look for them. Yes, finding them may pose a challenge, but, after tasting the range of wines presented during this seminar, I would highly recommend that you seek them out.

My favorite Washington Wines from this tasting were:

  • Savage Grace Riesling 2015, Columbia Gorge AVA $22
  • EFESTE Evergreen Riesling 2014, Ancient Lakes AVA  $20
  • Betz Family Winery La Serenne Syrah 2014, Yakima Valley AVA $57
  • EFESTE Big Papa Old Block Cabernet Sauvignon 2012, Columbia Valley AVA $60

*NB: Mr. Pastuszak is also the sommelier at The NoMad and a big proponent of Washington wines, although his Empire Estate wines are made in New York State.

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Valpolicella: One Gentle Wine from Verona

2016-11-08-09-23-01Looking for a low tannin, high quality red wine? Look no further than Valpolicella!

This fruity, yet elegant, red wine hails from the Veneto region of northeastern Italy.

We tasted a selection of these wines at a recent Wine Media Guild luncheon and, while I had my favorites, there wasn’t a bad wine in the bunch. Even more impressive, most the wines were priced under $20.00.

While Verona is famous for its balcony, the valley (val), just north of the city, is known for its many (poli) cellars (cella). This amalgamated name has been attributed to the wine since the mid-12th century.

The region relies on indigenous grape varieties, with most wines produced as a blend of Corvina and Corvinone and, to a lesser extent, Rondinella (making up 5% to 30% of the total), supplemented with other authorized, red varieties. The resulting wines have aromas and flavors of berries, cherries and flowers, although I did find some herbaceous notes in a few of the wines we tasted.

Unlike its vinous siblings – Amarone and Ripasso – these wines are not aged nor are they influenced by dried grapes. Consequently, they are wines that are honest about their origins. Looking at the vineyards themselves, the focus has been on reducing chemicals through the Consorzio’s “Reduce Respect Retrench” Project. To date, low impact pest control measures have been implemented for 2,000 ha (approximately 25% of current plantings) and growing.

Wines produced from grapes grown within the most historic (aka classic) area are called Valpolicella Classico DOC, while those from the broader designation are simply, Valpolicella DOC.

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All in all, we tasted 12 wines; these were my top selections:
* Buglioni “Il Valpo” Valpolicella DOC Classico 2015, Veneto, Italy, $19.00
* Scriani Valpolicella DOC Classico 2015, Veneto, Italy, $17.00
* San Cassiano Valpolicella DOC 2014, Veneto, Italy, $N/A
* Fattori “Col de la Bastia” Valpolicella DOC 2015, Veneto, Italy, $N/A
* Massimago Valpolicella DOC 2014, Veneto, Italy, $17.00
* Villa San Carlo Valpolicella DOC 2015, Veneto, Italy, $N/A

The 2014 wines tended to be more acidic in style due to the cooler weather conditions of that vintage, while the 2015 wines were more generous. The Consorzio has very high hopes of the 2016 harvest being even better than 2015.

The wines paired quite well with pasta as well as with a pork dish and are a nice option for this transitional period of late autumn with its crisp, sunny days and cooler nights.

NB: Prices are listed when available on Wine-Searcher.com  All other wines are available in the U.S. somewhere, but not somewhere associated with Wine Searcher.

Alie Shaper asks and answers the question: What If?

2016-10-24-18-12-53 I first met Alie Shaper at a Women for Wine Sense event in February 2010. At the time, the President and Winemaker of Brooklyn Oenology, was four years into her Brooklyn-centric wine brand, which merges New York State agriculture with the vibrancy of New York City culture.

Now, as she celebrates Brooklyn Oenology’s tenth anniversary, she has ventured out with an additional range of wines: As If. The three wines that make up the new collection – a white, rosé and red – are respectively called Serendipity, Courage and Persistence and chart her foray into the wine industry. The Cornell alumna kicked off her career with an engineering degree and a military contract in San Jose, CA before returning to New York to start a life in wine.

This new wine line was conceived in 2014 when Alie received unexpected access to great grapes and saw the opportunity to tell her story – both past and present – through wine: from her serendipitous exposure to the world of wine; her courage to follow her passion; and the continued persistence to make her dreams come true.

Greeting me at the As If launch party, Alie explained that she wanted to, “Do something less about Brooklyn and more metaphysical,” this time around.

All the wines are labeled as New York State, likely for consistency, but the white and red are technically produced from Nork Fork of Long Island fruit and the grapes for the rosé were sourced from the Finger Lakes.

The As If Serendipity White 2014, New York State, (SRP $35.00) is a blend of 40% Chardonnay, 30% Viognier, 30% Sauvignon Blanc. It is fresh with melon, citrus fruit and apple notes, bright acidity and long length.

As Alie pours the As If Courage Rosé 2014, New York State, (SRP $28.00), she quips, “This is literally liquid courage.” The wine brings together 50% Cabernet Franc, 15% Cabernet Sauvignon, 15% Merlot, 10% Syrah and 10% Petit Verdot. It is a deep-colored, dry wine with watermelon, spice and a meatiness/heartiness that make it a good autumn rosé.

Finally, the As If Persistence Red 2014, New York State (SRP $40.00), with 60% Cabernet Franc, 25% Petit Verdot, and 15% Cabernet Sauvignon was my favorite of the three, so I was not surprised when Alie revealed that the Cab Franc came from Macari, one of my favorite Franc producers. This stunning wine displayed complex aromas and flavors of toast, berries, and dried herbs, along with good acidity and long length.

The wines are available for purchase through Brooklyn Oenology.

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Getting ready for Morocco with an introduction to Domaine Ouled Thaleb

The AOGs and AOCs of Morocco, courtesy of Nomadic Distribution

The AOGs and AOCs of Morocco, courtesy of Nomadic Distribution

Morocco has a long and storied history, which includes being divvied up among France, Spain and the British until its independence in 1956. During France’s occupation, land was planted to wine grapes, which helped to quench the palates of thirsty Frenchmen. After their departure, many of the vineyards were abandoned, but today, the Moslem country still grows grapes and makes wine, although many Moroccans don’t indulge in alcohol.

Established in 1923, Domaine Ouled Thaleb is among the oldest Moroccan wineries in existence and helped lead the country’s renaissance in the 1990s. During this period, new vines were planted, with a continued emphasis on French grapes. Domaine Ouled Thaled currently practices organic farming and produces a range of wines, most of which are red, reflective of the country’s Mediterranean climate.

On the (relative) eve of our own departure for Morocco, we had the opportunity to taste two of their wines: Ouled Thaleb Signature 2013 (SRP $28.00) and Aït Souala 2012 (SRP $24.00). Both of these wines are blends, which bring together grapes from the AOG (Appellation of Origin Guaranteed) of Zenata, a coastal region that spans between the northeastern cities of Casablanca and Rabat.

We were very impressed with the Aït Souala, an interesting blend of Arinornoa, Tannat and Malbec. I had initially presumed that Arinornoa was Moroccan, but in fact, it is the result of a 1956 crossing of Merlot with Petit Verdot. So, not Moroccan, but created the same year as Moroccan independence and thus a fitting grape for its production there. This wine displayed aromas of candied cherry, slight herbs and slight wood notes, with the flavors of smoke and smoked meats – almost Syrah in nature – on the medium-bodied palate. It has low tannins, medium acidity and long length.

The Ouled Thaleb Signature brought together Carmenere, Marselan and Petit Verdot, aged for 14 months in barrel along with another 10 months aging in bottle. It has a pronounced nose with spices and dried herbs that persisted on the palate, along with medicinal and earthy notes, which we attributed to brett*. I don’t know if our displeasure with this wine was specific to this bottle or indicative of the wine and I was unable to find alternate reviews to see if our opinion had been shared.

In general, this winery garners praise for its wines, so if you come across them in your local store, I would suggest giving them a try. I was pleasantly surprised how well balanced and elegant the wines were; I expected a much more fruit-forward style given my pre-travel impressions of the country. It will be interesting to see what I think of the other Moroccan wines we encounter on our travels this month.

*Brett (or more correctly, brettanomyces) is a naturally occurring yeast that can add a complexity to the wines, but is controversial as to whether or not it is a flaw in the wine or not.

NB: These wines are distributed by Nomadic Distribution in California and also appear to be available through VOS Selections.

Piper-Heidsieck’s Rare Rose makes its NY debut

2016-09-29-19-51-52Régis Camus, Piper-Heidsieck’s award-winning (he has been named Sparkling Winemaker of the Year eight times) Chef de Caves, likes a challenge and apparently has the patience of a saint.

His latest accomplishment? Crafting a high quality tête de cuvée from the tricky 2007 season.

Camus kicked off his Heidsieck career on the Charles-Heidsieck side of the business before migrating to Piper-Heidsieck in 1994. Once there, he devoted himself to ensuring that the Cuvée Brut NV (non-vintage) – the mainstay of the Champagne house – consistently delivered year in and year out.

Then, in 2000, he expanded his purview to include the company’s prestige cuvée: Rare. His first foray was the beautiful Rare Millésime 2002, adding to the previous seven vintages of this wine. But, in spite of all of this success under his vinous belt, he was anxious to create a rosé counterpart, waiting around for the right opportunity to do so.

In 2007, he decided it was time to pursue this dream. Given its name, it should come as no surprise that part of the concept of Rare is to produce a vintage wine when it is difficult. Only a few Champagne houses crafted a vintage wine in 2007. As Regis quips, “You need guts to do it.”

Yet, he was resolved and, thus, brought together three key elements to guide the creation of his new wine: color, nose and palate. For the wine’s color, he envisioned the pink hues in stained glass; for its nose, he sought the subtleness of red fruit; and for its palate, he wanted the exotic nature, minerality, freshness and purity of the Rare Brut.

Once the potential wine had been assembled and sent off to age on its lees, he waited nine years to release it, but, it was worth the wait.

Bringing together an almost equal blend of Chardonnay and Pinot Noir (56% and 44%, respectively), the wine is delicate and elegant, yet exotic with spice and tea along with red fruit notes of strawberries and raspberries. The spice components linger on the palate throughout the wine’s long length.

2016-09-29-19-49-44While not the most commonly connected food pairing, the Rare Rosé showed beautifully against a backdrop of Tamarind’s high-end Indian cuisine; its exotic elements holding their own with the complex flavors and seasonings of the food.

At $450 per bottle, and with fewer than 800 bottles in the U.S., this is sadly not a wine that I (nor many others) will get to enjoy with any frequency, but, it is a remarkable (and tasty) testament to one man’s perseverance and patience. Santé, Regis!